Trivia: Like Clark Gable, David Janssen lost quite a few film roles in the early stages of his career because his ears were "too big" and -- also like Gable-- he did pretty well for himself in the long run. The son of a former beauty queen-cum-stage mother, Janssen was virtually strong-armed into show business, appearing as a child actor on-stage and as a juvenile performer in such films as Swamp Fire (1946). Signed to a Universal contract in 1950, he showed up fleetingly in films both big-budget (To Hell and Back) and small (Francis Goes to West Point). Full stardom eluded Janssen until 1957, when he was personally selected by actor/producer Dick Powell to star in the TV version of Powell's radio series Richard Diamond, Private Detective. Though he didn't exactly become a millionaire (for several years he earned a beggarly 750 dollars per week), Janssen's saleability soared as a result of his three-year Diamond gig, and by 1960 he was earning top billing in such Allied Artists productions as King of the Roaring 20s (1960), in which he played gambler Arnold Rothstein, and Hell to Eternity (1960). In 1963, he landed his signature role of Dr. Richard Kimble on TV's The Fugitive. For the next four years, Janssen/Kimble perambulated throughout the country in search of the "one-armed man" who committed the murder for which Kimble was sentenced to death, all the while keeping one step ahead of his dogged pursuer, Lieutenant Gerard (Barry Morse). The final episode of The Fugitive, telecast in August of 1967, was for many years the highest-rated TV episode in history. There was little Janssen could do to top that, though he continued appearing in such films as Warning Shot (1967) and Green Berets (1969), and starring in such TV series as O'Hara, U.S. Treasury (1971) and Harry O (1974-1976). David Janssen died of a sudden heart attack at age 49, not long after completing his final TV movie, City in Fear (1980).

Trivia: After a four-year hitch with the Naval Reserve, actor Steven Hill made his first New York stage appearance in Ben Hecht's A Flag is Born (1946), which also featured a young Marlon Brando. Hill made his film debut in 1950, then returned to the Navy for two more years before settling down to acting on a permanent basis. He was particularly busy in the so-called Golden Age of live TV drama, appearing in such prestigious video offerings as The Trial of Sacco and Vanzetti (1959). In 1966, he was cast as Daniel Briggs--as in "Good morning, Mr. Briggs"--on the hit TV adventure series Mission: Impossible. He left this lucrative assignment in 1967, reportedly because his Orthodox Jewish faith prevented him from filming on weekends; his replacement was Peter Graves as "Mr. Phelps" (in 1989, Hill guest-starred on the short-lived Mission: Impossible revival). Hill remained very much in demand throughout the 1980s and 1990s playing parental and authority-figure roles in such films as Yentl (1983) Heartburn (1986) and Billy Bathgate (1991). Contemporary TV viewers are most familiar with Steven Hill for his work as Michael Steadman's father on thirtysomething (1987-91) and DA Adam Schiff on the weekly TVer Law and Order, a role he stayed with from 1990 to 2000. Hill died in 2016, at age 94.

Trivia: Learning the ropes at the Bucks County Playhouse and New York's Neighborhood Playhouse, Jessica Walter, born January 31st, 1949, made her Broadway debut in 1961's Advise and Consent. The raven-haired leading lady was then seen on a regular basis in several Manhattan-based TV programs, including the daytimer Love of Life and the 1965 nighttime series For the People. In films from 1964, Jessica was one of eight young female "newcomers" (Candice Bergen, Elizabeth Hartman, Joanna Pettet et. al.) who went on to greater things after appearing en masse in Sidney Lumet's The Group (1966). Her flashiest screen role was as the dangerously possessive "number one fan" Evelyn Draper in Clint Eastwood's Play Misty for Me (1971). Of her many weekly-TV assignments, Walter's title role in the mid-'70s cop series Amy Prentiss garnered her the most attention; that is, until recently, when Walter found late-career acclaim on the award-winning sitcom Arrested Development. As the insensitive, materialistic matriarch of the Bluth family, Walter garnered a plum comedic role, and Emmy attention to boot. Walter continued to remain active in television appearances following the cancellation of Arrested Development, and joined the cast of the Broadway revival of Anything Goes in 2011.

Trivia: Actor Ted Knight dropped out of high school in order to enlist for World War II service. During the postwar years, Knight studied acting in Hartford, Connecticut. He became proficient with puppets and ventriloquism, which led to steady work as a TV kiddie-show host. Knight spent most of the 1950s and 1960s doing commercial voice-overs and essaying minor TV and movie roles (he was the nonspeaking cop who handed Norman Bates a robe at the end of Hitchcock's Psycho [1960]). Just barely making ends meet with TV guest spots and cartoon voices, Knight was rescued professionally in 1970 when he was cast in the role of vainglorious TV anchorman Ted Baxter on The Mary Tyler Moore Show. Three years into the series, Knight threatened to quit because of the one-note stupidity of his character. He was assuaged when the MTM producers "humanized" him with an understanding girlfriend (played by Georgia Engel) -- and it didn't hurt that the actor later won two Emmy awards for his portrayal of the clueless Ted Baxter. When MTM left the air in 1977, Knight attempted to headline a sitcom of his own. After a couple of false starts, he struck pay dirt in 1980 with Too Close for Comfort, playing a comic-strip artist with two nubile daughters. Too Close left the network for syndication in 1984, then matriculated into The Ted Knight Show in 1985. Though gravely ill, Ted Knight valiantly taped a years' worth of episodes before succumbing to cancer at the age of 62.

Trivia: Supporting actor James Callahan appeared onscreen from 1959.

Trivia: African-American stage and film actor Robert Do Qui was first seen by televiewers on a weekly basis as Detective Cliff Sims in Felony Squad (1968-1969). Do Qui has worked extensively with director Robert Altman, most prominently as the sympathetic nightclub manager in Nashville (1975). In the 1980s and 1990s, he became familiar to action fans as Sgt. Reed in the three Robocop flicks. In addition to his many acting credits, Robert Do Qui served several terms as an officer of the Screen Actors Guild. He died at age 74 in 2008.