Trivia: Born February 18, 1954, in Englewood, John Travolta was the youngest of six children in a family of entertainers; all but one of his siblings pursued showbusiness careers as well. By the age of 12 Travolta himself had already joined an area actors' group, and soon began appearing in local musicals and dinner-theater performances. By age 16, he dropped out of high school to take up acting full-time, relocating to Manhattan to make his off-Broadway debut in 1972 in Rain, and a minor role in the touring company of the hit musical Grease followed.In 1975, Travolta was cast in an ABC sitcom entitled Welcome Back, Kotter. As Vinnie Barbarino, a dim-witted high school Lothario, he shot to overnight superstardom, and his face instantly adorned T-shirts and lunch boxes. Before the first episode of the series even aired, he also won a small role in Brian De Palma's 1976 horror picture Carrie, and at the early peak of his Kotter success he even recorded a series of pop music LPs -- Can't Let Go, John Travolta, and Travolta Fever -- scoring a major hit with the single "Let Her In." Approached with a role in Terrence Malick's Days of Heaven, he was forced to reject the project in the face of a busy Kotter schedule, but in 1976 he was able to shoot a TV feature, director Randal Kleiser's The Boy in the Plastic Bubble, which won considerable critical acclaim. Diana Hyland, the actress who played Travolta's mother in the picture, also became his offscreen lover until her death from cancer in 1977.In the wake of Hyland's death, Travolta's first major feature film, John Badham's Saturday Night Fever (1977), emerged in the fall of that year. A latter-day Rebel Without a Cause set against the backdrop of the New York City disco nightlife, it positioned Travolta as the most talked-about young star in Hollywood. In addition to earning his first Academy Award nomination for Best Actor, he also became an icon of the era, his white-suited visage and cocky, rhythmic strut enduring as defining images of late-'70s American culture. In 1978, he starred in Kleiser's film adaptation of Grease, this time essaying the lead role of 1950s greaser Danny Zuko. Its box-office success was even greater than Saturday Night Fever's, becoming a perennial fan favorite and, like its predecessor, spawning a massively popular soundtrack LP. In the light of his back-to-back successes, as well as the continued popularity of Welcome Back, Kotter -- on which he still occasionally appeared -- it seemed Travolta could do no wrong - but things wouldn't always be so rosy for the performer.Travolta's first misstep was 1978's Moment By Moment, a laughable May-December romance with Lily Tomlin. He then reprised the role of Tony Manero in the Saturday Night Fever sequel Staying Alive. Directed by Sylvester Stallone as a kind of Rocky retread, the film was released in 1983 to embarrassing returns and horrendous reviews. It would prove to be just one in a string of '80s stinkers for the actor, followed by disappointments like Two of a Kind, Perfect, and The Experts. He made a minor comeback with 1989's Look Who's Talking, which fared well at the box office, but the movie did little for Travolta's reputation, and the performer was all but completely washed up by the beginning of the '90s.Then, in 1994, Travolta made one of the most stunning comebacks in entertainment history by starring in Pulp Fiction, a lavishly acclaimed crime film written and directed by Quentin Tarantino, a longtime Travolta fan who wrote the role of Vincent Vega specifically with the actor in mind; Travolta reportedly waived his salary to play the role. A critical as well as commercial smash, Pulp Fiction introduced Travolta to a new generation of moviegoers, and suddenly he was again a major star who could command a massive salary, with a second Academy Award nomination to prove it.In the wake of Pulp Fiction, the resurrected Travolta became one of the hardest-working actors in Hollywood, and on Tarantino's advice he accepted the starring role in director Barry Sonnenfeld's 1995 Elmore Leonard adaptation Get Shorty. Acclaimed by many critics as his finest performance to date, it was another major hit, and he followed it by appearing in the 1996 John Woo action tale Broken Arrow. Phenomenon was another smash that same summer, and by Christmas Travolta was back in theaters as a disreputable angel in Michael. The following year he reunited with Woo in the highly successful thriller Face/Off, which he trailed with a supporting turn in Nick Cassavetes' She's So Lovely. After 1997's Mad City, Travolta began work on Primary Colors, Mike Nichols' political satire, portraying a charismatic, Bill Clinton-like U.S. President. An adaptation of the acclaimed book A Civil Action followed, as did the 1999 thriller The General's Daughter, in which Travolta co-starred with Madeline Stowe. Travolta did suffer an embarrassment in 2000, when he produced and starred in the sci-fi thriller Battlefield Earth, based on the novel by Scientology founder L. Ron Hubbard (whose teachings Travolta publicly admired and advocated). The film was universally panned as so bad it was funny, but Travolta bounced back, shedding some pounds to play the baddie in 2001 action thriller Swordfish. A complex tale of mixed loyalties, computer hacking, and espionage, Swordfish teamed Travolta with X-Men star Hugh Jackman in hopes of dominating the summer box office. This put Travolta in good shape to weather another disappointment, when his dramatic Oscar contender A Love Song for Bobby Long, was not well received by audiences or critics. While he received more praise for his performance in Ladder 49, a film about the lives of firefighters, his career took another hit in 2004 when he reprised the role of Chili Palmer in Be Cool, a sequel to Get Shorty that proved to have none of the magic that made its predecessor so successful. Unfazed, Travolta signed on to star in the 2007 Baby Boomer comedy Wild Hogs, alongside a dream cast of Tim Allen, Martin Lawrence and William H. Macy, who played four listless suburbanites who decide to "live on the edge" by grabbing their sawed-off choppers and hitting the open road as would-be Hell's Angels. Later that year, Travolta took another comedic turn in Hairspray, Adam Shankman's screen adaptation of the stage musical (which, in turn, is an adaptation of John Waters's 1988 feature), which put Travolta in drag to play the heavy set, bouffant hair-do'd mother once played by drag queen Divine. He would follow this up with some middling action fare, with The Taking of Pelham 13 and From Paris with Love, as well as a sequel to Wild Hogs, 2009's Old Dogs.

