Trivia: Best remembered for his high-profile acting roles on two 1970s television sitcoms -- that of genial news writer Murray Slaughter on CBS's The Mary Tyler Moore Show (1970-1977) and that of sweet-natured Captain Merrill Stubing on ABC's The Love Boat (1977-1986), stage-trained actor Gavin MacLeod in fact began his career typecast as a villain. He landed parts in Hollywood features including The Sand Pebbles (1966), Deathwatch (1966), and The Comic (1969), and enjoyed a tenure as Joseph "Happy" Haines on the sitcom McHale's Navy from 1962 through 1964. After The Love Boat permanently laid anchor in the mid-'80s, MacLeod signed on as a spokesperson and pitchman for Princess Cruises and returned to regional theatrical work. He also tackled guest spots on programs including Touched by an Angel and (in a move that surprised everyone) the HBO prison drama Oz. Off-camera, MacLeod is an outspoken born-again Christian. He hosted a popular talk show on the Trinity Broadcasting Network, along with his wife, Patti (whom he divorced in 1982 and remarried three years later), called Back on Course, and personally funded many of the Greatest Adventure Stories from the Bible animated videos for children.

Trivia: Universally recognized as Ship's Doctor Adam Bricker on the blockbuster prime-time sitcom The Love Boat (1977-1986) -- a part he held for the entire nine-season run of the series -- actor Bernie Kopell entered the doors of show business via a most unlikely route. Born in Brooklyn, Kopell attended Erasmus High and then New York University (with a dramatic art major). After a stint at sea aboard the naval vessel USS Iowa, Kopell signed on to drive a taxicab in Southern California -- and achieved his big break on the day that Oregon Trail (1959) film producer Dick Einfeld hitched a ride in the back of his cab. In a span of minutes, Kopell reportedly managed to convince Einfeld that he was not really a cab driver but an actor in serious need of work. The effort paid off, and Kopell snagged his first part -- a two-line part in Oregon as an aide to president James K. Polk. In the early '60s, Kopell joined the Actors' Ring Theatre in Los Angeles, where he developed a knack for characterizations and voices; this led, in turn, to character-type roles on a myriad of television programs including The Dick Van Dyke Show, The Steve Allen Show, and My Favorite Martian (which often, though not always, cast the wiry Kopell as a Hispanic). By the early '70s, Kopell had landed steady assignments on Get Smart, Bewitched, That Girl, and other series. The Love Boat, however, embodied his breakthrough. He followed it up with an emcee assignment on The Travel Channel (hosting its Railway Adventures Across Europe) and a surge in theatrical work, with portrayals in regional productions of such plays as Rumors, A History of Shadows, and Death of a Salesman.

Trivia: Actor Fred Grandy enjoyed two distinct careers -- an initial career as an actor and a proverbial second wind on the political stage. As a thespian, Grandy signed for guest spots on early-'70s series including Maude and Phyllis, but built his reputation via his nine-season portrayal of Yeoman-Purser Burl "Gopher" Smith, right-hand man to Captain Merrill Stubing (Gavin MacLeod), on the popular television sitcom The Love Boat (1977-1986). He proved popular with audiences, but by the mid-'80s reportedly grew tired of acting and gravitated to the political arena because he found it more challenging. Indeed, in 1986 -- the year of Boat's cancelation -- Grandy was elected as a Republican member of the House of Representatives from Iowa.

