Trivia: British actor Sam Riley premiered onscreen with a much-coveted lead, and a professionally demanding one at that: the biographical portrayal of controversial, ill-fated post-punk singer Ian Curtis, in photographer-turned-director Anton Corbijn's haunting biopic Control (2007). Riley's courageous and disciplined performance earned a myriad of advance praises when the film swept through the festival circuit, foreshadowing an eminently successful career for the young thespian.

Trivia: Mickey Rourke originally aspired to careers as a pro baseball player and - later - a championship boxer, but did a 180 away from the ring and cut his chops as an actor instead. Rourke launched his career with small roles in 1941 (1979) and Heaven's Gate (1981) before gaining broader notice as a pyro expert in Body Heat (1981) and one of the raunchier leads in Barry Levinson's Diner (1982). He followed with admirable work in Rumble Fish (1983) and The Pope of Greenwich Village (1984), and gave a bravura performance as fanatically determined police captain Stanley White in Year of the Dragon (1985). When the film was slammed by critics, Rourke defended director Michael Cimino and snubbed all interview requests. He immediately gained a reputation as a perfectionist, agreeing only to work with directors and on projects that met with his high standards. His 1987 performances in Angel Heart, A Prayer for the Dying, and Barfly attest to this, but starring roles in Adrian Lyne's infamous 9 1/2 Weeks (1986) and Zalman King's Wild Orchid (1990) gave him a "Eurotrash" taint, only enhanced by his hot temper and maverick nature. These qualities, however, while career poison in the U.S., did nothing to hurt Rourke's reputation in France, where filmgoers adored him.From the late '80s through the early '90s, the career of this disillusioned actor with the potential of Robert De Niro spiraled down, down, down, with his co-starring appearance in Harley Davidson and the Marlboro Man (1991) just one nadir. He wrote, produced, and starred in Homeboy (1988), a film about a near brain-dead prize fighter. It skipped theatrical release and went straight to home video. The masochistic connection between this film and Rourke's subsequent resumption of his boxing career (from 1991-1994) was undeniable, though he continued to appear sporadically in small films and supporting roles. In 1997, Rourke reprised his role as an s&m fetishist in Another 9 1/2 Weeks, a virtual remake of the original, only sans the redeeming presence of Kim Basinger. Although Rourke's career consisted primarily of direct-to-video titles for several years, he had enough friends and respect among his contemporaries that he hung on to his rebound potential, and his small role in Francis Ford Coppola's 1997 adaptation of John Grisham's The Rainmaker marked something of a comeback. The following year, Vincent Gallo, an unapologetic fan of Rourke's, cast him as the antagonist in Gallo's directorial debut, Buffalo '66; the long-dormant Terrence Malick also cast Rourke in his critically-worshipped Thin Red Line (1998), but Malick excised the actor's scenes from the final cut, probably to reduce the film's whopping length. Rourke showed flashes of his former brilliance in Steve Buscemi's Animal Factory (2000), joined the cast of the Sly Stallone-headlined Get Carter remake that same year, and gave an impressive supporting performance in Sean Penn's police procedural-cum-harrowing study of obsession, The Pledge (2001). Rourke also signed on with director Robert Rodriguez for the third of that helmer's Mariachi films, Once Upon a Time in Mexico, in 2003. As a harbinger of things to come, a powerful creative bond formed between the weathered, iconic Rourke and the tireless director on the Mexico set. In 2005 the duo again teamed for Rodriguez's and Frank Miller's eagerly anticipated big screen adaptation of Miller's Sin City comics. Cast as lovelorn brute Marv, Rourke delivered an impressive performance as an imposing beast of a fellow bent on avenging the death of an angelic prostitute in this stylish noir comic book come to life, which gave him cult status among a new generation of fans. In 2004, Rourke delivered a memorable supporting performance in Tony Scott's Man on Fire alongside Denzel Washington; it marked the first film in a two-picture creative partnership between Scott and Rourke, the second half of which came to fruition with 2005's Domino.2006 saw Rourke appearing in Stormbreaker (co-starring Bill Nighy and Ewan McGregor) with Rourke as the nasty villain opposite Alex Pettyfer's "teen spy" Alex Ryder. Killshot, with Rourke as the hitman who attempts to rub out married Federal Witnesses Diane Lane and Thomas Jane, ended up being sitting on the studio's shelf for nearly three years. The film marked Rourke's first collaboration with Lane since Francis Coppola's critically-championed 1983 cult film Rumble Fish. With the release of 2008's The Wrestler, Rourke pulled off one of the most remarkable career comeback stories of the era. His role as the aging professional grappler Randy "The Ram" earned him the strongest reviews he'd received in over two decades, and secured him his first acting nomination from the Academy as well as a nod from Screen Actors Guild, and he took home the Golden Globe for best actor in a drama. Rourke would enjoy sustained success in the years to follow, appearing in films like Iron Man 2, The Expendables, and Immortals.Rourke was married to Debra Feuer from 1981-89 and Wild Orchid co-star Carre Otis from 1992-1998. Both marriages ended in divorce.

