Trivia: The son of a New York University professor of marketing, American actor James Drury spent his youth dividing his time between Manhattan and Oregon, where his mother ran a ranch. At age 8, Drury made his stage debut as King Herod-- crepe beard and all--in a Christmas production at a Greenwich Village settlement house. Sidelined by polio at age 10, Drury became a voracious reader, often acting out the characters in the books. At NYU, Drury dove full-force into acting, developing his craft to such an extent that in 1954 he was signed by MGM. His film roles were of the "other guy in the room" calibre (Forbidden Planet [1956]), so Drury's contract lapsed, after which he spent time at 20th Century-Fox in support of Pat Boone (Bernardine [1957]) and Elvis Presley (Love Me Tender [1958]). In 1958, Drury was cast by Screen Gems studios in a TV pilot film based on the Owen Wister story The Virginian. It didn't sell, but in 1962 Universal optioned the rights to The Virginian, bringing Drury in along for the ride. He spent the next nine years in The Virginian, during which time Drury's reputation for recalcitrance on the set and reluctance to reveal anything of himself in interviews earned him the soubriquet "The Garbo of the Sagebrush" (a nickname bestowed by Drury's father!) James Drury wasn't seen much after The Virginian, though he did show up on the small screen as the lead in an Emergency clone titled Firehouse, which ran on the ABC network for eight months in 1974.

Trivia: Raw-boned blonde leading man Doug McClure came to films in 1957, but it was television that made him a star. He played secondary roles on such MCA series as The Overland Trail (1960) and Checkmate (1961-62) before striking paydirt as Trampas on the long-running (1962-71) western series The Virginian. During his first flush of stardom, McClure played leads in two Universal remakes, Beau Geste (1966) and The King's Pirate (the 1967 remake of Errol Flynn's Against All Flags). He also dashed through a trio of British-filmed Edgar Rice Burroughs derivations, The Land That Time Forgot (1974), At the Earth's Core (1976) and The People That Time Forgot (1977). He perpetuated his athletic, devil-may-care image into his brief 1975 TVer, Search (1975). In the late 1980s, Doug McClure reemerged as an agreeable comic actor, playing an Eastwoodish movie-star-cum-small-town-mayor in the syndicated sitcom Out of This World (1987-88).

Trivia: Cloris Leachman seems capable of playing any kind of role, and she has consistently demonstrated her versatility in films and on TV since the 1950s. On the big screen, she can be seen in such films as Kiss Me Deadly (1955), Butch Cassidy and the Sundance Kid (1969), The Last Picture Show (1971), for which she won an Oscar; and Young Frankenstein (1974). On TV, she played the mother on Lassie from 1957-58, and Phyllis Lindstrom on both The Mary Tyler Moore Show (1970-77) and her own series, Phyllis (1975-77). She was a staple on many of the dramatic shows of the '50s, and a regular on Charlie Wild, Private Detective (1950-52), and The Facts of Life. Leachman has won three Emmy Awards and continues to make TV, stage, and film appearances, including a turn as Granny in the film version of The Beverly Hillbillies (1993) and supplying her voice for the animated Beavis and Butt-Head Do America (1996) and The Iron Giant (1999). In 1999, she could be seen heading the supporting cast in Wes Craven's Music of the Heart.

Trivia: Whenever actor Ed Platt blew one of his lines in his role of "The Chief" in the TV comedy series Get Smart, star Don Adams would cry out "Is John Doucette available?" Adams was kidding, of course, but he was not alone in his high regard for the skill and versatility of the deep-voiced, granite-featured Doucette. In films on a regular basis since 1947 (he'd made his official movie debut in 1943's Two Tickets to London), Doucette was usually cast in roles calling for bad-tempered menace, but was also adept at dispensing dignity and authority. He was equally at home with the archaic dialogue of Julius Caesar (1953) and Cleopatra (1963) as he was with the 20th-century military patois of 1970's Patton, in which he played General Truscott. John Doucette's many TV credits include a season on the syndicated MacDonald Carey vehicle Lock-Up (1959), and the role of Captain Andrews on The Partners (1971), starring Doucette's old friend and admirer Don Adams.

Trivia: Affable "good guy" singer/actor Dick Foran was the son of a U.S. senator. After a tentative stab at a career as a geologist, Foran achieved prominence as a band and radio singer. Billed as Nick Foran, he made his screen debut as a "Paul Revere" type in a surrealistic production number in Fox's Stand Up and Cheer (1934). Signed by Warner Bros., Foran was utilized as that studio's "answer" to Gene Autry in a series of "B" musical westerns; ironically, he also played a devastatingly parodied cowboy star in 1938's Boy Meets Girl. After enjoying nominal stardom in Warners' second-feature product--and incidentally picking up an Oscar nomination for his supporting work in The Petrified Forest (1936)--Foran moved to Universal, where he worked in everything from serials to horror films to Abbott and Costello comedies. In one A&C romp, Ride 'Em Cowboy (1942), Foran introduced what would become his signature theme, the lovely "I'll Remember April." Those who worked with Foran during this period remember him being as likable and uncomplicated offscreen as on; one Universal starlet never tired of recalling the time that Foran invited her into his dressing room then asked quite sincerely if she wanted to play a game of jacks! Dick Foran remained in films and TV as a reliable, pleasantly portly character actor into the 1960s; one of his last films was Donovan's Reef, which starred his longtime friend John Wayne.

Trivia: American character actor of stage, screen, and TV Lee J. Cobb, born Leo Jacob or Jacoby, was usually seen scowling and smoking a cigar. As a child, Cobb showed artistic promise as a virtuoso violinist, but any hope for a musical career was ended by a broken wrist. He ran away from home at age 17 and ended up in Hollywood. Unable to find film work there, he returned to New York and acted in radio dramas while going to night school at CCNY to learn accounting. Returning to California in 1931, he made his stage debut with the Pasadena Playhouse. Back in New York in 1935, he joined the celebrated Group Theater and appeared in several plays with them, including Waiting for Lefty and Golden Boy. He began his film career in 1937, going on to star and play supporting roles in dozens of films straight through to the end of his life. Cobb was most frequently cast as menacing villains, but sometimes appeared as a brooding business executive or community leader. His greatest triumph on stage came in the 1949 production of Arthur Miller's Death of a Salesman in which he played the lead role, Willy Loman (he repeated his performance in a 1966 TV version). Between 1962-66, he also appeared on TV in the role of Judge Garth in the long-running series The Virginian. He was twice nominated for "Best Supporting Actor" Oscars for his work in On the Waterfront (1954) and The Brothers Karamazov (1958).