Trivia: Best known as the rumpled television detective Columbo, character actor Peter Falk also enjoyed a successful film career, often in association with the groundbreaking independent filmmaker John Cassavetes. Born September 16, 1927, in New York City, Falk lost an eye at the age of three, resulting in the odd, squinting gaze which later became his trademark. He initially pursued a career in public administration, serving as an efficiency expert with the Connecticut Budget Bureau, but in the early '50s, boredom with his work sparked an interest in acting. By 1955, Falk had turned professional, and an appearance in a New York production of The Iceman Cometh earned him much attention. He soon graduated to Broadway and in 1958 made his feature debut in the Nicholas Ray/Budd Schulberg drama Wind Across the Everglades.A diminutive, stocky, and unkempt presence, Falk's early screen roles often portrayed him as a blue-collar type or as a thug; it was as the latter in 1960's Murder Inc. that he earned a Best Supporting Actor Oscar nomination, a major career boost. He was nominated in the same category the following year as well, this time as a sarcastic bodyguard in Frank Capra's Pocketful of Miracles. In 1962, Falk won an Emmy for his work in the television film The Price of Tomatoes, a presentation of the Dick Powell Theater series. The steady stream of accolades made him a hot property, and he next starred in the 1962 feature Pressure Point. A cameo in Stanley Kramer's 1963 smash It's a Mad, Mad, Mad, Mad World preceded Falk's appearance in the Rat Pack outing Robin and the Seven Hoods, but the film stardom many predicted for him always seemed just out of reach, despite lead roles in 1965's The Great Race and 1967's Luv.In 1968, Falk first assumed the role of Columbo, the disheveled police lieutenant whose seemingly slow and inept investigative manner masked a steel-trap mind; debuting in the TV movie Prescription: Murder, the character was an immediate hit, and after a second telefilm, Ransom for a Dead Man, a regular Columbo series premiered as part of the revolving NBC Mystery Movie anthology in the fall of 1971, running for seven years and earning Falk a second Emmy in the process. In the meantime, he also continued his film career, most notably with Cassavetes; in 1970, Falk starred in the director's Husbands, and in 1974 they reunited for the brilliant A Woman Under the Influence. In between the two pictures, Falk also returned to Broadway, where he won a Tony award for his performance in the 1972 Neil Simon comedy The Prisoner of Second Avenue. In 1976, Cassavetes joined him in front of the camera to co-star in Elaine May's Mikey and Nicky, and directed him again in 1977's Opening Night.After Columbo ceased production in 1978, Falk starred in the Simon-penned mystery spoof The Cheap Detective, followed by the William Friedkin caper comedy The Brink's Job (1978). After 1979's The In-Laws, he starred two years later in ...All the Marbles, but was then virtually absent from the screen for the next half decade. Cassavetes' 1986 effort Big Trouble brought Falk back to the screen (albeit on a poor note; Cassavetes later practically disowned the embarrassing film) and and in 1987 he starred in Happy New Year along with the Rob Reiner cult favorite The Princess Bride. An appearance as himself in Wim Wenders' masterful Wings of Desire in 1988 preceded his 1989 resumption of the Columbo character for another regular series; the program was to remain Falk's focus well into the next decade, with only a handful of film appearances in pictures including 1990's Tune in Tomorrow and a cameo in Robert Altman's The Player. After the cancellation of Columbo, he next turned up in Wenders' Desire sequel Far Away, So Close before starring in the 1995 comedy Roommates. Falk continued to work in both film and television for the next decade and a half, starring in various Columbo specials through 2003, appearing with Woody Allen in the made-for-TV The Sunshine Boys in 1997, and playing a bar owner caught up in mafia dealings in 1999's The Money Kings. Other projects included the Adam Sandler-produced gangster comedy Corky Romano (2001), the Dreamworks animated family film A Shark Tale (as the voice of Ira Feinberg), and the Paul Reiser-scripted, Raymond de Felitta-directed comedy-drama The Thing About My Folks (2005). In 2007, Falk starred opposite Nicolas Cage and Julianne Moore in Lee Tamahori's sci-fi thriller Next. That same year, Falk announced to the public that he had Alzheimer's disease. He died in June 2011 at age 83.