Trivia: British director Guy Ritchie frequently attributes the success of his unorthodox crime films -- 1998's Lock, Stock, and Two Smoking Barrels, 2000's Snatch -- to the fact that his offbeat miscreants are more than believable, they are real. Preferring to cast for authenticity rather than resumé, Ritchie handpicks many of his actors from the true-life cult figures and rascals of London's underbelly. Actor Jason Statham is among the best of them.A one-time Olympic diver, fashion model, and black-market salesman, Statham came to acting by way of commercials and "street theater" -- a euphemism for hustling tourists on London's Oxford Street. Raised in Syndenham, London, he was the second son of a lounge singer and a dressmaker turned dancer. Although Statham had the familial background to go immediately into entertainment, he excelled first on the high dive. He was a member of the 1988 British Olympic Team in Seoul, Korea, and remained on the National Diving Squad for ten years. In the late '90s, a talent agent specializing in athletes landed Statham a gig in an ad campaign for the European clothing retailer French Connection. This led to an appearance in a Levi's Jeans commercial and a fledgling modeling career. Meanwhile, Statham had also earned local fame as a street corner con man, selling stolen jewelry and counterfeit perfume out of a briefcase. Thus, when French Connection's owner became one of the biggest investors in Lock, Stock, and Two Smoking Barrels, he naturally introduced the diver/model/hustler to knave-hunting Ritchie.Intrigued by Statham's past and impressed by his modeling work, Ritchie invited him to audition for a part in the film. The director challenged Statham to impersonate an illegal street vendor and convince him to purchase a piece of imitation gold jewelry. Statham was evidently so persuasive that Ritchie bought four sets. When the director attempted to return his worthless acquisition -- pretending that the gold had turned to stainless steel -- Statham was so graciously inflexible that Ritchie hired him.This unorthodox audition resulted in Statham's big screen debut as Bacon, one of Lock, Stock, and Two Smoking Barrels' four primary characters engaged in a risky get-rich-quick scheme to repay a massive gambling debt. Bacon supplies a streetwise discipline and restraint that the other characters lack and a sense of humility crucial to Ritchie's film. In the director's follow-up crime comedy, Snatch, Ritchie rehired Statham to play Turkish, a smalltime hood vainly trying to break into the world of underground boxing. As this amateur but respectable hoodlum, Statham is attractive, urbane, immaculate, and smart enough to be bewildered by even his own laughable criminal ineptitude. The role began as a small supporting part in Snatch's star-filled ensemble cast but expanded throughout shooting. By the time of the film's theatrical release, Statham received top billing as its narrator and chief anti-hero.The Guy Ritchie oeuvre that supplied his breakthrough performances is not Statham's only acting arena. In 2000, he made his American film debut as a British drug dealer in Robert Adetuyi's Turn It Up starring Pras Michel. By 2001, he had finished shooting John Carpenter's sci-fi thriller Ghosts of Mars and joined Delroy Lindo in the cast of the Jet Li vehicle The One. A chance to reteam with former Lock, Stock, and Two Smoking Barrel co-star Vinnie Jones proved too fun an opportunity to resist, and Stratham would round out a particularly busy 2001 with his role in the prison-bound sports remake Mean Machine. Just as audiences were finally standing up to take notice of the amiable tough-guy, Stratham stepped into his own as the action lead of the explosive 2002 adrenaline ride The Transporter. A sizable hit that would earn Statham increasingly prominent roles in such high profile pics as The Italian Job, and Cellular, The Transporter established Stratham as a bankable international action star and was eventually followed by a 2005 sequel that miraculously managed the improbable feat of upping the ante of the previous installment's over-the-top cartoon violence. A starring role in Ritchie's 2005 crime thriller Revolver found Stratham re-teaming with the director who launched his career with decidedly mixed results, and the following year it was off to race the clock and rescue the girl as a reformed assassin looking to make good in the hyper-intense action entry Crank. The positively outrageous Crank: High Voltage upped the ante (and the ampage) in every possible way in 2009, but not before Statham got behind the wheel for Resident Evil director Paul W.A. Anderson for the 2008 remake Death Race, discovered just how far a foolproof heist could go awry in The Bank Job, and once again put the pedal to the metal in The Transporter 3. All of this left little doubt that Statham had quickly become one of the most bankable action stars of his generation, and in 2010 he teamed with none other than Sylvester Stallone for the all-star action flick The Expendables. The action just kept coming in The Mechanic, Blitz, Killer Elite (which paired him with screen legend Robert DeNiro), Safe, and the super-sized The Expendables 2 in 2012. Statham next joined another franchise, making a cameo appearance in Fast & Furious 6. He also reprised his role in The Expendables 3. In 2015, Statham appeared in Furious 7 and flexed his comedy chops in Spy, opposite Melissa McCarthy, earning favorable reviews and opening him to another genre.

