Trivia: Like Clark Gable, David Janssen lost quite a few film roles in the early stages of his career because his ears were "too big" and -- also like Gable-- he did pretty well for himself in the long run. The son of a former beauty queen-cum-stage mother, Janssen was virtually strong-armed into show business, appearing as a child actor on-stage and as a juvenile performer in such films as Swamp Fire (1946). Signed to a Universal contract in 1950, he showed up fleetingly in films both big-budget (To Hell and Back) and small (Francis Goes to West Point). Full stardom eluded Janssen until 1957, when he was personally selected by actor/producer Dick Powell to star in the TV version of Powell's radio series Richard Diamond, Private Detective. Though he didn't exactly become a millionaire (for several years he earned a beggarly 750 dollars per week), Janssen's saleability soared as a result of his three-year Diamond gig, and by 1960 he was earning top billing in such Allied Artists productions as King of the Roaring 20s (1960), in which he played gambler Arnold Rothstein, and Hell to Eternity (1960). In 1963, he landed his signature role of Dr. Richard Kimble on TV's The Fugitive. For the next four years, Janssen/Kimble perambulated throughout the country in search of the "one-armed man" who committed the murder for which Kimble was sentenced to death, all the while keeping one step ahead of his dogged pursuer, Lieutenant Gerard (Barry Morse). The final episode of The Fugitive, telecast in August of 1967, was for many years the highest-rated TV episode in history. There was little Janssen could do to top that, though he continued appearing in such films as Warning Shot (1967) and Green Berets (1969), and starring in such TV series as O'Hara, U.S. Treasury (1971) and Harry O (1974-1976). David Janssen died of a sudden heart attack at age 49, not long after completing his final TV movie, City in Fear (1980).

Trivia: Howard Da Silva worked the steel mills of Pennsylvania to pay his way through Carnegie Institute. After finishing his acting training, Da Silva went to work for Eva Le Galliene's theatrical troupe. He brought attention to himself by staging a one-man show, Ten Million Ghosts, which led to several years' work with Orson Welles' Mercury Theatre. On Broadway, the stocky, booming-voiced Da Silva created the roles of Jack Armstrong in Abe Lincoln in Illinois (a part he re-created in the 1940 film version) and Jud Frye in Oklahoma. His earliest movie appearance was in the Manhattan-filmed Jimmy Savo vehicle Once in a Blue Moon (1934), but Da Silva didn't gain cinematic prominence until signed by Paramount in the 1940s, where among many other choice assignments he was cast as the bartender in the Oscar-winning The Lost Weekend (1945). As one of most vocal and demonstrative of Hollywood's Left Wing, Da Silva became a convenient target for the House Un-American Activities Commission, and he was blacklisted. Unable to find movie or TV work, DaSilva returned to the stage in the 1950s, not facing the cameras again until 1962's David and Lisa (1962). Among his many memorable portrayals of the 1970s were Benjamin Franklin in stage and film versions of 1776, Nikita Khrushchev in the 3-hour TV drama Missiles of October, and his award-winning supporting performance in PBS' Verna: The USO Girl. Howard Da Silva also appeared in both the 1949 and 1974 versions of The Great Gatsby, playing the tragic garage owner Mr Wilson in the first version, and the Arnold Rothstein-like gambler Meyer Wolfsheim in the second.

Trivia: The very feminine Lois Nettleton made her first stage appearance as "The Father" in a grade-school production of Hansel and Gretel. After studying at the Goodman Theatre and the Actors' Studio, 20-year-old Lois made her Broadway boy in 1949's The Biggest Thief in Town, very briefly adopting the stage name of Lydia Scott (she found her given name too plain and "schoolmarmy"). She understudied Barbara Bel Geddes as Maggie the Cat in the original 1955 production of Cat on a Hot Tin Roof, occasionally getting to play the role herself. For her work in the stage play God and Kate Murphy, Lois won the Clarence Derwent Award. While her official film debut was 1962's Period Adjustment, she previously played a minor role in director Elia Kazan's A Face in the Crowd (1957). Lois' film work, while extensive, has not been as rewarding as her stage and TV endeavors. Bypassing her co-starring stints in the short-term sitcom Accidental Family (1967) and You Can't Take It With You (1987), Lois Nettleton was seen as a regular on the NBC soap opera Brighter Day (1954), enjoyed a healthy two-season run as Joann St. John on the weekly TV version of In the Heat of the Night, and has won two Emmies, the first for the 1977 daytime special The American Woman: Profiles in Courage, and the second for "A Gun for Mandy," a 1983 episode of the syndicated religious anthology Insight. She died of lung cancer at age 80 in January 2008.

