Trivia: In the first ten years of his life, Raymond Burr moved from town to town with his mother, a single parent who supported her little family by playing the organ in movie houses and churches. An unusually large child, he was able to land odd jobs that would normally go to adults. He worked as a ranch hand, a traveling tinted-photograph salesman, a Forest service fire guard, and a property agent in China, where his mother had briefly resettled. At 19, he made the acquaintance of film director Anatole Litvak, who arranged for Burr to get a job at a Toronto summer-stock theater. This led to a stint with a touring English rep company; one of his co-workers, Annette Sutherland, became his first wife. After a brief stint as a nightclub singer in Paris, Burr studied at the Pasadena Playhouse and took adult education courses at Stanford, Columbia, and the University of Chunking. His first New York theatrical break was in the 1943 play Duke in Darkness. That same year, his wife Sutherland was killed in the same plane crash that took the life of actor Leslie Howard. Distraught after the death of his wife, Burr joined the Navy, served two years, then returned to America in the company of his four-year-old son, Michael Evan Burr (Michael would die of leukemia in 1953). Told by Hollywood agents that he was overweight for movies, the 340-pound Burr spent a torturous six months living on 750 calories per day. Emerging at a trim 210 pounds, he landed his first film role, an unbilled bit as Claudette Colbert's dancing partner in Without Reservations (1946). It was in San Quentin (1946), his next film, that Burr found his true metier, as a brooding villain. He spent the next ten years specializing in heavies, menacing everyone from the Marx Brothers (1949's Love Happy) to Clark Gable (1950's Key to the City) to Montgomery Clift (1951's A Place in the Sun) to Natalie Wood (1954's A Cry in the Night). His most celebrated assignments during this period included the role of melancholy wife murderer Lars Thorwald in Hitchcock's Rear Window (1954) and reporter Steve Martin in the English-language scenes of the Japanese monster rally Godzilla (1956), a characterization he'd repeat three decades later in Godzilla 1985. While he worked steadily on radio and television, Burr seemed a poor prospect for series stardom, especially after being rejected for the role of Matt Dillon on Gunsmoke on the grounds that his voice was too big. In 1957, he was tested for the role of district attorney Hamilton Burger in the upcoming TV series Perry Mason. Tired of playing unpleasant secondary roles, Burr agreed to read for Burger only if he was also given a shot at the leading character. Producer Gail Patrick Jackson, who'd been courting such big names as William Holden, Fred MacMurray, and Efrem Zimbalist Jr., agreed to humor Burr by permitting him to test for both Burger and Perry Mason. Upon viewing Burr's test for the latter role, Perry Mason creator Erle Stanley Gardner jumped up, pointed at the screen, and cried "That's him!" Burr was cast as Mason on the spot, remaining with the role until the series' cancellation in 1966 and winning three Emmies along the way. Though famous for his intense powers of concentration during working hours -- he didn't simply play Perry Mason, he immersed himself in the role -- Burr nonetheless found time to indulge in endless on-set practical jokes, many of these directed at his co-star and beloved friend, actress Barbara Hale. Less than a year after Mason's demise, Burr was back at work as the wheelchair-bound protagonist of the weekly detective series Ironside, which ran from 1967 to 1975. His later projects included the short-lived TVer Kingston Confidential (1976), a sparkling cameo in Airplane 2: The Sequel (1982), and 26 two-hour Perry Mason specials, lensed between 1986 and 1993. Burr was one of the most liked and highly respected men in Hollywood. Fiercely devoted to his friends and co-workers, Burr would threaten to walk off the set whenever one of his associates was treated in a less than chivalrous manner by the producers or the network. Burr also devoted innumerable hours to charitable and humanitarian works, including his personally financed one-man tours of Korean and Vietnamese army bases, his support of two dozen foster children, and his generous financial contributions to the population of the 4,000-acre Fiji island of Naitauba, which he partly owned. Despite his unbounded generosity and genuine love of people, Burr was an intensely private person. After his divorce from his second wife and the death from cancer of his third, Burr remained a bachelor from 1955 until his death. Stricken by kidney cancer late in 1992, he insisted upon maintaining his usual hectic pace, filming one last Mason TV movie and taking an extended trip to Europe. In his last weeks, Burr refused to see anyone but his closest friends, throwing "farewell" parties to keep their spirits up. Forty-eight hours after telling his longtime friend and business partner Robert Benevides, "If I lie down, I'll die," 76-year-old Raymond Burr did just that -- dying as he'd lived, on his own terms.

