Trivia: The only child of a London policeman, Roger Moore started out working as a film extra to support his first love, painting, but soon found he preferred acting, and so enrolled in the Royal Academy of Dramatic Art. He began his film, radio and stage career just after World War II (his early credits are often confused with American actor Roger Moore, a minor Columbia contractee of the 1940s), and also performed with a military entertainment unit. Though in childhood Moore had been mercilessly teased by friends and family alike for being fat, by the time he was ready to start his career, he had become an exceptionally handsome man with a toned, well-muscled body. Signed on the basis of his good looks to an MGM contract in 1954, Moore began making appearances in American films, none of which amounted to much dramatically; his biggest success of the 1950s was as star of the British-filmed TV series Ivanhoe. Signed by Warner Bros. Television for the 1959 adventure weekly The Alaskans, Moore became the latest of a long line of James Garner surrogates on Maverick, appearing during the 1960-1961 season as cousin Beau. After a few years making European films, Moore was chosen to play Simon Templar in the TV-series version of Leslie Charteris' The Saint (an earlier attempt at a Saint series with David Niven had fallen through). Moore remained with the series from 1963-1967, occasionally directing a few episodes (he was never completely comfortable as simply an actor, forever claiming that he was merely getting by on his face and physique). After another British TV series, 1971's The Persuaders, Moore was selected to replace Sean Connery in the James Bond films. His initial Bond effort was 1973's Live and Let Die, but the consensus (in which the actor heartily concurred) was that Moore didn't truly "grow" into the character until 1977's The Spy Who Loved Me. Few of Moore's non-Bond movie appearances of the 1970s and 1980s were notably successful, save for an amusing part as a Jewish mama's boy who thinks he's Bond in Burt Reynolds' Cannonball Run (1981). Moore's last 007 film was 1985's A View to a Kill. In 1991, he was made a special representative of UNICEF, an organization with which he'd been active since the 1960s. Relegated mainly to a series of flops through the 1990s, Moore appeared in such efforts as The Quest (1996) and Spice World (1997) and gained most of his exposure that decade as a television talk show and documentary host. In early May of 2003, fans were dismayed to hear that Moore collapsed onstage during a Broadway performance of The Play That I Wrote. Rushed to a nearby hospital afer insisting on finishing his performance in the small role, reports noted that Moore's subsequent recovery seemed to be coming along smoothly. He lent his distinctive voice to family films such as Here Comes Peter Cottontail and Cats & Dogs, The Revenge of Kitty Galore. Moore died in 2017, at age 89.

Trivia: Maurice Good has played many leading roles in Irish theatrical productions, on television, on radio and in films. In addition to acting, Good also worked as a film director, writer and producer in England during the 1960s. In 1975 he emigrated to Canada.

Trivia: On the strength of his performance as Claudius in the '60s British TV series The Caesars, Freddie Jones won the 1969 World's Best TV Actor award at the Cannes Film Festival. It was an honor he'd seldom be in danger of winning again. A one-time lab technician who'd won a scholarship to the Rose Buford College of Speech and Drama, Jones started out as a stage actor of unusual perception and intelligence. He gave audiences a taste of what was to come with a small screeching role in his first film, Marat/Sade (1966). Biding his time in staid character roles for his few years in films, Jones let loose with his performance as a dedicated scientist turned synthetic monster in 1970's Frankenstein Must Be Destroyed. After this, the estimable Jones became, if not Britain's Vincent Price, certainly Britain's Anthony Zerbe. Twitchy, eccentric, and about as subtle as a cattle stampede, Jones built up his fan following in such concoctions as The Satanic Rites of Dracula (1973), Krull (1983), Dune (1984), Erik the Viking (1989) and Wild at Heart (1990). Freddie Jones may have long since abandoned any efforts at screen realism, but he definitely knows on which side his bread is buttered.