Trivia: Actor Nicolas Cage has always strived to make a name for himself based on his work, rather than on his lineage. As the nephew of filmmaker Francis Ford Coppola, Cage altered his last name to avoid accusations of nepotism. (He chose "Cage" both out of admiration for avant-garde musician John Cage and en homage to comic book hero Luke Cage). Even if he had retained the family name, it isn't likely that anyone would consider Cage holding fast to his uncle's coattails. Time and again, Cage travels to great lengths to add verisimilitude to his roles.Born January 7, 1964, in Long Beach, CA, to a literature professor father and dancer/choreographer mother, Cage first caught the acting bug while a student at Beverly Hills High School. After graduation, he debuted on film with a small part in Amy Heckerling's 1982 classic Fast Times at Ridgemont High. Following a lead role in Martha Coolidge's cult comedy Valley Girl (1983), Cage spent the remainder of the decade playing endearingly bizarre and disreputable men, most notably as Crazy Charlie the Appliance King in Peggy Sue Got Married (1986), Hi McDonough in Raising Arizona (1987), and Ronny Cammareri in the same year's Moonstruck, the last of which won him a Golden Globe nomination and a legion of female fans, ecstatic over the actor's unconventional romantic appeal.The '90s saw Cage assume a series of diverse roles, ranging from a violent ex-con in David Lynch's Wild at Heart (1990) to a sweet-natured private eye in the romantic comedy Honeymoon in Vegas (1992) to a dying alcoholic in Mike Figgis' astonishing Leaving Las Vegas (1995). For this last role, Cage won a Best Actor Oscar for his quietly devastating portrayal, and, respectability in hand, gained an official entrance into Hollywood's higher ranks. After winning his Oscar, along with a score of other honors for his performance, Cage switched gears in a way that would prove to be, with the occasional exception, largely permanent. He dove into a series of action movies like the Michael Bay thriller The Rock, the prisoners-on-a-plane movie Con Air, and the infamous John Woo flick Face/Off. Greeted with hefty paychecks and audience approval, Cage forged ahead on a career path lit largely with explosions.There would be exceptions, like 1998's City of Angels, a remake of Wim Wenders' Wings of Desire, and Martin Scorsese's Bringing Out the Dead, and the the lightly dramatic romantic comedy The Family Man, but Cage stuck mostly to thrillers and action movies. A spate of such films would fill his resume, like Gone in 60 Seconds, The Life of David Gale, 8MM, and Snake Eyes, but Cage would briefly revisit his roots in character work, teaming with Being John Malkovich director Spike Jonze in 2002 for a duel role in the complex comedy Adaptation (2002). With Cage appearing as both screenwriter Charlie Kaufman as well as his fictional brother Donald, Adaptation followed Charlie's attempt to adapt author Susan Orlean's seemingly unfilmable novel The Orchid Thief as a feature film, and Donald's parallel efforts to write his own hacky yet lucrative script by following the guidance of a caustic, Syd Field-like screenwriting instructor (Brian Cox). A weighty role that demanded an actor capable of portraying characters that couldn't differ more emotionally despite their outward appearance, Adaptation brought Cage his second Oscar nomination -- and he was soon back to business as usual.2004 saw the release of the megahit adventure film National Treasure, which cast Cage as an archaeologist convinced there's a treasure map on the back of the U.S. Declaration of Independence. The outrageous film would earn a sequel in 2007, but first Cage made the ill-advised decision to star in Neil LaBute's reworking of the Robin Hardy/Anthony Shaffer collaboration The Wicker Man (2006). Though video compilations of the movie's most hilariously hackneyed moments would become popular on the internet, Cage was soon portraying a motorcycle-driving stuntman who sells his soul to Mephistopheles -- in Mark Steven Johnson's live-action comic book adaptation Ghost Rider. Upon premiering in the States, the film became a big success. In the same year's sci-fi thriller Next, directed by Lee Tamahori, Cage plays Cris Johnson, a man who attains the ability to see into the future and must suddenly decide between saving himself and saving the world; the film failed to ignite the way Ghost Rider did just a couple months before it. Next came Bangkok Dangerous, Knowing, The Bad Lieutenant: Port of Call - New Orleans, Drive Angry, Seeking Justice, and Trespass -- all high octane, high adrenaline movies that found Cage diving, leaping, and shooting his way through the story. Cage found himself with a surprise hit in Matthew Vaughn's Kick-Ass (2010), playing a vigilante former cop in the black comedy film. He voiced the main character in 2013's animated The Croods, but then mostly stuck to action-crime-thriller-type movies for the next couple of years, including films like Left Behind (2014), The Runner (2015) and The Trust (2016).