Trivia: For millions of Americans, the prime-time situation comedy The Love Boat will be forever inseparable from the image of Ted Lange, an actor cast for nine seasons as the genial Isaac the Bartender on the Pacific Princess luxury liner and trademarked by his iconic "two-finger drop" greeting. Yet Lange's portrayal of Isaac scarcely hinted at the actor's dexterity or dramatic range. In truth, this actor received classical dramatic training at London's Royal Academy of Dramatic Arts, and would go on, after the Princess took its final voyage in September 1986, to establish himself as a revered creative force in regional theater.Lange initially broke into films with many portrayals in Hollywood programmers during the early '70s, including Trick Baby (1972), Blade (1972), and Black Belt Jones (1974), and landed a regular role in the one-season ethnic sitcom That's My Mama (1974), as a streetwise philosopher opposite Clifton Davis (Amen) and Theresa Merritt. The Love Boat, of course, brought Lange his most widespread recognition; nonetheless (as indicated), he hearkened back to his theatrical roots beginning in the late '80s and divided his time between writing, directing, and stage acting roles. His resumé as a scribe sports at least 17 original plays including Lemon Meringue Facade, Behind the Mask -- An Evening with Paul Laurence Dunbar, and Evil Legacy -- The Story of Lucretia Borgia, while he has appeared dramatically in productions including Hair and Taming of the Shrew and has directed plays ranging from Othello to the rock & roll musical Born a Unicorn.

Trivia: Pennsylvania-born actress Lauren Tewes achieved broadest recognition for her stint as Cruise Director Julie McCoy on the long-running ABC situation comedy The Love Boat. Unfortunately, Tewes (unlike many of her fellow cast members) left the program prior to the final voyage of the Pacific Princess -- reportedly spiraling into a much-publicized bout of severe cocaine addiction from which she eventually fully recovered, but which cost her the role on the series. Tewes nevertheless demonstrated admirable resilience by returning for at least two Love Boat telemovies and remained active in television and film. Subsequent projects included guest appearances on the small-screen series dramas Hunter and Murder, She Wrote, and roles in features such as The Doom Generation (1995) and It Came From Outer Space 2 (1996).

Trivia: The daughter of a lounge singer, Lisa Hartman grew up watching in fascination as audiences responded to her dad's nightclub act. Despite a peripatetic childhood, Hartman was determined to pursue a showbiz career as soon as she was old enough. She fronted a Houston rock band at 16, and headed to LA three years later, where she recorded her first album. It went directly to the one-dollar bin, but Hartman was only slightly fazed by this early failure; if the musical world didn't want her just yet, there were always modelling jobs and TV commercials. Her first TV series was 1977's Tabitha, a foredoomed attempt to bring the Bewitched baby into the adult world of giggles and jiggles. After several ups and down, Hartman was cast as saloon songstress Ciji on the nighttime serial Knot's Landing (1982). Ciji was eventually killed off, but Hartman was back on the series within months as a Ciji look-alike, waitress Cathy Geary. Though this series would firmly establish Hartman as one of TV's best "bad girls," she was able to take a few sabbaticals from villainy, notably as host of the syndicated magazine series Cover Story. Lisa Hartman has remained in the public eye into the 1990s, chiefly as the wife (and frequent singing partner) of country-western star Clint Black.

Trivia: Welsh actor Ray Milland spent the 1930s and early 1940s playing light romantic leads in such films as Next Time We Love (1936); Three Smart Girls (1936); Easy Living (1937), in which he is especially charming opposite Jean Arthur in an early Preston Sturges script; Everything Happens at Night (1939); The Doctor Takes a Wife (1940); and the major in Billy Wilder's The Major and the Minor opposite Ginger Rogers. Others worth watching are Reap the Wild Wind (1942); Forever and a Day (1943), and Lady in the Dark (1944). He made The Uninvited in 1944 and won an Oscar for his intense and realistic portrait of an alcoholic in The Lost Weekend (1945). Unfortunately, it was one of his last good films or performances. With the exception of Dial M for Murder (1954), X, The Man With X-Ray Eyes (1953), Love Story (1970), and Escape to Witch Mountain (1975), his later career was made up of mediocre parts in mostly bad films. One of the worst and most laughable was the horror film The Thing with Two Heads (1972), which paired him with football player Rosie Grier as the two-headed monster. Milland was also an uninspired director in A Man Alone (1955), Lisbon (1956), The Safecracker (1958), and Panic in Year Zero (1962).

