Trivia: Best remembered for his high-profile acting roles on two 1970s television sitcoms -- that of genial news writer Murray Slaughter on CBS's The Mary Tyler Moore Show (1970-1977) and that of sweet-natured Captain Merrill Stubing on ABC's The Love Boat (1977-1986), stage-trained actor Gavin MacLeod in fact began his career typecast as a villain. He landed parts in Hollywood features including The Sand Pebbles (1966), Deathwatch (1966), and The Comic (1969), and enjoyed a tenure as Joseph "Happy" Haines on the sitcom McHale's Navy from 1962 through 1964. After The Love Boat permanently laid anchor in the mid-'80s, MacLeod signed on as a spokesperson and pitchman for Princess Cruises and returned to regional theatrical work. He also tackled guest spots on programs including Touched by an Angel and (in a move that surprised everyone) the HBO prison drama Oz. Off-camera, MacLeod is an outspoken born-again Christian. He hosted a popular talk show on the Trinity Broadcasting Network, along with his wife, Patti (whom he divorced in 1982 and remarried three years later), called Back on Course, and personally funded many of the Greatest Adventure Stories from the Bible animated videos for children.

Trivia: Universally recognized as Ship's Doctor Adam Bricker on the blockbuster prime-time sitcom The Love Boat (1977-1986) -- a part he held for the entire nine-season run of the series -- actor Bernie Kopell entered the doors of show business via a most unlikely route. Born in Brooklyn, Kopell attended Erasmus High and then New York University (with a dramatic art major). After a stint at sea aboard the naval vessel USS Iowa, Kopell signed on to drive a taxicab in Southern California -- and achieved his big break on the day that Oregon Trail (1959) film producer Dick Einfeld hitched a ride in the back of his cab. In a span of minutes, Kopell reportedly managed to convince Einfeld that he was not really a cab driver but an actor in serious need of work. The effort paid off, and Kopell snagged his first part -- a two-line part in Oregon as an aide to president James K. Polk. In the early '60s, Kopell joined the Actors' Ring Theatre in Los Angeles, where he developed a knack for characterizations and voices; this led, in turn, to character-type roles on a myriad of television programs including The Dick Van Dyke Show, The Steve Allen Show, and My Favorite Martian (which often, though not always, cast the wiry Kopell as a Hispanic). By the early '70s, Kopell had landed steady assignments on Get Smart, Bewitched, That Girl, and other series. The Love Boat, however, embodied his breakthrough. He followed it up with an emcee assignment on The Travel Channel (hosting its Railway Adventures Across Europe) and a surge in theatrical work, with portrayals in regional productions of such plays as Rumors, A History of Shadows, and Death of a Salesman.

Trivia: Actor Fred Grandy enjoyed two distinct careers -- an initial career as an actor and a proverbial second wind on the political stage. As a thespian, Grandy signed for guest spots on early-'70s series including Maude and Phyllis, but built his reputation via his nine-season portrayal of Yeoman-Purser Burl "Gopher" Smith, right-hand man to Captain Merrill Stubing (Gavin MacLeod), on the popular television sitcom The Love Boat (1977-1986). He proved popular with audiences, but by the mid-'80s reportedly grew tired of acting and gravitated to the political arena because he found it more challenging. Indeed, in 1986 -- the year of Boat's cancelation -- Grandy was elected as a Republican member of the House of Representatives from Iowa.