Trivia: Largely underappreciated for years in Hollywood before her Oscar-nominated turn as the First Lady in Nixon (1995), Joan Allen has had a distinguished career encompassing the stage, screen, and television. A native of Rochelle, Illinois, where she was born August 20, 1956, the blond, swanlike actress developed an interest in acting while in high school. Voted Most Likely to Succeed by her senior class, Allen went on to study theatre at Eastern Illinois University. She then moved to Chicago, where she became one of the founding members of the vaunted Steppenwolf Theatre Company, along with such respected talents as Gary Sinise and John Malkovich.Allen made her screen debut with a small role in the 1985 film Compromising Positions and a year later played two wildly different characters in Manhunter and Peggy Sue Got Married. Her portrayals of a tragically confused young woman who attempts to seduce a serial killer in the former film and a brainy high school student in the latter impressed a number of critics, but it was on the stage that Allen was most appreciated. In 1988, she won a Tony award for her Broadway debut performance in Burn This, and a year later she earned her second Tony nomination for her role in Wendy Wasserstein's highly acclaimed The Heidi Chronicles.Following increasingly substantial roles in such films as In Country (1989), Ethan Frome (1992), and Searching for Bobby Fischer (1993), Allen won a Best Supporting Actress Oscar nomination for her stunning portrayal of First Lady Pat Nixon in Oliver Stone's Nixon. The acclaim surrounding her performance in the 1995 film finally gave Allen the Hollywood recognition she deserved; the following year this recognition was further enhanced with her Oscar-nominated turn as the long-suffering Elizabeth Proctor in Nicholas Hytner's adaptation of The Crucible.More praise came Allen's way in 1997, when she headlined a stellar ensemble cast in Ang Lee's lauded adaptation of Rick Moody's The Ice Storm. Starring as a troubled upper middle-class Connecticut housewife alongside the likes of Kevin Kline, Sigourney Weaver, Christina Ricci, and Tobey Maguire, Allen gave repression a stirring, beautifully nuanced name. That same year she went in a completely different direction, starring as the wife of an FBI agent (John Travolta) in John Woo's popular action thriller Face/Off. Allen returned to the realm of the repressed housewife in 1998, starring (and reuniting with Maguire) in the acclaimed 1950s-set comedy drama Pleasantville. The turn of the century found Allen taking leads in a trio of issue-oriented dramas: In the multi-character handgun treatise All the Rage (released on video in 2000), she played the wife of a short-fused lawyer (reuniting with Pleasantville's Jeff Daniels in the process); in the Irish production When the Sky Falls, she teamed with The Long Good Friday (1980) director John Mackenzie to tell the true, tragic story of a Dublin crime reporter; and in Rod Lurie's The Contender, Allen nabbed her biggest role to date -- and her first Best Actress Oscar nomination -- as a would-be U.S. vice president who finds herself at the center of a sex scandal.After all the attention for The Contender, the savvy Allen continued to oscillate between big roles in low-profile independent films and small roles in big-budget popcorn fare, to even greater success. She featured prominently in two of the biggest box-office hits of 2004: the sentimental romance The Notebook and the wildly successful second installment of the Jason Bourne franchise, The Bourne Supremacy. In the latter, she dug into a meaty, sympathetic supporting role as an all-business CIA agent who pursues the framed title character. Spring 2005 saw the near-concurrent release of two of her indie films, both of which premiered at Sundance Festivals from years prior: Campbell Scott's lapsed-hippie family drama Off the Map and Mike Binder's Terms of Endearment-ish saga The Upside of Anger. The former cast Allen against type as a let-it-all-hang-out New Mexico naturalist who finds her family coming apart at the seams in the mid-1970s. More widely acclaimed was her Anger appearance: As a drunk, headstrong, suburban Detroit housewife who lashes out at her four daughters -- and everyone else -- after her husband leaves the family, Allen turned in a performance that was both caustic and relatable, and garnered some of the best notices of her film career.In 2008 she played the bad guy in the action film Death Race, and the year after that she starred as Georgia O'Keefe in the biopic about her directed by Bob Balaban. She returned to the role of Pamela Landy for The Bourne Legacy, the Tony Gilroy directed reboot of the popular franchise that featured Jeremy Renner taking over the title role.

Trivia: Often mistaken for British, Alessandro Nivola has established himself as one of the American actors most likely to assume a flawless English accent in his films. Nivola, whose combination of charismatic good looks, vowel-laden name, and work in a number of British films have both confused and delighted critics and viewers, is actually a product of the East Coast. The son of an Italian-born academic father and a Boston blue-blood mother, Nivola was born and raised in Boston. Taking an early interest in acting, he grew up attending drama camp in the summer and got an internship at the Eugene O'Neill Theatre in Waterford, Connecticut, where he began acting on the stage. His love of acting continued while he was a student at the Tony Philips Exeter Academy and Yale University; by the time he was a sophomore at Yale, he had landed an agent and was making regular trips to New York City for auditions.Nivola got his first professional jobs with the Yale Repertory Theatre and a Seattle-based company. He broke into films in 1997 with a small role in Inventing the Abbotts and the more substantial part of Nicolas Cage's psychotic genius brother in John Woo's Face/Off. He then crossed the ocean, and the accent barrier, to star in the British noir drama I Want You (1998), which cast him as an enigmatic man with a dark past, and in Patricia Rozema's saucy adaptation of Mansfield Park (1998). It was the latter film that gave Nivola his first significant dose of recognition and respect, with critics and viewers alike marveling at his portrayal of the dashing and morally dubious Henry Crawford, not to mention his seamless English accent. Nivola again worked with a largely British cast and crew the following year to make Kenneth Branagh's musical version of Love's Labour's Lost (2000), in which he played a king whose vow to forsake love for intellectual enlightenment becomes severely jeopardized by the arrival of a comely French princess (Alicia Silverstone) and her ladies in waiting. That same year, he returned to the other side of the Atlantic to portray a Backstreet Boys-type singer in Mike Figgis' Time Code 2000, an experimental feature filmed entirely in one take. In the years to come, Nivola would remain a consistent presence on screen, appearing in movies like Junebug, Grace is Gone, and The Eye, as well as on the TV series The Company.

