Trivia: Working as a Disneyland concessionaire in his teens, comedian Steve Martin's first experiences in entertainment were of the party performer variety -- he picked up skills in juggling, tap-dancing, sleight of hand, and balloon sculpting, among other things. He later attended U.C.L.A., where he majored in philosophy and theater before moving on to staff-writer stints for such TV performers as Glen Campbell, the Smothers Brothers, Dick Van Dyke, John Denver, and Sonny & Cher. Occasionally allowed to perform as well as write, Martin didn't go into standup comedy full-time until the late '60s, when he moved to Canada and appeared as a semi-regular on the syndicated TV variety series Half the George Kirby Comedy Hour. As the opening act for rock stars in the early '70s, Martin emulated the fashion of the era with a full beard, shaggy hair, colorful costumes, and drug jokes. Comedians of such ilk were common in this market, however, so Martin carefully developed a brand-new persona: the well-groomed, immaculately dressed young man who goes against his appearance by behaving like a lunatic. By 1975, he was the "Comic of the Hour," convulsing audiences with his feigned enthusiasm over the weakest of jokes and the most obvious of comedy props. His entire act a devastating parody of second-rate comedians who rely on preconditioning to get laughs, Martin became internationally famous for such catch phrases as "Excu-u-use me!," "Happy feet!," and "I am...one wild and crazy guy!" It was fun for a while to hear audiences shout them out even before he'd uttered them, but it wasn't long before Martin was tired of live standup and anxious to get into films. Though Martin had roles in Sgt. Pepper's Lonely Hearts Club Band (1977) and The Muppet Movie, Martin's true screen bow was The Jerk (1979), in which, with the seriousness of Olivier, he portrayed a bumbling, self-described poor black child-turned accidental millionaire. Had he been a lesser performer, Martin could have played variations on The Jerk for the remainder of his life, but he preferred to seek out new challenges. It took nerve to go against the sensibilities of his fans with an on-edge portrayal of a habitual loser in Pennies From Heaven (1981), but Martin was successful, even if the film wasn't. And few other actors could convincingly pull off a project like Dead Men Don't Wear Plaid (1983), wherein, and with utter conviction, he acted opposite film clips of dead movie stars. After a first-rate turn in All of Me (1984), in which he played a man whose body is inhabited by the soul of a woman, Martin's film work began to fluctuate in quality, only to emerge on top again with Roxanne (1987), a potentially silly but ultimately compelling update of Cyrano de Bergerac. Though he participated in a fair amount of misses in the '80s and '90s (Mixed Nuts (1994), Housesitter (1992), Leap of Faith (1992), and Sgt. Bilko (1996), to name a few), Martin was unarguably full of surprises, as witnessed in his unsympathetic portrayal in Planes, Trains and Automobiles (1989), his hilariously evil dentist in Little Shop of Horrors (1986), his angst-ridden father in Parenthood (1989), his smooth-talking Italian in My Blue Heaven, and his callow film producer in Grand Canyon (1991) -- though the public still seemed to prefer his standard comic performances in The Three Amigos (1986), Father of the Bride (1991), and L.A. Story (1991). Martin then went out on yet another artistic limb with A Simple Twist of Fate (1994) -- a film update of that high-school English-class perennial Silas Marner. After starring in a very dark role in David Mamet's The Spanish Prisoner (1997) and an unsuccessful return to comedy in The Out-of-Towners (1999), Martin again won acclaim for Bowfinger, a 1999 comedy-satire that cast him as its titular hero, an unsuccessful movie director trying to make a film without the aid of a real script or real star. Martin -- who also wrote the film's screenplay -- played the straight man against Eddie Murphy, once again impressing critics with his versatility. According to rumor, Martin based Heather Graham's character on former flame Ann Heche.In addition to his Hollywood activities, Martin is well-known for his intellectual pursuits. His play Picasso at the Lapin Agile was produced successfully off-Broadway, and he has contributed numerous humor pieces to The New Yorker magazine, and penned the bestselling novella Shopgirl. Martin was also a featured artist in the PBS documentary series Art 21: Art in the 21st Century and discussed the visual arts as an integral form of self-expression. The 2000's found Martin in a slew of smaller roles, including a cameo as a heckler in Remember the Titans (2000), and a supporting role in director Stanely Tucci's historical comedy drama Joe Gould's Secret (2000). In 2001's Novacaine, Martin found himself playing dentist for the second time in his life, though this dentist would be decidedly less sadistic than the one he had played in camp favorite Little Shop of Horrors (1986). Despite an all-star cast (besides Martin, Novacaine featured Oscar-winner Helena Bonham Carter and Laura Dern) the black comedy was dismally received. Luckily, 2003's odd-couple comedy Bringing Down the House with Queen Latifah, rapper and surprising Oscar nominee for her role in Chicago, fared relatively well in theaters. Martin teamed up with the likes of Brendan Fraser, Jenna Elfman, and Bugs Bunny in Looney Tunes: Back in Action (2003), in which he plays the evil Mr. Chairman, head of the monolithic Acme Corporation. A film version of Shopgirl starring Martin and Claire Danes is currently slated for a 2005 release. Martin would remain a vital comedic actor in the years to come, appearing in films like Baby Mama and It's Complicated.

