Trivia: Like Clark Gable, David Janssen lost quite a few film roles in the early stages of his career because his ears were "too big" and -- also like Gable-- he did pretty well for himself in the long run. The son of a former beauty queen-cum-stage mother, Janssen was virtually strong-armed into show business, appearing as a child actor on-stage and as a juvenile performer in such films as Swamp Fire (1946). Signed to a Universal contract in 1950, he showed up fleetingly in films both big-budget (To Hell and Back) and small (Francis Goes to West Point). Full stardom eluded Janssen until 1957, when he was personally selected by actor/producer Dick Powell to star in the TV version of Powell's radio series Richard Diamond, Private Detective. Though he didn't exactly become a millionaire (for several years he earned a beggarly 750 dollars per week), Janssen's saleability soared as a result of his three-year Diamond gig, and by 1960 he was earning top billing in such Allied Artists productions as King of the Roaring 20s (1960), in which he played gambler Arnold Rothstein, and Hell to Eternity (1960). In 1963, he landed his signature role of Dr. Richard Kimble on TV's The Fugitive. For the next four years, Janssen/Kimble perambulated throughout the country in search of the "one-armed man" who committed the murder for which Kimble was sentenced to death, all the while keeping one step ahead of his dogged pursuer, Lieutenant Gerard (Barry Morse). The final episode of The Fugitive, telecast in August of 1967, was for many years the highest-rated TV episode in history. There was little Janssen could do to top that, though he continued appearing in such films as Warning Shot (1967) and Green Berets (1969), and starring in such TV series as O'Hara, U.S. Treasury (1971) and Harry O (1974-1976). David Janssen died of a sudden heart attack at age 49, not long after completing his final TV movie, City in Fear (1980).

Trivia: The son of a London shopkeeper, Barry Morse enrolled at the Royal Academy of Dramatic Arts at age 15. Upon graduation, Morse spent four years in provincial repertory, playing (by his own count) some 300 roles. In 1942 he made his first film appearance in Will Hays's The Goose Steps Out. Firmly established in London theatrical circles by 1951, he starred in an early BBC telecast of Hamlet--then left for Canada, where he would spend the next decade. Dubbed "the Laurence Olivier of Canada" by more than one admirer, Morse appeared with regularity on the CBC, occasionally producing and directing as well. He began dividing his time between Toronto and Hollywood in 1959, showing up in such American TV anthologies as Playhouse 90 and The Twilight Zone. In 1963, he was hired by producer Quinn Martin to play the diligent Lieutenant Girard in the popular weekly series The Fugitive. Morse's post-Fugitive television work includes two weekly series, The Adventurer (1974) and Space: 1999 (1975-77), and any number of specials and miniseries. Barry Morse's best performances of the past two decades include his interpretation of Menachem Begin in the American miniseries Sadat (1980) and his hilarious turn as a numbskull American president (who happens to be a former movie actor!) in the London Weekend Television black comedy Whoops Apocalypse (1982). Morse died in February 2008 at age 89.

Trivia: While many of Earl Holliman's bucolic screen characters tended to shy away from "book learnin," Holliman himself is a graduate of UCLA. Making his film debut with a one-line bit as a bellboy in Martin and Lewis' Scared Stiff (1953), Holliman went on to featured and co-starring roles in westerns and military dramas, usually cast as a hot-headed rustic with a streak of manic unpredictability. His larger film roles include the comic-relief cook in Forbidden Planet (1956), Katharine Hepburn's girl-happy brother in The Rainmaker (1956)--a performance that earned him a Golden Globe nomination--and Matt Elder in the John Wayne starrer Sons of Katie Elder (1965). A nearly inescapable presence on television, Holliman turned in some impressive work on the many live TV anthologies of the 1950s. His portrayal of a shipwrecked marine in the 1958 Kraft Theatre production "The Sea is Boiling Hot," in which he carried on a one-sided debate with monolingual Japanese officer Sessue Hayakawa, led to his being cast in a similar solo turn in the 1959 Twilight Zone pilot episode "Where is Everybody?" His series-TV credits include the roles of gunslinger-turned-hotelier Sundance in Hotel de Paree (1959), bronco buster Mitch Guthrie in Wide Country (1962), Palm Springs private eye Matthew Durning in PS I Luv U (1991) and barkeep Darden Towe in Delta (1992). Undoubtedly his most famous TV assignment was as Angie Dickinson's superior officer Lt. Bill Crowley in the weekly Police Woman (1974-78). Most recently Earl Holliman made a most welcome guest appearance as Lea Thompson's Wisconsinite dad in the TV sitcom Caroline in the City.