Trivia: Sultry, dark-eyed, brunette leading actress Gina Gershon mixes a muscular toughness with her seductive femininity. Born June 10th, 1962, Gershon wasthe youngest of five children. Raised in Los Angeles' San Fernando Valley, Gershon gets her exotic looks from her French, Russian, and Dutch heritage. After high school, she decided she wanted a more sophisticated image than those usually attributed to Valley Girls like herself and so moved to the Big Apple, to earn a bachelor of arts degree at New York University. While in New York, she studied acting with such well-known teachers as Sandra Seacat, David Mamet, and Harold Guskin. She started out in theater and worked on both coasts.Since the mid-'80s, Gershon has carved out a living as a reliable character actress on both the big and the small screens. Her most notable role on the tube was that of Nancy Sinatra, the famous wife of Old Blue Eyes himself, in the CBS miniseries Sinatra (1994). Gershon made her feature film debut playing a small role opposite Molly Ringwald in 1986's Pretty in Pink, and graduated to the jucier role of of Coral opposite Tom Cruise in Cocktail (1988). Through the 1990s, Gershon vascillated between high-brow and low-brow fare, the former exemplified by her memorable turns in John Sayles's City of Hope (1991), Robert Altman's The Player (1992), and Michael Mann's The Insider (1999); the latter, by her gleeful, scenery-chewing work in Best of the Best 3 and the infamous Showgirls (both 1995). Gershon's signature role, however, was a synthesis of B-movie pulp and indie smarts, courtesy of the Wachowski brothers' twisty 1996 neo-noir Bound. Cast as a woman falling in love with an abusive gangster's moll, Gershon was able to radiate an intelligence, sexuality, and power not afforded her by previous scripts, and the lead part would go a long way in establishing her screen persona into the new millenium.Gershon enjoyed success in 1997 when she co-starred with Nicolas and John Travolta in the blockbuster action thriller Face/Off, and again in 1999 with a role in The Insider. The actress co-starred with Dennis Hopper in the crime thriller Out of Season (2004), and the 2006 comedies Delirious and I Want Someone to Eat Cheese With. In 2010, Gershon appeared in The Love Ranch, a period film documenting the true story of Nevada's first legal brothel.

Trivia: An actress who won a significant dose of notoriety for her title role in Adrian Lyne's 1997 adaptation of Lolita, Dominique Swain had the dubious honor of being caught up in the scandal of her feature film debut. Thanks to the content of the film -- which, unlike Stanley Kubrick's earlier version of Nabokov's novel, emphasized its more explicitly sexual aspects -- Lolita had great difficulty finding a U.S. distributor and was effectively consigned to video store shelves. However, many of the critics who did see the film were impressed with Swain's performance, remarking that she more than held her own opposite such seasoned costars as Jeremy Irons and Melanie Griffith.Born, according to legend, in the back of her father's Datsun somewhere on the Santa Monica Freeway on August 12, 1980, Swain grew up with three sisters (one of whom, Chelsea, is also an actress) in Malibu. Her interest in acting led to a role as a stunt double in The Good Son and an audition for the lead in Lolita; the fledgling actress was eventually chosen for the part by director Lyne over 2,500 hopefuls. Following her work in the 1997 film, Swain appeared as the rebellious daughter of John Travolta and Joan Allen in John Woo's Face/Off later that same year, and then starred as the eponymous heroine of Girl (1998), a coming-of-age drama about a spoiled high school student trying to make sense of sex.Swain's growing popularity was more than adequately demonstrated in 2000, when she was involved in no less than eight screen projects. Included amongst them were The Smokers, in which the actress played one of a trio of teens who want revenge on their boyfriends, and Intern, which cast her in the title role of an intern who becomes the head of a fashion magazine. She went on to appear in Tart, Happy Campers, New Best Friend, Out of Season, Alpha Dog, Toxic, Road to Nowhere, and Nazis at the Center of the Earth.

