Trivia: With long, shapely legs, a svelte, curvaceous body to die for, and thick black hair cascading around her lovely face, Fran Drescher has all the looks of a sophisticated movie star. And then she opens her mouth. Out comes a crow-like cacophony of nasal sounds made more grating by a thick Queens accent and a tendency to pull no punches. The paradox between the book and its cover is what has made Drescher a rich and popular comedienne; her long-running sitcom The Nanny, with its combination of romantic and slapstick comedy, led many to hail her as Lucille Ball's successor. Though she capitalizes on playing a rather ditzy working-class gal from Flushing, Drescher is known for her creativity and shrewdness. In addition to acting, she is a talented writer and producer.Much of Drescher's comedy, especially that from her sitcom, is drawn from her life experiences. Like her character, Fran Fine, she was born and raised in Queens. She has had a lifelong interest in acting and studied drama in high school. She attended a year at Queens College and then attended cosmetology school to become a hairdresser. For a time, she had her own business. She made her film debut playing Connie in Saturday Night Fever (1977). Her next film, American Hot Wax (1978), provided Drescher with her first major role and though she would continue on to play supporting parts in numerous other films, it was not until she played a small but memorable part in Rob Reiner's hilarious mockumentary This Is Spinal Tap (1984) that she began making a name for herself. In addition to her film roles, she was also busy on television, guest starring in series and appearing in television films like Terror in the Towers. She played starring roles in three short-lived series, including Princesses. She and her husband Peter Marc Jacobson created The Nanny and it aired on CBS from 1993 to 1999. She not only starred in the show, but also wrote and produced it; Drescher received Emmy nominations for her work on the show. In 1996, she co-starred with Robin Williams in the Disney comedy Jack, while in 1997, she and Jacobson co-created the idea for the romantic comedy The Beautician and the Beast, in which she also starred. Drescher published her autobiography, Enter Whining, in 1996.Drescher once again drew from her life experiences in the 2002 memoir Cancer Schmancer, which chronicled the actress's battle with uterine cancer, and formed the Cancer Schmancer Movement in 2007. The nonprofit is dedicated to educating women about cancer prevention and the importance of early detection (Drescher's cancer was initially misdiagnosed). In 2011, Drescher appeared on Oprah Winfrey to discuss her relationship with her then ex-husband Peter Mark Jacobson after he came out as gay after the end of their 21-year marriage. The television series Happily Divorced (2011-2013) is based on her experience with Jacobson.

Trivia: It was only a matter of time before burgeoning teen star Nicholle Tom joined the family business. Her older sister, Heather Tom, won a Daytime Emmy for her portrayal of Victoria Newman on the soap The Young and the Restless and her twin brother, David Tom, has had roles in Pleasantville and Swing Kids.Tom grew up in Seattle and Los Angeles, but was born in Hinsdale, IL, on March 23, 1978. She and her brother did print ads and commercials in Chicago before the family headed out west. Soon after they moved to L.A., Tom began winning high-profile parts in films (Beethoven) and television shows (Beverly Hills 90210, The Nanny). She basically grew up on The Nanny and has embarked on a somewhat successful film and TV-movie career since the show ended in 1999. She starred with Olympic champ Tara Lipinski in the made-for-TV movie Ice Angel and has turned in supporting roles in Panic and The Princess Diaries.

Trivia: Habitues of the late-night Jack Paar Program first became aware of the offbeat comic talents of Renee Taylor during her semi-regular appearances in the years 1959 through 1962. In films, Taylor has usually been seen in such small but distinctive roles as whispering dress extra in Jerry Lewis' The Errand Boy and Eva Braun (yes, Eva Braun) in Mel Brooks' The Producers. In 1965, she married actor/writer Joseph Bologna, becoming his partner both professionally and in life. In 1969, Taylor and Bologna wrote and starred in the Broadway comedy Lovers and Other Strangers; the play was transferred to the screen in 1970, minus the authors' on-screen presence but with all their comic insights and witticisms intact. Taylor and Bologna went on to create the 1973 TV series Calucci's Department, co-direct such films as 1989's It Had to Be You, and co-star in such projects as the 1976 TV-movie remake of Woman of the Year. In 1972, they shared an Emmy Award for their scriptwork on the 1972 television special Acts of Love-And Other Comedies. On her own, Renee Taylor has been a TV-series regular on 1977's Mary Hartman, Mary Hartman (as Annabelle) and 1993's Daddy Dearest (as Helen Mitchell, the mother of Richard Lewis and estranged wife of Don Rickles).

