Trivia: After a rough-and-tumble adolescence, Victor Jory attended high school in California, studying acting with Gilmor Brown at the Pasadena Playhouse. Jory's subsequent tenure at the University of California lasted all of one year before he was bitten by wanderlust; he joined the coast guard, where he distinguished himself as a champion in several contact sports. Sharp-featured, muscular, and possessed of a rich theatrical voice, Jory made his New York stage bow in 1929, and one year later co-starred in the original Broadway production of Berkeley Square. Inaugurating his film career with Renegades (1930), Jory spent the next five decades in roles ranging from romantic leads to black-hearted villains. Highlights in his screen career include a sinister but strangely beautiful performance as Oberon in A Midsummer Night's Dream (1935); the vicious Injun Joe in The Adventures of Tom Sawyer (1938); white-trash carpetbagger Jonas Wilkerson in Gone With the Wind (1939); Texas patriot William Travis in Man of Conquest (1939); the hissable, crippled patriarch in The Fugitive Kind (1960); the taciturn father of Helen Keller in The Miracle Worker (1962); and the ancient South American Indian chief in Papillon (1973). In 1940, Jory starred in the Columbia serial The Shadow (1940), essaying the dual role of the mind-clouding Shadow and his alter ego Lamont Cranston (with several disguise sequences along the way). The outspoken Jory was supremely confident of his talents, remarking on several occasions that he was "damn good" -- though he was tougher than any movie critic in assessing his lesser performances. He was also more than generous with young up-and-coming actors (except for self-involved "method" performers), and was a veritable fountain of Broadway and Hollywood anecdotes, some of which were actually true. An occasional theatrical director and playwright, Jory wrote the Broadway production Five Who Were Mad. On TV, Jory starred in the popular syndicated detective series Manhunt (1959-1960) and guested on dozens of other programs. Long married to actress Jean Innes, Victor Jory was the father of Jon Jory, who for many years was artistic director of the Actors Theatre of Louisville.

Trivia: Born Peter de Sappe, this lead actor appeared onscreen from 1958.

Trivia: Actress Jean Willes spent the first ten years of her life shuttling up and down the West Coast; born in Los Angeles, she was raised in Salt Lake City, then moved with her family to Seattle. In 1943, she made her film debut in So Proudly We Hail. Shortly afterward, she was signed by Columbia Pictures, billed under her given name, Jean Donahue. She was busiest in Columbia's B-pictures, Westerns, and two-reel comedies, playing a statuesque brunette foil for such comedians as the Three Stooges, Sterling Holloway, Hugh Herbert, and Bert Wheeler. In 1947, she changed her billing to her married name, Jean Willes. Some of her most memorable feature-film roles included the hostess at the New Congress Club who delivers a bored, by-rote recitation of the club's rules in From Here to Eternity (1953); Kevin McCarthy's "zombie-fied" nurse in The Invasion of the Body Snatchers (1956); one of Clark Gable's quartet of leading ladies in A King and Four Queens (1956); the lady lieutenant who chews out Andy Griffith in No Time for Sergeants (1958); and Ernest Borgnine's would-be-sweetheart in McHale's Navy (1964). Jean Willes also made some 400 TV appearances (often as a sharp-tongued, down-to-earth blonde) in such series as The Jack Benny Show, The Twilight Zone, Perry Mason, and The Beverly Hillbillies.

Trivia: John Marley's craggy face, cement-mixer voice and shock of white hair were familiar to stagegoers from the 1930s onward. Marley started out as one-half of a comedy team, but soon found that his true metier was drama. In films on an infrequent basis since 1941, Marley stepped up his moviemaking activities in the mid-1960s, playing such sizeable roles as Jane Fonda's father in Cat Ballou (1965). He won a Venice Film Festival award for his performance as a miserable middle-aged husband in John Cassavetes' Faces (1968), and was Oscar-nominated for his portrayal of Ali MacGraw's blue-collar dad in Love Story. Arguably Marley's most unforgettable assignment was The Godfather (1972), in which, as movie mogul Lou Woltz, he wakes up to find himself sharing his bed with a horse's head. John Marley's television work included a regular role on the obscure NBC daytime drama Three Steps to Heaven.