Trivia: Scion of renowned maverick director John Cassavetes and extraordinary actress Gena Rowlands, Nick Cassavetes was an actor for over a decade before he added writing and directing to his Hollywood repertoire. Born and raised in New York, Cassavetes appeared in two of his father's films, Husbands (1970) and A Woman Under the Influence (1974), while growing up. The sturdy, 6'4" Cassavetes did not, however, want to be an actor and attended Syracuse University on a basketball scholarship. After an injury ended his collegiate athletic career, Cassavetes re-thought his aspirations and headed to his parents' alma mater, the American Academy of Dramatic Arts.Though he scored his first role as an adult in Peter Bogdanovich's acclaimed drama Mask (1985), Cassavetes made his living appearing in numerous B-movies during the 1980s and early '90s. Along with such actioners as Black Moon Rising (1986), Under the Gun (1988), and The Wraith (1987) (with fellow Hollywood offspring Charlie Sheen), Cassavetes also starred in several softcore movies, including Body of Influence (1991). By the mid-'90s, Cassavetes left B-movies for a role as Dorothy Parker's lover, writer Robert Sherwood, in Alan Rudolph's Mrs. Parker and the Vicious Circle (1994) and his own debut as a movie writer and director. Drawing on his mother's experience after his father's 1989 death and featuring a superb performance by Rowlands, Unhook the Stars (1996) was a perceptive slice-of-life drama about a widow's relationship with her young single-mother neighbor. Further paying homage to his roots, Cassavetes then directed one of his father's unproduced screenplays, She's So Lovely (1997). Starring Sean Penn and Robin Wright Penn as a couple that defines l'amour fou and John Travolta as Wright Penn's tough yet paternal second husband, She's So Lovely was true to the elder Cassavetes' distinct, keen voice and won prizes for cinematography and Penn's flamboyant performance at the Cannes Film Festival. Cassavetes also appeared onscreen that same year with Travolta, as super criminal Castor Troy's bald cohort Dietrich in John Woo's summer blockbuster Face/Off (1997). Appearing in higher profile fare than most of his prior acting work, Cassavetes followed Face/Off with roles in the Johnny Depp-Charlize Theron sci-fi thriller The Astronaut's Wife (1999) and Ted Demme's Eddie Murphy-Martin Lawrence prison movie Life (1999). Continuing his associations with Demme and Depp, Cassavetes subsequently co-wrote the director's final film Blow (2001), about the rise and fall of a 1970s and '80s American cocaine kingpin. Returning to the director's chair for a project that spoke to his experience with his own daughter's heart disease, Cassavetes took on his first big-budget Hollywood genre film, John Q. (2002). Starring Denzel Washington as a desperate working-class father who turns to violence when his HMO won't cover his son's heart transplant, this unconvincing piece of schlock received devastating reviews across the board. American critics described it, alternately, as "So lacking in shame that it finally seems laughable, "[a] movie [that] transcends stupidity and soars into the empyrean of true idiocy," and "A shamelessly manipulative commercial on behalf of national health insurance." The director fared immeasurably better in 2004 with The Notebook. As penned by Jeremy Leven and Jan Sardi, this gentle and evocative adaptation of Nicholas Sparks' bestselling novel follows an elderly man (James Garner) who reads a heartbreaking period love story aloud to a female nursing home resident (Gena Rowlands). The film then plays out the story-within-the-story, about a couple who share the greatest summer of their lives with one another, and are then irrevocably separated by their parents and the rise of World War II. The press responded far more kindly to The Notebook when it premiered in the U.S. on June 25, 2004. Michael Wilmington's comments typified the response: "[It] may be corny," he noted, "But it's also absorbing, sweet, and powerfully acted. It's a film about falling in love and looking back on it, and it avoids many of the genre's syrupy dangers." Audiences flocked to the picture, and turned it into one of the sleeper hits of the year.Cassavetes' fifth directorial outing, Alpha Dog (2007), constitutes a biopic of Jesse James Hollywood (played by Emile Hirsch), a young murderer, thief, kidnapper, junkie, and dealer who became one of the youngest individuals in history to make the FBI's 10 Most Wanted List. The film finds Hollywood foolishly attempting to clear the account of one of his clients by nabbing the boy's younger brother and holding him for ransom. He thus sets into motion a horrifying cycle of violence that precipitates his own demise. The picture co-stars Justin Timberlake and Sharon Stone. Over the coming years, Cassavetes would direct movies like My Sister's Keeper.

Trivia: First earning an international reputation in opera and musical comedy, Harve Presnell made his feature-film debut in the film adaptation of the hit Broadway musical The Unsinkable Molly Brown playing opposite Debbie Reynolds. Though he has spent the bulk of his career on the stage, Presnell periodically appeared in other films through the '70s. After taking no film roles in the '80s, Presnell re-emerged in the Coen brothers' Fargo (1996) and continued to play character roles in films such as Julian Po (1997) and Saving Private Ryan (1998).

Trivia: A classically trained stage star in his adopted home of Canada, Colm Feore became an increasingly familiar presence to movie and TV audiences as a prolific supporting actor in the 1990s.Though he was born in the U.S. and spent the first years of his life in Ireland, Feore and his family moved to Ottawa when he was three and Canada became his official home. After studying acting at Canada's National Theater School, Feore built a distinguished Canadian stage career, performing in over 40 productions during 13 seasons with the prestigious Stratford Festival.Feore began adding film and TV to his acting experience in the late '80s with such movies as Iron Eagle II (1988), Bethune: The Making of a Hero (1989), Beautiful Dreamers (1991) and Truman (1995). His non-stage career expanded further in the latter half of the 1990s and into the 2000s with numerous roles in a wide range of projects likeFace/Off, The Wrong Guy (1998), City of Angels, Titus (1999), and Michael Mann's Oscar-nominated docudrama, The Insider (1999). Though he spent part of 2000 acting in the New York Public Theater production of Shakespeare's Hamlet, Feore was soon back in front of the cameras in an eclectic mix of works, like off-center murder mystery The Caveman's Valentine (2001) and played Admiral Kimmel in Michael Bay's overblown blockbuster Pearl Harbor (2001). As the years rolled on, Feore would continue to remain an active force on screen, appearing in movies like Chicago, Paycheck, The Exorcism of Emily Rose, Changeling, and Thor. Feore would also find success on the small screen on shows like 24 and The Borgias.

Trivia: Character actor John Carroll Lynch first gained notice for his performance as Frances McDormand's sweet and supportive husband in the Coen brother's critically acclaimed Fargo. He subsequently appeared on the ABC sitcom The Drew Carey Show as the title character's cross-dressing brother. The role was initially a recurring one, but Lynch was eventually added as a full-time cast member. Along the way, he also popped up in a number of small roles in large films like 1997's Volcano and 2000's Gone in 60 Seconds.Following the cancellation of The Drew Carey Show, Lynch switched gears from comedy to drama, but stayed on the small screen, taking a role on HBO's bleak and bizarre Carnivàle. That stint was followed by a season on the CBS legal drama Close to Home. And in 2007, he was cast alongside Anthony Anderson and Cole Hauser in Fox's post-Hurricane Katrina cop show K-Ville. That same year, he could be seen on the big-screen in David Fincher's Zodiac. Lynch would remain an active perormer for years to come, appearing in movies like Shutter Island and Crazy, Stupid, Love, as well as starring on TV shows like Body of Proof.