Trivia: Fans of 1990s prime-time sitcoms will invariably remember actress Madeline Zima as the sugar-sweet, angelic Grace, six-year-old daughter of British theatrical producer Maxwell Sheffield (Charles Shaughnessy), on the Fran Drescher series comedy The Nanny. In fact, when Zima landed that part, she had already tackled child roles in features as diverse as The Hand that Rocks the Cradle (1992) and Mr. Nanny (1993). The Drescher series, of course, represented Zima's breakthrough, and by the late '90s, the young actress (who remained with the sitcom cast for all six seasons, until it wrapped in 1999) had blossomed into a starkly beautiful teenager. She branched out into more adult-oriented material with an uncanny portrayal of the young Lucille Ball in the telemovie Lucy (2003), then returned to series programs with a regular role on the quirky David Duchovny-headlined Showtime comedy drama Californication (2007). She went on to appear in The Collector, The Family Tree, Crazy Eyes, and Lake Effects.

Trivia: While at Cambridge, appeared in a comedy troupe called Footlights Revue. Trained at London's Central School for Speech and Drama. When he played Shane Donovan on the soap Days of Our Lives from 1984 to 1992, pictures that were on the mantel in his TV home were actually old Shaughnessy family photos. (The actor reprised his role for a multiple-episode stint in May 2010.) Has been a contestant on Celebrity Jeopardy, as well as the game shows Super Password, The New Hollywood Squares, Win Lose or Draw, To Tell the Truth and Hollywood Squares. Became the fifth Baron Shaughnessy of Montreal and Ashford in 2007. Has been active in AIDS and antiwar organizations.

