Trivia: Red-headed, freckle-faced Martin Milner was only 15 when he made his screen debut in Life With Father (1947), and would continue to play wide-eyed high schoolers and college kids well into the next decade. His early film assignments included the teenaged Marine recruit in Lewis Milestone's The Halls of Montezuma (1951) and the obnoxious suitor of Jeanne Crain in Belles on Their Toes (1952). His first regular TV series was The Stu Erwin Show (1950-1955), in which he played the boyfriend (and later husband) of Stu's daughter Joyce. More mature roles came his way in Marjorie Morningstar (1957) as Natalie Wood's playwright sweetheart and in The Sweet Smell of Success (1957) as the jazz musician targeted for persecution by Winchell-esque columnist Burt Lancaster. Beginning in 1960, he enjoyed a four-year run as Corvette-driving Tod Stiles on TV's Route 66 (a statue of Milner and his co-star George Maharis currently stands at the Corvette Museum in Bowling Green, KY). A longtime friend and associate of producer/director/actor Jack Webb, Milner was cast as veteran L.A.P.D. patrolman Pete Malloy on the Webb-produced TV weekly Adam-12, which ran from 1968 to 1975. His later TV work included a short-lived 1970s series based on Johan Wyss' Swiss Family Robinson. Later employed as a California radio personality, Martin Milner continued to make occasional TV guest appearances; one of these was in the 1989 TV movie Nashville Beat, in which he was reunited with his Adam-12 co-star Kent McCord. He made an appearance on the short-lived series The New Adam-12 and had recurring roles on shows like Life Goes On and Murder, She Wrote. Milner died in 2015, at age 83.

Trivia: Paul Carr has been a very busy actor since the '50s on-stage, in television, and in films, after starting his screen career with Alfred Hitchcock. Born in New Orleans in 1934, he grew up in the town of Marrero, in Jefferson Parish, LA. As a teenager, he had an interest in music as well as acting. After a short stint in the Marine Corps in his teens, he began his acting career with a role in a New Orleans production of Billy Budd, and by the mid-'50s was working on live televsion out of New York City, including appearances on Studio One and Kraft Television Theater, while continuing theatrical work in stock companies in Ohio and Michigan, with roles such as Peter Quilpe in The Cocktail Party, Haemon in Antigone, Jack in The Rose Tattoo, and Hal Carter in Picnic, as well as a summer tour in Fifth Season with Chico Marx. Carr made his movie debut in 1955 with a small uncredited role in Alfred Hitchcock's fact-based thriller The Wrong Man. That same year, he portrayed a prisoner of war in the Theatre Guild's production of Time Limit on Broadway. His film career continued with a much larger role in Alfred Werker's The Young Don't Cry (1957), starring James Whitmore and Sal Mineo, and that same year he appeared in the jukebox movie Jamboree. He worked steadily on television in the late '50s and early '60s with guest spots and supporting roles in a lot of Westerns such as Trackdown, Rawhide, The Rifleman, and The Virginian. Later he appeared in detective shows and medical and war dramas, such as 77 Sunset Strip, Dr. Kildare, and Twelve O'Clock High, interspersed with occasional film work, including Captain Newman, M.D. (1963). He had a recurring role as one of the submarine Seaview's junior officers on Voyage to the Bottom of the Sea in its black-and-white season, and played other parts of the show subsequently. Carr was all over the tube on Burke's Law, Combat, Gunsmoke, and a dozen other shows in the middle of the decade. In 1965, Carr won the role of Bill Horton, the physician son of protagonist Dr. Tom Horton on Days of Our Lives, which kept him busy for the subsequent year. He was later a regular on General Hospital and The Doctors, and between the three soap operas, Carr had put in a lot of time portraying dedicated medical practitioners. He may be remembered best, however, for his appearance on a pop-culture institution that has been exumed and re-examined by the public en masse: In 1966, he was seen in the second Star Trek pilot episode, "Where No Man Has Gone Before," portraying Lt. Kelso, the affable Enterprise officer who is strangled telekinetically by the ship's rapidly mutating helmsman. Carr has gone on to work in dozens of television shows --everything from Get Smart, Mannix, The Rockford Files, and Murphy Brown, to miniseries and features, both made-for-television (The Deadly Tower). In 2001, his voice was heard in Blood: The Last Vampire, as the school's headmaster.

Trivia: Supporting actor Kent McCord is best known for co-starring in the long-running series Adam-12 (1968-1975). McCord made his film debut in the made-for-television movie The Outsider (1967). Following the demise of Adam-12, McCord continued appearing in TV films and in low-budget features such as Unsub (1985) and Return of the Living Dead 3 (1993).

Trivia: In the 1959 Twilight Zone episode "Walking Distance," Gig Young comments that he thinks he's seen drugstore counterman Byron Foulger before. "I've got that kind of face" was the counterman's reply. Indeed, Foulger's mustachioed, bespectacled, tremble-chinned, moon-shaped countenance was one of the most familiar faces ever to grace the screen. A graduate of the University of Utah, Foulger developed a taste for performing in community theatre, making his Broadway debut in the '20s. Foulger then toured with Moroni Olsen's stock company, which led him to the famed Pasadena Playhouse as both actor and director. In films from 1936, Foulger usually played whining milksops, weak-willed sycophants, sanctimonious sales clerks, shifty political appointees, and the occasional unsuspected murderer. In real life, the seemingly timorous actor was not very easily cowed; according to his friend Victor Jory, Foulger once threatened to punch out Errol Flynn at a party because he thought that Flynn was flirting with his wife (Mrs. Foulger was Dorothy Adams, a prolific movie and stage character actress). Usually unbilled in "A" productions, Foulger could count on meatier roles in such "B" pictures as The Man They Could Not Hang (1939) and The Panther's Claw (1943). In the Bowery Boys' Up in Smoke (1957), Foulger is superb as a gleeful, twinkly-eyed Satan. In addition to his film work, Byron Foulger built up quite a gallery of portrayals on television; one of his final stints was the recurring role of engineer Wendell Gibbs on the popular sitcom Petticoat Junction.