Trivia: Starting out in musicals and comedies, leather-lunged character actor Henry Jones had developed into a versatile dramatic actor by the 1950s, though he never abandoned his willingness to make people laugh. Jones scored his first cinematic bullseye when he re-created his Broadway role as the malevolent handyman Leroy in the 1956 cinemadaptation of Maxwell Anderson's The Bad Seed (1956). Refusing to be typed, Jones followed this triumph with a brace of quietly comic roles in Frank Tashlin's The Girl Can't Help It (1956) and Will Success Spoil Rock Hunter. He returned to Broadway in 1958, winning the Tony and New York Drama Critics' awards for his performance in Sunrise at Campobello. Since that time, Jones has flourished in films, often making big impressions in the tiniest of roles: the coroner in Vertigo (1958), the bicycle salesman in Butch Cassidy and the Sundance Kid (1969), the hotel night clerk in Dick Tracy (1990) and so on. From 1963's Channing onward, Jones has been a regular on several weekly TV series, most notably as Judge Jonathan Dexter in Phyllis (1975-76) and B. Riley Wicker on the nighttime serial Falcon Crest (1985-86). Henry Jones is the father of actress Jocelyn Jones.

Trivia: Hatchet-faced character actor Charles Lane has been one of the most instantly recognizable non-stars in Hollywood for more than half a century. Lane has been a familiar figure in movies (and, subsequently, on television) for 60 years, portraying crotchety, usually miserly, bad-tempered bankers and bureaucrats. Lane was born Charles Levison in San Francisco in 1899 (some sources give his year of birth as 1905). He learned the ropes of acting at the Pasadena Playhouse during the middle/late '20s, appearing in the works of Shakespeare, Chekhov, and Noel Coward before going to Hollywood in 1930, just as sound was fully taking hold. He was a good choice for character roles, usually playing annoying types with his high-pitched voice and fidgety persona, encompassing everything from skinflint accountants to sly, fast-talking confidence men -- think of an abrasive version of Bud Abbott. His major early roles included the stage manager Max Jacobs in Twentieth Century and the tax assessor in You Can't Take It With You. One of the busier character men in Hollywood, Lane was a particular favorite of Frank Capra's, and he appeared in Mr. Deeds Goes to Town, Mr. Smith Goes to Washington, Arsenic and Old Lace, It's a Wonderful Life -- with a particularly important supporting part in the latter -- and State of the Union. He played in every kind of movie from screwball comedy like Ball of Fire to primordial film noir, such as I Wake Up Screaming. As Lane grew older, he tended toward more outrageously miserly parts, in movies and then on television, where he turned up Burns & Allen, I Love Lucy, and Dear Phoebe, among other series. Having successfully played a tight-fisted business manager hired by Ricky Ricardo to keep Lucy's spending in line in one episode of I Love Lucy (and, later, the U.S. border guard who nearly arrests the whole Ricardo clan and actor Charles Boyer at the Mexican border in an episode of The Lucy-Desi Comedy Hour), Lane was a natural choice to play Lucille Ball's nemesis on The Lucy Show. Her first choice for the money-grubbing banker would have been Gale Gordon, but as he was already contractually committed to the series Dennis the Menace, she hired Lane to play Mr. Barnsdahl, the tight-fisted administrator of her late-husband's estate during the first season of the show. Lane left the series after Gordon became available to play the part of Mr. Mooney, but in short order he moved right into the part that came very close to making him a star. The CBS country comedy series Petticoat Junction needed a semi-regular villain and Lane just fit the bill as Homer Bedloe, the greedy, bad-tempered railroad executive whose career goal was to shut down the Cannonball railroad that served the town of Hooterville. He became so well-known in the role, which he only played once or twice a season, that at one point Lane found himself in demand for personal appearance tours. In later years, he also turned up in roles on The Beverly Hillbillies, playing Jane Hathaway's unscrupulous landlord, and did an excruciatingly funny appearance on The Odd Couple in the mid-'70s, playing a manic, greedy patron at the apartment sale being run by Felix and Oscar. Lane also did his share of straight dramatic roles, portraying such parts as Tony Randall's nastily officious IRS boss in the comedy The Mating Game (1959), the crusty River City town constable in The Music Man (1962) (which put Lane into the middle of a huge musical production number), the wryly cynical, impatient judge in the James Garner comedy film The Wheeler-Dealers (1963), and portraying Admiral William Standley in The Winds of War (1983), based on Herman Wouk's novel. He was still working right up until the late '80s, and David Letterman booked the actor to appear on his NBC late-night show during the middle of that decade, though his appearance on the program was somewhat disappointing and sad; the actor, who was instantly recognized by the studio audience, was then in his early nineties and had apparently not done live television in many years (if ever), and apparently hadn't been adequately prepped. He seemed confused and unable to say much about his work, which was understandable -- the nature of his character parts involved hundreds of roles that were usually each completed in a matter or two or three days shooting, across almost 60 years. Lane died at 102, in July 2007 - about 20 years after his last major film appearance.