Trivia: Tall, gangly, and possessed of a frenetic intensity that lends itself to the highly eccentric and often borderline insane characters he plays, British actor Richard E. Grant is nothing if not one of the more distinctive performers to have gained celluloid immortality. His wild eyes and high-strung demeanor occasionally giving him an uncanny resemblance to a meerkat on speed, Grant has been delighting and shocking observers with both his on- and off-screen persona since his 1987 breakthrough in Withnail & I. Born Richard Grant Esterhuysen on May 5, 1957, in Mbabane, Swaziland, Grant had a somewhat distinctive upbringing, thanks in part to his father's job as the Swazi Minister of Education. His parents' divorce when the actor was 11, for example, was the source of a fair amount of scandal in South Africa. For his part, Grant knew early on that he wanted to be an actor, something that was fueled by an infatuation with Barbra Streisand and a steady diet of movies. He followed the career of Donald Sutherland with particularly rapt attention, as, like Grant, Sutherland was tall, thin, long-faced, and hailed from the middle of nowhere.After studying English and Drama at Cape Town University, where he co-founded the multi-racial, avant garde Troupe Theatre Company, Grant headed for London in 1982. He was greeted by a period of unemployment and frustration that lasted for almost five years. The actor eventually began finding work on the stage, and in 1984 was dubbed by Plays and Players magazine as "most promising newcomer" for his performance in Tramway Road at Hammersmith's Lyric Theatre. Ironically enough, given his years of struggle, it was Grant's portrayal of a bitter, pill-popping, unemployed actor in Bruce Robinson's black comedy Withnail & I that finally put him on the map. The film was a genuine cult classic, and Hollywood soon came sniffing around, if only to cast Grant in the 1988 demons-on-the-loose flop Warlock. The following year, the actor again tapped into his reserves of unpleasantness for Robinson, starring as a toxic advertising executive who develops a talking boil in the satirical How to Get Ahead in Advertising. Grant's hilariously vile characterization was considered by many to be the highlight of the film, and further paved the way for greater industry appreciation.Grant subsequently earned recognition on both sides of the Atlantic, thanks to a number of diverse and often peculiar roles in films of widely varying quality. Particularly memorable during the early to mid-'90s were portrayals Anais Nin's well-intentioned but dull husband in Henry & June (1990), the evil billionaire Darwin Mayflower in the spectacularly disappointing Hudson Hawk (1991), an overly insistent screenwriter in Robert Altman's The Player (1992), high society lounge lizard Larry Lefferts in Martin Scorsese's The Age of Innocence (1993), and an outrageous fashion designer that Grant described as a "male Vivienne Westwood" in Altman's disastrous Pret-A-Porter (1994).Despite his eccentric persona, Grant has time and again proven himself more than capable of essaying straight man roles, as he demonstrated in such films as Jack and Sarah (1995), in which he played a grieving widower; The Portrait of a Lady (1996), in which he had a small but memorable role as one of Isabel Archer's most ardent suitors; and the made-for-TV The Scarlet Pimpernel (1999), which cast him as its titular hero. He has also continued to shine in films that impress upon his comedic abilities, as evidenced by his role as Sir Andrew Aguecheek in Trevor Nunn's Twelfth Night (1996) and his portrayal of a disgruntled advertising man in A Merry War (1997) (otherwise known as Keep the Aspidistra Flying), a satirical comedy based upon a novel by George Orwell.Enlisted again by Altman, Grant showed up alongside a star-studded ensemble cast in 2001's critically-acclaimed Gosford Park. Supporting roles continued to suit him well as he would later take on parts in Steven Fry's Bright Young Things and the 2004 John Malkovich-starrer Colour Me Kubrick.

Trivia: Redheaded leading lady Marilu Henner was born and educated in Chicago, where her mother ran a dance studio in the family garage. Henner also began her acting career in City of Broad Shoulders. She was one of the stars of the original community-theatre production of Grease, remaining with the show when it moved to New York in 1976 (During this period, she carried on a well-publicized romance with former Grease cast member John Travolta). She went on to garner excellent revues for her work in the Broadway production Over Here, an otherwise disappointing musical spoof of the 1940s starring the Andrews Sisters. Henner began making on-camera appearances in 1977, notably as a stripper in Joan Micklin Silver's Behind the Lines, and in a generously distributed "Ring Around the Collar!" TV commercial. From 1978 through 1983, Henner played Elaine Nardo on the popular TV sitcom Taxi. Though she never won the Emmy that she deserved for this role, she could take consolation in the fact that she was made an honorary New York City cabbie. Several film roles followed in such low-profile productions as Hammet (1983) and Johnny Dangerously (1984) before Henner re-entered the sitcom grind as Ava Evans Newton, wife of high-school athletics coach Burt Reynolds, on the long-running (1990-94) Evening Shade. In 1994, Henner hosted her own TV talk show, a career move that coincided with the publication of her autobiography By All Means Keep on Moving. Chatty and very candid, the book revealed that Henner had slept with virtually every male member of the Taxi cast (only Danny DeVito was bypassed because, unlike his hot-to-trot Louie DePalma character, he never asked). Marilu Henner has been married twice, to actor Frederic Forrest and producer/director Robert Lieberman. Still active on the small screen in the first decade of the new millennium, Henner could be spotted in guest roles on such popular shows as Providence, ER, Numb3rs, and Grey's Anatomy.

