Trivia: The daughter of an Oxford chemistry professor, flowerlike British leading lady Heather Angel was trained at the London Polytechnic of Dramatic Arts. She made her professional debut at age 17, spending several years with the Old Vic. Her first film was the British City of Song (1931). In 1933, she was signed to a Hollywood contract by Fox Studios, appearing in a handful of quality productions like Berkeley Square, but soon becoming a mainstay of "B" pictures. Heather starred in five "Bulldog Drummond" programmers of the 1930s, playing Drummond's girl friend, the eternally left-at-the-altar Phyllis Clavering. Virtually always a brunette on screen, Heather donned a blonde wig to play Cora Munro in Last of the Mohicans (1936), while blonde co-star Binnie Barnes played the raven-haired Alice Munro. During the 1940s, Heather showed up in small parts in several "A" productions; she was the prologue girl in Kitty Foyle (1940), a maid in Suspicion (1941), and the near-comatose woman with the dead baby in Lifeboat (1944) (the latter two films were directed by Alfred Hitchcock). She provided voices for two Disney feature-length cartoons, 1951's Alice in Wonderland (as Alice's sister) and 1953's Peter Pan (as Mrs. Darling). On television, Ms. Angel appeared regularly on the TV series Peyton Place and Family Affair. Heather Angel was married, three times, to actors Ralph Forbes and Henry Wilcoxon, and to director Robert B. Sinclair.

Trivia: Born in Cincinnati, singing actor John King briefly attended that city's university before embarking upon a series of manual-labor jobs. By the time he was in his early twenties, King was working as a radio announcer and vocalist at Cincinnati stations WCKY and WKRC. He was hired as a singer for Ben Bernie's orchestra, and in that capacity made his film debut in a musical two-reeler. Signed to a Universal studio contract in 1935, he played the title character in the popular serial Ace Drummond (1936), and essayed utility roles in features. King switched to Monogram Pictures in 1940, where he became a western star, adopting the nom de film of John "Dusty" King. In 1942 he replaced Bob Livingston in Monogram's Range Busters series, serving as the studio's resident singing cowboy. Retiring from films in 1946, John "Dusty" King spent his retirement managing a California waffle shop.

Trivia: Distinguished British actress Constance Collier began her career as a chorus dancer at the turn of the century. She established herself not only as a leading actress, but as a playwright, producer, director and acting coach. Her film career began with D.W. Griffith's Intolerance (1916); for the next four decades, she would occasionally visit Hollywood's shooting stages, though the theater remained her first choice. Of her talkie appearances, Ms. Collier is perhaps best remembered as the "den mother" of the all-female theatrical boarding house in 1937's Stage Door. All told, Constance Collier devoted over sixty years of her life to the theater and film arts.

Trivia: Walter Catlett began his acting career in stock companies in his hometown of San Francisco. After attending St. Ignacious College, he reached New York in 1911 in the musical The Prince of Pilsen. Catlett's dithering comic gestures and air of perpetual confusion won him a legion of fans and admirers when he starred in several editions of The Ziegfeld Follies, and in the Ziegfeld-produced musical comedy Sally, in which he appeared for three years. Catlett made a handful of silent film appearances, but didn't catch on until the advent of talking pictures allowed moviegoers to see and hear his full comic repertoire. Usually sporting horn-rimmed spectacles or a slightly askew pince-nez, Catlett played dozens of bumbling petty crooks, pompous politicians and sleep-benumbed justices of the peace. Hired for a few days' work in Howard Hawks' Bringing Up Baby (1938), Catlett proved so hilarious in his portrayal of an easily befuddled small-town sheriff that his role was expanded, and he was retained off-screen to offer advice about comic timing to the film's star, Katharine Hepburn. In addition to his supporting appearances, Catlett starred in several 2-reel comedies, and was co-starred with his lifelong friend Raymond Walburn in the low-budget "Henry" series at Monogram. Busy until a few short years before his death, Walter Catlett appeared in such 1950s features as Davy Crockett and the River Pirates (1956), Friendly Persuasion (1956) and Beau James (1957) (as New York governor Al Smith).

Trivia: The screen's premiere "Old Codger," American actor Clem Bevans didn't make his movie debut until he was 55 years old. His acting career was launched in 1900 with a vaudeville boy-girl act costarring Grace Emmett. Bevans moved on to burlesque, stock shows, Broadway and light opera. In 1935, Bevans first stepped before the movie cameras as Doc Wiggins in Way Down East. It was the first of many toothless, stubble-chinned geezers that Bevans would portray for the next 27 years. On occasion, producers and directors would use Bevans' established screen persona to throw the audience off the track. In Happy Go Lucky (1942), he unexpectedly shows up as a voyeuristic millionaire with a fondness for female knees; in Hitchcock's Saboteur (1942), he is a likeable old desert rat who turns out to be a Nazi spy! Clem Bevans continued playing farmers, hillbillies, and "town's oldest citizen" roles into the early 1960s. The octogenarian actor could be seen in a 1962 episode of Twilight Zone ("Hocus Pocus and Frisby") looking and sounding just the same as he had way back in 1935.