Trivia: For millions of Americans, the prime-time situation comedy The Love Boat will be forever inseparable from the image of Ted Lange, an actor cast for nine seasons as the genial Isaac the Bartender on the Pacific Princess luxury liner and trademarked by his iconic "two-finger drop" greeting. Yet Lange's portrayal of Isaac scarcely hinted at the actor's dexterity or dramatic range. In truth, this actor received classical dramatic training at London's Royal Academy of Dramatic Arts, and would go on, after the Princess took its final voyage in September 1986, to establish himself as a revered creative force in regional theater.Lange initially broke into films with many portrayals in Hollywood programmers during the early '70s, including Trick Baby (1972), Blade (1972), and Black Belt Jones (1974), and landed a regular role in the one-season ethnic sitcom That's My Mama (1974), as a streetwise philosopher opposite Clifton Davis (Amen) and Theresa Merritt. The Love Boat, of course, brought Lange his most widespread recognition; nonetheless (as indicated), he hearkened back to his theatrical roots beginning in the late '80s and divided his time between writing, directing, and stage acting roles. His resumé as a scribe sports at least 17 original plays including Lemon Meringue Facade, Behind the Mask -- An Evening with Paul Laurence Dunbar, and Evil Legacy -- The Story of Lucretia Borgia, while he has appeared dramatically in productions including Hair and Taming of the Shrew and has directed plays ranging from Othello to the rock & roll musical Born a Unicorn.

Trivia: Pennsylvania-born actress Lauren Tewes achieved broadest recognition for her stint as Cruise Director Julie McCoy on the long-running ABC situation comedy The Love Boat. Unfortunately, Tewes (unlike many of her fellow cast members) left the program prior to the final voyage of the Pacific Princess -- reportedly spiraling into a much-publicized bout of severe cocaine addiction from which she eventually fully recovered, but which cost her the role on the series. Tewes nevertheless demonstrated admirable resilience by returning for at least two Love Boat telemovies and remained active in television and film. Subsequent projects included guest appearances on the small-screen series dramas Hunter and Murder, She Wrote, and roles in features such as The Doom Generation (1995) and It Came From Outer Space 2 (1996).

Trivia: Born Carolina Maria Laraia, singer and actress Carol Lawrence first appeared on Broadway in 1952, as Maria in the original production of West Side Story. She was nominated for a Tony Award for that role, and later went on to pursue a succesful career acting in films and television. She was the second wife of singer and actor Robert Goulet.

Trivia: The son of a Brooklyn upholsterer, baby-faced comic actor Buddy Hackett always claimed he was "born to be funny." Hackett was the boy who invariably blew his lines in the Holiday pageants and the overweight teen who accidentally stuck his foot in a water bucket during his first game with the high school football team. It was while serving in the Army that Hackett met the double-talking Chinese waiter who inspired him to create the most famous of his early nightclub routines. Hackett's first stand-up gig in Brooklyn led to additional work on the New York supper club Catskill resort circuits; he also guested on a very early (1945) TV program, Laff Time. His film debut was as the voice of a talking camel in the otherwise straightforward Arabian nights programmer Slave Girl (1947). He was signed to a Universal Pictures contract in 1953, then starred for two years in Broadway comedy Lunatics and Lovers. He played the title role in 1956 TV sitcom Stanley, which served to introduce Carol Burnett to America's televiewers; two years later, he became a regular on Jackie Gleason's Saturday night variety series. Hackett was most active in films during the years 1958 through 1968, appearing primarily in nitwit comedy-relief roles, but also delivering a solid dramatic performance in God's Little Acre. At the same time, his reputation in nightclubs soared, first because of his quick wit and gift for sudden improvisation, then later for his ability to spout out the dirtiest of material with the cherubic ingenuousness of a naughty first-grader. Perhaps it was this veneer of innocence that made Hackett an ideal "family" entertainer in such G-rated pictures as Everything's Ducky (1961), The Music Man (1962), and The Love Bug (1968). As late as 1989, he was still delighting the kiddie trade as the voice of Scuttle in the Disney animated feature The Little Mermaid. Among Buddy Hackett's many television credits was the 1978 biopic Bud and Lou, in which he offered a curiously unsympathetic interpretation of his idol, Lou Costello; ironically, back in 1954 Hackett had replaced an ailing Costello in the Universal slapstick comedy flick Fireman Save My Child.

