Trivia: Whitmore attended Yale, where he joined the Yale Drama School Players and co-founded the Yale radio station. After serving in World War II with the Marines, he did some work in stock and then debuted on Broadway in 1947's Command Decision. He entered films in 1949, going on to play key supporting roles; occasionally, he also played leads. For his work in Battleground (1949), his second film, he received a Best Supporting Actor Oscar nomination. He starred in the early '60s TV series "The Law and Mr. Jones." He won much acclaim for his work in the one-man stage show Give 'Em Hell, Harry!, in which he played Harry Truman; he reprised the role in the 1975 screen version, for which he received a Best Actor Oscar nomination. After 1980 his screen appearances were infrequent. He is the father of actor James Whitmore Jr.

Trivia: American general purpose actor Tim O'Connor gained television fame for his portrayal of a character who was talked about but unseen for nearly half a television season. In 1965, O'Connor walked purposefully onto the set of Peyton Place, and into the role of Constance MacKenzie's long-lost husband Elliot Carson. His later TV-series assignments included Hub Hewitson in the 1979 miniseries Wheels and Dr. Huer during the first (1979-80) season of Buck Rogers in the 25th Century. In films since 1970, Tim O'Connor has played reserved white-collar types in such productions as Groundstar Conspiracy (1972), Across 110th Street (1972) and Naked Gun 2 1/2: The Smell of Fear (1991).

Trivia: Authoritative American character actor James Broderick is best known to filmgoers of the flower-power generation for his performance as Alice's husband in the 1969 film Alice's Restaurant. It was but one of many incisive film characterizations for Broderick, who was equally effective in such films as The Group (1966), The Taking of Pelham One Two Three (1973) and Dog Day Afternoon (1975). From 1976 through 1980, Broderick played lawyer/patriarch Doug Lawrence in the weekly TV drama Family; he had previously starred in the detective series Brenner, playing the rookie-cop son of Edward Binns (who wasn't that much older). James Broderick was the father of contemporary film star Matthew Broderick, who paid homage to his dad by prominently displaying the elder Broderick's photograph in the 1990 film The Freshman.

Trivia: Over his 14-year film career, actor Russ Bender appeared almost exclusively in low-budget horror films: The Amazing Colossal Man (1957), Invasion of the Saucer Men (1957), It Conquered the World (1957), Navy vs. the Night Monsters (1965), etc. One of his few "mainstream" assignments was the role of Edgar Llewellyn in 20th Century-Fox's Compulsion (1959). Russ Bender is also listed as screenwriter on such pinchpenny projects as Voodoo Woman.

Trivia: Making his movie bow in 1941, Paul Langton became a contract player at MGM, frequently appearing in war films. During the 1950s, Langton was seen in character parts like publicist Buddy Bliss in Big Knife (1955). He often showed up in horror films, notably The Snow Creature (1954), The Incredible Shrinking Man (1957; as the hero's brother), It! The Terror From Beyond Space (1958) and The Cosmic Man (1959). Paul Langton achieved TV stardom in the role of Leslie Harrington on the prime time serial Peyton Place (1964-68).

Trivia: Despite only a single film credit to her resumé, actress Mercedes Shirley enjoyed a long and fruitful career on television and in the legitimate theater. She appeared on Broadway with Grace Kelly and Raymond Massey in The Father, and with Paul Newman and Karl Malden in Desperate Hours, while she also performed extensively in stock and was an instructor at the Secret Rose Theater in Hollywood, the Stella Adler Academy in Los Angeles, and the American Academy of Dramatic Arts in New York. On television, she had a recurring role on The Cara Williams Show, and guested on Playhouse 90, Have Gun Will Travel, Bonanza, The Twilight Zone, The Mod Squad, and Trapper John, M.D. Her lone film credit was a supporting role in Defenseless. Shirley died in 1999 at the age of 71.

