Trivia: At first intending to become a minister, actor/monologist Andy Griffith (born June 1st, 1926) became active with the Carolina Playmakers, the prestigious drama-and-music adjunct of the University of North Carolina--Chapel Hill. He spent several seasons portraying Sir Walter Raleigh in the summertime outdoor drama The Lost Colony, spending the rest of the years as a schoolteacher. Griffith continued performing fitfully as an after-dinner speaker on the men's club circuit, developing hilariously bucolic routines on subjects ranging from Shakespeare to football. Under the aegis of agent/producer Richard O. Linke, Griffith returned to acting, attaining stardom in the role of bumptious Air Force rookie Will Stockdale in the TV and Broadway productions of No Time For Sergeants. Before committing Sergeants to film, Griffith made his movie debut in director Elia Kazan's A Face in the Crowd, in which he portrayed an outwardly folksy but inwardly vicious TV personality (patterned, some say, after Arthur Godfrey).After filming Face in the Crowd, No Time for Sergeants and Onionhead for Warner Bros. during the years 1957 and 1958, Griffith starred in a 1959 Broadway musical version of Destry Rides Again; as an added source of income, Griffith ran a North Carolina supermarket. On February 15, 1960 he first appeared as Andy Taylor, the laid-back sheriff of Mayberry, North Carolina, on an episode of The Danny Thomas Show. This one-shot was of course the pilot film for the Emmy-winning The Andy Griffith Show, in which Griffith starred from 1960 through 1968. Eternally easygoing on camera, Griffith, who owned 50% of the series, ruled his sitcom set with an iron hand, though he was never as hard on the other actors as he was on himself; to this day, he remains close to fellow Griffith stars Don Knotts and Ron Howard. An unsuccessful return to films with 1969's Angel in My Pocket was followed by an equally unsuccessful 1970 TV series Headmaster. For the next 15 years, Griffith confined himself to guest-star appearances, often surprising his fans by accepting cold-blooded villainous roles. In 1985, he made a triumphal return to series television in Matlock, playing a folksy but very crafty Southern defense attorney. A life-threatening disease known as Gillian-Barre syndrome curtailed his activities in the late 1980s, but as of 1995 Andy Griffith was still raking in the ratings with his infrequent Matlock two-hour specials. The actor worked on and off throughout the late nineties and early 2000s, and co-starred with Keri Russell and Nathan Fillion in the romantic comedy Waitress in 2007.

Trivia: From his late teens to his late 20s, Ralph Bellamy worked with 15 different traveling stock companies, not just as an actor but also as a director, producer, set designer, and prop handler. In 1927 he started his own company, the Ralph Bellamy Players. He debuted on Broadway in 1929, then broke into films in 1931. He went on to play leads in dozens of B-movies; he also played the title role in the "Ellery Queen" series. For his work in The Awful Truth (1937) he received an Oscar nomination, playing the "other man" who loses the girl to the hero; he was soon typecast in this sort of role in sophisticated comedies. After 1945 his film work was highly sporadic as he changed his focus to the stage, going on to play leads in many Broadway productions; for his portrayal of FDR in Sunrise at Campobello (1958) he won a Tony Award and the New York Drama Critics Award. From 1940-60 he served on the State of California Arts Commission. From 1952-64 he was the president of Actors' Equity. In 1986 he was awarded an honorary Oscar "for his unique artistry and his distinguished service to the profession of acting." He authored an autobiography, When the Smoke Hits the Fan (1979).