Trivia: A performer widely regarded as one of the most distinguished and eloquent actors of his or any generation, Ossie Davis combined an overwhelming amount of dramatic talent and instinct (evident via both stage and film work) with an indomitable fervor for social crusade. A native of Cogdell, GA, and a graduate of Howard University, Davis moved to Harlem at an early stage and trained with the Rose McClendon players. The actor then drew a considerable amount of attention -- alongside wife since 1948 Ruby Dee -- for helping to spearhead the American civil rights movement in the 1940s, over 20 years before it caught fire with the general public and mass media. Their combined efforts culminated in involvement with the triumphant March on Washington of August 1963, where Dr. Martin Luther King Jr. delivered his iconic "I Have a Dream" speech. In subsequent years, Davis also helped Dr. King raise money for the Freedom Riders and delivered a poignant eulogy at the funeral of Malcolm X. Meanwhile, Davis and Dee both established themselves as forces in theater and on film. Davis himself debuted on Broadway in 1946, and took his film bow with the 1950 No Way Out, but 13 years passed before his sophomore cinematic effort, the 1963 Gone Are the Days -- an adaptation of his own play Purlie Victorious. Unfortunately, the actor spent much of the '60s appearing in programmers that were either underappreciated (Shock Treatment, 1964) or unworthy of his talents (Sam Whiskey, 1969), and didn't fully realize his potential until he scripted and directed the 1970 Cotton Comes to Harlem, a gritty crime comedy (with a predominantly African-American cast including Godfrey Cambridge and Redd Foxx) that almost singlehandedly jump-started the blaxploitation movement and predated Sweet Sweetback and Shaft by a year. Several additional directorial projects followed throughout the 1970s and '80s and found Davis growing deeper and more profound, and setting his sights higher; these included the ambitious -- if not quite successful -- Kongi's Harvest (1971) and the finely-wrought, socially charged coming-of-age drama Black Girl (1972), arguably Davis' best film. Unfortunately, Davis' third and fourth efforts behind the camera, Gordon's War (1973) and Countdown at Kusini (1976), disappointed on many counts, relegating him (for better or worse) back to acting. He appeared in the racially themed, made-for-television dramas Roots (1977), King: The Martin Luther King Story (1978, in which he played Dr. King Sr.), and Roots: The Next Generations (1979), then -- around a decade later -- achieved a career resurgence thanks to the intelligence and bravura of wunderkind Spike Lee, who cast Davis in six major films: School Daze (1988), Do the Right Thing (1989), Jungle Fever (1991), Malcolm X (1992, as an off-camera narrator), Get on the Bus (1996), and She Hate Me (2004). Two of those films also included Dee in the cast. Davis also enjoyed a renewed profile on television during the early '90s when he was tapped to play a regular character on the charming and laid-back Burt Reynolds sitcom Evening Shade (1990-1994); he portrayed Ponder Blue, the series' narrator and the owner of a barbecue restaurant. Davis remained not only active but astonishingly prolific over the following ten years. Subsequent projects included small supporting roles in Grumpy Old Men (1993), The Client (1994), and Doctor Dolittle (1998), and participation in a series of documentaries, among them Christianity: The First Thousand Years (1998) and We Shall Not Be Moved (2001). Davis died in February 2005, in Miami, while shooting the movie Retirement. He was 87. Davis and Dee co-authored a dual autobiography, In This Life Together, in 1998.