Trivia: A child performer who went on to become an adult actor in one of the more radical transformations in the history of the American entertainment industry, Sarah Jessica Parker has captained both a career and a public image that could be accurately classified under the heading Revenge of the Nerd. As a pubescent actor most famous for her roles in the acclaimed high school-set TV series Square Pegs and in the big screen's Footloose and Girls Just Want to Have Fun, Parker played the skinny girl with frizzy hair who was either the sidekick or underdog; when she wasn't cleaning up after Lori Singer in Footloose, she was battling snotty rich girls for the right to dance on local television in Girls Just Want to Have Fun. However, thanks to perseverance, talent, a fabulous stylist, and an HBO series called Sex and the City, Parker had emerged, by the end of the 1990s, as one of the most glamorous and employable actors around, known as much for the designer frocks she wore to awards ceremonies as for her work on the screen.Born in Nelsonville, OH, on March 25, 1965, as the fourth of eight siblings, Parker grew up in relative poverty following the divorce of her mother, an elementary school teacher, and her father, an aspiring writer. Raised by her mother and often out-of-work stepfather, she trained as a dancer and singer, bringing home paychecks from a young age. As a fledgling actor, Parker landed her first TV show at the age of eight; in 1976, after winning her first Broadway role in The Innocents, her family moved to New Jersey to encourage her career. Parker worked on the stage for the next few years, touring -- with four of her siblings -- in the national company of The Sound of Music and getting her first major break when she was chosen to take over the title role of Annie on Broadway, from 1979 to 1980.Continuing her training at the American Ballet Theater and the New York Professional Children's School, Parker made her film debut in the 1979 Rich Kids, which co-starred John Lithgow, Trini Alvarado, and Olympia Dukakis. In 1982, she won her first starring role in the aforementioned Square Pegs, and then received additional attention thanks to her role as Lori Singer's best friend and Chris Penn's girlfriend in the 1984 hit Footloose. The following year, Parker kept on dancing -- this time alongside a very young Helen Hunt -- in the similarly winning Girls Just Want to Have Fun. The actor's success in both films paved the way for steady work through the rest of the decade; in addition to her work on the big screen, Parker also starred in a number of TV shows, including the 1986 miniseries A Year in the Life and the drama series Equal Justice.The early '90s saw Parker segue into more adult roles, playing the Southern Californian creation SanDeE* alongside Steve Martin in L.A. Story (1991), then earning both critical and cult credibility as Nicholas Cage's fiancée in Honeymoon in Vegas (1992) and as the wife of consummate schlockmeister Ed Wood in Tim Burton's celebrated 1994 film about Wood's life and times. Offscreen, as well, she was garnering notice for her attachment to actor Matthew Broderick; Parker -- who had been in high-profile relationships with Robert Downey Jr. and John F. Kennedy Jr. -- married Broderick in 1997.Following a turn as Mia Farrow's daughter in the widely panned Miami Rhapsody (1995), supporting work in The First Wives Club and Burton's Mars Attacks! (both 1996), and a number of New York productions (including Sylvia, for which she earned a Drama Desk Award nomination), Parker landed the starring role of New York sex columnist Carrie Bradshaw on the new HBO series Sex and the City. Touted by some observers as the luckiest break in the actor's career to date, the show, which focused on the sex lives of four close friends (played by Parker, Kim Cattrall, Cynthia Nixon, and Kristin Davis) became a huge hit among both critics and viewers, ensuring Parker -- who won the Golden Globe for her work in 2000, 2001and 2002 -- both steady employment and an unimpeachably chic image that was eons removed from the bony elbows and frizzy bangs of her days as a square peg.Parker continued to appear in film roles during and after the Carrie Bradshaw years; among them include a starring role in The Family Stone (2005), and a supporting role in the 2008 comedy drama Smart People. In 2010 she starred in Sex and the City 2, and played a devoted mother attempting to balance her family with her career in 2011's comedy drama I Don't Know How She Does It.

Trivia: It sounds apocryphal, but it's true: 13-year-old Kevin Pollak did begin his Bar Mitzvah speech with "A funny thing happened on the way to the temple..." In fact, Pollak's rabbi had encouraged him to do so: even at this early stage, the boy evinced a gift for comic timing. By 17, he was doing stand-up in his native San Francisco. He went on to play the West Coast comedy-club and improv circuit, and was briefly teamed with Dana Carvey, a professional collaboration that ended amicably when Carvey was hired by Saturday Night Live. Though Pollak himself didn't make it to SNL, he flourished as an impressionist, writer and film and TV supporting actor. He was given several opportunities to shine in such films as Barry Levenson's Avalon (1990), Mick Jackson's LA Story (1991) and Rob Reiner's A Few Good Men (1992). Reiner went on to team Pollak with Bob Amaral in the weekly TVer Morton and Hayes (1991) a hit-and-miss homage to the 2-reel comedies of the 1930s and 1940s (Pollak had previously played a featured role in the short-lived 1988 sitcom Coming of Age). Kevin Pollak's film career went into warp-drive in the 1990s, with such choice roles as Jacob in the two Grumpy Old Men flicks, Todd Hockney in The Usual Suspects (1995), Phillip Green in Casino (1995), and Boss Vic Koss in That Thing You Do (1996).His film and television career still going strong into the 2000s, Pollak found a way to work his passion for poker into his schedule as host of Bravo's Celebrity Poker Showdown in 2003, and in 2009 he launched a weekly internet series entitled Kevin Pollak's Chat Show.

