Trivia: The only child of a London policeman, Roger Moore started out working as a film extra to support his first love, painting, but soon found he preferred acting, and so enrolled in the Royal Academy of Dramatic Art. He began his film, radio and stage career just after World War II (his early credits are often confused with American actor Roger Moore, a minor Columbia contractee of the 1940s), and also performed with a military entertainment unit. Though in childhood Moore had been mercilessly teased by friends and family alike for being fat, by the time he was ready to start his career, he had become an exceptionally handsome man with a toned, well-muscled body. Signed on the basis of his good looks to an MGM contract in 1954, Moore began making appearances in American films, none of which amounted to much dramatically; his biggest success of the 1950s was as star of the British-filmed TV series Ivanhoe. Signed by Warner Bros. Television for the 1959 adventure weekly The Alaskans, Moore became the latest of a long line of James Garner surrogates on Maverick, appearing during the 1960-1961 season as cousin Beau. After a few years making European films, Moore was chosen to play Simon Templar in the TV-series version of Leslie Charteris' The Saint (an earlier attempt at a Saint series with David Niven had fallen through). Moore remained with the series from 1963-1967, occasionally directing a few episodes (he was never completely comfortable as simply an actor, forever claiming that he was merely getting by on his face and physique). After another British TV series, 1971's The Persuaders, Moore was selected to replace Sean Connery in the James Bond films. His initial Bond effort was 1973's Live and Let Die, but the consensus (in which the actor heartily concurred) was that Moore didn't truly "grow" into the character until 1977's The Spy Who Loved Me. Few of Moore's non-Bond movie appearances of the 1970s and 1980s were notably successful, save for an amusing part as a Jewish mama's boy who thinks he's Bond in Burt Reynolds' Cannonball Run (1981). Moore's last 007 film was 1985's A View to a Kill. In 1991, he was made a special representative of UNICEF, an organization with which he'd been active since the 1960s. Relegated mainly to a series of flops through the 1990s, Moore appeared in such efforts as The Quest (1996) and Spice World (1997) and gained most of his exposure that decade as a television talk show and documentary host. In early May of 2003, fans were dismayed to hear that Moore collapsed onstage during a Broadway performance of The Play That I Wrote. Rushed to a nearby hospital afer insisting on finishing his performance in the small role, reports noted that Moore's subsequent recovery seemed to be coming along smoothly. He lent his distinctive voice to family films such as Here Comes Peter Cottontail and Cats & Dogs, The Revenge of Kitty Galore. Moore died in 2017, at age 89.

Trivia: Sturdy Scots actor Andrew Keir played Prince John on the 1958 British TV series Ivanhoe and was seen in such swordfests as The Pirates of Blood River (1961) and The Viking Queen (1967). Keir's other screen assignments have included the role of Agrippa in the 1963 spectacle Cleopatra and the 1971 Hammer horror Blood From the Mummy's Tomb (1971). Keir is best known to "Fantastic Cinema" fanatics for his portrayal of Professor Quatermass in the 1967 film Quatermass and the Pit, and for his performance as Wyler in the "Doctor Who" feature Daleks: Invasion Earth 2150 AD (1966). Andrew Keir was most recently seen in the boisterous historical epic Rob Roy (1995).

Trivia: Dancer/model Jean Marsh appeared in her first film, Tales of Hoffman, at the age of 17. For those out there who associate Marsh with prim, severe roles, it will probably come as a mild surprise to discover that she made her first American TV appearance as a sexy, sloe-eyed native girl in a Hallmark Hall of Fame production of The Moon and Sixpence. Laboring in comparative obscurity throughout the 1960s (she was uncredited for her appearance as Marc Antony's wife Octavia in 1963's Cleopatra), Marsh began attracting attention in the 1970s in roles calling for tight-lipped outrage (Hitchcock's 1972 Frenzy) or glazed-eyed lunacy (Mrs. Rochester in the 1971 TV movie version of Jane Eyre). After nearly 20 years in the business, Marsh was voted "Most Outstanding New Actress of 1972" by a British film organization. She achieved international stardom (and won an Emmy) as Rose the maid in Upstairs Downstairs, a multipart British television series co-created by Marsh and actress Eileen Atkins. Subsequent TV-series work included the part of Roz Keith on the American sitcom 9 to 5 and the 1990s British TVer The House of Eliott, which like Upstairs Downstairs sprang largely from Marsh's personal creative input. Jean Marsh was at one time married to Dr. Who star Jon Pertwee.

Trivia: From his first film role in Seven Days to Noon (1949) onward, Victor Maddern was typecast as a cockney serviceman. Sometimes a soldier, Maddern was usually seen as a sailor, notably in the 1960 British TV sitcom Mess Mates. He also showed up in several of the "Carry On" farces, the last being Carry On Emmanuelle. American TV viewers got to see Maddern on a weekly basis as sporting-goods salesman Thomas Finch in the 1962 Anglo-American sitcom Fair Exchange. When not appearing before the cameras, Victor Maddern has been tirelessly active as a fundraiser for religious charities.