Trivia: The son of a New York jeweler, American actor Gene Barry emerged from his pinchpenny Depression-era childhood with an instatiable desire for the finer things in life. The acting profession seemed to hold out promise for fame and (especially) fortune. Making the rounds of theatrical agents in the 1940s, Barry, no matter his true financial situation, showed up dressed to the nines; grim reality soon set in, however, and the actor found himself clearing little more than $2000 a year -- on good years. When stage work seemed to yield nothing but bits, Barry turned to early television, then signed a movie contract in 1951. The only truly worthwhile film to star Barry was 1953's War of the Worlds, but even with top billing he had to play second banana to George Pal's marvelous special effects. Finally in 1956, Herb Gordon of Ziv Productions asked Barry if he'd like to star in a western. The actor resisted -- after all, everyone was doing westerns -- until Gordon pointed out that role would include a derby hat, a cane, and an erudite Eastern personality. Barry was enchanted by this, and from 1957 through 1961 he starred on the popular series Bat Masterson. The strain of filming a weekly western compelled Barry to declare that he'd never star on a series again - until he was offered the plum role of millionaire police detective Amos Burke on Burke's Law. This series ran from 1963 through 1965, and might have gone on longer had the producers not tried and failed to turn it into a Man From UNCLE type spy show. Barry's next series, Name of the Game, was another success (it ran from 1969 through 1971), and wasn't quite as grueling in that the actor only had to appear in one out of every three episodes. Always the epitome of diamond-in-the-rough masculinity, Barry astounded his fans in the mid 1980s by accepting the role of an aging homosexual in the stage musical version of the French film comedy La Cage Aux Follies. Yet another successful run followed, after which Barry went into semi-retirement, working only when he felt like it. In 1993, Gene Barry was back for an unfortunately brief revival of Burke's Law, which was adjusted for the actor's age by having him avoid the action and concentrate on the detecting; even so, viewers had a great deal of difficulty believing that Burke (or Barry) was as old as he claimed to be.

Trivia: Lead actress, onscreen from 1967.

Trivia: The great-grandson of a famous and influential 19th century Minnesota senator, actor William Windom was born in New York, briefly raised in Virginia, and attended prep school in Connecticut. During World War II, Windom was drafted into the army, which acknowledged his above-the-norm intelligence by bankrolling his adult education at several colleges. It was during his military career that Windom developed a taste for the theater, acting in an all-serviceman production of Richard III directed by Richard Whorf. Windom went on to appear in 18 Broadway plays before making his film debut as the prosecuting attorney in To Kill a Mockingbird. He gained TV fame as the co-star of the popular 1960s sitcom The Farmer's Daughter and as the James Thurber-ish lead of the weekly 1969 series My World and Welcome to It. Though often cast in conservative, mild-mannered roles, Windom's offscreen persona was that of a much-married, Hemingway-esque adventurer. William Windom was seen in the recurring role of crusty Dr. Seth Haslett on the Angela Lansbury TV series Murder She Wrote.

Trivia: Trained as a musician, Virginia Gregg drew her first professional paychecks with the Pasadena Symphony. Gregg was sidetracked into radio in the 1940s, playing acting roles in an abundance of important California-based network programs. Her extensive radio credits include Gunsmoke, Suspense, Yours Truly Johnny Dollar, and Richard Diamond. Her first film was 1946's Notorious, directed by Alfred Hitchcock, who last cast Gregg as the voice of "Mother" in his classic chiller Psycho (1960). Virginia Gregg was most closely associated with the output of actor/producer/director Jack Webb: she co-starred in both of Webb's film versions of his popular radio and TV series Dragnet, and guest-starred in virtually every other episode of the 1967-70 Dragnet TV revival.

Trivia: Born in France, blonde leading lady Andrea King was educated in the United States. In 1944, King was signed to a Warner Bros. film contract. She spent much of her time in femme fatale assignments, with the occasional sympathetic lead in films like The Beast With Five Fingers (1946). The best of her Warners efforts was Hotel Berlin (1945), in which King plays a Nazi sympathizer who pays for her treachery when she is shot to death by underground operative Helmut Dantine. After her many tough, vitriolic 1940s assignments, it was a little depressing to watch King play a humorless Christian zealot in the 1952 sci-fier Red Planet Mars. Ostensibly retired by 1973, Andrea King made an unexpected but welcome return appearance in the off-the-wall comedy The Linguini Incident (1992).

