Trivia: American actress Patrice Wymore first stepped on-stage at age six during a Chautauqua tent show. Her mother, a pianist and singer on the tent circuit, trained Wymore for a performing career. At age 16, she hit the road for New York with money given her by her trucking-line executive father. Thanks to her musical training, Wymore was cast in several Broadway musicals, notably Hold It and All for Love. In 1949, she was signed to a movie contract by Warner Bros. Her first appearance was a singing role in Tea for Two (1950), co-starring with Doris Day and Gordon MacRae. Wymore was then cast opposite Errol Flynn in Rocky Mountain (1950); she and Flynn fell in love and were married shortly afterward. The union produced a daughter, Arnella, in 1953. Unfortunately, Flynn was on the downward spiral thanks to 25 years' worth of high living and an increasing dependence upon barbituates. Wymore retired from her career to stay by her husband's side, buoying his self-confidence and offering strong moral support during these darkest years of his life, until the situation became impossible. Though separated from Flynn at the time of his death in 1959, Wymore was still his widow -- a status hotly contested by Flynn's final amour, 16-year-old Beverly Aadland, who had both eyes on the Flynn estate. Picking up the pieces after Flynn's demise, Wymore hit the nightclub trail as a singer, gradually building up a following in regional productions of such musicals as Guys and Dolls and Irma La Douce. Patrice Wymore's comeback was complete upon her being cast in the 1965 ABC soap opera Never Too Young and in the 1966 Warner Bros. chiller Chamber of Horrors (1966). Sitcom fans will remember her comic appearance as "black widow" Hermione Gooderly on a 1966 episode of F Troop. She died in 2014.

Trivia: Alternately blonde and brunette, American actress Nancy Kovack entered films with a Columbia contract in 1960. She had several good scenes as an imbibing suburbanite in Strangers When We Meet (1960), was killed off after an elaborate strip-tease in the Dean Martin spy spoof The Silencers (1966) and at one point even got to play Medea, albeit briefly, in the juvenile-oriented adventure film Jason and the Argonauts (1963). One of Nancy's oddest (but best remembered) Columbia assignments was as Annie Oakley in the Three Stooges' western comedy The Outlaws is Coming (1965) - in which her leading man, a gun-shy Easterner, was a pre-Batman Adam West. Despite the seductive nature of many of her screen roles, Ms. Kovack offscreen was well known for her sturdy moral values and her unwillingness to be sucked in by the Hollywood "swingers" scene. Nancy Kovack married Los Angeles Philharmonic orchestra conducter Zubin Mehta early in the '70s, briefly maintaining her career under her married name but ultimately giving up acting to become a charming and highly respected social leader in New York and Los Angeles musical circles.

Trivia: In the first ten years of his life, Raymond Burr moved from town to town with his mother, a single parent who supported her little family by playing the organ in movie houses and churches. An unusually large child, he was able to land odd jobs that would normally go to adults. He worked as a ranch hand, a traveling tinted-photograph salesman, a Forest service fire guard, and a property agent in China, where his mother had briefly resettled. At 19, he made the acquaintance of film director Anatole Litvak, who arranged for Burr to get a job at a Toronto summer-stock theater. This led to a stint with a touring English rep company; one of his co-workers, Annette Sutherland, became his first wife. After a brief stint as a nightclub singer in Paris, Burr studied at the Pasadena Playhouse and took adult education courses at Stanford, Columbia, and the University of Chunking. His first New York theatrical break was in the 1943 play Duke in Darkness. That same year, his wife Sutherland was killed in the same plane crash that took the life of actor Leslie Howard. Distraught after the death of his wife, Burr joined the Navy, served two years, then returned to America in the company of his four-year-old son, Michael Evan Burr (Michael would die of leukemia in 1953). Told by Hollywood agents that he was overweight for movies, the 340-pound Burr spent a torturous six months living on 750 calories per day. Emerging at a trim 210 pounds, he landed his first film role, an unbilled bit as Claudette Colbert's dancing partner in Without Reservations (1946). It was in San Quentin (1946), his next film, that Burr found his true metier, as a brooding villain. He spent the next ten years specializing in heavies, menacing everyone from the Marx Brothers (1949's Love Happy) to Clark Gable (1950's Key to the City) to Montgomery Clift (1951's A Place in the Sun) to Natalie Wood (1954's A Cry in the Night). His most celebrated assignments during this period included the role of melancholy wife murderer Lars Thorwald in Hitchcock's Rear Window (1954) and reporter Steve Martin in the English-language scenes of the Japanese monster rally Godzilla (1956), a characterization he'd repeat three decades later in Godzilla 1985. While he worked steadily on radio and television, Burr seemed a poor prospect for series stardom, especially after being rejected for the role of Matt Dillon on Gunsmoke on the grounds that his voice was too big. In 1957, he was tested for the role of district attorney Hamilton Burger in the upcoming TV series Perry Mason. Tired of playing unpleasant secondary roles, Burr agreed to read for Burger only if he was also given a shot at the leading character. Producer Gail Patrick Jackson, who'd been courting such big names as William Holden, Fred MacMurray, and Efrem Zimbalist Jr., agreed to humor Burr by permitting him to test for both Burger and Perry Mason. Upon viewing Burr's test for the latter role, Perry Mason creator Erle Stanley Gardner jumped up, pointed at the screen, and cried "That's him!" Burr was cast as Mason on the spot, remaining with the role until the series' cancellation in 1966 and winning three Emmies along the way. Though famous for his intense powers of concentration during working hours -- he didn't simply play Perry Mason, he immersed himself in the role -- Burr nonetheless found time to indulge in endless on-set practical jokes, many of these directed at his co-star and beloved friend, actress Barbara Hale. Less than a year after Mason's demise, Burr was back at work as the wheelchair-bound protagonist of the weekly detective series Ironside, which ran from 1967 to 1975. His later projects included the short-lived TVer Kingston Confidential (1976), a sparkling cameo in Airplane 2: The Sequel (1982), and 26 two-hour Perry Mason specials, lensed between 1986 and 1993. Burr was one of the most liked and highly respected men in Hollywood. Fiercely devoted to his friends and co-workers, Burr would threaten to walk off the set whenever one of his associates was treated in a less than chivalrous manner by the producers or the network. Burr also devoted innumerable hours to charitable and humanitarian works, including his personally financed one-man tours of Korean and Vietnamese army bases, his support of two dozen foster children, and his generous financial contributions to the population of the 4,000-acre Fiji island of Naitauba, which he partly owned. Despite his unbounded generosity and genuine love of people, Burr was an intensely private person. After his divorce from his second wife and the death from cancer of his third, Burr remained a bachelor from 1955 until his death. Stricken by kidney cancer late in 1992, he insisted upon maintaining his usual hectic pace, filming one last Mason TV movie and taking an extended trip to Europe. In his last weeks, Burr refused to see anyone but his closest friends, throwing "farewell" parties to keep their spirits up. Forty-eight hours after telling his longtime friend and business partner Robert Benevides, "If I lie down, I'll die," 76-year-old Raymond Burr did just that -- dying as he'd lived, on his own terms.