Trivia: Frequently cast as a working-class hard man, British actor Ray Winstone gained his first dose of international recognition for his brutal portrayal of an abusive, alcoholic family patriarch in Gary Oldman's Nil by Mouth (1997).Born in Hackney, London, on February 19, 1957, Winstone spent much of his youth as an amateur boxer. He first stepped into the ring at the age of 12 and over the course of the next several years won over 80 medals and trophies. Reportedly deciding to give acting a try because he was tired of getting hit, Winstone studied drama for a couple of years at the Corona School. He got his first break when director Alan Clarke cast him in the BBC's televised production of Scum (1977), a harsh depiction of life in a Borstal for young offenders. Due to its content, the film was banned before being released theatrically two years later. Winstone began appearing in other films that same year, notably the Who's Quadrophenia.Winstone continued to work in both film and television throughout the next decade, doing most of his work in countless TV series. In 1994, he earned strong notices for his starring role in Ken Loach's Ladybird, Ladybird. Three years later, Winstone's harrowing performance in Oldman's Nil by Mouth garnered him a Best Actor BAFTA nomination, as well as recognition on both sides of the Atlantic. He subsequently could be seen in a number of diverse projects, ranging from Face, Antonia Bird's 1997 crime drama, to the romantic comedy Martha, Meet Frank, Daniel and Laurence (1998) to Tim Roth's The War Zone (1999), in which Winstone earned further acclaim as the abusive patriarch of a wildly dysfunctional family. Also in 1999, he could be seen playing a loan shark who gives Anjelica Huston a hard time in Huston's Agnes Browne.Winstone gained wide international notice for his starring role in 2000's Sexy Beast, holding his own opposite Ben Kingsley, who earned an Academy Award nomination for his performance. He followed that up with a well-received part in 2001's Last Orders and parlayed his success into a supporting role in Anthony Minghella's 2003 star-studded Civil War drama Cold Mountain. He continued to work steadily appearing in a variety of films including Martin Scorsese's Best Picture winner The Departed, Beowulf, Fool's Gold, Indiana Jones and the Kingdom of the Crystal Skull, Hugo, and Snow White and the Huntsman.