Trivia: According to her Rockford, Illinois, high-school yearbook, Barbara Hale hoped to make a career for herself as a commercial artist. Instead, she found herself posing for artists as a professional model. This led to a movie contract at RKO Radio, where she worked her way up from "B"s like The Falcon in Hollywood (1945) to such top-of-the-bill attractions as A Likely Story (1947) and The Boy With Green Hair (1949). She continued to enjoy star billing at Columbia, where among other films she essayed the title role in Lorna Doone (1952). Her popularity dipped a bit in the mid-1950s, but she regained her following in the Emmy-winning role of super-efficient legal secretary Della Street on the Perry Mason TV series. She played Della on a weekly basis from 1957 through 1966, and later appeared in the irregularly scheduled Perry Mason two-hour TV movies of the 1980s and 1990s. The widow of movie leading man Bill Williams, Barbara Hale was the mother of actor/director William Katt. Hale died in 2017, at age 94.

Trivia: From his first film role in Seven Days to Noon (1949) onward, Victor Maddern was typecast as a cockney serviceman. Sometimes a soldier, Maddern was usually seen as a sailor, notably in the 1960 British TV sitcom Mess Mates. He also showed up in several of the "Carry On" farces, the last being Carry On Emmanuelle. American TV viewers got to see Maddern on a weekly basis as sporting-goods salesman Thomas Finch in the 1962 Anglo-American sitcom Fair Exchange. When not appearing before the cameras, Victor Maddern has been tirelessly active as a fundraiser for religious charities.

Trivia: Joyce Jameson was a classic example of the professional "dumb blonde" with a diametrically opposite off-screen personality. Entering films as a chorus member in the 1951 version of Showboat, Jameson honed her musical comedy talents in several satirical revues staged by her onetime husband Billy Barnes. Intelligent, sensitive, and extremely well read, Jameson nonetheless found herself perpetually cast as an airhead or golddigger. In films, she was seen in such roles as a Marilyn Monroe wannabe in The Apartment (1960) and a call-girl who runs screaming from her room when she thinks Jack Lemmon is about to paint her body in Good Neighbor Sam (1963). One of her more unorthodox film assignments was as the vulgar, unfaithful wife of Peter Lorre in Roger Corman's Tales of Terror (1963), in which she and her paramour Vincent Price are walled up in Lorre's wine cellar. One year later, she was reteamed with Lorre and Price in the raucous A Comedy of Terrors (1963), where she was more typically cast as a nitwit. Her later films include The Outlaw Josie Wales (1976) and Hardbodies (1981). Joyce Jameson was a fixture of 1950s and 1960s TV, playing a variety of buxom "straight women" for such comedians as Steve Allen, Red Skelton and Danny Kaye.

Trivia: The son of legendary Broadway actor DeWolfe Hopper and movie actress Hedda Hopper, William Hopper made his film debut as an infant in one of his father's films. The popular consensus is that the younger Hopper was given his first talking-picture break because of his mother's reputation as the most feared of the Hollywood gossips. Not so: Hopper was signed to his first Warner Bros. contract in 1937, a year or so before Hedda had established herself as the queen of the dirt-dishers. At first billing himself as DeWolfe Hopper Jr., Hopper languished in bit parts and walk-ons for several years. He wasn't able to graduate to better roles until the 1950s, by which time he was calling himself William Hopper. After a largely undistinguished film career (notable exceptions to his usual humdrum assignments were his roles in 20 Million Miles to Earth [1957] and The Bad Seed [1956]) Hopper finally gained fame -- and on his own merits -- as private detective Paul Drake on the enormously popular Perry Mason television series, which began its eight-season run in 1957. In a bizarre coincidence, Perry Mason left the air in 1966, the same year that William Hopper's mother Hedda passed away.