Trivia: Matronly British-born actress Emma Dunn was typed as mothers, grandmothers and housekeepers even during her earliest years in the theater. She was 41 when she played her first starring role on stage in 1916's Old Lady 31. She made her first film in 1919, and her last in 1948, changing very little physically during those three decades. Emma Dunn's best-remembered film assignments included the housekeeper of "pixillated" Gary Cooper in Mr. Deeds Goes to Town (1936) and the mother of Lew Ayres in several installments of MGM's Dr. Kildare series.

Trivia: Born Henry Kleinbach, the name under which he appeared until 1936, Brandon was a tall man with black curly hair; he occasionally played the handsome lead but was more often typecast to play villains. As the latter, he appeared as white, Indian, German, and Asian men. Brandon's film career began with Babes in Toyland (1934) and went on to span fifty years. He played villains whom the audiences loved to hate in serials in the '30s and '40s, such as the Cobra in Jungle Jim, the mastermind criminal Blackstone in Secret Agent X-9, Captain Lasca in Buck Rogers Conquers the Universe (1939), and a sinister Oriental in Drums of Fu Manchu. Brandon played Indian chiefs no fewer than 26 times, notably in two John Ford westerns. He had occasional leading roles on New York stage, such as in a 1949 revival of Medea in which he played a virile Jason opposite Judith Anderson.

Trivia: Blunt, burly American actor William B. Davidson was equally at home playing gangster bosses, business executives, butlers and military officials. In films since 1914, Davidson seemed to be in every other Warner Bros. picture made between 1930 and 1935, often as a Goliath authority figure against such pint-sized Davids as James Cagney and Edward G. Robinson. In the early '40s, Davidson was a fixture of Universal's Abbott and Costello comedies, appearing in In the Navy (1941), Keep 'Em Flying (1941) and In Society (1944). In Abbott & Costello's Hold That Ghost (1941), Davidson shows up as Moose Matson, the dying gangster who sets the whole plot in motion. An avid golfer, William B. Davidson frequently appeared in the all-star instructional shorts of the '30s starring legendary golf pro Bobby Jones.

Trivia: Most of character actress Fern Emmett's early appearances were in westerns, where she played scores of maiden aunts, hillbilly wives, town spinsters, ranch owners and stagecoach passengers. When she moved into contemporary films, she was most often seen as a landlady or gossip. She enjoyed a rare breakaway from this established screen persona when she played a screaming murder victim in the 1943 Universal thriller Captive Wild Women. Seldom given more than a few lines in "A" features, Emmett was better-served in programmers and 2-reel comedies. Emmett so closely resembled "Wicked Witch of the West" Margaret Hamilton that some historians have lumped their credits together, even though Emmett began her film career in 1930, three years before Hamilton ever stepped before a camera. Fern Emmett was the wife of actor Henry Rocquemore.

Trivia: Gaunt, hollow-eyed character actor Wilbur Mack spent his first thirty years in show business as a vaudeville headliner. With his first wife Constance Purdy he formed the team of Mack and Purdy, and with second wife Nella Walker he trod the boards as Mack and Walker. In films from 1925 to 1964, he essayed innumerable bits and extra roles, usually playing doormen or cops. Mack also appeared in a number of "Bowery Boys" comedies.

Trivia: Bald-domed, prominently chinned American character actor Joe Devlin was seen in bits in major films, and as a less-costly Jack Oakie type in minor pictures. Devlin usually played two-bit crooks and sarcastic tradesmen in his 1940s appearances. The actor's uncanny resemblance to Benito Mussolini resulted in numerous "shock of recognition" cameos during the war years, as well as full-fledged Mussolini imitations in two Hal Roach "streamliners," The Devil With Hitler (1942) and That Nazty Nuisance (1943). In 1950, Joe Devlin was cast as Sam Catchem in a TV series based on Chester Gould's comic-strip cop Dick Tracy.

Trivia: The son of famed movie villain Fred Kohler and actress Maxine Marshall, American actor Fred Kohler Jr.'s own film career began in 1930. Big and brawny, the younger Kohler was a natural for outdoor films, westerns in particular. In 1935, producer William Berke starred Kohler in a brace of "B" horse operas, Toll of the Desert and The Pecos Kid. But like his father before him, Fred seemed more at home on the wrong side of the law. He played minor heavies and utility roles at several studios, mainly Paramount and RKO. He frequently showed up in the films of directors Cecil B. DeMille and John Ford; in Ford's Young Mr. Lincoln, he played small-town lout Scrub White, whose murder sets in motion the film's classic courtroom finale. He remained active until 1968, nearly always in westerns. On two occasions, Kohler and his father appeared in the same film: the more memorable of the two was RKO's Lawless Valley, in which they played father-and-son outlaws. In a priceless scene, Fred Kohler Jr. responds to one of his father's wicked schemes by shouting "Aw, that's crazy!," whereupon Fred Sr. growls "Careful, son, you're talkin' to your dad, ya know!"