Trivia: White-haired, patriarchal Canadian actor Lorne Greene attended Queen's University in pursuit of a chemical engineering degree. Amateur college theatricals whetted his appetite for the stage, and upon graduation he decided upon a performing career. He started out on radio, eventually emerging as Canada's top newscaster, designated "the voice of the CBC" (For a while, Greene managed a mail-order announcer's school; one of the "pupils" was Leslie Nielsen). Moving to New York in 1950, Greene became a stage, film and TV actor, co-starring on Broadway with Katherine Cornell in Prescott Proposals and in films with the likes of Paul Newman, Ginger Rogers and Joan Crawford, generally in villainous roles. In 1959, Greene was cast as Ben Cartwright, owner of the Ponderosa ranch and father of three headstrong sons, in TV's Bonanza. He would hold down this job until 1972; during the series' run, Greene unexpectedly became a top-ten recording artist with his hit single "Ringo." Upon the cancellation of Bonanza, Greene vowed he'd retire, but within one year he was playing a private detective on the brief TV weekly Griff. Five years later, he starred on the network sci-fier Battlestar Gallactica. Active as chairman of the National Wildlife Foundation, Greene put forth the organization's doctrine in his popular syndicated TV series Lorne Greene's Last of the Wild. His final weekly television appearance was on the 1980 adventure series Code Red. In 1987, Lorne Greene was all set to recreate Ben Cartwright for the 2-hour TV movie Bonanza: The Next Generation, but he died before shooting started and was replaced by John Ireland.

Trivia: Actor Mark Harmon is the son of football great Tom Harmon and 1940s film star Elyse Knox; he is the brother of Kris Harmon -- ex-wife of Ricky Nelson -- and uncle of Kris and Ricky's actress daughter Tracy Nelson; and finally, Harmon is the husband of Mork and Mindy star Pam Dawber. Harmon emulated his dad by playing football at UCLA, then followed in mom's footsteps by turning to acting; his first movie was 1978's Comes a Horseman. Most of Harmon's starring film appearances are easy to take but unmemorable, such as his lackadaisical high-school teacher in Summer School (1988). A baseball fan, Harmon was once part-owner of the minor-league San Bernardino Spirit, a team which figured prominently in his 1988 film vehicle Stealing Home. Harmon is best known for his work on 1980s series TV: he has co-starred in Flamingo Road and Moonlighting, and played the lead role of AIDs-stricken Dr. Bob Calswell on St. Elsewhere. TV would prove to be a source of success for the actor, and he would go on to star on such popular shows as Chicago Hope and NCIS.

Trivia: Lead actress, onscreen from the early '80s.

Trivia: Those who heard the voice of actor Tony Roberts on the 1970s dramatic series "The CBS Radio Mystery Theater" may not have been aware that by performing before a mike, he was maintaining a family tradition. Roberts was the son of announcer Ken Roberts and the cousin of actor Everett Sloane, both alumni of such golden age radio endeavors as "The Mercury Theatre of the Air" and "The Shadow." After studying acting at Northwestern University, the lanky, curly headed Roberts struck out for New York, working in commercials ("Boss, you've got bad breath! Bad breath!") before landing a regular stint on the TV soap opera The Edge of Night. His long-term friendship and professional relationship with comedian/writer/director Woody Allen began when Roberts was cast as Diane Keaton's husband in Allen's Broadway production Play It Again, Sam in 1969. Since that time, Roberts has appeared in such Allen efforts as Annie Hall (1977), Stardust Memories (1980), A Midsummer Night's Sex Comedy (1982), and Radio Days (1987). On prime time TV, Roberts co-starred in the 1977 adventure series Rossetti and Ryan. In 1995, Tony Roberts co-starred on Broadway with Julie Andrews, playing a flamboyant homosexual cabaret entertainer in the musical version of Andrews' 1981 movie vehicle Victor/Victoria.

