Trivia: Actor Nicolas Cage has always strived to make a name for himself based on his work, rather than on his lineage. As the nephew of filmmaker Francis Ford Coppola, Cage altered his last name to avoid accusations of nepotism. (He chose "Cage" both out of admiration for avant-garde musician John Cage and en homage to comic book hero Luke Cage). Even if he had retained the family name, it isn't likely that anyone would consider Cage holding fast to his uncle's coattails. Time and again, Cage travels to great lengths to add verisimilitude to his roles.Born January 7, 1964, in Long Beach, CA, to a literature professor father and dancer/choreographer mother, Cage first caught the acting bug while a student at Beverly Hills High School. After graduation, he debuted on film with a small part in Amy Heckerling's 1982 classic Fast Times at Ridgemont High. Following a lead role in Martha Coolidge's cult comedy Valley Girl (1983), Cage spent the remainder of the decade playing endearingly bizarre and disreputable men, most notably as Crazy Charlie the Appliance King in Peggy Sue Got Married (1986), Hi McDonough in Raising Arizona (1987), and Ronny Cammareri in the same year's Moonstruck, the last of which won him a Golden Globe nomination and a legion of female fans, ecstatic over the actor's unconventional romantic appeal.The '90s saw Cage assume a series of diverse roles, ranging from a violent ex-con in David Lynch's Wild at Heart (1990) to a sweet-natured private eye in the romantic comedy Honeymoon in Vegas (1992) to a dying alcoholic in Mike Figgis' astonishing Leaving Las Vegas (1995). For this last role, Cage won a Best Actor Oscar for his quietly devastating portrayal, and, respectability in hand, gained an official entrance into Hollywood's higher ranks. After winning his Oscar, along with a score of other honors for his performance, Cage switched gears in a way that would prove to be, with the occasional exception, largely permanent. He dove into a series of action movies like the Michael Bay thriller The Rock, the prisoners-on-a-plane movie Con Air, and the infamous John Woo flick Face/Off. Greeted with hefty paychecks and audience approval, Cage forged ahead on a career path lit largely with explosions.There would be exceptions, like 1998's City of Angels, a remake of Wim Wenders' Wings of Desire, and Martin Scorsese's Bringing Out the Dead, and the the lightly dramatic romantic comedy The Family Man, but Cage stuck mostly to thrillers and action movies. A spate of such films would fill his resume, like Gone in 60 Seconds, The Life of David Gale, 8MM, and Snake Eyes, but Cage would briefly revisit his roots in character work, teaming with Being John Malkovich director Spike Jonze in 2002 for a duel role in the complex comedy Adaptation (2002). With Cage appearing as both screenwriter Charlie Kaufman as well as his fictional brother Donald, Adaptation followed Charlie's attempt to adapt author Susan Orlean's seemingly unfilmable novel The Orchid Thief as a feature film, and Donald's parallel efforts to write his own hacky yet lucrative script by following the guidance of a caustic, Syd Field-like screenwriting instructor (Brian Cox). A weighty role that demanded an actor capable of portraying characters that couldn't differ more emotionally despite their outward appearance, Adaptation brought Cage his second Oscar nomination -- and he was soon back to business as usual.2004 saw the release of the megahit adventure film National Treasure, which cast Cage as an archaeologist convinced there's a treasure map on the back of the U.S. Declaration of Independence. The outrageous film would earn a sequel in 2007, but first Cage made the ill-advised decision to star in Neil LaBute's reworking of the Robin Hardy/Anthony Shaffer collaboration The Wicker Man (2006). Though video compilations of the movie's most hilariously hackneyed moments would become popular on the internet, Cage was soon portraying a motorcycle-driving stuntman who sells his soul to Mephistopheles -- in Mark Steven Johnson's live-action comic book adaptation Ghost Rider. Upon premiering in the States, the film became a big success. In the same year's sci-fi thriller Next, directed by Lee Tamahori, Cage plays Cris Johnson, a man who attains the ability to see into the future and must suddenly decide between saving himself and saving the world; the film failed to ignite the way Ghost Rider did just a couple months before it. Next came Bangkok Dangerous, Knowing, The Bad Lieutenant: Port of Call - New Orleans, Drive Angry, Seeking Justice, and Trespass -- all high octane, high adrenaline movies that found Cage diving, leaping, and shooting his way through the story. Cage found himself with a surprise hit in Matthew Vaughn's Kick-Ass (2010), playing a vigilante former cop in the black comedy film. He voiced the main character in 2013's animated The Croods, but then mostly stuck to action-crime-thriller-type movies for the next couple of years, including films like Left Behind (2014), The Runner (2015) and The Trust (2016).