Trivia: Born in Guyana on December 25, 1952, actress CCH Pounder made her first film appearance as a nurse in Bob Fosse's All That Jazz (1979). Pounder went on to play a small part in Prizzi's Honor before her first big role as truckstop owner Brenda in Bagdad Cafe. Her first TV-series assignment was as husband-murderer Dawn Murphy in the short-lived FOX sitcom Women in Prison. Many dramatic TV movies followed, including Leap of Faith, Third Degree Burn, Murder in Mississippi, and the two-part CBS miniseries Common Ground. On the big screen, she had supporting parts in Postcards From the Edge, Kurt Baker's version of The Importance of Being Earnest, and the romantic comedy Benny & Joon. After appearing in Sliver and Robocop 3, she returned to television for the role of Dr. Angela Hicks on ER, earning her an Emmy nomination for Outstanding Supporting Actress. She left the show in 1997 and went on to countless TV movies (Final Justice, Netforce, A Touch of Hope, just to name a few), as well as a couple feature films (Face/Off, End of Days) and TV miniseries (House of Frankenstein, To Serve and Protect). In 2001, she narrated the PBS documentary series Race: The Power of an Illusion and played a judge in Allison Anders' independent drama Things Behind the Sun. In 2002, she was back on television as Detective Claudette Wynn on the FOX police drama The Shield.Pounder continued to work on The Shield until the series concluded in 2007, and was nominated for Best Supporting Actress in a Drama Series by the Academy of Television Arts and Sciences for her role as Detective Wynn. The actress appeared in 2009's psychological horror The Orphan, and voiced Mo'at, the spiritual leader of the Omaticaya clan, in James Cameron's mega-blockbuster Avatar the same year. 2009 would prove a rewarding year for Pounder, as her guest appearances on the BBC/HBO series No. 1 Ladies Detective Agency would earn her an Emmy nomination for Outstanding Guest Actress in a Drama Series.

Trivia: Never intended to pursue acting as a career. Initially worked in banking, then jumped to National Public Radio as producer. Served as artistic director for various cultural projects during the 1980s, finally becoming the Director of Performing Arts for the Institute of Contemporary Arts in London. Decided to pursue acting full time in 1991, honing his skills in England before heading to Hollywood in 1993. Best known for his roles on the TV shows Prison Break and The Wire. Is a big-time fan of world music.

Trivia: A self-described "Korean-American fag-hag, s**t-starter, girl comic, trash talker," Margaret Cho is nothing if not straightforward, and this forthright approach to her material made her one of the more compulsively entertaining -- and startling -- comedians to gain an audience in the 1990s. The daughter of Korean immigrants, Cho was born in San Francisco on December 5, 1968. Partially raised by her parents, who owned a bookstore, and partially raised by a motley crew of gay men and drag queens, Cho's upbringing in the city's Haight district made for a colorful childhood and adolescence. She began doing standup at 16, performing in a comedy club above her parents' store. A short time later, she won a comedy contest, first prize being the chance to open for Jerry Seinfeld. After moving to Los Angeles in the early '90s, Cho found her audience growing, and, after appearing on shows hosted by Arsenio Hall and Bob Hope and winning the 1994 American Comedy Award for Female Comedian, she was approached to be the star of her own sitcom, CBS' All-American Girl. Billed by the network as a ground-breaking show thanks to its status as the first network series about Asian-Americans, All-American Girl proved to be controversial, attacked by some for not being Asian enough even as others criticized it for being too Asian. For her part, Cho found herself in the center of the controversy, and the pressures surrounding her -- many of which were manifested in the network's orders to her to lose weight -- lent themselves to the comedian's addiction to diet pills and alcohol, a struggle she would later detail in her one-woman show I'm the One That I Want. Following the short-lived sitcom's cancellation, Cho continued to deal with drug and alcohol problems. She eventually kicked her addictions and became visible again, appearing in supporting roles in films ranging from The Doom Generation (1995) to John Woo's Face/Off (1997) and performing sold-out shows across the country.In the late '90s, Cho used her experiences with All-American Girl as the basis for her off-Broadway show I'm the One That I Want. The show became a huge success among critics and audiences alike, and subsequently toured the U.S. for over two years. In 2000 it was adapted for the screen; that same year Cho kept busy with a number of other projects, including Spent, an independent drama about addiction and dysfunction among a group of twenty-somethings. Cho continued to work as a stand-up comic throughout the 2000s, and in 2007 voiced a character in Rick and Steve, a short lived animated series. In 2010, Cho participated in the 11th season of dancing with the stars.

