Trivia: Born Krekor Ohanian, American actor Mike Connors was born and raised in the heavily Armenian community of Fresno, California. He studied law at UCLA, but distinguished himself in sports (he'd gotten in on a basketball scholarship). While in the Air Force, Connors switched his career goals to acting on the advice of producer/director William Wellman, who'd remembered Connors' college athletic activities. Hollywood changed young Mr. Ohanian's last name to Connors, and since this was the era of "Rocks" and "Tabs" it was decided that the actor needed a suitably rugged first name. So Connors spent his first few acting years as Touch Connors, a nickname he'd gotten while playing college football. His first picture was the Joan Crawford vehicle Sudden Fear (1952) but handsome hunks were a glut on the market in the early '50s, so Connors found himself in "B" pictures, mostly at bargain-basement American International studios. Renaming himself "Mike," Connors was able to secure the lead role as an undercover agent on the 1959 detective series Tightrope. The series was a hit but was dropped from the network due to complaints about excessive violence, though it cleaned up in syndication for years afterward. After a few strong but non-starring roles in such films as Good Neighbor Sam (1963) and Where Love Has Gone (1964), Connors landed the title role in Mannix (1967), a weekly TV actioner about a trouble-prone private eye. For the next eight high-rated seasons, Connors' Joe Mannix was beaten up, shot at, cold-cocked and nearly run over in those ubiquitous underground parking lots each and every week. The series ran in over 70 foreign countries, allowing Connors a generous chunk of profits percentages in addition to his lofty weekly salary-- which became loftier each time that the actor announced plans to retire. Mike Connors has starred in the 1981 series Today's FBI and filmed a cop-show pilot titled Ohanian (playing a character with his own real name), but nothing has quite captured the public's fancy, or been as lucrative in reruns, as Connors' chef d'ouevre series Mannix.

Trivia: Baby-faced Canadian actress Belinda J. Montgomery rose to television prominence in troubled-teen roles in the early 1970s. While she has been seen in but a handful of theatrical features (she played supporting character Audra Jo in the two fact-based Other Side of the Mountain flicks), Belinda has been remarkably prolific in the field of made-for-TV movies. Many of her small-screen films bear such lurid titles as D.A.: Conspiracy to Kill, Women in Chains, The Crime Club, The Hostage Heart; her better works include the 1970 comedy-western Lock, Stock and Barrel (which should have been, but wasn't, a weekly series) and the 1979 biopic Marciano, in which she played boxer Rocky Marciano's wife Linda. She was also a regular on several series: she played Sylvie Gallagher on the daytime soap Days of Our Lives, Dr. Elizabeth Merrill in Man From Atlantis ( 1977) and Sarah Miller in Aaron's Way (1988). If you missed any of those, you can still catch Belinda as the mother of the teenaged hero in reruns of the 1989-93 sitcom Doogie Howser MD; or, if you can track down a cable service running the MTV-inspired detective series Miami Vice (1984-89), you might spot Belinda in the off-and-on role of Don Johnson's estranged wife. Belinda J. Montgomery is the sister of former child actor Lee H. Montgomery.

Trivia: Possibly in defiance of the old adage "those that can't do, teach," American actor Harold Gould gave up a comfortable professorship in the drama department of the University of California to become a performer himself. Building up stage and TV credits from the late '50s onward, Gould made his first film, Two for the Seesaw, in 1962. He divided his time between stage and screen for the rest of the '60s, winning an Obie Award for the off-Broadway production Difficulty of Concentration. Gould was prominently cast in such slick '70s products as The Sting (1973), Woody Allen's Love and Death (1975), and Mel Brooks' Silent Movie (1976) (as a classically gesticulating villain). Often nattily attired and usually comporting himself like a wealthy self-made businessman, Gould was generously employed on TV for three decades. He co-starred with Daniel J. Travanti in the 1988 American Playhouse production of I Never Sang for My Father, played WASP-ish Katharine Hepburn's aging Jewish lover in the TV movie Mrs. Delafield Wants to Marry (1986), and had regular stints on such series as The Long Hot Summer (1965), He and She (1967), Rhoda (1974) (as Rhoda's father), The Feather and Father Gang (1977), Washington: Behind Closed Doors (1977), Park Place (1981) Foot in the Door (1983), Spencer (1984) and Singer and Sons (1990). However, when the time came in 1974 to make a series out of the pilot film for Happy Days, an unavailable Harold Gould was replaced by Tom Bosley.

Trivia: Gail Fisher helped break several barriers as a young black actress in television during the 1960s. She was the first black performer to get dialogue in a nationally aired commercial, and as Peggy Fair on Mannix, only the second black woman (the first being Nichelle Nichols of Star Trek) cast as a regular character in a dramatic hour-long network series, a role for which she won an Emmy award in 1970. Fisher was one of five children born in Orange, NJ. She was later a beauty pageant winner and became a model, using the money she earned in the latter profession and from her regular job in a local factory in New Jersey to take acting lessons in New York. Fisher studied with Lee Strasberg and was later a member of the Repertory Theater at Lincoln Center, where she worked with Elia Kazan and Herbert Blau, among other directors. It was Blau who gave Fisher her significant stage credit, portraying a major role in a production of Danton's Death. She had already picked up some television work, including commercials, and it was her spot for All detergent that marked a breakthrough for black performers in that field. In 1968, the producers of the series Mannix, starring Mike Connors, revamped the series from its original format, transforming him from an employee of a high-tech security firm into a more traditional private detective, with an office and a secretary. Fisher won the latter role, which allowed her to do far more than answer phones and serve coffee, frequently putting her into the action and the drama. Along with Nichelle Nichols, Greg Morris of Mission: Impossible, Robert Hooks of N.Y.P.D., Don Mitchell of Ironside, and Diahann Carroll of Julia, Fisher was one of the most visible black actors on television during this period, and her Emmy in 1970 confirmed the quality of her work. She took great pride in having helped raised the presence of black performers on television from near invisibility in the early 1960s to major prominence at the end of the decade. After the cancellation of the series in 1975, Fisher's chaotic personal life -- which included several marriages and problems with substance abuse -- caused her to leave acting for a time, although she did play a major role in the 1987 feature film Mankillers and appeared in the made-for-television movie Donor in 1990. Fisher died of kidney failure late in 2000 in Los Angeles.