Trivia: American actress Candice Bergen was a celebrity even before she was born. As the first child of popular radio ventriloquist Edgar Bergen and his young wife Frances, Candice was a hot news item months before her birth, and headline material upon that blessed event (her coming into the world even prompted magazine cartoons which suggested that Edgar would try to confound the nurses by "giving" his new daughter a voice). Candice made her first public appearance as an infant, featured with her parents in a magazine advertisement. Before she was ten, Candice was appearing sporadically on dad's radio program, demonstrating a precocious ability to throw her own voice (a skill she hasn't been called upon to repeat in recent years); at 11 she and Groucho Marx's daughter Melinda were guest contestants on Groucho's TV quiz show You Bet Your Life. Candice loved her parents and luxuriated in her posh lifestyle, though she was set apart from other children in that her "brothers" were the wooden dummies Charlie McCarthy and Mortimer Snerd - and Charlie had a bigger bedroom than she did! Like most 1960s teens, however, she rebelled against the conservatism of her parents and adopted a well-publicized, freewheeling lifestyle - and a movie career. In her first film, The Group (1965), Candice played a wealthy young lesbian - a character light years away from the sensibilities of her old-guard father. She next appeared with Steve McQueen in the big budget The Sand Pebbles (1966), simultaneously running smack dab into the unkind cuts of critics, who made the expected (given her parentage) comments concerning her "wooden" performance. Truth to tell, Candice did look far better than she acted, and this status quo remained throughout most of her film appearances of the late 1960s; even Candice admitted she wasn't much of an actress, though she allowed (in another moment that must have given papa Edgar pause) that she was terrific when required in a film to simulate an orgasm. Several films later, Candice decided to take her career more seriously than did her critics, and began emerging into a talented and reliable actress in such films as Carnal Knowledge (1971) and The Wind and the Lion (1975). Most observers agree that Candice's true turnaround was her touching but hilarious performance as a divorced woman pursuing a singing career - with little in the way of talent - in the Burt Reynolds comedy Starting Over (1979). Candice's roller-coaster offscreen life settled into relative normality when she married French film director Louis Malle; meanwhile, her acting career gained momentum as she sought out and received ever-improving movie and TV roles. In 1988, Candice began a run in the title role of the television sitcom Murphy Brown, in which she was brilliant as a mercurial, high-strung TV newsmagazine reporter, a role that won Ms. Bergen several Emmy Awards. While Murphy Brown capped Candice Bergen's full acceptance by audiences and critics as an actress of stature, it also restored her to "headline" status in 1992 - when, in direct response to the fictional Murphy Brown's decision to become a single mother, Vice President Dan Quayle delivered his notorious "family values" speech.Murphy Brown finished its successful run in 1997, and Bergen would make a handful of big-screen appearances in the ensuing years including Miss Congeniality, Sweet Home Alabama, and The In-Laws. In 2004 she became part of the cast of Boston Legal, another hit show that ran for five often award-winning seasons. When that show came to a close, she appeared in films such as The Women, Sex and the City, and Bride Wars - where she portrayed the country's leading wedding planner.

Trivia: Sweet, Southern Faith Ford is perhaps best known as perky anchorwoman Corky from the long-running sitcom Murphy Brown. After growing up in Virginia, where she honed her passion for acting in school plays, Ford headed off to New York at the age of 17 to pursue a career in show business. She began landing appearances on shows like Webster and the soap opera Another World before changing coasts and trying her luck in Hollywood. She landed a recurring role on the drama thirtysomething, and shortly following, she landed the now-iconic role of Corky on Murphy Brown. Ford stayed with the show through all of its nine seasons, using her downtime to try out other projects like the family movie North. When Murphy Brown ended its run, Ford executive produced and starred in the series Maggie Winters, which got excellent reviews but sadly lasted for only one season. Ford had no shortage of projects, however; she was cast in the hit show Norm in 1999, and in 2003, she took a starring role in the ABC series Hope & Faith, playing a typical, Midwestern mom whose world is turned upside down when her movie-star sister shows up at her door. The popular series lasted until 2006, when Ford started looking for a new project. She found what she was looking for with 2007's comedy series Carpoolers, a show about the hilarious and strange goings-on between a group of men who drive to work together.

Trivia: Joe Regalbuto has been seen in films since 1982, when he played an investigative reporter in Costa-Gavras' Missing. Before his big-screen debut, Regalbuto played shifty Wall Street lawyer Elliot Streeter in the 1979 TV series The Associates. His other TV roles included Toomey, the CPA assistant to bumbling detective Tim Conway in Ace Crawford, Private Eye (1982), and Harry Fisher in Knots Landing (1985-86 series). Regalbuto also labored in what one journalist described as "relative obscurity" on the TV-movie circuit, playing such roles as William C. Sullivan in 1987's J. Edgar Hoover. In his most famous characterization, Joe Regalbuto travelled full circle from his Missing days, playing investigative reporter Frank Fontana on the TV sitcom Murphy Brown (1988- ).