Trivia: Blonde, ice cool, and sophisticated actress Nina Foch has worked steadily in feature films and television since making her film debut in Return of the Vampire (1943). As a contracted starlet for Columbia Pictures, Foch spent several years appearing in many B-films before she was able to prove herself ready for bigger fare. Born to Dutch conductor/composer Dirk Fock and an American chorine/WWI-era pin-up girl, Foch was born in Holland but raised in Manhattan. Before enrolling in the American Academy of Dramatic Arts to study acting, she had briefly been a concert pianist and an amateur painter. As an actress, Foch gained experience with local theater and touring companies until signing with Columbia in 1943. In 1947, Foch made the first of many forays on Broadway. By the early '50s, she was being cast in secondary but better roles in such films as An American in Paris (1951) and Scaramouche (1952). In 1954, Foch appeared in Executive Suite for which she received an Oscar nomination for Best Supporting Actress. But for a few television appearances and some stage work, Foch took a respite from acting in 1960 that lasted over ten years. She made a comeback in Such Good Friends (1971) and continued to appear sporadically in films as a character actress. Foch also worked steadily in television, was a respected drama coach in Hollywood, and taught at UCLA's School of Cinematic Arts for 40 years before her death in late 2008.

Trivia: Mike Lally started in Hollywood as an assistant director in the early 1930s. Soon, however, Lally was steadily employed as a stunt man, doubling for such Warner Bros. stars as James Cagney and Pat O'Brien. He also played innumerable bit roles as reporters, court stenographers, cops and hangers-on. Active until 1982, Mike Lally was frequently seen in functionary roles on TV's Columbo.

Trivia: Character actor John Finnegan first appeared onscreen in the '70s.

Trivia: American actor Bruce Kirby made his Broadway bow at age 40 in the 1965 production Diamond Orchid. More stage work followed, and then movie assignments, commencing with the all-star Catch 22 (1970), and continuing into the 1980s with such productions as Sweet Dreams (1985) and Throw Momma from the Train (1987). Kirby's TV career has embraced both series successes (1989's Anything But Love, as Jamie Lee Curtis' father), ignoble failures (1976's Holmes and Yoyo, as Henry Sedford), and a few projects which never sold (Kirby was in two busted pilots for something called McNamara's Band). In 1984, Kirbyreturned to Broadway to understudy Dustin Hoffman as Willy Loman in the revival of Death of a Salesman. Bruce Kirby, sometimes billed as Bruce Kirby Sr., was the father of actor Bruno Kirby, who formerly billed himself as B. Kirby Jr.

Trivia: Character actress Shera Danese specialized in bit parts, initially ones of a slightly sultry nature. She landed one of her earliest big-screen roles as one of saxophone player Jimmy Doyle's (Robert De Niro) girlfriends in Martin Scorsese's revisionist musical New York, New York (1977), then drew attention away from Rebecca De Mornay as one of two prostitutes who accompany a high-school senior (Tom Cruise) out for a wild evening on the town, in Paul Brickman's satire on teen angst, Risky Business (1983). Subsequent projects included the 1987 Baby Boom (as a cloak room attendant), the 2002 John Q., and the 2006 Alpha Dog. Danese also appeared in numerous Columbo telemovies opposite longtime off-camera husband Peter Falk.