Trivia: A one-time model with a long rap sheet of less-than-ideal behavior, character actor Lawrence Tierney nevertheless managed to amass scores of film credits over a five-decade acting career before he passed away in 2002. Born in Brooklyn, NY, five years before actor/ brother Scott Brady, Tierney excelled in high school track, winning a scholarship to Manhattan College. Rather than stay in school, however, Tierney dropped out and became an itinerant laborer before his looks brought him a job as a catalogue model. In the early '40s, Tierney began acting in theater and was subsequently signed by RKO. Strengthening his skills with supporting roles in such films as Val Lewton's moody thriller The Ghost Ship (1943) and early teen drama Youth Runs Wild (1944), Tierney sealed his fame, and his image, with his performance as the eponymous gangster in the superb B-picture Dillinger (1945). Cashing in on Dillinger's success, RKO slotted Tierney into numerous tough guy roles, including two turns as archetypal Western outlaw Jesse James in Badman's Territory (1946) and Best of the Badmen (1950), a murderer in cult noir Born to Kill (1947), a sociopath in The Devil Thumbs a Ride (1947), and a career criminal in The Hoodlum (1951). His B-movie stardom also garnered Tierney a typically villainous role in Cecil B. De Mille's Oscar-winner The Greatest Show on Earth (1952). Tierney became just as well known in this period, though, for his offscreen exploits involving copious booze and physical violence. Tierney was such a regular in the Los Angeles jail that cops assured fellow RKO star and hell-raiser Robert Mitchum after his famous 1948 drug arrest, "We're keeping Lawrence Tierney's cell warm for ya." By the mid-'50s, Tierney's roles were becoming smaller and scarcer. His professional situation unchanged despite appearing in John Cassavetes' praised mental hospital drama A Child Is Waiting (1963), Tierney moved to Europe but he continued to get in trouble with the law. After he returned to New York in the late '60s, Tierney supported himself with a variety of jobs, including bartending, and maintained his pugnacious, drunken ways; he was stabbed in a brawl in 1973 and questioned in connection with a woman's suicide in 1975. Still, Tierney managed to score the occasional acting gig, appearing in Otto Preminger's Such Good Friends (1971), Andy Warhol's Bad (1977), and the blockbuster comedy Arthur (1981). Dry by 1983, Tierney returned to Hollywood to resurrect his career in earnest, and soon landed regular work on TV as well as in movies. Along with a role on NBC's Hill Street Blues, Tierney also appeared in Star Trek: The Next Generation and played a sheriff in the TV movie Dillinger (1991). On film, Tierney was as comfortable in John Sayles' thoughtful drama City of Hope (1991) as in John Huston's esteemed Mafia black comedy Prizzi's Honor (1985) and the tastelessly hilarious The Naked Gun (1988); he drew attention for his vigorous turn as Ryan O'Neal's alcoholic father in Tough Guys Don't Dance (1987). Tierney's most memorable late-career performance, however, was his no-nonsense, dryly funny criminal mastermind Joe Cabot in Quentin Tarantino's heist film Reservoir Dogs (1992). His longevity assured by Dogs, Tierney remained active into the late '90s, appearing in the Arnold Schwarzenegger comedy Junior (1994) and stylish Tarantino rip-off 2 Days in the Valley (1996), as well as playing Joey Buttafuoco's father in the TV yarn Casualties of Love: The "Long Island Lolita" Story (1993). Following the crime drama Southie (1998) and playing hard-nosed oil driller Bruce Willis' gruff father in Armageddon (1998), Tierney's health began to fail. He died in his sleep in February 2002.