Trivia: Lew Gallo was a general-purpose actor in theater and television and, occasionally, feature films, who moved up to producing for television in the 1970s and '80s. Gallo was born in 1928 in Mt. Kisco, NY, and made his Broadway debut in 1955 with a role in George Axelrod's satirical comedy Will Success Spoil Rock Hunter?, which starred Orson Bean, Martin Gabel, Jayne Mansfield, and Walter Matthau. By 1957, Gallo had moved to Hollywood, where his early feature-film credits included roles in I Want to Live!, Pork Chop Hill, and Odds Against Tomorrow. During the early '60s, he also appeared in Soldier in the Rain and PT 109.Gallo was most active in television, however, starting in the late '50s, and he did his share of Westerns, including Gunsmoke and The Virginian. It was at Fox, however, that he seemed to keep busiest -- he had a recurring role on 12 O'Clock High as Major Joseph Cobb, and also appeared in episodes of Adventures in Paradise. Additionally, producer Irwin Allen apparently liked his work as well, and used him in episodes of Voyage to the Bottom of the Sea, Lost in Space, and The Time Tunnel. Gallo was equally good at portraying working stiffs and enlisted men, and high-ranking officers and educated, even devious, authority figures, and he was never "typed" in either movies or television. By the start of the 1970s, however, he had moved into production on the comedy anthology series Love, American Style.Although he continued to take acting roles into the 1990s, Gallo was much busier on the production side, on series such as Lucan and Mickey Spillane's Mike Hammer, and made-for-television features such as Mafia Princess. He died in June of 2000, one day before his 72nd birthday, while being treated for an aortic aneurysm.

Trivia: American actress Madge Kennedy was already an established Broadway star when she was brought to Hollywood by producer Sam Goldwyn in 1917. Seeking "respectability" (the theatre was considered more respectable than movies), Goldwyn used his formidable lineup of stage-trained leading ladies, including Madge Kennedy and Maxine Elliot, to advertise his entire years' manifest of films. Ms. Kennedy had done mostly comedy on stage, but in films alternated her humorous characterizations with deeply dramatic or tragic roles. She left Hollywood briefly in 1923 to star with W.C. Fields in the Broadway musical Poppy, and three years later retired from films permanently (or so she thought). Busy with several non-acting activities in the '30s and '40s, Madge was coaxed back before the cameras to play an understanding divorce judge in George Cukor's The Marrying Kind (1952). This inaugurated a second career in character parts, some billed (Lust for Life [1955]), some unbilled (North by Northwest [1959]). Kennedy also worked on television, notably in the recurring character of Aunt Martha on Leave It to Beaver. Madge dabbled in theatrical work in the '60s, supporting Ruth Gordon in the Broadway play A Very Rich Woman, and received positive critical attention for her small part as Mrs. Leyden in the 1969 film They Shoot Horses, Don't They? (contrary to popular belief, she was given screen credit for that part). Madge Kennedy's last film, twelve years before her death at 96, was Day of the Locust (1975), appropriately set in Hollywood's Golden Age.

Trivia: A successful screen actress in addition to her work as a prominent public relation executive, Shirley O'Hara Krims found fame on the silver screen with a series of films in the '30s and '40s before redefining her career in the '70s. Born in Rochester, MN, Krims was quickly signed to RKO after relocating to Hollywood at the tender age of 18. Her early appearances came in such films as Tarzan and the Amazons (1945) and the film that provided Frank Sinatra with his first feature role, Higher and Higher (1944). An avid supporter of American soldiers during World War II, Betty Davis presented Krims with a Support for America award for her work with the USO's Hollywood Canteen. After turning toward television in the '50s and '60s, Krims became the public relations director for Burbank Studios (later acquired by Warner Bros.). Krims was also a noted philanthropist, and through the Publicists Guild, the former actress supported such organizations as Operation Children. Married to Jimmy McHugh Jr. early in life, Krims would later wed Oscar-nominated screenwriter Milton Krims. In late December of 2002, Shirley O'Hara Krims died from complications of diabetes in Calabasas, CA. She was 78.