Trivia: Born in a tough Los Angeles suburb, actress Lindsay Wagner quickly became accustomed to having to work hard and fight harder for the things she wanted out of life. The blonde, 5'11" Wagner supplemented her modelling and singing income by teaching theater arts to schoolchildren. In 1971, she was signed to a $162-per-week contract at Universal Pictures, under whose auspices she played supporting roles in such TV series as The Bold Ones and Owen Marshall, M.D. and co-starred in the theatrical features Two People (1972) and The Paper Chase (1973). Though she received good reviews for her work in the last-named film (in which she was cast as the daughter of imperious law professor John Houseman), Lindsay was summarily dropped by her studio in 1975. At the same time, Universal executives were looking for a tall, athletic actress to play a "bionic woman" opposite Lee Majors in a special two-part installment of the weekly TV series The Six Million Dollar Man. Lindsay's contract was extended an extra few days to permit her to play the role of Jaime Sommers -- and when the two-parter was spun off into the Bionic Woman TV series in 1976, Lindsay, still bitter over her firing, demanded a then-staggering sum of $17,500 per program, and a percentage of the merchandising profits. After the cancellation of Bionic Woman in 1978, Lindsay kept her star shining brightly such made-for-TV movies as The Incredible Journey of Dr. Meg Laurel (1979), Callie and Son (1981), I Want to Live (1983), Convicted (1986), The Taking of Flight 847: The Uli Dedrickson Story (1989), and I Want to Keep My Daughter (1995). She has also appeared in several TV-movie sequels to The Bionic Woman, including 1993's Bionic Ever After. In addition to maintaining her successful acting career, Lindsay Wagner has entered the booming instructional-video market with Lindsay Wagner's New Beauty: The Accupressure Facelift.

Trivia: There are several theories as to why Peter Cohon chose the stage name of Peter Coyote; for his part, the actor is reluctant to discuss an event that apparently was the end result of an evening's experimentation with controlled substances. In the late 1960s, Coyote quit his job as a dockworker to "turn on, tune in and drop out." With hair so long that he could sit on it (by his own admission), Coyote was a "fringie" with such varied organizations as the Grateful Dead and the Hell's Angels, and also worked for a while with a guerilla mime group. After years of deprivation, Coyote dropped back into society in 1975, accepting a job as a drama teacher at a public school. Rapidly approaching middle age, Coyote entered films with 1980's Die Laughing. Throughout the 1980s, he alternated between good guys, villains, and a vaguely defined stereotype known as "loser boyfriends." As the vengeful public prosecutor in The Jagged Edge (1985), Coyote turns out not to be the film's principal heavy; even so, we leave the picture disliking his character more than anyone else's. Leading roles came his way in such films as Exposure (1991), but even here he could not completely escape an aura of slime (his ostensibly heroic character burrows through the seamy underside of Rio in search of a prostitute's murderer). One of Coyote's few unconditionally "nice" roles was as the enigmatic scientist Keys in the champion moneymaker E.T. (1982). In the late 1990s, Coyote published Sleeping Where I Fall, a candid memoir of his years as a cultural drop out. In 1992 Roman Polanski tapped him to play the lead in his psycho-sexual black comedy Bitter Moon, and he continued to work steadily in a variety of projects after that such as Kika, Buffalo Girls, Patch Adams, and Sphere. With his deep, distinctive voice he became an in demand narrator for documentaries. He had a small but memorable turn in Erin Brokovich, and was cast in Brian De Palma's Femme Fatale. He was in the teen drama A Walk to Remember, and the Polish brothers cast him in their 2003 film Northfork. Although his big-screen appearances began to dwindle, he remained one of the most ubiquitous narrators of non-fiction films of various types.

Trivia: Though early on, short, pugnacious American actor Gerald S. O'Loughlin dreamed of becoming a lawyer, the prohibitive cost of law school forced him to steer toward engineering as a career. O'Loughlin was deflected from this ambition by an increasing interest in the theatre. After a long stint with the Marines, O'Loughlin used his GI Bill money to finance his participation at the Neighborhood Playhouse in New York. Working steadily on stage and in live TV drama, O'Loughlin made an inauspicious debut as the romantic lead in the Manhattan-filmed turkey Lovers and Lollipops (1956); one year later, he was shown to better advantage re-creating his stage role in the filmization of Michael Gazzo's play A Hatful of Rain (1957). For many children of the '70s, Gerald O'Loughlin will always be the tough-but-tender Lt. Ryker on the long-running cop series The Rookies. Even in his subsequent TV series assignments (Automan [1983-1984], Our House [1986]) one half expected O'Loughlin to drop character and start barking out "Hey! Danko." Gerald O'Loughlin was married to casting director Meryl Abeles.

Trivia: Supporting actor Boyd has appeared onscreen from the '70s.

Trivia: Named a Clarence Derwent award winner in 1969 for her role in The Great White Hope. The award honors the most promising performers in the New York area. Received a Theatre World Award in 1969. Had her West Indian friends help her prepare for her role on Maude by working on her accent. Is a skilled seamstress who can make clothes, draperies and bedding.

Trivia: Peter Hobbs began his long career in the 1964 film Good Neighbor Sam. He has worked on both television and in feature films. He is typically cast as an authoritarian figure.

Trivia: Character actress, onscreen from the '80s. She was married to actor Will Geer.

Trivia: American actor Simmy Bow played small character roles in a number of popular films during the '70s and '80s. He died in 1987 shortly after appearing in Beetlejuice.