Trivia: Like Clark Gable, David Janssen lost quite a few film roles in the early stages of his career because his ears were "too big" and -- also like Gable-- he did pretty well for himself in the long run. The son of a former beauty queen-cum-stage mother, Janssen was virtually strong-armed into show business, appearing as a child actor on-stage and as a juvenile performer in such films as Swamp Fire (1946). Signed to a Universal contract in 1950, he showed up fleetingly in films both big-budget (To Hell and Back) and small (Francis Goes to West Point). Full stardom eluded Janssen until 1957, when he was personally selected by actor/producer Dick Powell to star in the TV version of Powell's radio series Richard Diamond, Private Detective. Though he didn't exactly become a millionaire (for several years he earned a beggarly 750 dollars per week), Janssen's saleability soared as a result of his three-year Diamond gig, and by 1960 he was earning top billing in such Allied Artists productions as King of the Roaring 20s (1960), in which he played gambler Arnold Rothstein, and Hell to Eternity (1960). In 1963, he landed his signature role of Dr. Richard Kimble on TV's The Fugitive. For the next four years, Janssen/Kimble perambulated throughout the country in search of the "one-armed man" who committed the murder for which Kimble was sentenced to death, all the while keeping one step ahead of his dogged pursuer, Lieutenant Gerard (Barry Morse). The final episode of The Fugitive, telecast in August of 1967, was for many years the highest-rated TV episode in history. There was little Janssen could do to top that, though he continued appearing in such films as Warning Shot (1967) and Green Berets (1969), and starring in such TV series as O'Hara, U.S. Treasury (1971) and Harry O (1974-1976). David Janssen died of a sudden heart attack at age 49, not long after completing his final TV movie, City in Fear (1980).

Trivia: The daughter of show folk, Hope Lange was 12 when she appeared in her first Broadway play, Sidney Kingsley's The Patriots. Fourteen years later, with dozens of plays and TV programs to her credit, Lange made her screen debut in Bus Stop (1956), managing to garner critical and audience attention despite her omnipresent co-star Marilyn Monroe (Lange's first husband was Bus Stop leading man Don Murray). Signed to a 20th Century Fox contract, Lange was Oscar nominated for her performance in Peyton Place (1957) and was equally impressive in such films as The Young Lions (1957) and The Best of Everything (1959). In the early 1960s, Lange was briefly linked romantically with Glenn Ford, who insisted that she co-star with him in Pocketful of Miracles, a fact that inspired a stream of published invective from the film's director, Frank Capra, who'd wanted Shirley Jones for the part. Despite Capra's reservations in regards to her acting ability, Lange continued to prosper as a film actress until turning to TV in 1968 as star of the weekly The Ghost and Mrs. Muir, a project that would earn her two Emmys. She then spent three years in a thankless "supportive housewife" part in The New Dick Van Dyke Show. In 1974, Lange received some of her best reviews in years for her work in Death Wish -- in which she spent most of her time in a coma before expiring in Reel Two! Subsequent projects in which Lange was involved included the 1977 play Same Time Next Year and the first of the Nightmare on Elm Street films. Hope Lange was first married to Don Murray, then producer/director Alan J. Pakula.

Trivia: Actor's Studio graduate Arch Johnson was first seen off-Broadway in 1952's Down in the Valley, and on-Broadway the following year in Mrs. McThing. Johnson's most famous Broadway role was bigoted NYPD detective Schrank in West Side Story (1956). In films from 1953, the burly Johnson was usually cast as western heavies, occasionally with a swarthy tongue in cheek and a roguish twinkle in the eye. Some of his non-western movie assignments include The Sting (1973), Walking Tall (1977) and The Buddy Holly Story (1978). In the spring of 1961, Arch Johnson was seen as Captain Gus Honochek on the weekly TV version of The Asphalt Jungle.

Trivia: He was born John Williams, but there already was a John Williams in show business (several of them, in fact), so the Canadian-born actor selected John McLiam as his professional moniker. McLiam's man-on-the-street countenance could be molded into a vast array of characterizations, ranging from a cockney low-life (My Fair Lady) to a Southern redneck (Cool Hand Luke). The actor's bland normality was a key factor in his being cast as real-life murder victim Herbert Clutter in 1967's In Cold Blood. John McLiam accepted more TV guest-star assignments than can possibly be listed here; he was also a regular on the weekly series Men From Shiloh (1970) and Two Marriages (1983).

Trivia: American character actor Lew Brown has been appearing on stage, screen and television for over 50 years.