Trivia: A circus acrobat from the age of eight, Clayton Moore had performed as an aerialist with two circuses and at one World's Fair before turning 20. He became a male model in New York, then struck out for Hollywood in 1938 to seek out acting jobs. He began at the bottom rung as an extra, worked his way up to stunt man, and by 1939 was playing nondescript supporting roles. Alternating between heroes and villains in serials and B-Westerns, Moore didn't strike professional gold until 1949, when he was selected to play the "masked rider of the west" in the TV version of The Lone Ranger. He remained with the series until 1952, when he walked off the show over a salary dispute. His replacement for 26 episodes was John Hart, who had neither the bearing nor the stirring vocal timbre that had distinguished Moore's performances. Briefly returning to serials, Moore was brought back into the Lone Ranger fold in 1954 at a much higher weekly compensation. He stayed with the series until its last episode in 1956, and also starred in two Technicolor Lone Ranger theatrical features. Thereafter, Moore made a good living trading on his Lone Ranger image in TV commercials and personal appearances. In 1978, the Wrather Corporation, which owned the Lone Ranger property and was about to embark on a new feature film based on the character, served Moore with a court order barring him from appearing in public in the Ranger mask and costume. The outpouring of public support and sympathy eventually forced the Wrather people to reverse their decision, but it should be noted that they weren't quite the Scrooges depicted in the press: Throughout the 1970s, Clayton Moore made many appearances as the Lone Ranger without paying the necessary licensing fee to Wrather.

Trivia: A mixed-blood Mohawk Indian, Jay Silverheels was the son of a Canadian tribal chief. Silverheels excelled in sports during his youth and it was this prowess that brought him to Hollywood in 1938 as a stunt man. Though most of Silverheels' earliest film appearances went uncredited, it was difficult to ignore him in such roles as the Osceola boy in Key Largo (1948) and Geronimo in Broken Arrow (1950). In 1949, Silverheels was cast as Tonto on the pilot episode of TV's The Lone Ranger. Until the series shut down production in 1956, Silverheels essayed the role of the masked man's "faithful Indian companion," while Clayton Moore (and, briefly, John Hart) was seen as the Ranger. Silverheels also co-starred in two spin-off Lone Ranger theatrical films and reprised the Tonto role in a memorable Jeno's Pizza Rolls advertisement of the 1960s ("Have-um pizza roll, kemo sabe?"). Silverheels' other film credits include a cameo in the all-star fiasco The Phynx (1970) and a pivotal role in 1973's The Man Who Loved Cat Dancing. In the 1970s, Silverheels established himself as a prize-winning horse breeder and harness racing driver. During the period, he was asked if any of his new horses were faster than Tonto's Scout, whereupon Silverheels replied, "Heck, I can beat Scout." One of Jay Silverheels' last public appearance was on a comedy sketch on Johnny Carson's Tonight Show, wherein Silverheels summed up his relationship with the Lone Ranger as "30 lousy years."

Trivia: American general-purpose actor Douglas Kennedy attended Deerfield Academy before trying his luck in Hollywood, using both his own name and his studio-imposed name Keith Douglas. He was able to secure contract-player status, first at Paramount and later at Warner Bros. Kennedy's Paramount years weren't what one could call distinguished, consisting mainly of unbilled bits (The Ghost Breakers [1940]) and supporting roles way down the cast list (Northwest Mounted Police [1940]); possibly he was handicapped by his close resemblance to Paramount leading man Fred MacMurray. Warner Bros., which picked up Kennedy after his war service with the OSS and Army Intelligence, gave the actor some better breaks with secondary roles in such A pictures as Nora Prentiss (1947), Dark Passage (1948), and The Adventures of Don Juan (1949). Still, Kennedy did not fill a role as much as he filled the room in the company of bigger stars. Chances are film buffs would have forgotten Kennedy altogether had it not been for his frequent appearances in such horror/fantasy features as Invaders from Mars (1953), The Alligator People (1959) and The Amazing Transparent Man (1960), playing the title role in the latter. Douglas Kennedy gain a modicum of fame and a fan following for his starring role in the well-circulated TV western series Steve Donovan, Western Marshal, which was filmed in 1952 and still posting a profit into the '60s.