Trivia: A raven-haired Canadian actress with a curiously mysterious history and a friendly smile, Emmanuelle Chriqui has been working frequently in television since 1995. With roles in Steven Spielberg's A.I. and alongside 'N Sync singer Lance Bass in On the Line (both 2001), the fresh-faced actress gained increased exposure and notable momentum in her cinematic career. Born in Montréal, Québec, Canada, in 1977, Chriqui began acting in commercials at the age of ten, later graduating to feature films with roles in Detroit Rock City (1999) and Snow Day (2000). Also turning up frequently in bit roles on television, Chriqui has shown increasing promise in a variety of diverse roles and projects. She appeared in the 2003 thriller Wrong Turn, and in 2005, she began a recurring role on the smash hit HBO series Entourage as Sloan. She'd stay with the series until 2007, while also appearing in films like In the Mix and After Sex. In 2008, she joined Josh Hartnett for the Wall Street drama August, and joined the cast of the Adam Sandler comedy You Don't Mess with the Zohan. In 2009 she starred in Taking Chances and Patriotville, and two years later she appeared in prominent roles in both 13 and 5 Days of War.

Trivia: Began acting at 7 years old, but quit at 13 to concentrate on his education. Served in the Swedish military, but returned to acting as a career once he was out of his teens. Lent his support to the Tails for Whales campaign, a global initiative calling for stronger whale protection sponsored by the International Fund for Animal Welfare. The online petition features photos of people making whale tails with their upturned hands. With co-director Björne Larson, won Grand Prix and Press Awards at the 2003 Odense International Film Festival in Denmark for Att döda ett barn (To Kill a Child), a short film narrated by his father, Stellan Skarsgård. Appeared in Lady Gaga's music video for "Paparazzi." Is a fan of the Swedish soccer club Hammarby IF in Stockholm. Nominated for the Swedish Film Institute's Guldbagge ("Golden Beetle") Award for Best Supporting Actor for Hundtricket in 2002.

Trivia: Distinguished character actor Michael Shannon essayed a diverse series of characterizations onscreen, beginning just after the start of the new millennium. A veteran member of Chicago's experimental Red Orchid theatrical troupe, Shannon specialized in small, multidimensional portrayals that added to the overall effectiveness of each project -- per his contributions to Vanilla Sky (2001), 8 Mile (2002), and Bad Boys II (2003). Whenever necessary, Shannon imperceptibly blended into the material at hand. He played a therapist in Nicole Kassell's psychodrama The Woodsman (2004), yet by virtue of his emotional intensity and eccentric look, Shannon evinced an ability to dominate with his onscreen presence, as well. Nowhere was this tendency more evident than in William Friedkin's psychological thriller Bug (2006). As adapted by Tracy Letts from his own stage play, the film concerns a shabby and skanky drifter (Shannon, reprising his role from the play) with a serious complex of delusional schizophrenia, who believes that bugs are crawling beneath his skin and enters a terrifying pas de deux with a young waitress (Ashley Judd). Shannon followed it up with a memorable contribution to Oliver Stone's World Trade Center -- as a military man desperate to help in any way possible during the 9/11 tragedy -- and Sidney Lumet's Before the Devil Knows You're Dead (2007), a crime thriller about two brothers who team up to rob a jewelry store. Shannon grabbed his first taste of stardom with his breakout role as a mentally disturbed man in Sam Mendes' adaptation of Revolutionary Road. His truthful, menacing character cut through the main characters' self-deception, and Shannon's off-kilter delivery won him glowing notices from critics, as well as a nomination for Best Supporting Actor from the Academy. He worked steadily after that success appearing in The Greatest, Jonah Hex, and Bad Lieutenant: Port of Call New Orleans. In 2010 he had a pair of critical successes that included his work as a repressed federal agent on the HBO series Boardwalk Empire, and his portrayal of the eccentric rock entrepreneur Kim Fowler in The Runaways. In 2011 he again earned raves for his work a schizophrenic in Take Shelter. His intensity got him cast relatively often as bad guys, something he put to great effect in the 2012 action film Premium Rush and in the criminal biopic The Iceman.