Trivia: Tall, straight-laced American actor Robert Culp parlayed his appearance and demeanor into a series of clean-cut character roles, often (though not always) with a humorous, mildly sarcastic edge. He was perhaps best known for three accomplishments: his turn as a Southern California documentary filmmaker who decides, along with his wife (Natalie Wood) to suddenly go counterculture with an "open marriage" in Paul Mazursky's Bob & Carol & Ted & Alice (1969); his iconic three-season role as an undercover agent in the espionage-themed series I Spy (1965-8); and his three-season run as Bill Maxwell on Stephen Cannell's superhero spoof series The Greatest American Hero (1981-3). Born in Oakland, California in 1930, Culp attended several West Coast colleges while training for a dramatic career. At 21, he made his Broadway debut in He Who Gets Slapped. Within six years, he was starring in his own Friday night CBS Western, Trackdown (1957-9) as Hoby Gilman, an 1870s era Texas Ranger. During the two-year run of this program, Culp began writing scripts, a habit he'd carry over to other series, notably The Rifleman and Gunsmoke. These all represented fine and noble accomplishments for a young actor, but as indicated, I Spy delivered a far greater impact to the young actor's career: it made Culp (along with his co-star, Bill Cosby) a bona fide celebrity. The men co-starred in the NBC adventure yarn as, respectively, Kelly Robinson and Alexander Scott, undercover agents involved in globetrotting missions for the U.S. government. Both actors brought to the program a sharp yet subtle sense of humor that (coupled with its exotic locations) made it one of the major discoveries of the 1965-6 prime-time line-up. During the second of I Spy's three seasons, Culp made his directorial debut by helming episodes of Spy; he went on to direct installments of several other TV programs. The success of Bob & Carol at the tail end of the 1960s proved that Culp could hold his own as a movie star, and he later directed and co-starred in 1972 theatrical feature Hickey and Boggs, which reunited him with Cosby, albeit to much lesser acclaim. Unfortunately, as the years rolled on, Culp proved susceptible to the lure of parts in B-pictures, such as Sky Riders (1976), Flood! (1976) and Hot Rod (1979), though he delivered a fine portrayal in television's critically-acclaimed Roots: The Next Generations (1979). Culp rebounded further with the semicomic role of CIA chief Maxwell on American Hero, but many now-infamous behind-the-scenes issues (and external issues, such as the shooting of Ronald Reagan) beleaguered that program and ended its run after only three seasons. In the years that followed, Culp vacillated between exploitation roles, in tripe such as Big Bad Mama 2 and Silent Night, Deadly Night 3, and more respectable, mainstream guest turns in television series including The Cosby Show and Murder, She Wrote. He enjoyed one of his most prestigious assignments with a supporting role in the big screen John Grisham-Alan Pakula thriller The Parallax View (1993), opposite Denzel Washington and Julia Roberts. In the years that followed, Culp's on-camera presence grew less and less frequent, though he did make a cameo in the 1996 Leslie Nielsen laugher Spy Hard. Television continued to provide some of Culp's finest work: he rejoined old friend Cosby for a 1994 I Spy TV-movie reunion and made guest appearances in such series as Lonesome Dove, Law & Order and The Dead Zone. Following a period of semi-retirement, Culp died suddenly and rather arbitrarily, when he sustained a head injury during a fall outside of his Hollywood home in March 2010. He was 79 years old.

Trivia: Originally planned to be a schoolteacher. Spent two seasons with the New York City Opera Company, performing in such productions as Carmen and The Mikado. Performed as a soloist with the Chicago Symphony Orchestra. Made her Broadway debut in 1960 in Do Re Mi. Played Maria in the 1962 Broadway production of The Sound of Music. Was an original cohost of Good Morning America. For five years, she headed the Ray Bolger Endowment for Musical Performances at UCLA. Regularly performs as a cabaret singer.

Trivia: Finnish-born actor George Gaynes was a United States citizen for most of his life. Blessed with a superb singing voice and an amiable stage presence, Gaynes rapidly built a reputation as a Broadway musical comedy performer in the '40s and '50s (his best-known appearance was in Wonderful Town, the musical version of My Sister Eileen). Entering films and television in the early 1960s, Gaynes was a regular on the TV daytime dramas Search for Tomorrow and General Hospital, and showed up in such movies as The Group (1968), Marooned (1969) and Doctor's Wives (1971). He was terrific in Dustin Hoffman's Tootsie (1981) as the aging, libidinous soap opera actor who tries to put the make on his co-star "Dorothy Michaels," little suspecting that Dorothy is really the certifiably male Michael Dorsey (Hoffman). In 1984, Gaynes was showcased on two different series, one on TV, the other on the big screen. The TV series was Punky Brewster, wherein Gaynes played photographer Henry Warnimont, the adult guardian of the title character (a little lost girl, played by Soleil Moon Frye); when Punky Brewster was spun off into a cartoon series, Gaynes came along as one of the voice talents. The aforementioned big-screen series was launched with Police Academy (1984), a juvenile comedy that somehow spawned five sequels, all of them featuring Gaynes as long-suffering police chief Lassard. None of his subsequent appearances drew as many laughs as did George Gaynes' setpiece in the first film, in which, while trying to deliver a public speech, he was the unwitting (but increasingly ecstatic) recipient of a prostitute's services. Gaynes appeared in all seven films in the series; he also appeared in films like The Cruicible and Wag the Dog. Gaynes died in 2016, at age 98.

Trivia: Sturdy, reliable character player Kene Holliday specialized in portrayals of vociferous everymen, with a strong emphasis on television work. Holliday landed one of his first major roles in the small-screen blockbuster Roots: The Next Generations (as Detroit, one of the direct descendants of the iconic Kunta Kinte), and subsequently divided his time between occasional big-screen features (No Small Affair, The Philadelphia Experiment), series work (with many appearances on Matlock), and TV movies, such as the 1988 Dangerous Company. Holliday tackled a rare yet effective lead role in the much-anticipated 2007 drama Great World of Sound, as Clarence, a well-meaning record producer in training who discovers that his parent company isn't exactly all that it professes to be.

Trivia: Having made her feature film debut in Sex and the College Girl (1964), blonde actress Julie Sommars went on to appear in television movies of the '70s and in the occasional feature film through the mid-'80s. Fans of the television drama Matlock (1986-1995) will recognize her for playing Julie March.

Trivia: Lead actor, onscreen from 1985.