Trivia: The son of the Los Angeles Times' drama editor, William Schallert was, along with Sydney Chaplin, one of the co-founders of Hollywood's highly regarded Circle Theatre troupe. Sent to Great Britain on a Fulbright Fellowship to study British repertory theatre, Schallert guest-lectured at Oxford on several occasion before heading home. A character actor of almost intimidating versatility, Schallert began his long film and TV career in 1951. While he appeared in films of every variety, Schallert was most closely associated with the many doctors (mad or otherwise), lab technicians and scientific experts that he played in such science fiction endeavors as The Man From Planet X (1951), Gog (1954), Them! (1954) The Incredible Shrinking Man (1957) and The Monolith Monsters (1959). Director Joe Dante paid homage to Schallert's prolific horror-flick work by casting the actor in his Matinee, where he played yet another dabbler in Things Man Is Not Meant to Know in the film-within-a-film "Mant." Schallert's hundreds television credits could fill a book in themselves; the Nickelodeon cable network once tried to put together a montage of the actor's guest star appearances, touching only the tip of the iceberg. He was a regular on such series as Dobie Gillis (as literature teacher Mr. Pomfrit, who always dismissed his class as though announcing the beginning of the Indy 500), Get Smart (as a senile 97-year-old Navy admiral), The Nancy Drew Mysteries (as Nancy's attorney father) The New Gidget (as Gidget's professor father) The Nancy Walker Show, Little Women and Santa Barbara. His most famous TV role was as Patty Lane's ever-patient newspaper-editor dad on The Patty Duke Show, which ran from 1963 through 1966; over twenty years later, Mr. Schallert and Ms. Duke were touchingly reunited--again as father and daughter--on an episode of The Torkelsons (1991-92). William Schallert once served as president of the Screen Actors' Guild, a position later held...by Patty Duke. Shallert continued acting until the early 2010s; he died in 2016, at age 93.

Trivia: Horace McMahon dabbled in professional and semi-professional acting while attending Fordham University Law School, continuing to do so while holding down a day job as a newspaper reporter. He made acting his full-time vocation after his first Broadway appearance in 1931. In films from 1937, the growly, jowly MacMahon was initially typed in gangster roles. After scoring a personal success as Lieutenant Monaghan in the 1949 Broadway play Detective Story, MacMahon repeated the role in the 1951 film version -- and thereafter was pigeonholed in "cop" roles. Before beginning his five-year (1958-63) tenure as Lieutenant Mike Parker on the TV series The Naked City, MacMahon had been a semi-regular on Martin Kane (1950, as the newsstand owner who stocked nothing but the sponsor's cigarette) and Make Room for Daddy (1953, as Danny Thomas' agent). His last weekly TV assignment was as Hank McClure, police contact for public relations man Craig Stevens, in the short-lived Mr. Broadway. Having been born near Norwalk, Connecticut, Horace McMahon spent his retirement years in that community with his wife, former actress Louise Campbell.

Trivia: "My name is Orson Bean. Harvard '47, Yale Nothing." Actually, that oft-repeated introduction is a double deception: actor Orson Bean didn't go to Harvard, and his name isn't really Orson Bean. As a boy magician, Dallas Frederick Burrows borrowed the first half of his stage name from another prestidigitator of note, Orson Welles. Bean made his legitimate stage bow in 1945, then worked up a nightclub comedy act which premiered in New York at the now-defunct Blue Angel (in 1954, he hosted a summer-replacement TV series emanating from this celebrated nightspot). Landing on Broadway in the 1953 production Men of Distinction, Bean won a Theatre World Award for his work in the 1954 revue John Murray Anderson's Almanac, and Critics' Circle Awards for his performances in Mister Roberts and Say Darling. His later stage credits included Broadway's Subways are for Sleeping (1962) and Never too Late (1964) not to mention his extensive tours in the Neil Simon-Burt Bacharah musical Promises, Promises. In films from 1955, Bean's best-received screen performance was as the testifying army physician in Otto Preminger's Anatomy of a Murder (1959). An inescapable presence on TV, Bean has participated in virtually every quiz show known to man, from the familiar (To Tell the Truth, I've Got a Secret) to the obscure (Laugh Line). He was also a regular as the ineffectual Reverend Brim on the Norman Lear syndicated series Mary Hartman, Mary Hartman (1977) and Forever Fernword (1978), and more recently was seen on a weekly basis as cranky general store owner Loren Bray on Dr. Quinn, Medicine Women (1993- ). Outside of his showbiz activities, Bean has proven a difficult subject to categorize: blacklisted for his outspoken liberal views in the early 1950s, he was an ardent supporter of Richard M. Nixon in 1968. A man of many interests, Orson Bean was the founder of the arts-oriented 15th Street School of New York, the author of the oddball 1971 volume Me and the Orgon, and one of the charter members of The Sons of the Desert, the famed Laurel & Hardy appreciation society.