Trivia: Born Arline Golonka (she was named after 1930s film actress Arline Judge) Golonka trained as a singer and dancer from childhood and went professional in a summer-stock troupe while still in her teens. She studied at the Goodman Theatre in her native Chicago before striking out for New York, where she attended classes at the Actor's Studio and made her Broadway debut in the 1958 flop Night Circus. Her later Broadway credits include Take Me Along, Come Blow Your Horn, and One Flew Over the Cuckoo's Nest; in the latter production, she played a good-natured, empty-headed hooker, a role she'd repeat with variations throughout the 1960s. Before relocating to Los Angeles in 1967 to appear in Penelope, Golonka had accumulated dozens of New York-based film credits, including the 1965 theatrical feature Harvey Middleman, Fireman (1965). Best known for her portrayal of Millie Swanson on TV's Mayberry RFD (1968-71), Arlene Golonka was also a regular on Joe and Valerie (1978-79) and has been seen in such films as Hang 'Em High (1967), The Busy Body (1968) and The In-Laws (1977).

Trivia: Susan Sullivan is an Emmy-nominated actress who has proved equally adept at drama or comedy. She is best known for her eight years portraying Maggie Gioberti on the television series Falcon Crest, a prime-time network soap opera in a vein similar to that of Dallas and Dynasty, but she has also shown her comedic skills on sitcoms such as It's a Living and The George Carlin Show. Born Susan Michaela Sullivan in New York City in 1942 (some sources say 1944), she put herself through college by working as a Playboy bunny in the early '60s. Indeed, Sullivan was among the first Playboy bunnies employed by the newly opened Playboy Club in New York; as she has recalled in interviews, this was a most intellectually impressive and ambitious array of women, somewhat different from what the Playboy bunnies subsequently became, many of them aspiring to careers in law and other professions, and financing their educations by working at the club. Her television career began when she joined the cast of the daytime drama Another World in the role of Lenore Curtin, who she portrayed for four seasons. Sullivan based her career in New York, and was appearing in an off-Broadway play when she was spotted by an agent who offered to represent her if she moved to Hollywood. She accepted and thus began her career in prime-time television. Sullivan (who was sometimes billed as Susan J. Sullivan early in her career to distinguish her from another late-'60s actress named Susan Sullivan) appeared on television series such as Medical Center, McMillan & Wife, Kojak, and Petrocelli during the early '70s before landing the role that would establish her acting credentials, as Peter Strauss' lover in Rich Man, Poor Man--Book II (1976), which earned her an Emmy nomination. That same year, she moved into feature films, playing opposite Charlton Heston in Jack Smight's feature film Midway; she only had ten minutes of screen time in the movie, but hers were some of the best and most dramatically involving scenes in a movie that was otherwise largely devoid of character development or depth. Her sequences were used exclusively for the two-part television version of the movie, which means that theatrical audiences never saw her; Sullivan's scenes were missing from every home video version of the film until the October 2001 DVD reissue of Midway, which contained her footage. She spent most of the rest of the '70s in good guest-starring roles on series such as Taxi (where, in the episode "What Price Bobby," she proved herself capable of getting laughs and being sexually provocative at the same time, portraying an amorously predatory theatrical agent), and she turned in an exceptional dramatic performance in the pilot film for The Incredible Hulk, portraying a research scientist and friend of stricken hero David Banner (Bill Bixby). Her star continued to rise when she was cast in the lead role, as a gynecologist, in the made-for-television feature Having Babies and a sequel, which led to Sullivan playing the lead role in the subsequent ABC network series of the same name. From there, she was cast in the sitcom It's a Living, playing the most mature and sensible member of a group of waitresses at an upscale restaurant. It was after leaving It's a Living in 1981 that Sullivan earned the lead role of Maggie Gioberti on the drama Falcon Crest, which she played for eight seasons. Since leaving that series in 1989, a year before the end of its run, Sullivan has continued to act in both comedy and drama, and appeared on television on behalf of various charitable causes, as well as serving as the commercial spokesperson for Tylenol. She was a co-star on the George Carlin Show and has appeared on sitcoms such as Dharma & Greg. In the 2st century she found a regular gig voicing Hippolyta on the animated Justice League series, and enjoyed recurring roles on both The Drew Carey Show and Castle.