Trivia: Dark-haired character actor Sam McMurray has made a career of playing gaseous windbags of low moral fiber, often adding a salacious sneer to heighten the effect. However, his comic persona also sometimes slants toward lovable obliviousness, making McMurray a desired commodity in broad comedy, as well as a sitcom mainstay.The New York native got his start in acting with bit parts on television and in the movies in the late '70s and early '80s. In 1987, McMurray had a breakout year of sorts, appearing as a regular on The Tracey Ullman Show (which led to vocal work in the early seasons of The Simpsons) and snagging the film role for which he is best known. In Joel and Ethan Coen's Raising Arizona, McMurray was cast as Glen, Nicolas Cage's factory foreman boss, who runs afoul of Cage's H.I. McDonnough after he proposes swapping wives. In only a handful of scenes, McMurray creates an indelible and hilarious image of a loud, crass, humor-impaired buffoon who resides over a brood of ill-mannered children, but wants to add at least one more to the mix.Raising Arizona paved the way for supporting work in a number of high-profile comedies in the ensuing years, including National Lampoon's Christmas Vacation (1989), L.A. Story (1991), and Addams Family Values (1993). In 1991, he voiced a character in the Disney/ABC live-action TV show Dinosaurs; he would later also provide vocal work for the animated Disney program Recess (1997). Television has provided McMurray with his most regular paychecks, most often in the capacity of a guest performer, both in dramas and sitcoms. He guested as Chandler's boss on several episodes of Friends in 1997, and also made repeat appearances in such shows as The King of Queens, Freaks and Geeks, and Chicago Hope. His recent film work has included a shady detective in The Mod Squad (1999) and a scoundrel cheerleader dad in Drop Dead Gorgeous (1999).

Trivia: Doing for bald men what no amount of Minoxodil ever could, Patrick Stewart won international fame for his portrayal of Captain Jean-Luc Picard in the popular TV series Star Trek: The Next Generation. Before earning immortality for his ability to handle a phaser convincingly, Stewart was known as a stage actor of great talent in his native Britain, where he had been performing since he was a teenager.Born in Mirfield, Yorkshire, England on July 13, 1940, Stewart was performing in various drama groups by the age of twelve. After leaving school at fifteen, he went to work as a junior reporter for a local newspaper. He quit the job after being told by the paper's editor that he was spending too much time at the theatre and not enough on the newspaper and worked for a year as a furniture salesman to pay for drama school. He was accepted at the Bristol Old Vic Theatre School in 1957, and two years later made his professional stage debut in a production of Treasure Island. Stewart went on to enjoy a prolific and acclaimed stage career, joining the Royal Shakespeare Company in 1966 and remaining with it for the next twenty-seven years. He also began to work on the big and small screens, and in the early 1980s started popping up in a number of popular films like Excalibur (1981) and Dune (1984). In 1987, he was chosen to play Picard on Next Generation. Certain that he would be fired from the series, Stewart reportedly refused to unpack his bags for six weeks. Although more than one snarky observer spent the first year of the series making idiot jokes about Stewart's bald pate, the actor--and the show--proved to be a hit. Stewart stayed with Next Generation for seven seasons, and then reprised his role for a string of successful Star Trek films: 1994's Star Trek Generations, 1996's Star Trek: First Contact, 1998's Star Trek: Insurrection and 2002's Star Trek: Nemesis.In addition to his work with the Next Generation series and films, Stewart also continued to work on the stage and in various films. In 1995, he had a hilarious turn as a flamboyant, acid-tongued interior decorator in Jeffrey, while in 1997 he tried his hand at intrigue with a part in The Conspiracy Theory. The following year, he appeared on the small screen, giving a terrific portrayal of the obsessive Captain Ahab in Moby Dick. Though a new Star Trek film every few years may not have been quite enough to keep the legions of sci-fi addicts satisfied, Stewart scored brownie points among fans by taking an impressive turn as Professor Charles Xavier in X-Men (2000), X2: X-Men United (2003), and X-Men: The Last Stand (2006). On the stage, Stewart enjoyed acclaim for a number of productions, particularly a one-man production of A Christmas Carol, which he performed in numerous theatrical venues around the world, winning numerous awards for his portrayal. He also earned extensive praise for his portrayal of Prospero in the Broadway production of The Tempest in 1996. Interestingly, Stewart, though appreciative of his star status, has repeatedly bristled at the notion that his lack of hair is "sexy," à la Yul Brynner. In regards to his reluctant sex symbol status, he has stated that he would much rather be judged on the basis of his acting ability rather than his appearance.

Trivia: One of the actresses most indelibly associated with the descriptor "fiery redhead," Frances Fisher has enjoyed a long career as a respected stage, screen, and television performer. In addition to her professional work, she also earned recognition for her long relationship with Clint Eastwood, by whom she had a daughter.Born in Milford on Sea, England, Fisher spent much of her childhood traveling all over the world, thanks to her father's job as an international oil refinery construction supervisor. After time spent in England, Colombia, France, Canada, Brazil, Turkey, and Italy, the family settled in Orange, Texas, where Fisher completed her schooling. Deciding to follow her interest in theatre, she eventually moved to New York, where she subsequently enjoyed a 14-year stage career in regional and off-Broadway productions. During this time, she also became involved with the Actors Studio, where she studied with the legendary Lee Strasberg. Fisher segued into screen work via television, getting her start with regular roles on a number of soap operas. She began her film career with some help from Henry Jaglom, for whom she made her 1980 screen debut in Sitting Ducks, and went on to star in his Can She Bake a Cherry Pie? (1983) and Babyfever (1994). Fisher spent the 1980s and 1990s appearing in a wide variety of film and TV productions, including the made-for-TV Lucy and Desi: Before the Laughter (1991), which cast her as Lucille Ball; Eastwood's Unforgiven (1992); the Texas Dust Bowl drama The Stars Fell on Henrietta (1995); James Cameron's Titanic (1997), in which she starred as Kate Winslet's mother; and The Big Tease (1999), a Scottish hairdressing mockumentary that featured her as a publicist in need of a new 'do.