Trivia: American character actress Gertrude Flynn started out playing innocent young girls on Broadway during the 1930s. She made her film debut in 1954 with Barefoot Contessa and continued appearing periodically in films through the mid-1960s. Flynn made her final film appearance in 1984 in Bad Manners.

Trivia: It's hard to believe that American actor Walter Brooke, who always looked about 45 years old, actually made his first film in 1942 when he was all of 27. Confined for the most part to B productions after his film debut in Bullet Scars (1942), Brooke's film roles improved as he grew into his familiar businesslike demeanor, as in his plot-motivating character in Conquest of Space (1953). Character actors never seem to be out of work, and Brooke was no exception. A full two decades after his film bow, he was still getting good parts in films like The Graduate (1967) (as Mr. Maguire) and Tora! Tora! Tora! (1970). In between film assignments, Brooke kept busy on television. Among his many guest-starring spots (including the 1963 Twilight Zone episode "A Short Drink from a Certain Fountain"), Walter Brooke played Bill Herbert for two years on the early serial One Man's Family (1950-52); he was a regular two other soap operas, Three Steps to Heaven (1953) and Paradise Bay (1965); and he was seen as District Attorney Scanlon on the adventure series The Green Hornet (1966), costarring with Van Williams and a young Bruce Lee.

Trivia: Character actor, onscreen from the '50s; he often played military men, sheriffs, or policemen.

Trivia: Actor James Hong was working as a nightclub comic in San Francisco and Hawaii when he was tapped for his first regular TV role: "Number One Son" Barry Chan in the Anglo-American co-production The New Adventures of Charlie Chan (1957). Hong would later appear as Frank Chen in Jigsaw John (1976) and Wang in Switch (1977-78). In theatrical features, he played characters bearing such flavorful monikers as Chew, Lo Pan and Bing Wong. He was seen as Faye Dunaway's butler in Roman Polanski's Chinatown (1974), repeating the role (minus Faye) in the 1990 sequel The Two Jakes. One of his most sizeable screen roles was Lamont Cranston's brainy assistant Li Peng in The Shadow (1994). James Hong has also directed a brace of feature films, including 1979's The Girls Next Door and 1989's The Vineyard.

Trivia: Though he was the personification of the cruel, calculating Japanese military officer in many a wartime propaganda film, Richard Loo was actually born in Hawaii of Chinese parents. The holder of a Business Studies degree from the University of California, Loo ran a successful importing firm until his assets were wiped out in the 1929 stock market crash. He launched his acting career in 1931, first in California-based stock companies, then in films, beginning with Frank Capra's Dirigible (1931). His movie career picked up momentum after the attack on Pearl Harbor, with villainous roles in such films as Wake Island (1942) and The Purple Heart (1944). In all, Richard Loo toted up some 200 film appearances in his five-decade career.

Trivia: American actor Bill Zuckert's long career included appearances on stage, screen, radio, and television. He made his acting debut on radio in 1941. During the 1970s, he made frequent television appearances on programs ranging from Dynasty to The Mary Tyler Moore Show to Little House on the Prairie. Zuckert made his last appearance in two films of 1994, Ace Ventura, Pet Detective and Naked Gun 33 1/3: The Final Insult. Zuckert was an active member of the Screen Actors Guild and the American Federation of Television and Radio Artists. For the latter, he played a key role in developing a new member program. Zuckert also launched the practice of holding casting showcases for members of both guilds. Zuckert died of pneumonia in Woodland Hills, CA, at age 76.

Trivia: In films from 1944, actor Marshall Reed played all sorts of roles in all sorts of westerns. Occasionally the lead (especially if the budget was beneath $80,000), Reed was more often a supporting player in films like Angel and the Badman (1947) and The Way West (1967). He was also active in serials, appearing in such chapter plays of the 1940s and 1950s as Federal Agents vs. Underworld Inc, The Invisible Monster Strikes, and Blackhawk. On television, Reed played Lt. Fred Asher on The Lineup (1954-58), and later became a TV documentary producer. Colorado-born Marshall Reed should not be confused with the British actor of the same name, nor the child performer who appeared as John Curtis Willard on the 1970s TV series The Waltons.