Trivia: American actress Candice Bergen was a celebrity even before she was born. As the first child of popular radio ventriloquist Edgar Bergen and his young wife Frances, Candice was a hot news item months before her birth, and headline material upon that blessed event (her coming into the world even prompted magazine cartoons which suggested that Edgar would try to confound the nurses by "giving" his new daughter a voice). Candice made her first public appearance as an infant, featured with her parents in a magazine advertisement. Before she was ten, Candice was appearing sporadically on dad's radio program, demonstrating a precocious ability to throw her own voice (a skill she hasn't been called upon to repeat in recent years); at 11 she and Groucho Marx's daughter Melinda were guest contestants on Groucho's TV quiz show You Bet Your Life. Candice loved her parents and luxuriated in her posh lifestyle, though she was set apart from other children in that her "brothers" were the wooden dummies Charlie McCarthy and Mortimer Snerd - and Charlie had a bigger bedroom than she did! Like most 1960s teens, however, she rebelled against the conservatism of her parents and adopted a well-publicized, freewheeling lifestyle - and a movie career. In her first film, The Group (1965), Candice played a wealthy young lesbian - a character light years away from the sensibilities of her old-guard father. She next appeared with Steve McQueen in the big budget The Sand Pebbles (1966), simultaneously running smack dab into the unkind cuts of critics, who made the expected (given her parentage) comments concerning her "wooden" performance. Truth to tell, Candice did look far better than she acted, and this status quo remained throughout most of her film appearances of the late 1960s; even Candice admitted she wasn't much of an actress, though she allowed (in another moment that must have given papa Edgar pause) that she was terrific when required in a film to simulate an orgasm. Several films later, Candice decided to take her career more seriously than did her critics, and began emerging into a talented and reliable actress in such films as Carnal Knowledge (1971) and The Wind and the Lion (1975). Most observers agree that Candice's true turnaround was her touching but hilarious performance as a divorced woman pursuing a singing career - with little in the way of talent - in the Burt Reynolds comedy Starting Over (1979). Candice's roller-coaster offscreen life settled into relative normality when she married French film director Louis Malle; meanwhile, her acting career gained momentum as she sought out and received ever-improving movie and TV roles. In 1988, Candice began a run in the title role of the television sitcom Murphy Brown, in which she was brilliant as a mercurial, high-strung TV newsmagazine reporter, a role that won Ms. Bergen several Emmy Awards. While Murphy Brown capped Candice Bergen's full acceptance by audiences and critics as an actress of stature, it also restored her to "headline" status in 1992 - when, in direct response to the fictional Murphy Brown's decision to become a single mother, Vice President Dan Quayle delivered his notorious "family values" speech.Murphy Brown finished its successful run in 1997, and Bergen would make a handful of big-screen appearances in the ensuing years including Miss Congeniality, Sweet Home Alabama, and The In-Laws. In 2004 she became part of the cast of Boston Legal, another hit show that ran for five often award-winning seasons. When that show came to a close, she appeared in films such as The Women, Sex and the City, and Bride Wars - where she portrayed the country's leading wedding planner.

Trivia: Joe Regalbuto has been seen in films since 1982, when he played an investigative reporter in Costa-Gavras' Missing. Before his big-screen debut, Regalbuto played shifty Wall Street lawyer Elliot Streeter in the 1979 TV series The Associates. His other TV roles included Toomey, the CPA assistant to bumbling detective Tim Conway in Ace Crawford, Private Eye (1982), and Harry Fisher in Knots Landing (1985-86 series). Regalbuto also labored in what one journalist described as "relative obscurity" on the TV-movie circuit, playing such roles as William C. Sullivan in 1987's J. Edgar Hoover. In his most famous characterization, Joe Regalbuto travelled full circle from his Missing days, playing investigative reporter Frank Fontana on the TV sitcom Murphy Brown (1988- ).