Trivia: Cincinnati native Collin Wilcox Paxton honed her performing skills with the Chicago improve troupe the Compass Players in the 1950s before moving eastward to cultivate a successful career on Broadway. She appeared in productions like The Day Money Stopped and Look, We've Come Through and also worked in the realm of movies, most notably playing Mayella Violet Ewell in the 1962 film To Kill a Mockingbird. She continued to act throughout the coming decades, appearing in Catch-22, Jaws 2, Midnight in the Garden of Good and Evil, and many other projects. Paxton passed away in 2009 at the age of 74.

Trivia: Bruce MacLeish Dern is the scion of a distinguished family of politicians and men of letters that includes his uncle, the distinguished poet/playwright Archibald MacLeish. After a prestigious education at New Trier High and Choate Preparatory, Dern enrolled at the University of Pennsylvania, only to drop out abruptly in favor of Lee Strasberg's Actors' Studio. With his phlegmatic voice and schoolyard-bully countenance, he was not considered a likely candidate for stardom, and was often treated derisively by his fellow students. In 1958, he made his first Broadway appearance in A Touch of the Poet. Two years later, he was hired by director Elia Kazan to play a bit role in the 20th Century Fox production Wild River. He was a bit more prominent on TV, appearing regularly as E.J. Stocker in the contemporary Western series Stoney Burke. A favorite of Alfred Hitchcock, Dern was prominently cast in a handful of the director's TV-anthology episodes, and as the unfortunate sailor in the flashback sequences of the feature film Marnie (1964). During this period, Dern played as many victims as victimizers; he was just as memorable being hacked to death by Victor Buono in Hush...Hush, Sweet Charlotte (1965) as he was while attempting to rape Linda Evans on TV's The Big Valley. Through the auspices of his close friend Jack Nicholson, Dern showed up in several Roger Corman productions of the mid-'60s, reaching a high point as Peter Fonda's "guide" through LSD-land in The Trip (1967). The actor's ever-increasing fan following amongst disenfranchised younger filmgoers shot up dramatically when he gunned down Establishment icon John Wayne in The Cowboys (1971). After scoring a critical hit with his supporting part in They Shoot Horses, Don't They? (1969), Dern began attaining leading roles in such films as Silent Running (1971), The King of Marvin Gardens (1972), The Great Gatsby (1974), and Smile (1975). In 1976, he returned to the Hitchcock fold, this time with top billing, in Family Plot. Previously honored with a National Society of Film Critics award for his work in the Jack Nicholson-directed Drive, He Said (1970), Dern received an Academy Award nomination for his portrayal of an unhinged Vietnam veteran in Coming Home (1978), in which he co-starred with one-time Actors' Studio colleague (and former classroom tormentor) Jane Fonda. He followed this triumph with a return to Broadway in the 1979 production Strangers. In 1982, Dern won the Berlin Film Festival Best Actor prize for That Championship Season. He then devoted several years to stage and TV work, returning to features in the strenuous role of a middle-aged long distance runner in On the Edge (1986).After a humorous turn in the 1989 Tom Hanks comedy The 'Burbs, Dern dropped beneath the radar for much of the '90s. He would appear in cult favorites like Mulholland Falls and the Walter Hill Yojimbo re-make Last Man Standing (both 1996), as well as The Haunting (1999) and All the Pretty Horses (2000). As the 2000's unfolded, Dern would continue to act, apperaing most notably in film like Monster and Django Unchained.Formerly married to actress Diane Ladd, Bruce Dern is the father of actress Laura Dern.