Trivia: Tall, dazzlingly beautiful black model Iman made her acting debut in 1979's The Human Factor. A few of Iman's subsequent films have been A-list productions, notably Out of Africa (1985) and Star Trek VI: The Undiscovered Country (1991). Most of the rest have been time-fillers like House Party 2 (1991) or time-wasters like Exit to Eden (1994). Iman is the wife of rock star David Bowie, with whom she co-starred in The Linguini Incident (1992).

Trivia: Known almost as much for his off-screen pastimes as his on-screen characterizations, Woody Harrelson is an actor for whom truth is undeniably stranger than fiction. Son of a convicted murderer, veteran of multiple arrests, outspoken environmentalist, and tireless hemp proponent, Harrelson is colorful even by Hollywood standards. However, he is also a strong, versatile actor, something that tends to be obscured by the attention paid to his real-life antics. Born in Midland, TX, on July 23, 1961, Harrelson grew up in Lebanon, OH. He began his acting career there, appearing in high-school plays. He also went professional around this time, making his small-screen debut in Harper Valley P.T.A. (1978) alongside Barbara Eden. While studying acting in earnest, Harrelson attended Indiana's Hanover College; following his graduation, he had his first speaking part (one line only) in the 1986 Goldie Hawn vehicle Wildcats. On the stage, Harrelson understudied in the Neil Simon Broadway comedy Biloxi Blues (he was briefly married to Simon's daughter Nancy) and at one point wrote a play titled Furthest From the Sun. His big break came in 1985, when he was cast as the sweet-natured, ingenuous bartender Woody Boyd on the TV sitcom Cheers. To many, he is best remembered for this role, for which he won a 1988 Emmy and played until the series' 1993 conclusion. During his time on Cheers, Harrelson also played more serious roles in made-for-TV movies such as Bay Coven (1987), and branched out to the big screen with roles in such films as Casualties of War (1989) and Doc Hollywood (1991). Harrelson's big break as a movie star came with Ron Shelton's 1992 sleeper White Men Can't Jump, a buddy picture in which he played a charming (if profane) L.A. hustler. His next film was a more serious drama, Indecent Proposal (1993), wherein he was miscast as a husband whose wife sleeps with a millionaire in exchange for a fortune. In 1994, Harrelson appeared as an irresponsible rodeo rider in the moronic buddy comedy The Cowboy Way, which proved to be an all-out clinker. That film's failings, however, were more than overshadowed by his other film that year, Oliver Stone's inflammatory Natural Born Killers. Playing one of the film's titular psychopaths, Harrelson earned both raves and a sizable helping of controversy for his complex performance. Following work in a couple of low-rated films, Harrelson again proved his mettle, offering another multi-layered performance as real life pornography magnate Larry Flynt in the controversial People Vs. Larry Flynt (1996). The performance earned Harrelson an Oscar nomination. The next year, he earned further praise for his portrayal of a psychotic military prisoner in Wag the Dog. He then appeared as part of an all-star lineup in Terrence Malick's The Thin Red Line (1998), and in 1999 gave a hilarious performance as Matthew McConaughey's meathead brother in EdTV. That same year, he lent his voice to one of his more passionate causes, acting as the narrator for Grass, a documentary about marijuana. In 2000, Harrelson starred in White Men collaborator Ron Shelton's boxing drama Play It to the Bone as an aspiring boxer who travels to Las Vegas to find fame and fortune, but ends up competing against his best friend (Antonio Banderas). The actor temporarily retired from the big screen in 2001 and harkened back to his television roots, with seven appearances as Nathan, the short-term downstairs boyfriend to Debra Messing's Grace, in producer David Kohan's long-running hit Will and Grace (1998-2006). After his return to television, Harrelson seemed content to land supporting roles for several years. He reemerged in cineplexes with twin 2003 releases. In that year's little-seen Scorched, an absurdist farce co-starring John Cleese and Alicia Silverstone, Harrelson plays an environmentalist and animal activist who seeks retribution on Cleese's con-man for the death of one of his pet ducks. Unsurprisingly, most American critics didn't even bother reviewing the film, and it saw extremely limited release. Harrelson contributed a cameo to the same year's Jack Nicholson/Adam Sandler vehicle Anger Mangement, and a supporting role to 2004's critically-panned Spike Lee opus She Hate Me. The tepid response to these films mirrored those directed at After the Sunset (2004), Brett Ratner's homage to Alfred Hitchcock. Harrelson stars in the diamond heist picture as federal agent Stan Lloyd, opposite Pierce Brosnan's master thief Max Burdett. Audiences had three chances to catch Harrelson through the end of 2005; these included Mark Mylod's barely-released, Fargo-esque crime comedy The Big White , with Robin Williams and Holly Hunter; Niki Caro's October 2005 sexual harrassment docudrama North Country, starring Charlize Theron; and the gifted Jane Anderson's period drama Prize Winner of Defiance Ohio. In the latter, Harrelson plays, Leo 'Kelly' Ryan, the drunken, increasingly violent husband of lead Julianne Moore, who manages to hold her family together with a steady stream of sweepstakes wins in the mid-fifties, as alcoholism and the financial burden of ten children threaten to either tear the family apart or send it skidding into abject poverty. Harrelson then joined the cast of maestro auteur Robert Altman's ensemble comedy-drama A Prairie Home Companion (2006), a valentine to Garrison Keillor's decades-old radio program with a strong ensemble cast that includes Meryl Streep, Lindsay Lohan and Kevin Kline. He also works wonders as a key contributor to the same year's Richard Linklater sci-fi thriller Through a Scanner Darkly, an adaptation of Philip K. Dick's 1977 novel that, like one of the director's previous efforts, 2001's Waking Life, uses rotoscoping to animate over live-action footage. It opened in July 2006 to uniformly strong reviews. As Ernie Luckman, one of the junkie hangers-on at Robert Arctor's (Keanu Reeves) home, Harrelson contributes an effective level of despondency to his character, amid a first-rate cast. After Harrelson shot Prairie and Scanner, the trades announced that he had signed up to star in Paul Schrader's first UK-produced feature, Walker, to co-star Kristin Scott-Thomas, Lauren Bacall, Ned Beatty, Lily Tomlin and Willem Dafoe. Harrelson portrays the lead, a Washington, D.C.-based female escort; Schrader informed the trades that he envisions the character as something similar to what American Gigolo's Julian Kaye would become in middle-age. Shooting began in March 2006. He also signed on, in June of the same year, to join the cast of the Coen Bros.' 2007 release No Country for Old Men, which would capture the Academy Award for Best Picture. Harrelson showed off his versatility in 2008 by starring in the Will Ferrell basketball comedy Semi-Pro as well as the thriller Transsiberian. He continued to prove himself capable of just about any part the next year with his entertaining turn in the horror comedy Zombieland, and his powerful work as a damaged soldier in Oren Moverman's directorial debut The Messenger. For his work in that movie, Harrelson captured his second Academy Award nomination, as well as nods from the Golden Globes, the Independent Spirit Awards, and the Screen Actors Guild - in addition to winning the Best Supporting Actor award from the National Board of Review. In 2012, the actor appeared as the flawed but loyal mentor to two young adults forced to compete to the death in the film adaptation of author Suzanne Collins' The Hunger Games.