Trivia: It took the television series Seinfeld and his portrayal of Morty Seinfeld to turn Barney Martin into a pop-culture star, complete with talk-show engagements and personal appearances -- but Martin was a working actor for 40 years before that, in films and television, on Broadway, and in regional theater. Born in New York City in the early '20s, he was the son of the police official in charge of the jail facility known as the Tombs. He served in the U.S. Army Air Force during World War II, with 42 missions to his credit as a navigator; he joined the police force after the war and won commendations for bravery. Martin had always shown a flair for comedy, and while a member of the police force, he was often asked to add jokes to the speeches of various deputy commissioners. In the early '50s, he began moving into professional entertainment circles, selling his jokes and also writing for Name That Tune, and then was hired as a writer on The Steve Allen Show -- it was while working on that end of the business, and with some encouragement from a new friend, Mel Brooks, that Martin became convinced that he could be as funny as most of the professional comics he was seeing in front of the cameras and on-stage. By the end of the 1950s, he was working as a stand-in for Jackie Gleason. With his hefty frame tipping the scales at well over 200 pounds even in those days, and his slightly befuddled look, he was nearly a dead-ringer for Gleason in one profile, and he ended up working on camera in various sketches. Martin's other early television performances included regular work as a "ringer" on Candid Camera, and work on The Ed Sullivan Show and The Perry Como Show, as well as straight acting performances on such dramatic shows as The Naked City, where his New York accent and mannerisms made Martin a natural. He also turned in an excruciatingly funny performance as Fats Borderman, a hapless professional hood, in the Car 54, Where Are You? episode "Toody Undercover." Martin made his first big-screen appearance in the 1956 Alfred Hitchcock thriller The Wrong Man, as a member of the jury -- he also showed up in uncredited appearances in such movies as Butterfield 8, Requiem for a Heavyweight, and Love With the Proper Stranger. In 1968, he got his first two credited screen appearances, in Mel Brooks' The Producers, portraying Goring in "Springtime for Hitler," and playing Hank in Ralph Nelson's Charly. Most of Martin's acting, however, was on-stage, including Broadway productions of South Pacific, All American, Street Scene, How Now, Dow Jones, and Chicago; in the latter's '70s production, he originated the role of Amos Hart. He also appeared in regional theater productions of Last of the Red Hot Lovers and The Fantasticks. Martin also made occasional appearances on television, most notably on The Odd Couple, starring Tony Randall and Jack Klugman, in such episodes as "The Jury Story" and "The Subway Story." His friendship with Randall also carried over to his being cast as a regular when the latter got his own series, The Tony Randall Show, in 1976. Martin might have gone on for the rest of his career as a character actor well known to those in his profession, doing occasional big-screen performances in features such as Stanley Donen's Movie, Movie and Steve Gordon's Arthur, but for the Seinfeld television series. After inheriting the role of Morty Seinfeld from another actor, Martin became a regular on the series, usually working in tandem with Liz Sheridan playing Morty's wife, also playing opposite Jerry Seinfeld, Jason Alexander, Julia Louis-Dreyfuss, Michael Richards, and Jerry Stiller, and always holding his own in eliciting laughs. Perhaps Martin's best single episode was the one in which his character is defeated in the election as chairman of the condominium board -- the script was filled with little digs aimed at Oliver Stone's movie Nixon, and Martin was able to bring just enough Nixon-like gravitas to his portrayal to make the whole show work.

Trivia: Nikki Cox's show-business career started rolling when she was just four years old. It was at this young age that she began to demonstrate the coordination and creativity that made her parents enroll her in dance classes, and it was five years later that a talent scout spotted her in one of those very classes. She was soon cast as a dancer in Moonwalker, and as Ryan White's sister in The Ryan White Story. Cox grew and matured into a very attractive woman, so she had no trouble snagging roles as she came into adulthood. She had a recurring role on The Norm Show before starring in her own sitcom, Nikki. The series lasted two seasons and when it finished its run in 2002, she snatched up a part in what would be a very popular show the very next year. Joining the cast of the hit series Las Vegas, Cox became a permanent cast member of the show, Once Las Vegas wrapped up, Cox slowed her acting career, using her off time to play Bambi in the mystery-comedy Lonely Street in 2009 and the occasional TV guest spot.

Trivia: The year (give or take a few) was 1929: Stepping on to the stage of New York's Mecca Theatre was 3-year-old Rose Marie Mazetta, offering a surprisingly full-throated rendition of the torch ballad "What Can I Say, Dear, After I Say I'm Sorry." By the time she'd finished dancing her Charleston, Rose Marie had won a trip to Atlantic City and a spot on a major radio program. Amazingly, Rose Marie's father, a professional singer-musician, had nothing to do with this star-making turn: the girl had been entered in the contest by her next-door neighbors. By 1932, Rose Marie--or rather, "Baby Rose Marie"--was one of the hottest stars on the NBC radio network. Her raspy, insinuating singing style was mature beyond her years, so much so that some people wrote into NBC, angrily accusing them of passing off an adult midget as a child. She successfully toured in vaudeville, was spotlighted in a handful of movies (the best-known was 1933's International House), then disappeared completely at the age of 12. No, Rose Marie wasn't washed up; her family had moved from New York to New Jersey and had placed their daughter in a convent school. Resuming her career at 17 as "Miss Rose Marie," the former child sensation endured a few lean years before establishing herself as a comedienne. Wearying of traversing the nightclub circuit by the 1950s--she now had a husband and daughter to look after--Rose Marie began accepting guest-star assignments on such dramatic TV series as Jim Bowie, Gunsmoke and M Squad. She was also seen in continuing roles on the video sitcoms Love That Bob and My Sister Eileen, and was co-starred with Phil Silvers in the 1953 Broadway musical Top Banana. In 1961, Carl Reiner cast Rose Marie as wisecracking, man-chasing Sally Rogers on The Dick Van Dyke Show. The close-knit camaraderie of her Dick Van Dyke co-stars helped her survive the untimely death of her husband, jazz musician Bobby Guy. Rose Marie's post-Van Dyke projects have included such films as Don't Worry, We'll Think of a Title (1966) and Cheaper to Keep Her (1980), frequent appearances on the daytime quiz show The Hollywood Squares, and regular roles on the prime time TVers The Doris Day Show (1969-71, as Myrna Gibbons), Scorch (1992, as Edna Bracken) and Hardball (1994, as Marge Schott-like baseball club owner Mitzi Balzer).