Trivia: American hoofer Paul Hartman and his wife Grace frequently appeared on stage and in vaudeville. In the late 1930s, he played character roles in films.

Trivia: Paul Genge was an American character actor who appeared in a few films between the late 1950s and early 1970s. He began in East-Coast theater and in 1936 debuted on Broadway in Hamlet opposite Olivia de Havilland and Leslie Howard. Genge came to Hollywood in 1958 and the following year debuted in The FBI Story. Other films he worked in include North by Northwest (1959), The Sandpiper (1965) and Bullitt (1968).

Trivia: Born R. Hanley Jaeckel (the "R" stood for nothing), young Richard Jaeckel arrived in Hollywood with his family in the early 1940s. Columnist Louella Parsons, a friend of Jaeckel's mother, got the boy a job as a mailman at the 20th Century-Fox studios. When the producers of Fox's Guadalcanal Diary found themselves in need of a baby-faced youth to play a callow marine private, Jaeckel was given a screen test. Despite his initial reluctance to play-act, Jaeckel accepted the Guadalcanal Diary assignment and remained in films for the next five decades, appearing in almost 50 movies and playing everything from wavy-haired romantic leads to crag-faced villains. Between 1944 and 1948, Jaeckel served in the U.S. Navy. Upon his discharge, he co-starred in Sands of Iwo Jima with John Wayne and Forrest Tucker. In 1971, Jaeckel was nominated for a "Best Supporting Actor" Oscar on the strength of his performance in Sometimes a Great Notion. Richard Jaeckel has also been a regular in several TV series, usually appearing in dependable, authoritative roles: he was cowboy scout Tony Gentry in Frontier Circus (1962), Lt. Pete McNeil in Banyon (1972), firefighter Hank Myers in Firehouse (1974), federal agent Hank Klinger in Salvage 1 (1979), Major Hawkins in At Ease (1983) (a rare -- and expertly played -- comedy role), and Master Chief Sam Rivers in Supercarrier (1988). From 1991-92, Jaeckel played Lieutenant Ben Edwards on the internationally popular series Baywatch. Jaeckel passed away at the Motion Picture & Television Hospital of an undisclosed illness at the age of 70.

Trivia: In films from 1945, Wilton Graff carved a screen career out of playing judges, doctors, DAs and the like. Graff's movie assignments ranged from bits in "A" pictures to sizeable supporting roles in programmers. He could be seen as the maitre d' in the crucial Gregory Peck-John Garfield restaurant scene in Gentleman's Agreement (1947), and as Baron Fitzwalter, Robin Hood's father-in-law, in Rogues of Sherwood Forest (1950). Wilton Graff's only starring role was as Dr. Belleau, the crazed sportsman who hunted human quarry in the 1961 Most Dangerous Game knock-off Bloodlust.

Trivia: American actor Read Morgan chose his profession after two years at the University of Kentucky, where he starred on the basketball court. In 1950, Morgan went on a regular dietary and exercise regimen that earned him quite a few photo spreads in major American magazines like TV Guide. Thanks to his physique, Morgan was cast as an athletic mountaineer in the Broadway play Li'l Abner, which led to TV work in a similar vein: he played a wrestler on US Steel Hour, a ballplayer on Twilight Zone, a skindiver on Adventures in Paradise and a boxer on Steve Canyon. Thus it was that Morgan was more than prepared for the strenuous requirements of his role as cavalry sergeant Tasker on the Henry Fonda TV-western vehicle The Deputy (1960). Following the cancellation of this series, Read Morgan found himself on call for innumerable rugged character roles, usually as sheriffs, detectives or highway patrolmen. Among his many film credits were Fort Utah (1967), Easy Come, Easy Go (1968), Marlowe (1969), Dillinger (1971), The New Centurions (1972), Shanks (1967), and the made-for-TV movies Return of the Gunfighter (1967), Helter Skelter (1976), The Billion Dollar Threat (1979), Power (1980) and A Year in the Life (1986).