Trivia: The scion of a wealthy Detroit family, William Talman would later claim that he learned to "champion the underdog" while a member of his Episcopal church boxing team. In his 20s, Talman became an evangelist for the Moral Re-Armament Movement, and later made at stab at studying law. He drifted to New York, where, through the intervention of an actor friend of his father, he began picking up small stage roles. After extensive experience in New York and in the touring company of Of Mice and Men, Talman moved to Hollywood, where in 1949 he played his first important screen role as a gangster in Red, Hot and Blue (1949). At his best when his characters were at their worst, Talman developed into one of Tinseltown's most fearsome screen villains, never more so than when he played a psycho killer who slept with one eye open in the noir classic The Hitchhiker (1955). In 1957, Talman was cast as Hamilton Burger, the perennially losing District Attorney on the popular TV weekly Perry Mason. He remained with the series until March of 1960, when he was arrested for throwing a wild party where vast quantities of illegal substances were consumed. The Perry Mason producers had every intention of firing Talman from the series, but he was reinstated thanks to the loyal intervention of his co-stars -- particularly Raymond Burr, who threatened to quit the show if Talman wasn't given a second chance. William Talman was last seen on TV in a series of anti-smoking public service announcements; these spots were run posthumously, at Talman's request, following his death from lung cancer at the age of 53.

Trivia: According to her Rockford, Illinois, high-school yearbook, Barbara Hale hoped to make a career for herself as a commercial artist. Instead, she found herself posing for artists as a professional model. This led to a movie contract at RKO Radio, where she worked her way up from "B"s like The Falcon in Hollywood (1945) to such top-of-the-bill attractions as A Likely Story (1947) and The Boy With Green Hair (1949). She continued to enjoy star billing at Columbia, where among other films she essayed the title role in Lorna Doone (1952). Her popularity dipped a bit in the mid-1950s, but she regained her following in the Emmy-winning role of super-efficient legal secretary Della Street on the Perry Mason TV series. She played Della on a weekly basis from 1957 through 1966, and later appeared in the irregularly scheduled Perry Mason two-hour TV movies of the 1980s and 1990s. The widow of movie leading man Bill Williams, Barbara Hale was the mother of actor/director William Katt. Hale died in 2017, at age 94.

Trivia: The son of legendary Broadway actor DeWolfe Hopper and movie actress Hedda Hopper, William Hopper made his film debut as an infant in one of his father's films. The popular consensus is that the younger Hopper was given his first talking-picture break because of his mother's reputation as the most feared of the Hollywood gossips. Not so: Hopper was signed to his first Warner Bros. contract in 1937, a year or so before Hedda had established herself as the queen of the dirt-dishers. At first billing himself as DeWolfe Hopper Jr., Hopper languished in bit parts and walk-ons for several years. He wasn't able to graduate to better roles until the 1950s, by which time he was calling himself William Hopper. After a largely undistinguished film career (notable exceptions to his usual humdrum assignments were his roles in 20 Million Miles to Earth [1957] and The Bad Seed [1956]) Hopper finally gained fame -- and on his own merits -- as private detective Paul Drake on the enormously popular Perry Mason television series, which began its eight-season run in 1957. In a bizarre coincidence, Perry Mason left the air in 1966, the same year that William Hopper's mother Hedda passed away.