Trivia: Brittany Murphy first came to the attention of film audiences as Tai, one of Alicia Silverstone's airhead friends, in the 1995 comedy Clueless. Though convincing as a dim-bulb character, Murphy cuts dramatically against this grain off-camera, as a ferociously intelligent and ambitious young performer who had acting in her blood from early childhood. As a teenager and young adult, she gave expression to the scope of her talent and versatility with a series of engaging film and television roles.Born in Atlanta on November 10, 1977, Murphy was raised by her single mother in Edison, New Jersey; she later indicated, in interviews, that her mom struggled financially - that they were forced to eat spaghetti night after night, and that on certain occasions, she had to beg her mother to buy clothes at KMart; this would later account for Murphy's marked social investment in homeless causes, as discussed in a February 2003 Glamour article.A precocious child who began putting on shows when she was a toddler, Murphy was acting in regional theatre productions by the age of nine. Work in various commercials followed, and in 1990 she landed her first television appearance at the age of twelve, on the sitcom Blossom. She also secured a supporting role as Brenda Drexell, the fourteen-year-old daughter of Dabney Coleman's fifth grade teacher Otis Drexell, on the (mercifully) short-lived 1991 FOX sitcom Drexell's Class. The following year, Murphy took her first cinematic bow in the dysfunctional family drama Family Prayers. Murphy's talent for portraying, dramatically, all degrees on the spectrum of behavioral dysfunction further came to light in three successive projects through 1999: the blackly comic Reese Witherspoon trailer trash odyssey Freeway (1996) (as a disfigured lesbian who befriends Witherspoon's Vanessa); a mental patient in Lloyd Kramer's made-for-TV David and Lisa (1998), and James Mangold's Girl, Interrupted (1999) (as yet another resident at a mental institution).Meanwhile, on a less ambitious (albeit more whimsical) note, Murphy also became a fixtureon King of the Hill, Mike Judge's long-running contemporary cartoon of suburban life in the southern U.S., as Luanne Platter, the hair stylist niece who comes to live with Hank Hill's family. Murphy kept a full plate as the millennium wrapped. In addition to her work for Mangold in 1999,she also explored the collective insanity of the beauty pageant world in Drop Dead Gorgeous, while on the small screen, she covered much darker thematic ground with the well-received Holocaust drama The Devil's Arithmetic (also 1999). In 2001, Murphy appeared in the Michael Douglas thriller Don't Say a Word, and alongside Drew Barrymore in Riding in Cars With Boys.Cast opposite Eminem in director Curtis Hanson's 2002 drama 8 Mile, Murphy performed compellingly as an aspiring rap star's unapologetic muse; in 2004, Murphy headlined Nick Hurran's thoroughly disappointing rom-com Little Black Book. She also made a splash in Robert Rodriguez's innovative graphic novel adaptation Sin City, as the arrogant waitress who becomes the prize in a heated rivalry between Benicio del Toro and Clive Owen. Murphy made appearances in four features in 2006. In Alex Keshishian's progressive romantic comedy Love and Other Disasters, she played a London-based American expatriate, employed at Vogue, who tries to fix up her gay roommate; in Ed Burns's sixth directorial outing, the Big Chill-like romantic comedy The Groomsmen, she played the expectant girlfriend of Burns's Paulie. She also portrayed a member of the ensemble in Karen Moncrieff's murder mystery The Dead Girl, about a group of seemingly disconnected individuals whose lives intersect as a girl's murderer comes to light, and one of the lead voices in George "Babe" Miller's Happy Feet, an animated penguin tale.Murphy's appearance alongside Ashton Kutcher in Just Married was - to some degree - a case of art imitating life: offscreen, Murphy and Kutcher began to date as well (and became a hot tabloid item), though unlike their onscreen counterparts, they never wed.In the several years that followed, Murphy remained active, both in front of and behind the camera; she lent her voice to the CG-animated George Miller comedy Happy Feet (2006), and starred in and produced a Robert Allan Ackerman directed comedy-drama, The Ramen Girl, that suggested tremendous promise (though it went straight to home video). Murphy also starred in a made-for-television movie on the Lifetime network, Nora Roberts' Tribute (2009). That marked the end of her career, however: the actress's life was tragically cut short when she died in December 2009 at the age of 32.