Trivia: Actor/director/producer William Conrad started his professional career as a musician. After World War II service, he began building his reputation in films and on Hollywood-based radio programs. Due to his bulk and shifty-eyed appearance, he was cast in films as nasty heavies, notably in The Killers (1946) (his first film), Sorry Wrong Number (1948) and The Long Wait (1954). On radio, the versatile Conrad was a fixture on such moody anthologies as Escape and Suspense; he also worked frequently with Jack "Dragnet" Webb during this period, and as late as 1959 was ingesting the scenery in the Webb-directed film 30. Conrads most celebrated radio role was as Marshal Matt Dillon on Gunsmoke, which he played from 1952 through 1961 (the TV Gunsmoke, of course, went to James Arness, who physically matched the character that the portly Conrad had shaped aurally). In the late 1950s, Conrad went into the production end of the business at Warner Bros., keeping his hand in as a performer by providing the hilariously strident narration of the cartoon series Rocky and His Friends and its sequel The Bullwinkle Show. During the early 1960s, Conrad also directed such films as Two on a Guillotine (1964) and Brainstorm (1965). Easing back into acting in the early 1970s, Conrad enjoyed a lengthy run as the title character in the detective series Cannon (1971-76), then all too briefly starred as a more famous corpulent crime solver on the weekly Nero Wolfe. Conrad's final TV series was as one-half of Jake and the Fatman (Joe Penny was Jake), a crime show which ran from 1987 through 1991.

Trivia: Gary Lockwood was the astronaut who didn't make it to Jupiter in 2001: A Space Odyssey (1968). A former stunt performer, Lockwood's first film work was as stand-in for Anthony Perkins, with whom he appeared on camera in 1960's Tall Story. Before his unfortunate space ride in 2001, Lockwood starred on the network TV series Follow the Sun (1961) and The Lieutenant (1963); afterward, he was seen in such theatrical films as R.P.M (1970) and Project Kill (1976). Gary Lockwood was for several years married to actress Stefanie Powers with whom he co-starred in a memorable 1969 episode of TV's Love, American Style, wherein Lockwood got his mouth stuck on a doorknob!

Trivia: Because the two actresses tended to play the same type of overwrought roles in the mid-1950s, juvenile stars Patty McCormick and Patty Duke were sometimes mistaken for one another during this period. But once seen in her starmaking role as the homicidal preteen Rhoda Penmark in The Bad Seed (in which she starred on Broadway in 1954 and in the film version in 1956), Patty McCormick can never be confused with anyone else. A pro from the age of four, McCormick was in films from 1951 and TV from 1953. After Bad Seed, she was second-billed as a bratty child star in the theatrical-film Kathy O' (1957) and was headlined in her own 1958 sitcom, Peck's Bad Girl. The uniqueness that characterized McCormick's appearances as a child evaporated when she reached maturity; though she was more than competent playing disturbed teenagers in films like The Miniskirt Mob (1967) and The Young Runaways (1968), these were parts that could have been played equally well by a dozen other young actresses. She acted sporadically into the 1970s and 1980s, her longest assignment being the role of Jeffrey Tambor's upwardly mobile wife on the TV sitcom The Ropers. In 1995, Patty McCormick starred in the direct-to-video Mommy, playing a grown-up edition of the murderous Rhoda from The Bad Seed.