Trivia: While still attending high school in Toronto, Rick Moranis held down a part-time job as a radio engineer. After working as a solo nightclub comic and radio deejay, Moranis joined the Second City comedy troupe, which lead to his television bow in 1980 on the syndicated weekly Second City TV. Like his SCTV colleagues, Moranis' strong suit was his versatility, though his early fame rested on a single characterization. Grudgingly honoring a Canadian regulatory requirement that Second City TV include a sequence of "identifiable Canadian content" in each episode, Moranis and Dave Thomas created the characters of Bob and Doug McKenzie, a pair of beer-guzzling, back-bacon-chewing "hosers" who allegedly represented certain Canadians. The largely improvised McKenzie brothers segments scored an immediate hit, spawning a 1983 feature film Strange Brew, which Moranis and Thomas starred in, co-wrote and co-directed. Since leaving Second City TV, Moranis has pursued a successful film career, usually playing clueless or self-involved nerds. He played reluctant "ghost host" Louis Tully in the two Ghostbusters films, was cast as Seymour Krelboin in the 1986 musical version of Little Shop of Horrors, and was seen as eccentric inventor Wayne Szalinski in Honey I Shrunk the Kids (1989) and its sequel Honey I Blew Up the Kid (1992). Even in his 40s, Moranis convincingly portrayed geekish losers-turned-winners in such films as Little Giants (1994) and Big Bully (1995). He played a convincing live-action version of Barney Rubble in The Flintstones (1994). In 1997, he reprised Wayne Szlalinski in Disney's third installment of their now direct-to-video series Honey We Shrunk Ourselves. Having lost his wife Ann to liver cancer in 1991, the beloved character actor subsequently retreated from the spotlight to raise their two children, emerging only occasionally for vocal work on projects like The Animated Adventures of Bob and Doug McKenzie and Brother Bear (both 2003), or to record his Grammy-nominated country album The Agoraphobic Cowboy.