Trivia: American actor and violinist Gregory Morton played character roles on stage, television, and screen. With his white hair and severe angular features, Morton was often cast as a commanding character.

Trivia: American general purpose actor Pat Conway began showing up in such films as The Deadly Mantis in the mid- to late '50s. Never a star on the big screen, Conway did rather better on television. From 1957 to 1959, he played Sheriff Clay Hollister on the popular TV Western Tombstone Territory. After this brief flurry of prominence, Pat Conway returned to character roles in movie Westerns and adventure yarns.

Trivia: What do actors Gig Young, Anne Shirley, and L.Q. Jones have in common? All of them lifted their show-biz names from characters they'd portrayed on screen. In 1955, University of Texas alumnus Justice McQueen made his film debut in Battle Cry, playing a laconic lieutenant named L.Q. Jones. McQueen liked his character so much that he remained L.Q. Jones offscreen ever after (though he never made it legal, still listing himself as Justice Ellis McQueen in the 1995 edition of Who's Who). A natural for westerns both vocally and physically, Jones played supporting roles in several big-screen oaters, and was seen on TV as Smitty on Cheyenne (1955-58) and as Belden on The Virginian (1964-67). Jones gained a measure of prominence in the films of Sam Peckinpah, notably Ride the High Country (1961) and The Wild Bunch (1969). Turning to the production side of the business in the early 1970s, L. Q. Jones produced and co-starred in the 1971 film Brotherhood of Satan; he also co-produced, directed, adapted and played a cameo (as a porn-movie actor!) in the fascinating 1975 cinemazation of Harlan Ellison's A Boy and His Dog, a tour de force that won Jones a Hugo Award from America's science fiction writers.

Trivia: A veteran character actor of stage and screen, George O. Petrie will be recognized by fans of the NBC sitcom Mad About You as Paul Reiser's film editor. A native of New Haven, CT, and a 1934 graduate from U.S.C., Petrie's interest in acting led him to New York where he landed a role in the Broadway production of Cafe Crown. While serving in the military during WWII, Petrie appeared in the Broadway production of The Army Play by Play, a five-part anthology comprised of vignettes penned by soldiers from as many camps. The show ran for six months and played a command performance before President Roosevelt. Upon transferring to the Air Corps, Petrie was cast in Moss Hart's inspirational Winged Victory. Following its four-month run, Petrie went on to appear in George Cukor's film version. Petrie became a radio performer after his discharge and starred in several dramas, including The Amazing Mr. Malone. He turned to television acting in the '50s and began starring in live soap operas such as As the World Turns and Edge of Night as well as playing a semi-regular part on Jackie Gleason's The Honeymooners. Petrie would remain associated with Gleason on various projects through 1969. Petrie's filmography includes Hud (1963), Something in Common (1986), and Planes, Trains and Automobiles (1987). Petrie died of lymphoma in his Brentwood, CA, home at the age 85.

Trivia: The son of an Episcopal priest, John Gallaudet commenced his professional acting career after graduating from Williams College. He appeared on both Broadway and in stock opposite actors ranging from Fred Astaire to Helen Hayes. The slight, thinnish-haired Gallaudet spent several years in the 1930s as the resident character star of Columbia Pictures' "B" unit, playing everything from kindhearted doctors to serpentlike crooks. He owns the distinction of being one the few actors to ever "murder" Rita Hayworth, dispatching the lovely young actress with a poisoned baseball glove in the 1937 potboiler Girls Can Play. Active in films until the 1950s, John Gallaudet was well known and highly regarded throughout the film community for his off-camera vocation as a champion golfer.

Trivia: Arthur Peterson played character and supporting roles on stage, television, and feature films. On television, fans of the series Soap (1977-1981), a funny spoof of soap operas, may remember Peterson for playing the Major. North Dakota born and raised, Peterson first obtained a degree in theater from the University of Minnesota before becoming a professional actor with the first Federal Theater Project. Peterson made his media debut in 1936 with a regular role on the radio serial The Guiding Light. During WWII, Peterson fought within General Patton's third regimen. Upon his discharge, Peterson appeared in the ABC network's first situation comedy, That's O'Toole. Peterson's stage work included appearances in such plays as Inherit the Wind. His film career has been sporadic, including such titles as Born Wild (1968) and the television movie Rollercoaster (1977). Peterson spent 1981 to 1991 touring the country with his wife in a Pasadena Playhouse production of The Gin Game (a play made famous on Broadway by Jessica Tandy and her husband Hume Cronyn). When the play's long run ended, Peterson retired from acting. He passed away on October 31, 1996, of Alzheimer's disease in the Amberwood Convalescent Hospital in Los Angeles at age 83.