Trivia: A former New York City police officer who was inspired to take up acting after seeing a performance of A Few Good Men on Broadway, David Zayas subsequently enrolled in Ernie Martin's acting classes and began honing his craft while he wasn't fighting crime. Later, Zayas would sign on with the Labyrinth Theater Company alongside Philip Seymour Hoffman and John Ortiz and appear in a variety of groundbreaking productions including In Arabia We'd All Be Kings and Jesus Hopped the "A" Train. Thirty plays later, Zayas was discovered by Tom Fontana and cast in the hit HBO series Oz. Zayas would stick with the series for three seasons, his role as the leader of the Latino prison population gradually drawing the eye of such acclaimed filmmakers as Martin Scorsese and James Gray. While roles in Bringing Out the Dead, The Yards, Bristol Boys, and 16 Blocks all served well to advance Zayas' career on the big screen (where he could usually be found playing a detective or police officer), he remained faithful to the stage by appearing in a Broadway production of Anna in the Tropics at the Royal Theater and could later be seen opposite Michael C. Hall in the Golden Globe-nominated Showtime series Dexter.

Trivia: Both an accomplished character actor and leading man, Ben Gazzara made a name for himself on the stage, screen, and television. The son of an Italian immigrant, Gazzara was born in New York City on August 28, 1930. He channeled his excess energy into acting after dropping out of the engineering department at the City College of New York. After studying at the Actors Studio and with private coach Erwin Piscator, Gazzara exploded onto the Broadway scene in 1953, playing warped military academy upper-classman Jocko De Paris in End as a Man. He went on to create the role of Brick in the original 1955 production of Tennessee Williams' Cat on a Hot Tin Roof. He later starred in Michael V. Gazzo's A Hatful of Rain, only to see his role go to Don Murray in the 1957 movie version, just as Paul Newman would portray Brick in the 1958 film version of Cat. Fortunately, Gazzara was permitted top film billing in 1957, reprising his stage role in End as a Man in the heavily laundered film-version, The Strange One. Two years later, Gazzara played arrogant murder-trial defendant Lieutenant Manion -- the one with the "irresistible impulse" -- in Otto Preminger's Anatomy of a Murder, slyly stealing scenes from the film's "official" star, James Stewart. After this promising beginning in films, Gazzara had trouble finding adequate movie roles. He turned to television in 1963, first as a co-star with Chuck Connors in the experimental 90-minute crime weekly Arrest and Trial. In 1965, Gazzara starred as Paul Bryan, an ex-lawyer with only a short time to live, on the TV popular series Run for Your Life; in spite of his character's fatal illness, Gazzara was able to remain with Run for three healthy seasons. With 1970's Husbands, Gazzara made the first of four film appearances under the direction of his old Actors Studio buddy John Cassavetes. Four years later, Gazzara starred as the Leon Uris counterpart in television's first miniseries, QB VII (1974). In the decades that followed, Gazzara took roles that, while not always prestigious, permitted him ample creative elbow room; a fascinating example of this was his bisexual villain in the Patrick Swayze vehicle Road House (1989). In 1998, he did some of the best work of his career portraying a series of beautifully dysfunctional characters in Buffalo '66, Happiness, and the Coen Brothers' The Big Lebowski. The following year, he traveled into the realm of slick international caper with a supporting role in The Thomas Crown Affair, and then returned to his New York roots to portray the leader of organized crime in the Bronx in Spike Lee's Summer of Sam. Gazzara remained active up through the end of the following decade, continuing to make onscreen appearances even after severe throat cancer that ravaged his vocal chords. He tackled two of his last assignments in the 2006 omnibus picture Paris, je t'aime and the 2008 comedy-drama Looking for Palladin, prior to his death at age 86 in early February 2012.Gazzara was divorced from the late actress Janice Rule.