Trivia: American character actor Vito Scotti may not be the living legend as described by his publicity packet, but he has certainly been one of the most familiar faces to bob up on small and large screens in the last five decades. Scotti's father was a vaudeville impresario, and his mother an opera singer; in fact, he was born while his mother was making a personal appearance in San Francisco. Launching his own career at seven with an Italian-language commedia del arte troupe in New York, Scotti picked up enough improvisational knowhow to develop a nightclub act. When the once-flourishing Italian theatre circuit began to fade after World War II, Scotti began auditioning for every job that came up -- whether he could do the job or not. Without his trademarked mustache, the diminuitive actor looked like a juvenile well into his thirties, and as such was cast in a supporting role as a timorous East Indian on the "Gunga Ram" segment of the '50s TV kiddie series Andy's Gang. Once the producers discovered that Scotti had mastered several foreign dialects, he was allowed to appear as a comic foil to Andy's Gang's resident puppet Froggy the Gremlin. In nighttime television, Scotti played everything from a murderous bank robber (on Steve Canyon) to a misplaced Japanese sub commander (on Gilligan's Island). He was indispensable to TV sitcoms: Scotti starred during the 1954 season of Life with Luigi (replacing J. Carroll Naish), then appeared as gesticulating Latin types in a score of comedy programs, notably The Dick Van Dyke Show (as eccentric Italian housepainter Vito Giotto) and The Flying Nun (as ever-suspicious Puerto Rican police captain Gaspar Fomento). In theatrical films, Scotti's appearances were brief but memorable. he is always greeted with appreciative audience laughter for his tiny bit as a restauranteur in The Godfather (1972); while in How Sweet it Is (1968) he is hilarious as a moonstruck chef, so overcome by the sight of bikini-clad Debbie Reynolds that he begins kissing her navel! Vito Scotti was still essaying dialect parts into the '90s.

Trivia: Tall, straight-laced American actor Robert Culp parlayed his appearance and demeanor into a series of clean-cut character roles, often (though not always) with a humorous, mildly sarcastic edge. He was perhaps best known for three accomplishments: his turn as a Southern California documentary filmmaker who decides, along with his wife (Natalie Wood) to suddenly go counterculture with an "open marriage" in Paul Mazursky's Bob & Carol & Ted & Alice (1969); his iconic three-season role as an undercover agent in the espionage-themed series I Spy (1965-8); and his three-season run as Bill Maxwell on Stephen Cannell's superhero spoof series The Greatest American Hero (1981-3). Born in Oakland, California in 1930, Culp attended several West Coast colleges while training for a dramatic career. At 21, he made his Broadway debut in He Who Gets Slapped. Within six years, he was starring in his own Friday night CBS Western, Trackdown (1957-9) as Hoby Gilman, an 1870s era Texas Ranger. During the two-year run of this program, Culp began writing scripts, a habit he'd carry over to other series, notably The Rifleman and Gunsmoke. These all represented fine and noble accomplishments for a young actor, but as indicated, I Spy delivered a far greater impact to the young actor's career: it made Culp (along with his co-star, Bill Cosby) a bona fide celebrity. The men co-starred in the NBC adventure yarn as, respectively, Kelly Robinson and Alexander Scott, undercover agents involved in globetrotting missions for the U.S. government. Both actors brought to the program a sharp yet subtle sense of humor that (coupled with its exotic locations) made it one of the major discoveries of the 1965-6 prime-time line-up. During the second of I Spy's three seasons, Culp made his directorial debut by helming episodes of Spy; he went on to direct installments of several other TV programs. The success of Bob & Carol at the tail end of the 1960s proved that Culp could hold his own as a movie star, and he later directed and co-starred in 1972 theatrical feature Hickey and Boggs, which reunited him with Cosby, albeit to much lesser acclaim. Unfortunately, as the years rolled on, Culp proved susceptible to the lure of parts in B-pictures, such as Sky Riders (1976), Flood! (1976) and Hot Rod (1979), though he delivered a fine portrayal in television's critically-acclaimed Roots: The Next Generations (1979). Culp rebounded further with the semicomic role of CIA chief Maxwell on American Hero, but many now-infamous behind-the-scenes issues (and external issues, such as the shooting of Ronald Reagan) beleaguered that program and ended its run after only three seasons. In the years that followed, Culp vacillated between exploitation roles, in tripe such as Big Bad Mama 2 and Silent Night, Deadly Night 3, and more respectable, mainstream guest turns in television series including The Cosby Show and Murder, She Wrote. He enjoyed one of his most prestigious assignments with a supporting role in the big screen John Grisham-Alan Pakula thriller The Parallax View (1993), opposite Denzel Washington and Julia Roberts. In the years that followed, Culp's on-camera presence grew less and less frequent, though he did make a cameo in the 1996 Leslie Nielsen laugher Spy Hard. Television continued to provide some of Culp's finest work: he rejoined old friend Cosby for a 1994 I Spy TV-movie reunion and made guest appearances in such series as Lonesome Dove, Law & Order and The Dead Zone. Following a period of semi-retirement, Culp died suddenly and rather arbitrarily, when he sustained a head injury during a fall outside of his Hollywood home in March 2010. He was 79 years old.