Trivia: An actress who first fell into her screen niche playing beautiful and voluptuous teenage girlfriends, Amber Heard was blessed with a visage that seemed tailor-made for modeling, and indeed she began her ascent to fame on that route. The Austin, TX, native reportedly dropped out of high school a year early and made a beeline for Los Angeles, her eyes fixed on glossies and catwalks. That dream failed to materialize, but in seemingly no time at all, Heard received a bid to act instead. She garnered two of her first major breaks when cast as the lead in the teen slasher movie All the Boys Love Mandy Lane (produced 2006, released 2008) and when she landed a key regular role on Kevin Williamson's short-lived prime-time soap Hidden Palms (2007). The cancellation of that series aside, 2007-2008 actually represented a watershed period for Heard, and one that witnessed the actress' enlistment in such big-screen features as Day 73 With Sarah (2007), The Beautiful Ordinary (2007), Never Back Down (2008), and the David Gordon Green-Judd Apatow crime comedy The Pineapple Express (2008), as the love interest of a stoner played by Apatow mainstay Seth Rogen. She appeared in the horror comedy Zombieland in 2009. Two years later she had a recurring role in the short-lived television series The Playboy Club, and landed major parts in The Rum Diary, opposite Johnny Depp, and Drive Angry, with Nic Cage. In 2013, she had a supporting role in Robert Rodriguez's Machete Kills and appeared in the box-office flop Paranoia. She next played an elite CIA assassin in 3 Days to Kill. In 2015, Heard turned in strong supporting roles in Magic Mike XXL and the Oscar-nominated film The Danish Girl.

Trivia: An intense, versatile performer, William Fichtner, born November 27th, 1956, emerged as a memorable character actor through his work with some of the most notable filmmakers of the 1990s and beyond. After his military brat childhood, Fichtner studied criminal justice in college before moving to New York City to shift his focus to acting. Fichtner got his first major acting job on the serial As the World Turns in 1988 and played bit parts in Spike Lee's Malcolm X (1992) and Robert Redford's Quiz Show (1994). Steven Soderbergh gave Fichtner his first substantial film role as a small town hood in the neo-noir The Underneath (1994). After supporting turns in Kathryn Bigelow's Y2K fantasy Strange Days (1995) and Michael Mann's stylish police saga Heat (1995), Fichtner earned kudos for his psychotic hit man in actor Kevin Spacey's directorial debut Albino Alligator (1997). As a gentle blind scientist in Robert Zemeckis' empyreal sci-fi adventure Contact (1997), Fichtner further revealed his considerable range; among the hip ensemble cast in Doug Liman's time-bending rave comedy Go (1999), Fichtner managed to stand out with his humorously unsettling performance as a narcotics cop with an agenda. Fichtner finally achieved leading man status as one of Demi Moore's amours in Passion of Mind (2000), but Alain Berliner's first American effort failed at the box office. Moving easily between independent films and big-budget Hollywood, Fichtner next co-starred as one of the ill-fated swordfishermen in Wolfgang Petersen's adaptation of The Perfect Storm (2000). Maintaining his prolific ways after The Perfect Storm's success, and earning a place in Vanity Fair's 2001 photo spread of premier supporting actors, Fichtner took on a varied trio of roles in three major 2001 releases. After playing a small part as Josh Hartnett's dad in Michael Bay's overwrought $198 million disappointment Pearl Harbor (2001), Fichtner's turn as a gay detective in the lumbering comedy What's the Worst That Could Happen? (2001) was one of the bright spots in an otherwise disposable movie. Back in his no-nonsense manhood style, Fichtner then appeared as a master sergeant involved in the troubled 1993 mission in Somalia in Ridley Scott's Oscar bait military drama Black Hawk Down (2001).After the ensemble carnage of Black Hawk Down, Fichtner moved to the small screen for a starring role as one of two maverick ER doctors in the ABC medical drama MDs (2002). A competitive time slot and poor reviews, however, hampered MDs' ratings. Though his foray into series television stumbled, Fichtner continued to rack up movie credits, appearing alongside Christian Bale and Emily Watson in the dystopian science fiction thriller Equilibrium (2002).In 2004, Fichtner appeared in Nine Lives, a critically successful episodic drama following the lives of nine women, and after participating in a variety of films throughout 2005 (The Chumscrubber, Empire Falls) and the television series Invasion Iowa, Fichtner joined the cast of the Academy Award-winning drama Crash. The actor continued to enjoy television success in the series Prison Break (2006-07), and played a conservative judge in an episode of The West Wing. Fichtner took on a role playing a bank manager in Gotham City for Christopher Nolan's The Dark Knight (2008), and joined the casts of Date Night (2010), The Big Bang, and Drive Angry (all 2011).