Trivia: Chevy Chase is often considered one of the most likeable comedic personalities of his generation, even though the immediate popularity he achieved following a single season on Saturday Night Live never translated into more than a couple hit movies, and none after the 1980s. The prematurely balding, intelligent, fast-talking Chase created a couple classic characters, notably Irwin M. Fletcher (aka Fletch) and Vacation's Clark Griswold, but his career is often thought of as plagued by misfires and missed opportunities, rather than touched by comic brilliance.Born on October 8, 1943, in New York City, Cornelius Crane Chase became known as "Chevy" when his grandmother nicknamed him after Chevy Chase, the wealthy Maryland community. The 6'4" future writer and actor was valedictorian of his high school class before attending Bard College, where he earned a B.A. in English. With a pre-celebrity resumé as varied as any (tennis pro, truck driver, bartender), Chase spent his twenties as a comedy writer for such outlets as the Smothers Brothers and National Lampoon, the latter of which eventually led to a lucrative franchise of Vacation movies. Chase's first stint as a performer was with the New York comedy video workshop Channel One, which evolved into the 1974 film Groove Tube. This afforded Chase the necessary exposure to be hired by Lorne Michaels for the first season of Saturday Night Live in 1975.Initially hired on as a writer, Chase soon began appearing in front of the camera as the anchor of the popular Weekend Update segment of the ensemble variety show. With the catchphrase opening "Good evening, I'm Chevy Chase and you're not," and aided by his bumbling impersonation of President Gerald Ford, the actor quickly assumed breakout status, earning Emmys for both his writing and acting. He left after a single season to pursue film opportunities, but did not really strike gold until Caddyshack (1980), in which he played a rich golf pro who oozed confidence and a dry sarcastic wit three steps ahead of anyone else. These would become Chase's trademarks.During the filming of his next project, Modern Problems (1981), Chase was nearly electrocuted when a gag involving landing lights attached to his body short-circuited. The experience sunk him into a deep depression. But he recovered his stride in 1983 with the release of National Lampoon's Vacation, the first of four in an eventual series of epic misadventures of the Griswold family (European Vacation [1985], Christmas Vacation [1989], Vegas Vacation [1997]). As daffy father Clark, Chase turned the film into a huge hit, harnessing a likable befuddlement that kept the series going even as the sequels were increasingly less well received and tiresomely slapstick.Chase's other big hit came in 1985, when he starred as the title character in Fletch, the film widely considered the actor's best and most complimentary of his sharp talent for wordplay. As an undercover newspaper reporter with a quick answer -- not to mention a goofy disguise -- for every situation, Chase created a classic comic hero with a genius for confusing his adversaries. He reprised the role in the lesser sequel Fletch Lives (1989).Chase achieved moderate success by pairing with other Saturday Night Live alums in the mixed-bag comedies Spies Like Us (1985) and Three Amigos! (1986); though these had dedicated fans, they didn't achieve the critical praise of Fletch or Vacation. Despite an all-star cast, Caddyshack II (1988) went nowhere, and by the beginning of the 1990s, Chase had slipped from his status as a reliable comedic performer. Such well-documented failures as Nothing But Trouble (1991) and Cops and Robbersons (1994) became his crosses to bear during a decade that also saw the colossal failure of his Fox comeback variety show, which was canceled two months after it premiered in 1993. Chase was also arrested for drunk driving in 1995, just one incident in a career sometimes checkered by drug and alcohol abuse. In later years, Chase has preferred family oriented films, starring in such features as Man of the House (1995) (opposite Jonathan Taylor Thomas) and the kiddie-on-holiday flick Snow Day (2000). This stance prompted Chase to turn down the comeback-worthy role that won Kevin Spacey an Oscar in American Beauty (1999); had he accepted, it might have resulted in a very different film. As Chase's work has shifted more to the supporting role variety, including Dirty Work (1998) and Orange County (2002), he has seemed more comfortable. A series of appearances in such innocuous comedies as Bad Meat, Goose on the Loose, and Doogal found Chase continuing to plateau, and in 2006 the former SNL heavyweight would take to the lab to help save the world in the children's superhero adventure Zoom. In 2009 Chase was cast as a casually racist and sexist member of the study group at the heart of NBC's sitcom Community, and that program gave him some of the best reviews he'd had in quite some time. He appeared in the 2010 comedy Hot Tub Time Machine, and in 2011's Stay Cool.

Trivia: A capable comic actor whose regular-guy looks and sharp wit have made him a popular character performer in both movies and television, Larry Miller was born on October 15, 1953 on Long Island, NY. Miller grew up with a keen interest in music, and graduated with honors from Amherst College, receiving a degree in music. Hoping to make a career as a musician, Miller moved to New York City and began playing the nightclub circuit as a pianist and drummer. Working the clubs inspired Miller to take a stab at comedy, and he began performing occasional sets at comedy clubs such as the Comic Strip and Catch a Rising Star. Within two years, Miller had put his musical career on the back burner and was touring full-time as a comic. Miller made his film debut in 1978 in the film Take Down, but it would be several more years before Miller found himself before the camera again; as his career as a standup comic rose, Miller began landing occasional television guest shots and bit parts in films, as well as appearing on several cable television specials devoted to comedians. But it was Miller's appearance in the 1990 film Pretty Woman that kick-started his screen career; playing an arrogant but all-too-eager-to-please salesman, Miller's brief moment in the film earned big laughs, and he soon became a frequent presence in movies and television. Miller was a regular on the TV series The Pursuit of Happiness, Life's Work, and Michael Hayes -- all three of which only lasted a season -- and played recurring roles on Mad About You, Dream On, DAG, and My Wife and Kids. Miller also made a surprising appearance in a dramatic role on Law & Order, in which he played a man accused of murder. Miller played a number of showy supporting roles in theatrical films, including Waiting for Guffman, The Minus Man, The Nutty Professor, Best in Show, and A Mighty Wind. His comedy chops only gaining more bite with the passing years, Miller would find only increasing success when he appeared on such small screen hits as Desperate Housewives and Boston Legal in the mid-00s. Of course Miller was still very much a feature man, with roles in the underseen sleeper Kiss Kiss Bang Bang and The Any Bully providing plenty of room for the comic talent to shine. When not busy with his acting career, Miller still performs as a standup comic, and writes a humor column for The Daily Standard.