Trivia: Avery was a versatile American character actor onscreen from 1956, beginning with The Harder They Fall.

Trivia: A native of New Rochelle, NY, character actor Steven Gilborn built his reputation on the basis of an extensive number of series appearances, on programs including The Wonder Years, The West Wing, Law & Order, The Practice, and particularly Ellen, as Ellen DeGeneres' sweet-natured though slightly mixed-up father. He typically specialized in portrayals of slightly distinguished everyman types, often with a professional angle. Prior to acting, Gilborn received his bachelor's in English from Swarthmore and his Ph.D. in literature from Stanford, then in 1970 decided to enter the dramatic sphere and never turned back. Alongside his series work, he made feature appearances in projects including the 1995 Brady Bunch Movie and the 2000 Nurse Betty (as a physician on a soap opera). He grew even more prolific on-stage, in regional productions including The Tempest, Much Ado About Nothing, and Awake and Sing.

Trivia: Handsome, blond, and suave entertainer Jack Cassidy was the star of many Broadway musicals during the '50s and '60s. He also played supporting roles in films and on television. He first appeared as a dancer on the Great White Way at age 15 in Something for the Boys. In television, he guest starred on many shows and was a co-star on the short-lived sitcom He & She in 1967. In film he is best remembered for his portrayal of John Barrymore in W.C. Fields and Me (1976). Sadly, it was his final film role -- that year he was burned to death when his Los Angeles apartment caught fire. He had apparently fallen asleep while smoking a cigarette in bed. At the time, he was married to actress Shirley Jones. Cassidy is the father (by first marriage to actress Evelyn Ward) of singer/actor David Cassidy -- who became a teen idol appearing on the sitcom The Partridge Family in the '70s and went on to have a successful stage career -- actor/singer Shaun Cassidy and, by his second wife, Jones, actor Patrick Cassidy.

Trivia: Character actor Alan Fudge essayed an exhausting variety of roles while a member of New York's APA repertory troupe in the late 1960s. In films, Fudge has largely been limited to playing rule-bound corporate types, lawyers, doctors and urban detectives. He was prominently billed in The Natural (1984) as Ed Hobbs, father of baseball whiz Roy Hobbs (Robert Redford), but his appearance was confined to a non-speaking precredits bit, lensed in long-shot. He was far more visible in his many TV guest appearances on such series as MASH and Knight Rider, and in such made-for-TV movies as The Blue Knight (1973), Children of An Lac (1980), I Know My First Name is Steven (1989) and MANTIS (1994). Alan Fudge's weekly-series stints include the roles of C W Crawford in Man From Atlantis (1977), Det. Commissioner Kimbrough on Escheid (1979), Dr. Van Adams in Paper Dolls (1984) and Chief Frank Leland in Bodies of Evidence (1992).

Trivia: From his screen debut in 1965 onward, Robert Donner has revelled in spooky, oddball roles of the street evangelist/undertaker/obsessive lawman variety. Most often spotted in Westerns, he has appeared in El Dorado (1967), The Undefeated (1969), Chisum (1970), High Plains Drifter (1973), The Man Who Loved Cat Dancing (1973), and The Last Hard Men (1975). On TV, he was regularly featured as Yancy Tucker on The Waltons (1972-1979) and Mayor Chamberlain Brown in Legend (1995). Donner's crowning series-TV achievement was as the zoned-out Exidor, leader of an invisible cult called the Friends of Venus, on the popular sitcom Mork & Mindy (1978-1982). Robert Donner is married to producer/writer Jill Sherman.