Trivia: A fair-haired actress who ultimately parlayed her photogenic looks into a healthy and substantial career in both film and television venues, Charlotte Ross grew up in affluent Winnetka, IL, as the daughter of a saleswoman mother in a single-parent household. Ross graduated almost immediately to acting work, initially stepping before the cameras in late adolescence with small supporting roles in such features as Touch and Go (1986), Foreign Student (1994), and Love and a .45 (1994), but found far greater exposure on the small screen. She essayed the lead role of Lori Volpone on the Showtime pay-cable series Beggars and Choosers (1999-2001), then embarked on a multi-season portrayal of Detective Connie McDowell on Steven Bochco's gritty cop drama NYPD Blue. After that high-profile role, Ross returned to big-screen features in a lead capacity, this time, with roles in Donny Most's comedy Moola (2006) and Mike Robe's family drama Montana Sky (2007).

Trivia: Before moving to Los Angeles, actress Katy Mixon studied at the Carnegie Mellon University's School of Drama, and later appeared in the Utah Shakespeare Festival. She began her onscreen career with a role in the 2005 thriller The Quiet, and subsequently continued to find herself on camera, appearing in films like Four Christmases and State of Play. In 2009 she landed a lead role in the HBO comedy series Eastbound & Down. She had a memorable supporting turn in Take Shelter, and also appeared in the Nicolas Cage vehicle Drive Angry.

Trivia: Was president of his high-school class. Sang backup for The Young Rascals pop group in the 1960s. Became a New York City fireman in 1977 to support his pursuit of an acting career. Made his feature-film debut in 1985's Turk 182, playing a firefighter. Is a colon-cancer survivor and supports several cancer-research organizations.

Trivia: Marc Macaulay is an actor who's just got one of those faces -- you know you've seen it somewhere before but you just can't seem to put your finger on it. Of course, one glance at the screen veteran's credit list and movie fanatics will instantly realize that they have indeed seen Macaulay numerous times on screens both large and small, it's just that he has a way of immersing himself in the role so effectively that it's difficult to distinguish which performance stood out the most. It was during his junior year of college that the aspiring commercial illustrator accepted a dare to audition for an upcoming play, yet while the friend who issued that challenge was well on his way to becoming a professional actor, Macaulay himself had never even considered a career in the performing arts. When the cast list was posted and Macaulay discovered that he had landed one of the lead roles, however, the course of his entire life would suddenly be altered by the decision of one single casting director. After receiving a scholarship for acting and graduating with a BFA in theater, Macaulay relocated to Jupiter, FL, in order to attend the Burt Reynolds Institute of Theatre Training. While a move to New York seemed only natural for Macaulay upon finishing his training in Florida, acting gigs in the Big Apple were few and far between. After racking up a few film credits and continuing his studies at H.B. Studios, Macaulay eventually returned to the Sunshine State to audition for a new series called Miami Vice (1984). Over the course of the following decade, Macaulay was swept up in a whirlwind of supporting roles. From short-lived series like B.L. Stryker and Wiseguy to major motion pictures such as Edward Scissorhands, Passenger 57, Contact, and The Truman Show, the workman-like actor could always be counted on to deliver a convincing, well-mannered performance. While frequent roles in such shows as Matlock, Walker, Texas Ranger, and Nash Bridges provided a bit of stability in a notoriously volatile industry, the increasingly busy actor largely earned his keep by continually leaping from the big screen to the small -- all the while displaying impressive footing on both. By the year 2000, casting directors were finally wising up to the true talent at their disposal, and Macaulay was landing consistent work in feature films. Never tied to just one genre, Macaulay turned in impressive performances in films as diverse as From Justin to Kelly, Monster, Transporter 2, and The Hawk Is Dying (opposite Academy Award-nominee Paul Giamatti). A minor role in the 2006 feature film Miami Vice served well to bring Macaulay's career full circle. In 2006, Macaulay could be seen in a recurring role on the popular Fox drama Prison Break, with subsequent parts in the feature films Premonition and Walking Tall 2 preceding yet another small-screen recurring role in the weekly USA Network thriller Burn Notice in 2007.