Trivia: To younger generations, the slightly diminutive and balding American character actor Richard Stahl was probably best known as Howard Miller, the deadpan, stone-faced chef (and indifferent receptor of Marian Mercer's affections) on the long-running syndicated sitcom It's a Living. Stahl inherited the position from fellow supporting player Bert Remsen, and sustained it for four seasons, until the program wrapped in September 1989. But Stahl's visage graced a much broader spectrum of films and television shows than his behind-the-counter presence at the Above the Top restaurant -- and if viewers have trouble making a list, this is only a reflection on Stahl's ability to blend in successfully with fellow cast members and settings. Such is the essence of a gifted character player. Stahl made his first bow in 1966, as Steve Parsons on the "Dear Sally Rogers" episode of The Dick Van Dyke Show (its final season). He subsequently became a mainstay on the television airwaves, and his resumé reads like a laundry list of '70s and '80s hit prime time series, including but not limited to: That Girl, The Partridge Family, Love American Style, Bonanza, Columbo, All in the Family, Good Times, The Odd Couple, Maude, Happy Days, The Facts of Life, Murder, She Wrote, Hill Street Blues, and a handful of particularly memorable turns on Newhart. He reinforced his small-screen presence (and audience familiarity) with feature film appearances in such motion pictures as Five Easy Pieces (1970), High Anxiety (1977), The Flamingo Kid (1984), The American President (1995), and The Ghosts of Mississippi (1996). Stahl landed his last role with a bit part in Garry Marshall's 1999 flop, The Other Sister. He spent his final seven years in retirement, battling Parkinson's Disease, and eventually succumbed to the illness on June 18, 2006. Stahl was seventy-four.

Trivia: To call George Plimpton merely an actor is woefully inadequate. Plimpton has also been a bullfighter, an orchestra conductor, a baseball and football player, a boxer, a circus performer and a tennis pro. He has indulged in each of these activities precisely once. George Plimpton's principal career was writing, something he pursued while at Harvard (he was an editor of the Harvard Lampoon) and while serving on the editing staff of Paris Review in the '50s and Horizon and Sports Illustrated in the '60s. Early in his career, Plimpton determined that the best way to write with expertise on a subject was through first-hand experience. Thus he fought bulls in Spain with Ernest Hemingway, played football with the Detroit Lions, was matched with tennis champ Pancho Gonzalez and bridge expert Osward Jacoby, and survived a few rounds with champion boxer Archie Moore. And he acted. He was a Bedouin extra in Lawrence of Arabia (1962), a bit player in The Detective (1968), and the character Bill Ford in Paper Lion (1968), a film based on Plimpton's own account of his brief football career (Alan Alda played Plimpton). From his experience playing a bit role as a gunned-down desperado in John Waynes Rio Lobo (1970), Plimpton fashioned an entire one-hour network TV special! Easily recognizable in later days thanks to his lucrative lecture and commercial endorsements, George Plimpton's acting assignments in recent years have been on the basis of his personality rather than as a stunt: Jodie Foster gave him a particularly suitable role as a William Buckley-type talk-show moderator in Little Man Tate (1991). Increasingly prominant on the screen throughout the 1990s, Plimpton essayed numerous small roles in such popular films as L.A. Story (1991), Nixon (1995), Good Will Hunting (1997) and Edtv (1999). As the 1990s gave way to the new millennium Plimpton was still going strong despite the effects of the passing years, and in 2001 alone he essayed a supporting role in the comedy Just Visiting and provided voiceover work for the short film Bullet in the Brain. On September 25, 2003, the world lost one of its most flamboyant and entertaining literary icons when George Plimpton died in his sleep in his New York apartment. He was 76.

Trivia: Best known for portraying time traveler Dr. Sam Beckett in the popular sci-fi series Quantum Leap, Scott Bakula is also a noted Broadway actor and occasional movie star, though it is in the last venue that he has had the least amount of success. The son of a musician, Bakula is said to have started his own rock band when he was in the fourth grade. He also sang with the St. Louis Symphony before attending the University of Kansas. Bakula launched his acting career as a teen in regional theater and as a stage actor specializes in musical comedy. He made his Broadway debut in 1983 in Marilyn: An American Fable. He started showing up regularly on television as a guest star on such series as My Sister Sam and Designing Women during the 1980s. In 1986, Bakula starred in an unsuccessful television series, Gung Ho! Two years later he headlined another unsuccessful one, Eisenhower and Lutz. In 1988, Bakula was nominated for a Tony for his work in Romance, Romance. The following year, he was cast in Quantum Leap and has since gained a cult following; in 1992, he won a Golden Globe and was nominated four more times. Bakula was also nominated for a quartet of Emmys. Bakula made his feature-film debut starring opposite Kirstie Alley in Sibling Rivalry (1990). Other notable film appearances include L.A. Story (1991) and My Family/Mi Familia (1995). In 1993, Bakula had a recurring role on the CBS sitcom Murphy Brown as a love interest of Candice Bergen. He has also appeared in a number of television movies and in 1996, he had a stint in another short-lived series, Mr. and Mrs. Smith.Though he worked steadily in movies, television turned out to be his next great success when, in 2001, he took the part of Capt. Jonathan Archer on Star Trek: Enterprise, a program that lasted four seasons.In 2009 Bakula would star alongside Ray Romano and Andre Braugher in the well-respected comedy/drama series Men of a Certain Age, and landed in one of the best films of his career, Steven Soderbergh's The Informant!.