Trivia: Like Dick Wilson (Mr. Whipple) and Jan Miner (Madge), actor House Peters, Jr. attained most widespread recognition via his iconic role in American television commercials, plugging a domestic product -- in his case, Procter & Gamble's "Mr. Clean" line of household cleaners. Peters set himself apart from the pack, however, for actually playing the brand's nominal character, replete with his barrel chest, bald pate (courtesy of a latex cap and makeup), and trademark gold earring. The New Rochelle, NY, native also built up a fairly substantial litany of dramatic roles alongside his promotional work. After growing up in Beverly Hills, CA, Peters signed for roles in such projects as the television series Flash Gordon and the features Public Cowboy No. 1 and Hot Tip. After a brief service in the Army Air Corps during World War II, he hearkened back to Los Angeles, commenced occasional stage work, and resumed work in features, specializing in supporting roles in dozens of westerns such as Oklahoma Badlands (1948) and Cow Town (1950). Small portrayals in the Hollywood classics The Day the Earth Stood Still (1951) and Rebel Without a Cause (1955) represented a significant step up for Peters in terms of profile and recognition, though he continued to be most commonly associated with Mr. Clean, an assignment held from the late '50s into the early '60s. As the years rolled on, Peters did additional television work via guest spots on shows including The Twilight Zone and Perry Mason, then retired in the late '60s and spent the next four decades off-camera. Peters died of pneumonia in 2008, at the age of 92.

Trivia: American character actress Dorothy Neumann was long a stage performer before making her film bow in 1948's Sorry, Wrong Number. She spent the next two decades in small roles, usually playing clerks, domestics, ladies' club chairpersons and grandmothers. One of Ms. Neumann's best remembered assignments was her uncredited role in The Day the Earth Stood Still (1951), as the suspicious housekeeper of Einstein-like scientist Sam Jaffe, who is confronted in Jaffe's den by benevolent space alien Michael Rennie. Frequently on television, Dorothy Neumann was seen in the regular role of Miss Mittelman on the now-forgotten 1965 sitcom Hank.

Trivia: American character actor Vito Scotti may not be the living legend as described by his publicity packet, but he has certainly been one of the most familiar faces to bob up on small and large screens in the last five decades. Scotti's father was a vaudeville impresario, and his mother an opera singer; in fact, he was born while his mother was making a personal appearance in San Francisco. Launching his own career at seven with an Italian-language commedia del arte troupe in New York, Scotti picked up enough improvisational knowhow to develop a nightclub act. When the once-flourishing Italian theatre circuit began to fade after World War II, Scotti began auditioning for every job that came up -- whether he could do the job or not. Without his trademarked mustache, the diminuitive actor looked like a juvenile well into his thirties, and as such was cast in a supporting role as a timorous East Indian on the "Gunga Ram" segment of the '50s TV kiddie series Andy's Gang. Once the producers discovered that Scotti had mastered several foreign dialects, he was allowed to appear as a comic foil to Andy's Gang's resident puppet Froggy the Gremlin. In nighttime television, Scotti played everything from a murderous bank robber (on Steve Canyon) to a misplaced Japanese sub commander (on Gilligan's Island). He was indispensable to TV sitcoms: Scotti starred during the 1954 season of Life with Luigi (replacing J. Carroll Naish), then appeared as gesticulating Latin types in a score of comedy programs, notably The Dick Van Dyke Show (as eccentric Italian housepainter Vito Giotto) and The Flying Nun (as ever-suspicious Puerto Rican police captain Gaspar Fomento). In theatrical films, Scotti's appearances were brief but memorable. he is always greeted with appreciative audience laughter for his tiny bit as a restauranteur in The Godfather (1972); while in How Sweet it Is (1968) he is hilarious as a moonstruck chef, so overcome by the sight of bikini-clad Debbie Reynolds that he begins kissing her navel! Vito Scotti was still essaying dialect parts into the '90s.