Trivia: It's quite possible that Hugh Marlowe might have been limited to film comedy roles had he retained his given name of Hugh Herbert Hipple, but it's not likely that he would have garnered many laughs. A radio announcer and stage performer, Marlowe had a brief leading-man filing in the late 1930s, but was more effective from the mid-1940s onward as a second lead and character actor. His stiff, humorless demeanor served him well in many second parts at 20th Century-Fox in the 1950s. Director Howard Hawks cleverly exploited Marlowe's solemnity by casting the actor as foil to the childish antics of "fountain of youth" partaker Cary Grant in Monkey Business (1952). Marlowe also showed up in several science fiction films, notably The Day the Earth Stood Still (1951), Earth vs. the Flying Saucers (1956) and World Without End (1956), wherein his somber approach lent a measure of credence to the proceedings. On television, Hugh Marlowe played Ellery Queen (a role he'd previously essayed on radio) in a 1954 syndicated series, and was the last of four actors to portray Jim Matthews on the NBC daytime drama Another World.

Trivia: Yale graduate Paul Douglas played professional football with the Philadelphia Yellow Jackets before turning to regional theatre. He parlayed his love of athletics into a prosperous career as a sports announcer in the 1930s; in the next decade he became a radio actor and master of ceremonies (he was the announcer for bandleader Glenn Miller's final program in 1944). A frequent visitor to the Broadway stages, Douglas became a star in the tailor-made role of vulgar junk tycoon Harry Brock in Garson Kanin's play Born Yesterday, in which he was co-starred with Judy Holliday. After 1,024 appearances as Harry Brock, Douglas made his first film, 1949's A Letter to Three Wives. An unlikely prospect for movie stardom with his burly build and longshoreman's voice, Douglas nonetheless remained popular throughout the 1950s. He is best remembered for his brace of baseball pictures, It Happens Every Spring (1949) and Angels in the Outfield (1951), and for his reteaming with Judy Holliday in 1956's The Solid Gold Cadillac. Among Douglas' five wives were actresses Virginia Field and Jan Sterling. Though the newspaper obituaries insisted that Paul Douglas had not been ill before his fatal heart attack in 1959, he looked so drawn and haggard in his last appearance on the TV series The Twilight Zone that the episode ("The Mighty Casey") had to be reshot with Jack Warden in Douglas' part.

Trivia: A puckish actor/singer, he sprang to national attention when he won the Tony Award for the Abe Burrows/Frank Loesser Broadway hit How to Succeed in Business Without Really Trying, repeating his role in the film version in 1967. His few film appearances include The Matchmaker (1958), The Loved One (1965), Oh Dad, Poor Dad (1966). Morse won another Tony Award in the '90s for his portrayal of Truman Capote in the one-man show, Tru, and has been nominated another handful of times. His television work has been sporadic, although he did star in the unusual musical-comedy TV series That's Life (1968-69).

Trivia: American actor James Flavin was groomed as a leading man when he first arrived in Hollywood in 1932, but he balked at the glamour treatment and was demonstrably resistant to being buried under tons of makeup. Though Flavin would occasionally enjoy a leading role--notably in the 1932 serial The Airmail Mystery, co-starring Flavin's wife Lucille Browne--the actor would devote most of his film career to bit parts. If a film featured a cop, process server, Marine sergeant, circus roustabout, deckhand or political stooge, chances are Jimmy Flavin was playing the role. His distinctive sarcastic line delivery and chiselled Irish features made him instantly recognizable, even if he missed being listed in the cast credits. Larger roles came Flavin's way in King Kong (1933) as Second Mate Briggs; Nightmare Alley (1947), as the circus owner who hires Tyrone Power; and Abbott and Costello Meet the Killer, Boris Karloff (1949), as a long-suffering homicide detective. Since he worked with practically everyone, James Flavin was invaluable in later years as a source of on-set anecdotes for film historians; and because he evidently never stopped working, Flavin and his wife Lucille were able to spend their retirement years in comfort in their lavish, sprawling Hollywood homestead.