Trivia: In films since 1952, character actor Timothy Carey gained a cult following for his uncompromising portrayals of sadistic criminals, drooling lechers, and psycho killers. His definitive screen moment occurred in Stanley Kubrick's The Killing (1955), in which, as two-bit hoodlum Nikki Arane, he gleefully shot down a race horse. Kubrick used Carey again in Paths of Glory (1957), this time in the sympathetic role of condemned prisoner Private Ferol. Equally impressed by Carey's work was director John Cassavetes, who gave the actor a leading role in Killing of a Chinese Bookie (1976). In 1963, Carey spoofed his unsavory screen image in Beach Blanket Bingo, playing leather-jacketed cyclist South Dakota Slim, who expresses his affection for leading lady Linda Evans by strapping her to a buzzsaw. He went on to menace the Monkees in Head (1968), bellowing out incomprehensible imprecations as Davy, Mike, Micky, and Peter cowered in confused terror. One of his juiciest film roles was as a rock-singing evangelist in The World's Greatest Sinner (1962), which he also produced, directed, and wrote. In his later years, Timothy Carey occasionally occupied his time as an acting teacher.

Trivia: To younger generations, the slightly diminutive and balding American character actor Richard Stahl was probably best known as Howard Miller, the deadpan, stone-faced chef (and indifferent receptor of Marian Mercer's affections) on the long-running syndicated sitcom It's a Living. Stahl inherited the position from fellow supporting player Bert Remsen, and sustained it for four seasons, until the program wrapped in September 1989. But Stahl's visage graced a much broader spectrum of films and television shows than his behind-the-counter presence at the Above the Top restaurant -- and if viewers have trouble making a list, this is only a reflection on Stahl's ability to blend in successfully with fellow cast members and settings. Such is the essence of a gifted character player. Stahl made his first bow in 1966, as Steve Parsons on the "Dear Sally Rogers" episode of The Dick Van Dyke Show (its final season). He subsequently became a mainstay on the television airwaves, and his resumé reads like a laundry list of '70s and '80s hit prime time series, including but not limited to: That Girl, The Partridge Family, Love American Style, Bonanza, Columbo, All in the Family, Good Times, The Odd Couple, Maude, Happy Days, The Facts of Life, Murder, She Wrote, Hill Street Blues, and a handful of particularly memorable turns on Newhart. He reinforced his small-screen presence (and audience familiarity) with feature film appearances in such motion pictures as Five Easy Pieces (1970), High Anxiety (1977), The Flamingo Kid (1984), The American President (1995), and The Ghosts of Mississippi (1996). Stahl landed his last role with a bit part in Garry Marshall's 1999 flop, The Other Sister. He spent his final seven years in retirement, battling Parkinson's Disease, and eventually succumbed to the illness on June 18, 2006. Stahl was seventy-four.

Trivia: American actor Bill Zuckert's long career included appearances on stage, screen, radio, and television. He made his acting debut on radio in 1941. During the 1970s, he made frequent television appearances on programs ranging from Dynasty to The Mary Tyler Moore Show to Little House on the Prairie. Zuckert made his last appearance in two films of 1994, Ace Ventura, Pet Detective and Naked Gun 33 1/3: The Final Insult. Zuckert was an active member of the Screen Actors Guild and the American Federation of Television and Radio Artists. For the latter, he played a key role in developing a new member program. Zuckert also launched the practice of holding casting showcases for members of both guilds. Zuckert died of pneumonia in Woodland Hills, CA, at age 76.

Trivia: An American-born actor reared in Ireland and England, McGoohan made a memorable impression on the American and English viewing audiences by playing essentially the same role in three different television series. He began his performing career as a teen-ager, eventually played Henry V for the Old Vic company in London, and made mostly unremarkable films in the '50s. His movies include the delightful Disney film The Three Lives of Thomasina (1964). Success came in 1961, when McGoohan played government agent John Drake in Danger Man, a role he continued on Secret Agent (1965-66). He created, produced and often wrote episodes of the nightmarish, surrealistic cult series The Prisoner (1968-69). This show featured a character assumed to be the same John Drake (although he was known as Number 6 and his real name was never mentioned), who had been kidnapped and taken to a strange community. McGoohan later starred in the TV series Rafferty (1977) and directed the film Catch My Soul (1974). He won an Emmy Award in 1975 for his guest appearance on Columbo with Peter Falk.