Trivia: Ohioan Eleanor Parker chose a career in acting when she was still in her teens and began appearing in professional stage productions in Cleveland and at California's Pasadena Playhouse. Signed at Warner Bros. in 1941, the red-haired actress was given the slow buildup in such B's as The Mysterious Doctor before graduating to leads in prestige pictures like Pride of the Marines (1945). As the sluttish Mildred in the 1946 remake Of Human Bondage, Parker was not nearly as effective as Bette Davis in the 1934 version, but she learned from this comparative failure and matured into a versatile actress, equally adept at comedy and heavy dramatics. She was Oscar nominated for Caged (1950), in which she plays an utterly deglamorized prison inmate; Detective Story (1951), wherein, as Kirk Douglas' wife, she agonizingly harbors the secret of a past abortion; and Interrupted Melody (1955), in which she portrays polio-stricken opera diva Marjorie Lawrence. Though she tended toward down-to-earth portrayals, Eleanor could be flamboyantly sexy if required, like her performance as a tempestuous lover in Scaramouche. Still regally beautiful into the 1960s and 1970s, Eleanor Parker was always worth watching no matter if the role was thankless (the Countess in Sound of Music [1965]) or "Baby Jane"-style horrific (the terrorized, elderly cripple in Eye of the Cat [1969]). Parker spent the majority of her career in the 1970s and '80s in TV movies and the occasional guest appearance on television series like Hawaii Five-O and The Love Boat before retiring from acting in 1991. She died in 2013 at age 91.

Trivia: Landed earliest acting gigs on a few soap operas during the 1970s, including Gerry Brayley on CBS's daytime sudser Love of Life, Penny Davis on the NBC serial The Doctors and Karen Wolek on the ABC soap One Life to Live. Made her Broadway debut in 1978's acclaimed revival of Once in a Lifetime. Breakout role was as Stephanie Vanderkellen, a former rich girl-turned-maid, in the popular sitcom Newhart, which she joined in its sophomore season. Joined the cast of the Designing Women as Allison Sugarbaker, the cousin of Julia and Suzanne, in the sixth season. Played the wife of Peter Scolari in two shows; first on Newhart, then later on the Jason Alexander sitcom Listen Up!

Trivia: Audra Lindley made her film bow with a blink-and-you-miss-her bit in 1942's The Male Animal. An established Broadway actress by the 1950s, Lindley has appeared in such plays as Take Her She's Mine, Spofford and A Case of Libel. Her TV work has included regular stints on such soap operas as Search for Tomorrow, From These Roots and The Edge of Night; she spent several years as Liz Mathews on NBC's Another World. Equally busy in TV's nighttime hours, Lindley was a regular on the 1970s sitcoms Bridget Loves Bernie, Fay and Doc. Her most famous prime-time TV assignment was as long-suffering Helen Roper in Three's Company (1977-79) and its 1979 spin-off The Ropers. She also appeared as Elizabeth Montgomery's mother in a brace of "Edna Buchanan" TV movies, and as Phoebe's grandmother on a 1994 episode of Friends. She made her final film appearance in Peter Hyams's action thriller Sudden Death (1995). Lindley was for many years the wife of actor James Whitmore. She died at age 79 from complications of leukemia on Oct 16, 1997.

Trivia: An actor forever associated with his portrayal of Ralph Malph, the wisecracking redheaded pal of Richie Cunningham (Ron Howard) and The Fonz (Henry Winkler) on Happy Days, Don Most (also occasionally credited as Donny Most) grew up in Brooklyn, as the son of a homemaker and an accountant. He bowed on-camera at the age of 16 in an advertisement for Chex cereal, then -- midway through his enrollment at Lehigh University in Pennsylvania -- impulsively dropped out and high-tailed it to Hollywood, where he promptly landed the role of Malph. Most, who harbored serious acting ambitions, remained with the program from 1974 through 1980, four years before it folded; he would later recall that the part (popular though it was) typecast him for decades and made it virtually impossible for him to score weighty dramatic roles. Though the actor certainly tried, he succeeded mainly in supporting himself via residuals from Days and modest parts on-stage and in television. He then turned to directing in the late '90s, with occasional feature efforts such as The Last Best Sunday (1999) and Moola (2006).