Trivia: After bit parts in the John Woo martial arts extravaganza Face/Off (1997) and guest-starring appearances on the weekly series Ally McBeal and The Drew Carey Show, James Denton (also billed under his formal prename, Jamie Denton) achieved national recognition for his contribution to the darkly comic prime-time soap opera Desperate Housewives. In that program, Denton played Mike Delfino, the very eligible bachelor plumber, tossed like a volleyball in between sexy suburbanites Edie Britt (Nicollette Sheridan) and Susan Mayer (Teri Hatcher). The eldest child of a Nashville, TN, dentist, Denton attended Goodlettsville High School and junior college prior to enrolling in the University of Tennessee at Knoxville. At that institution, he majored in television and journalism, and graduated with honors, a degree in advertising under his arm. Grassroots experience acting in a number of regional plays -- including a local production of Thornton Wilder's Our Town -- imparted to Denton a permanent love of acting, and thus shifted his career path; he spent four years making a living by selling advertising to radio stations, but nothing could outshine the passion and drive he felt for acting. Thus, after a short theatrical stint in North Carolina, Denton set out for Chicago to pursue drama full-time. In the Windy City, Denton landed roles in such productions as A Streetcar Named Desire and Lapin, Lapin, and signed on as a semi-permanent member of the Griffin Theater and the Strawdog Theater Ensemble.Denton subsequently scored the key role of Mr. Lyle in the NBC fantasy-adventure series The Pretender, and worked on a number of other small-screen programs, including The Untouchables, Sliders, and Dark Skies. An even bigger TV role would come later, in the formof his role on Housewives. Shortly after the series premiered in October 2004, it rocketed up to become one of the most popular shows on television, and Denton would stick with the series as it was renewed for season after season.

Trivia: Starred opposite Callie Thorne in the 1996 independent comedy Ed's Next Move. Wrote and directed the 1997 short film The Language of Love. Made TV debut in a 1997 episode of Party of Five. Garnered an ensemble SAG Award nomination for Good Night and Good Luck (2005).

Trivia: Names Marlon Brando and Peter Sellers as two of his biggest acting influences. Has been a member of the Steppenwolf Theatre Company in Chicago and David Mamet's Atlantic Theater Company in New York. First big-screen appearance was in the 1997 romantic comedy Fools Rush In. Made his Broadway debut in 2005, playing Mitch in A Streetcar Named Desire. Auditioned for the role of detective Jimmy McNulty on HBO's The Wire, but was later cast as longshoreman Frank Sobotka. Has been a regular on several other TV series, including Third Watch, Tilt, Smith and True Blood.

Trivia: An actor with handsome, everyman good looks and undeniable screen presence, Thomas Jane has turned up in everything from low-budget indies to sprawling, big-budget Hollywood action spectacles. Born January 29th, 1969, the Baltimore native's unusual entry into show business found him cast in a Romeo and Juliet-inspired Bollywood musical while still in high school. At just 17 years old, Jane was spotted by a pair of Indian producers looking to cast a young, fair-haired American to act as Romeo to a young Indian actress' Juliet. Alas, the lure of Bollywood weighed heavier than the prospect of another year in high school, so Jane soon dropped out to film Padamati Sandhya Ragam in Madras, India. When filming wrapped, he quickly returned stateside despite some tempting offers in India, and a year later, the struggling actor was making the move to Los Angeles. Finding work in L.A. didn't prove easy, but thanks to persistence and hard work, Jane eventually made his way into the local theater scene. A small role in the gay-themed drama I'll Love You Forever...Tonight was followed by a small part in the 1992 film Buffy the Vampire Slayer.Two short years later, Jane stepped into the lead for the quirky crime comedy At Ground Zero, and a role in the ill-fated Crow sequel The Crow: City of Angels followed in 1996. The next year, Jane was cast in the major starring role of real-life beatnik Neal Cassady for the independent film The Last Time I Committed Suicide with Keanu Reeves. By late 1997, Jane's star was steadily rising thanks to supporting parts in Face/Off and Boogie Nights. In 1998, he went indie once again with a role as a former heroin dealer looking to go straight in Thursday and then took a small part in the all-star ensemble cast of the war drama The Thin Red Line.With his role as a shark wrangler in the open-water thriller Deep Blue Sea in 1999, Jane graduated to full-on Hollywood action hero. After returning to Paul Thomas Anderson's fold for Magnolia later that year, he portrayed baseball legend Mickey Mantle in the acclaimed, made-for-HBO feature 61* (2001). His role as a quick-tempered detective working alongside Morgan Freeman's character in Under Suspicion (2000) found Jane at the top of his game, and though performances in The Sweetest Thing (2002) and Dreamcatcher (2003) went largely unseen due to poor box-office performances, audiences could rest assured that they would see plenty of the newly buff actor when he donned the famous skull T-shirt and loaded up to rid the streets of crime in the eagerly anticipated comic book adaptation The Punisher (2004). Two years later Jane would continue his onscreen love-affair with firearms as a Federal Witness Protection program particpant whose cover is dangerously blown in the Elemore Leonard adaptation Killshot. While Jane's performance as an infamous gangster was solid in the action thriller Give 'Em Hell Malone, he wouldn't find true success with mainstream audiences until he took on the leading role in HBO's Hung (2009-2012), a dark comedy following a history teacher (Jane) who moonlights as a prostitute.

Trivia: Was persuaded to try acting by his friend and fellow actor Robert Carlyle. Got his start with a theater company in his native Glasgow in the early 1990s after working as a dance-club DJ. First TV roles were in a 1992 episode of the BBC anthology series Screen One and a '93 episode of Taggart, a long-running Scottish detective series. His breakout movie was Braveheart (1995). The scars on his face are the result of a mugging by knife-wielding assailants, an incident that occurred before he began acting.