Trivia: Tall, bookish-looking American actor Charles Kimbrough attended Indiana University and Yale before his first off-Broadway appearances in All for Love and Struts and Frets. Beginning in 1966, Kimbrough and then-wife Mary Jane were principal players of the Milwaukee Repertory Theatre, a troupe which included such celebrities-to-be as Michael Tucker and Judith Light. Kimbrough briefly abandoned Milwaukee for Broadway in 1969, garnering excellent revues for his appearance in the 1970 Stephen Sondheim musical Company. He returned to the Milwaukee Rep in the early '70s; so popular were Charles and his wife that, when they left Milwaukee for good in 1972, an original musical was specially commissioned for the Kimbrough's final rep appearance. Remaining active in plays, commercials, and films (The Front [1976], The Seduction of Joe Tynan [1977]), Kimbrough established himself as a reliable if not overly famous presence. Charles Kimbrough finally became a fullfledged celebrity in 1988 with his weekly appearances as newsmagazine anchorman Jim Dial on the Candice Bergen sitcom Murphy Brown.

Trivia: Bulky, blustery American actor Pat Corley came to films in the early '70s after several years of stage character parts. He appeared conspicously (it was hard for a man his size to be inconspicuous) in such films as The Super Cops (1973), The Bad News Bears in Breaking Training (1977), Coming Home (1978), True Confessions (1982) and Against All Odds (1984), often cast as an antagonistic athlete or a law enforcement officer. He also showed up on episodic television, co-starring as shifty baseball-team owner Ray Holtz on Bay City Blues (1983) and bumbling police chief Walter Padgett on He's the Mayor (1986). Since 1989, Pat Corley has been on duty as Phil, the affable bar owner on the Candice Bergen sitcom Murphy Brown.

Trivia: For two decades, it seemed as if cherubic actor Andy Milder would forever be relegated to the sort of thankless television walk-on roles that, while serving well to pay the bills, don't necessarily provide any kind of creative challenge for the talent in question. Sure he had a face that every television viewer could single out thanks to a diverse filmography that included roles in Married with Children, The Wonder Years, NYPD Blue, Star Trek: Deep Space Nine, The West Wing, and Ugly Betty, but thanks to recurring roles on the animated Legion of Super Heroes and the hit Showtime series Weeds he reached a new level of success. Cast as Lightning Lad in the former and stoned husband Dean Hodes in the later, Milder was finally attaining the kind of recognition he deserved. Additional feature roles in Domino, Transformers, and Frost/Nixon found his film career holding up respectably around this time as well. In 2011 he had a small part in that year's Oscar winning Bet Picture, The Artist.

Trivia: Anne Meara started out and ended up a distinguished dramatic actress--and in between, scored high marks as a comedienne, playwright and screenwriter. Launching her career in summer stock in 1950, Meara won an Obie Award for her intensely dramatic performance in the 1955 off-Broadway production Maedchen in Uniform; during this period, she was also a semi-regular on the NBC TV daytime soaper The Greatest Gift. Auditioning for an opera in 1954, she met another struggling actor, Jerry Stiller; they were married the following year. Forming the comedy team of Stiller & Meara, The team skyrocketed to stardom via their many appearances on such 1960s variety series as The Ed Sullivan Show and The Steve Allen Show. One of their richest sources of material was the difference in their ethnic backgrounds, especially in their famous "Hershey Horowitz/Mary Elizabeth Doyle" routines (an Irish Catholic, Meara converted to Judaism upon her marriage to Stiller). They also appeared together on Broadway, in the supporting cast of the 1971 sitcom The Paul Lynde Show, and in an obscure 1975 syndicated TV comedy "filler" series Take Five With Stiller and Meara. On her own, Meara has provided comic and noncomic support to several films, including Lovers and Other Strangers (1970), The Out-of-Towners (1970) and Fame (1980). She starred in the 1975 TV lawyer series Kate McShane, and co-starred as tavern owner Mae on The Corner Bar (1973), divorced airline stewardess Sally Gallagher on the 1976-77 season of Rhoda, acid-tongued cook Veronica Rooney on Archie Bunker's Place (1979-83), and mother-in-law Dorothy Halligan on Alf (1987). In 1983, Meara won the Writers Guild "outstanding achievement" award for her script for the made-for-TV feature Another Woman, and ten years later was nominated for a Tony Award for her portrayal of Marthy in the Broadway revival of Eugene O'Neill's Anna Christie. Anne Meara is the mother of comic actor Ben Stiller and worked with her son in his directorial feature debut, Reality Bites (1994), Zoolander (2001) and Night at the Museum (2006). She recurred on Sex and the City, playing Miranda's mother-in-law, Mary, and later reprised the role in the feature film. Meara died in 2015, at age 85.