Trivia: His irises tremble violently as the camera fixes on his glassy gaze, and before you know it, you've once again been entranced by the character with whom you're unsure if you should fear or sympathize. With the rare ability to convey the delicate blend of conflicting emotions that only the most effective character actors can convincingly portray, actor Pruitt Taylor Vince has crafted a successful film and television career playing introspective, often disturbed, loners teetering on the fringes of society. Though the portly Baton Rouge native's first onscreen role was to have been in director Jim Jarmusch's 1986 comedy drama Down by Law, his scenes were cut before the film hit theaters, and audiences would not get their first look at Vince until the release of Alan Parker's Angel Heart the following year. Vince owes something of a debt to the prolific director, since it was Parker's racially charged drama Mississippi Burning that first found audiences taking notice of the burgeoning, sometimes fearsome, actor. In 1990, Vince turned up in yet another of Parker's films, Come See the Paradise, though it was that same year's horrific thriller Jacob's Ladder that truly found Vince setting himself apart from the pack. If the 1990s had proven kind to Vince early on, it was his emotionally compelling role opposite Paul Newman in Nobody's Fool that truly began to give audiences an idea of what Vince was capable of as an actor. Cast as the village idiot who finds a sympathetic ear in Newman's character, Vince lent an uncanny depth to a character that may have otherwise been an instantly forgettable, two-dimensional role. Though Vince's early roles were indeed noteworthy thanks to his uncommon ability to exude repression and deeply rooted malaise as few other actors could, it wasn't until director James Mangold's cast him in the lead for his 1995 drama Heavy that Vince was truly given the opportunity to shine. Mangold did something that few mainstream Hollywood efforts would allow when he dared to offer the overweight and balding actor the dramatic lead -- the role of Victor Modina, a shy cook in a small-town restaurant who secretly longs for the love of an attractive young waitress (portrayed by Liv Tyler). With his expressive eyes (their sometimes discomforting vibration the result of a condition known as nystagmus) effectively conveying the desperation of a trapped animal longing to escape his suffocating existence, Vince's heartbreaking performance eloquently conveyed the internal distress and helplessness felt by his long-suffering character. Though the following years may not have offered Vince more roles the size or caliber of his part in Heavy, a series of small-screen performances in the late '90s showed that his talent was, without question, as potent as ever. Following an unforgettable performance as a mentally unbalanced photographer who kidnaps Agent Scully (Gillian Anderson) in a 1996 episode of The X-Files ("Unruhe"), Vince's turn as a suspicious kidnapping suspect in the miniseries Night Sins and a disturbed serial killer in several episodes of Murder One proved that he could be chillingly effective in menacing roles. The latter role even proved so effective as to earn Vince an Emmy for Outstanding Guest Actor in a Drama Series. It was at this point that directors were truly beginning to discover the dramatic possibilities of casting Vince in their films, and his turn as a gifted musician and compelling storyteller proved a highlight of the wistful 1998 drama The Legend of 1900. Supporting performances in Mumford (1999), Nurse Betty (2000), The Cell (2000), and S1m0ne (2002) found Vince steadily becoming a recognizable face to mainstream audiences, and in 2002, he sent chills down the spines of suspense fanatics as the childlike accomplice in a harrowing kidnapping scheme in Trapped. Vince's skittishly ominous performance left viewers on the edge of their seats as he held a young girl (played by Dakota Fanning) hostage with instructions to kill her on a moment's notice, and the film utilized Vince's alternately innocent and threatening character to chilling effect. He again teamed with director Mangold for the 2003 thriller Identity, cast in a key role that proved elemental to the film's startling denouement. Vince also continued to take on guest-starring roles in such TV series as Alias and The Handler. After appearing in the 2003 Aileen Wuornos biopic Monster, Vince would play a priest in the 2004 comic-to-film adaptation of Hellblazer, entitled Constantine.

Trivia: Actor, stuntman, and college baseball player Michael Papajohn got his start in show business while he was attending Louisiana State University, where he played for the LSU Tigers. After having the opportunity to perform some stunts in the sports movie Everybody's All American in 1988, Papajohn began pursuing stunt and acting roles, appearing in movies like The Last Boy Scout and Mr. Baseball. He would find consistent acting work over the coming years, frequently making small appearances. He played an unnamed thug in 2000's Charlie's Angels and a security guard in the 2002 comedy The Hot Chick, and continued to take on several roles per year throughout the 2000s, notably appearing in I Know Who Killed Me, Spider-Man 3, and Terminator Salvation.