Trivia: Elizabeth Taylor was the ultimate movie star: violet-eyed, luminously beautiful, and bigger than life; although never the most gifted actress, she was the most magnetic, commanding the spotlight with unparalleled power. Whether good (two Oscars, one of the first million-dollar paychecks, and charity work), bad (health and weight problems, drug battles, and other tragedies), or ugly (eight failed marriages, movie disasters, and countless scandals), no triumph or setback was too personal for media consumption. Born February 27, 1932, in London, Taylor literally grew up in public. At the beginning of World War II, her family relocated to Hollywood, and by the age of ten she was already under contract at Universal. She made her screen debut in 1942's There's One Born Every Minute, followed a year later by a prominent role in Lassie Come Home. For MGM, she co-starred in the 1944 adaptation of Jane Eyre, then appeared in The White Cliffs of Dover. With her first lead role as a teen equestrian in the 1944 family classic National Velvet, Taylor became a star. To their credit, MGM did not exploit her, despite her incredible beauty; she did not even reappear onscreen for two more years, returning with Courage of Lassie. Taylor next starred as Cynthia in 1947, followed by Life With Father. In Julia Misbehaves, she enjoyed her first grown-up role, and then portrayed Amy in the 1947 adaptation of Little Women. Taylor's first romantic lead came opposite Robert Taylor in 1949's Conspirator. Her love life was already blossoming offscreen as well; that same year she began dating millionaire Howard Hughes, but broke off the relationship to marry hotel heir Nicky Hilton when she was just 17 years old. The marriage made international headlines, and in 1950 Taylor scored a major hit as Spencer Tracy's daughter in Vincente Minnelli's Father of the Bride; a sequel, Father's Little Dividend, premiered a year later. Renowned as one of the world's most beautiful women, Taylor was nevertheless largely dismissed as an actress prior to an excellent performance in the George Stevens drama A Place in the Sun.In 1956, however, the actress reunited with Stevens to star in his epic adaptation of the Edna Ferber novel Giant. It was a blockbuster, as was her 1957 follow-up Raintree County, for which she earned a Best Actress Oscar nomination. Taylor's sexy image was further elevated by an impossibly sensual performance in 1958's Cat on a Hot Tin Roof; another Tennessee Williams adaptation, Suddenly Last Summer, followed a year later, and both were highly successful. To complete the terms of her MGM contract, she grudgingly agreed to star in 1960's Butterfield 8; upon completing the film Taylor traveled to Britain to begin work on the much-heralded Cleopatra, for which she received an unprecedented one-million-dollar fee. In London she became dangerously ill, and underwent a life-saving emergency tracheotomy. Hollywood sympathy proved sufficient for her to win a Best Actress Oscar for Butterfield 8, although much of the good will extended toward her again dissipated in the wake of the mounting difficulties facing Cleopatra. With five million dollars already spent, producers pulled the plug and relocated the shoot to Italy, replacing co-star Stephen Boyd with Richard Burton. The final tally placed the film at a cost of 37 million dollars, making it the most costly project in film history; scheduled for a 16-week shoot, the production actually took years, and despite mountains of pre-publicity, it was a huge disaster at the box office upon its 1963 premiere. Still, the notice paid to Cleopatra paled in comparison to the scrutiny which greeted Taylor's latest romance, with Burton, and perhaps no Hollywood relationship was ever the subject of such intense media coverage. Theirs was a passionate, stormy relationship, played out in the press and onscreen in films including 1963's The V.I.P.'s and 1965's The Sandpiper. In 1966, the couple starred in Mike Nichols' controversial directorial debut Who's Afraid of Virginia Woolf?, arguably Taylor's best performance; overweight, verbally cutting, and defiantly unglamorous, she won a second Oscar for her work as the embittered wife of Burton's alcoholic professor. Their real-life marriage managed to survive, however, and after Taylor appeared opposite Marlon Brando in 1967's Reflections in a Golden Eye, she and Burton reunited for The Comedians. She also starred in Franco Zeffirelli's The Taming of the Shrew, but none were successful at the box office; 1968's Doctor Faustus was a disaster, and later that year Boom! failed to gross even one-quarter of its costs. After 1969's Secret Ceremony, Taylor starred in The Only Game in Town, a year later; when they too failed, her days of million-dollar salaries were over, and she began working on percentage.With Burton, Taylor next appeared in a small role in 1971's Under Milk Wood; next was X, Y and Zee, followed by another spousal collaboration, Hammersmith Is Out. In 1972 the Burtons also co-starred in a television feature, Divorce His, Divorce Hers; the title proved prescient, as two years later, the couple did indeed divorce after a decade together. With no film offers forthcoming, Taylor turned to the stage, and in 1981 she starred in a production of The Little Foxes. In 1983, she and Burton also reunited to co-star on Broadway in Private Lives. Television also remained an option, and in 1983 she and Carol Burnett co-starred in Between Friends. However, Taylor's primary focus during the decades to follow was charity work; following the death of her close friend, Rock Hudson, she became a leader in the battle against AIDS, and for her efforts won the 1993 Jean Hersholt Humanitarian Award. In 1997, the actress once again became a featured tabloid topic when she underwent brain surgery to remove a benign tumor. The same year, she received attention of a more favorable variety with Happy Birthday Elizabeth: A Celebration of Life, a TV special in which she was paid tribute by a number of stars including Madonna, Shirley MacLaine, John Travolta, Dennis Hopper, and Cher. Taylor would continue to make her voice heard when it came to issues that she felt strongly about. In 2003, Taylor refused to attend the Academy Awards out of protest against the Iraq War. Taylor also worked tirelessly in the name of AIDS research, advocacy, and awareness, even appearing in a 2007 staging of the A.R. Gurney play Love Letters opposite James Earl Jones to benefit Taylor's own AIDS foundation -- a performance that earned over a million dollars for the cause. Sadly, Taylor was increasingly plagued by health problems, undergoing cardiac surgery in 2009 to replace a leaky heart valve. On March 23, 2011, she passed away from congestive heart failure. She was 79.