Trivia: If you could put a face to the term "smart aleck," it would likely resemble that of That '70s Show star Danny Masterson. Taking sarcasm to a new level with his role as the shaggy-side-burned Steven Hyde, Masterson has become a familiar face to millions of television viewers with his popular character on the enduring retro series. A native of Albertson, Long Island, NY, who was a mere four years old when he got his start in the film industry as a child model, Masterson subsequently moved to Los Angeles, where he made the leap to television with appearances in numerous commercials. The increasingly in-demand actor dropped out of the public-school system in the tenth grade and opted for a tutor when his workload began to infringe upon his education, and though he would pursue an education at the Pasadena Art Center, he was forced to drop out after one semester when work and school became too much to bear. Television work on Cybill, Roseanne, and NYPD Blue was quick to follow, and in 1997, the up-and-coming star could be seen getting a pummeling from John Travolta in director John Woo's Face/Off. The following year, That '70s Show made its debut on FOX television, launching the young actor into the public eye as a close friend of the Forman family. Roles in such high-profile features as The Faculty and Dracula 2000 served to balance parts in more obscure films, including Wild Horses and Dirt Merchant (in which he played the eponymous character). Though Masterson would remain on That '70s Show well into the new millennium, he continued to branch out with a number of smaller, independent features. Outside of his acting career, Masterson has frequently been spotted behind the turntables of some of L.A.'s hottest nightclubs -- spinning the grooves under the guise of his alter ego, DJ Donkey Punch. And while it may be a bit of an overstatement to say that Masterson's film career "took off" after That 70's Show went off the air in 2006, he did remain active on the silver screen -- and even managed to display some versitility -- with roles in such films as Smiley Face, Made for Each Other, The Bridge to Nowhere, California Solo, and The Chicago 8. In 2012, Masterson returned to television in the TBS comedy Men at Work.

Trivia: An avid bowler, he had an average score of 186 when he was in high school and went to the New York state finals. Was feeding lines to actors auditioning for 1991's The Marrying Man when the director decided he should audition himself; landed the role of George. Best-known for his recurring role as Kenny Bania on Seinfeld. Became a Universal Life minister in order to preside over the wedding of his friends Dan Martin and Arden Myrin.

Trivia: Known primarily for his B-movie-lovin' cowboy alter ego Joe Bob Briggs, actor/writer/comic/social satirist John Bloom is a man of many talents. In addition to keeping faux newshounds in stitches with his role as the host of "God Stuff" during the first two seasons of Comedy Central's wildly irreverent news parody The Daily Show, Bloom has penned numerous books on the subject of B-movies, acted in film and television, and kept tally of more onscreen movie deaths than Jack Valenti. A native of Dallas, TX, Bloom was raised in Little Rock, AR, before attending Vanderbilt University on a sports-writing scholarship. A subsequent move back to his native state found the emerging writer landing a job at the now-defunct Dallas Times Herald at the age of 19, with the first "Joe Bob Goes to the Drive-In" column appearing in January of 1982. Offering a unique, carefree, and refreshingly unscholarly approach to film, the entertaining column would eventually be syndicated in over 100 newspapers nationwide. Though controversy soon followed when Briggs was fired as a result of comments made in an April 1985 article entitled "We Are the Weird," the media attention that resulted sparked a heated debate on political correctness and censorship that served only to raise his public profile. Picked up by new syndicator Universal Press a mere three days later, Briggs was soon back in print, to the delight of cinema-trash lovers across the country. In the months that followed, Bloom expanded the Joe Bob persona by developing a one-man show entitled "An Evening With Joe Bob Briggs" (later re-titled "Joe Bob Dead in Concert"), and after debuting in Cleveland in 1985, the show played in some of the nation's best comic venues over the course of the next two years. His show drawing national attention, Bloom was soon approached by executives from Showtime sister-station The Movie Channel and asked to serve as guest host for the popular late-night B-movie show Drive-in Theater. Soon renamed Joe Bob's Drive-In Theater, the twice Cable ACE award-nominated show offered the most laughably bad genre films imaginable -- surviving a healthy ten-year run until a 1996 format change forced cancellation. Never one to go down without a fight, Joe Bob was back on the air a mere four months later as the host of TNT's MonsterVision, essentially the same show on basic cable. The schlock cowboy continued to entertain audiences weekly with a healthy dose of cinematic junk food until that show, too, fell victim to an eventual format change four short years later. Making a move to Comedy Central, Briggs' turn as a religious commentator on The Daily Show offered the best (or worst depending on your vantage point) clips that religious television had to offer. Also gaining an impressive amount of film and television credits with numerous minor roles, Briggs can be spotted in such features as Great Balls of Fire!, Casino, and Face/Off. He also co-authored the true-crime novel Evidence of Love, which was later adapted as the Emmy-winning made-for-television feature A Killing in a Small Town (1990). Though Briggs would place his two syndicated columns, "Joe Bob Goes to the Drive-In" and "Joe Bob's America," on hiatus as of 1998, his drive-in column returned a mere two years later, and fans suffered no shortage of reading material thanks to the release of such books as Joe Bob Goes to the Drive-In, Iron Joe Bob, and Profoundly Disturbing: The Shocking Movies that Changed History. A new column entitled "The Vegas Guy" found Joe Bob exploring the casinos of the nation, and though his presence on television was sorely missed, this void would soon be filled thanks to the increasing popularity of the DVD format. Realizing that commentary tracks could offer as good a vehicle for his hilariously lowbrow wit and insight as his previous television endeavors, Briggs soon began recording commentaries as Joe Bob for such DVD releases as I Spit on Your Grave, Samurai Cop, and The Double-D Avenger (for such distributors as Elite and Media Blasters) beginning in 2003.