Trivia: Blond actress June Vincent entered the movie business in 1940. Occasionally a leading lady, as in Abbott & Costello's Here Come the Co-eds, Vincent was more effectively cast as an ice-princess "other woman." After a string of progressively uninteresting film parts, she received a shot in the arm careerwise when she began accepting television roles, rapidly establishing herself as an versatile character actress; TV Guide, taking into consideration the number of times that the on-screen Vincent tried to steal away somebody's husband or boyfriend, referred to her as "Television's Favorite Homewrecker." June Vincent made her final TV appearances in the mid-1960s.

Trivia: Getting his career underway in such popular Broadway productions as A Streetcar Named Desire and A Man for All Seasons, veteran character actor Len Wayland was a longtime fixture of film and television, where he would appear in everything ranging from Gunsmoke to The A-Team.A native of Texas, Wayland moved to Hollywood in the early '50s, soon finding frequent work in television. Eventually gaining over 350 TV credits through his many appearances, Wayland played in such made-for-television thrillers as Michael Crichton's Pursuit (1972) before landing a regular role on Sam, a series created by Jack Webb (Wayland had previously made appearances in Webb's other television mainstay, Dragnet). Retiring from the business around 1980, Wayland, an avid golfer, spent much of his time putting around the green with close friends. Following a massive stroke, Len Wayland died at Cedars-Sinai Medical Center in Los Angeles, CA, at the age of 80. True to form, those close to Wayland found it fitting to pay tribute to their friend with a memorial service at the place he loved most, on a golf course in Los Angeles.

Trivia: Bald, hook-nosed character actor John Harmon launched his film career in 1939. Harmon's screen assignments ranged from shifty-eyed gangsters, rural law enforcement officials and hen-pecked husbands. He was seen in films as diverse as Chaplin's Monsieur Verdoux (1947) and the "B" horror flick Monster of Piedra Blancas. Star Trek fans will remember John Harmon for his supporting role in the 1967 episode "City on the Edge of Forever."

Trivia: American general purpose actor Harlan Warde came to films in 1941 and remained before the cameras until the mid-'60s. During WWII, Warde played many a young man in uniform. Afterwards, he showed up in supporting roles as detectives, doctors, and ministers. One of Harlan Warde's last assignments was the recurring part of Sheriff Brannon on the TV Western series The Virginian (1962-1971).

Trivia: One of show-businesses busiest grandfatherly figures, actor Bill Erwin has been appearing in film and television since the early '40s, and as of 2003, he's shown no signs of slowing. His consistently reliable performances in such high-profile efforts as Somewhere in Time (1980), Home Alone (1990), and Forces of Nature (1999) have found Erwin enduring to become one of the most in-demand supporting players around. A Honey Grove, TX, native who earned his bachelor's in journalism at the University of Texas in Austin in 1935, Erwin went on to California to complete his Masters of Theater Arts at the Pasadena Playhouse in 1941. Though a stint in World War II would momentarily put his acting career on hold, Erwin returned stateside to make his film debut in, appropriately enough, the 1941 Phil Silvers comedy You're in the Army Now. Throughout the years, Erwin has appeared in numerous stage productions on both coasts, and repeat performances on such television classics as Gunsmoke, The Twilight Zone, Growing Pains, and Seinfeld have ensured Erwin's popularity with many generations of television viewers. His role in Seinfeld earned him an Emmy nomination for Best Supporting Actor in a Comedy Series in 1993. From high-profile releases like Things to Do in Denver When You're Dead (1995) to edgy, low-budget sci-fi movies like Menno's Mind (1996), Erwin has done it all, and equally well. Outside of his film work, Erwin spends his time writing and illustrating cartoons in his North Hollywood home.

Trivia: Before coming to Hollywood in the late '50s, actor John Ward established himself on Broadway in productions of Stalag 17 and Mr. Roberts. He made his feature film debut in Gunsmoke in Tuscon (1958).