Trivia: Supporting actor, onscreen from the late '80s.

Trivia: Made his television debut in the 1993 episode of NYPD Blue, titled "48 or Not 48."Made his feature film debut in the 1994 action crime drama, Mad Dog Coll.Performed in Promises, Promises at the Springfield Muni Opera.

Trivia: Lead actor, onscreen from the early '70s.

Trivia: African-American supporting actor Paul Butler has appeared onscreen from the '80s.

Trivia: Multihyphenate Yusuke Iseya enjoyed a prolific modeling career in his native Japan before transitioning to narrative feature work, initially as a supporting actor in indigenous arthouse films that occasionally traveled abroad, including (most memorably) director Hirokazu Kore-eda's universally acclaimed spiritual fantasy After-Life (1998), as well as Akihiko Shiota's juvenile delinquency drama Harmful Insect (2001). That exposure led to a successful television career for Iseya on Japanese daytime dramas; in 1998, Iseya shifted gears altogether by traveling to the United States and enrolling in New York University film school, which he reportedly funded with modeling monies; a debut directorial effort soon followed, the 2002 Kakuto, as did additional on-camera roles in Japanese films including Honey and Clover (2006) and Sea Without Exit (2006), as well as a voice assignment in the animé feature Tekkonkinkreet (2007). In 2008, Iseya took his first steps toward projects originating outside of Japan with a prominent role as a visually impaired man in Fernando Meirelles' thriller Blindness, starring Julianne Moore and Mark Ruffalo, a Canadian-Brazilian-Japanese co-production.

Trivia: Born Curtis James Jackson III in Queens, NY, superstar hardcore rapper 50 Cent -- more than any of his contemporaries -- lived out the mythology of the "urban gangsta," to such a degree that he's quite fortunate to be alive, let alone a pop-culture superstar. The product of a broken home, 50 Cent survived stabbings, shootings, crack dealing, multiple incarcerations, and many other calamities and near-misses, and then drew lyrically from his own violent personal history, using this authentic material (with the help of Run-D.M.C.'s Jam Master Jay and Eminem) to establish himself as one of the most important rap acts of the early 21st century. 50 Cent's albums Get Rich or Die Tryin' (2003) and The Massacre (2005) thrived on the songster's outstanding hooks, clever lyrics, and superlative production values; consequently, each album sold several million copies and turned the rapper into an American icon. The musician's look also turned heads: tall, rippled, and tattooed, frequently sporting a bulletproof vest and a large pistol, he became the newest spokesperson for the "gangsta" subculture. The leap from rap superstardom to movie stardom can be a short one, as Ice-T and Ice Cube demonstrated. Although 50 Cent launched his cinematic career as an onscreen subject -- in the 2003 documentaries 50 Cent: The New Breed and 50 Cent: Unauthorized -- Shoot First -- he soon branched out into more challenging material. In 2005, 50 Cent headlined a gritty big-screen biopic of his own life, Get Rich or Die Tryin', directed by My Left Foot helmer Jim Sheridan. In that movie, the rapper hearkened back to his given name, with billing as Curtis "50 Cent" Jackson. In 2008, he went on to co-star in the cop thriller Righteous Kill, directed by Jon Avnet, with legendary actors Robert De Niro and Al Pacino as a pair of Manhattan cops on the trail of a serial murderer. He continued to appear in music-related documentaries and concert films, and in 2011 he produced the Mario Van Peebles film All Things Fall Apart. The next year he appeared in the thriller Odd Thomas as part of a cast that includes Anton Yelchin, Willem Dafoe, and Patton Oswalt.