Trivia: Actor George Hamilton got his start in high school dramatics. Movie-star handsome, Hamilton played the lead in his very first film, Crime and Punishment USA (1959). While his acting talent was barely discernible in his earliest effort, Hamilton steadily improved in such MGM films as Home From the Hill (1960), Where the Boys Are (1960), Light in the Piazza (1961). He was at his best in a brace of biopics: in Warner Bros.' Act One (1963) he played aspiring playwright Moss Hart, while in Your Cheatin' Heart (1965), he registered well as self-destructive C&W singer Hank Williams. His much-publicized mid-1960s dating of President Johnson's daughter Lynda Bird was unfairly written off by some as mere opportunism, a calculated ploy to buoy up a flagging career. In fact, it did more harm than good to Hamilton: by 1969, movie roles had dried up, and he was compelled to accept his first TV-series role, playing jet-setter Duncan Carlyle in The Survivors. The following year, he starred as State Department functionary Jack Brennan in the weekly TV espionager Paris 7000. He staged a spectacular comeback as star and executive producer of Love at First Bite (1979), a screamingly funny "Dracula" take-off that won the actor a Golden Globe nomination. Even better was Zorro the Gay Blade (1980), which unfortunately failed to match the excellent box-office performance of First Bite but which still provided a much-needed shot in the arm to Hamilton's career. He went on to play such campish roles as villainous movie producer Joel Abrigor in TV's Dynasty (1985-86 season only) and jaded 007-type Ian Stone in the weekly Spies (1987). Throughout the thick and thin of his acting career, Hamilton remained highly visible on the international social scene, squiring such high-profile lovelies as Elizabeth Taylor and Imelda Marcos. He also remained financially solvent with his line of skin products and tanning salons. In 1995, George Hamilton hopped on the talk-show bandwagon, co-starring with his former wife Alana (who'd remarried rocker Rod Stewart) on a not-bad syndicated daily TV chatfest.

Trivia: Publicity notwithstanding, Lesley Ann Warren did not exactly burst fully grown into the world in 1966 to star in the Rodgers and Hammerstein TV special Cinderella. Trained at New York's Professional Children's School, Lesley Ann studied under Lee Strasberg before making her Broadway debut in 110 in the Shade, the 1964 musical version of The Rainmaker. On the strength of Cinderella, Lesley Ann was signed to a Disney contract; but after starring in The Happiest Millionaire (1966) and The One and Only Genuine Original Family Band, she rebelled against her studio-imposed sweetness-'n'-light image. Upon replacing Barbara Bain in the long-running espionage TVer Mission: Impossible in 1970, Warren publicly emphasized that her character, Dana Lambert, was a "now" person, wise in the ways of sex. She stayed with Mission for only a year, after which she established herself as a leading light in the made-for-TV movie field, frequently cast as an older woman involved romantically with a much-younger man. She earned an Academy Award nomination for her hilarious performance as bleach-blond gangster's moll Norma in Victor/Victoria (1981), then starred in a couple of intriguing Alan Rudolph-directed dramas, Choose Me (1984) and The Songwriter (1986). Her more recent roles include Molly, the homeless woman in Mel Brooks' Life Stinks(1991), who goes into a "death throes" act whenever she feels like it, and the barracuda booking agent for c-and-w star George Strait in Pure Country (1994). For nearly a decade, Lesley Ann Warren was the wife of producer/hairstylist Jon Peters.

Trivia: Most of actor Stephen Elliot's film credits were piled up after he reached the age of fifty. The best of these include Hospital (1971), Death Wish (1974), The Hindenburg (1978) and Taking Care of Business (1988). Elliot was cast as Jill Eikenberry's bullying millionaire father in Arthur (1981), in which he pummeled prospective son-in-law Dudley Moore to a pulp when Moore balked at the altar; he repeated this ham-fisted characterization in Arthur 2, On the Rocks (1985). Stephen Elliot's acting contributions to television include patriarch Benjamin Lassiter on Beacon Hill (1975), Jane Wyman's ex-husband (not Ronald Reagan) on Falcon Crest (1981-82), and several years in the role of Paul Ailey on the daytime drama Love of Life.

Trivia: American actor Anthony James has been playing unlovable, unsavory film roles since the late 1960s. James' lean-and-hungry appearance has usually led him to be cast as characters named Skinny (1975's Hearts of the West) or Slim (1992's The Unforgiven). His larger film assignments include Blue Thunder (1982, as Grundeltus) and Naked Gun 2 1/2: The Smell of Fear (1991, as Hector Savage). Anthony James should not be confused with the "Anthony James" who appeared in the 1949 British film Last Days of Dolwyn.