Trivia: Loni Anderson's first acting appearance, at age 10, was in the auditorium of her St. Paul grammar school. An art student at the University of Minnesota, Loni worked her way through her freshman year by winning beauty contests. Married and divorced at 18, Loni was compelled to take a teaching job to support herself and her infant daughter, but she was able to eventually complete her college education. Still a brunette in the early stages of her professional career, Loni acted in Midwestern repertory companies and TV commercials before coming to Hollywood with her second husband in 1975. Three years later, a newly blonde Loni was cast as "look but don't touch" radio station receptionist Jennifer Marlowe on the popular sitcom WKRP in Cincinnati. After the series' cancellation in 1982, Loni appeared in films and starred in two subsequent series, Partners in Crime (1984) and Easy Street (1986), as well as a syndicated WKRP revival in 1990. One of the uncrowned queens of the TV movies, Loni has starred in the made-for-television biopics of Jayne Mansfield and Thelma Todd, and through the auspices of her own production company appeared in TV remakes of Leave Her to Heaven and Sorry Wrong Number. Loni Anderson's most recent husband was film superstar Burt Reynolds, whom she met on the set of Stroker Ace (1983); after several months of well-publicized courtroom histrionics (most stemming from a custody battle over their adopted son), Loni and Burt's marriage came to a comparatively swift and silent end in 1994.She would work in frequently from that point on, though she starred in 3 Ninjas: High Noon at Mega Mountain and appeared in the SNL adaptation A Night at the Roxbury. In 2011 she was one of the people who appeared in the affectionate documentary Carol Channing: Larger Than Life.

Trivia: Born in England, Joe Penny graduated to Hollywood hunkdom in the late 1970s, beginning with an appearance in the 1977 good-ole-boy flick Delta County USA. Other films followed, but Penny's celebrity status was contingent upon his television work. He rose to prominence with good roles in TV movies and miniseries like The Girls in the Office and The Gossip Columnist. In the 1980s, Joe Penny starred on no fewer than three weekly series: he played trigger-happy Bugsy Siegel in The Gangster Chronicles (1981), private eye Nick Ryder in Riptide (1984-86) and undercover investigator Jake Styles in Jake and the Fatman (1987-92).

Trivia: The daughter of actors Gene and Kathleen Lockhart, June Lockhart made her own acting bow at age 8. In 1938, the 12-year-old June appeared in her first film, A Christmas Carol (1938), in which her parents portrayed Mr. and Mrs. Bob Cratchit. Few of her ingenue roles of the 1940s were memorable, though Lockhart did get to play the title character in The She-Wolf of London (1945) (never mind that she turned out not to be a she-wolf by fadeout time). In 1958, Lockhart took over from a recalcitrant Cloris Leachman in the role of rural wife and mother Ruth Martin on the long-running TV series Lassie. Though she professed to despise the role, Lockhart remained with the series until 1964, and over 20 years later satirically reprised the character on an episode of It's Garry Shandling's Show. She went on to play the young matriarch of the "space family Robinson" on the Irwin Allen TV endeavor Lost in Space (1965-68), and portrayed a lady doctor on the last two seasons of the bucolic sitcom Petticoat Junction. In deliberate contrast to her TV image, Lockhart enjoyed a bohemian, kick-up-your-heels offscreen existence. At one juncture, she was fired from her co-hosting chores at the Miss USA pageant when it was revealed that (gasp!) she was living with a man much younger than herself. June Lockhart is the mother of Anne Lockhart, a prolific TV actress in her own right.

Trivia: One of the more talented "barrel-chested surfer boys" of the early '60s to follow in the wake of Tab Hunter and Troy Donahue, Jeremy Slate gained instant notoriety as a playboy hunk who set many a female heart aflutter. Born February 17, 1926, in Atlantic City, NJ, Slate first fell into the public spotlight at age 34, when cast as second-string fiddle to Keith Larsen in the CBS prime-time series The Aquanauts. Larsen and Slate played Drake Andrews and Larry Lahr, professional deep-sea divers who spent their days salvaging for treasure off the Southern California coast. The adventure drama debuted on CBS Wednesday evening, September 14, 1960. Unfortunately, The Aquanauts (unlike its syndicated competitor, Sea Hunt) ran headfirst into awful ratings. After several attempts by the network to save it from oblivion (including a new lead actor replacing Larsen, a new location in Malibu Beach, and a new title, Malibu Run) it quickly plummeted out of sight before wrapping in September 1961. Slate's early film roles were almost all of the vacuous-hunk variety, and thus mirrored his Aquanauts turn. He appeared in a brace of Elvis flicks, G.I. Blues (1960) and Girls! Girls! Girls! (1962), and as Scandinavian beefcake Eric Carlson in Bob Hope's musical comedy farce I'll Take Sweden (1965). The Henry Hathaway-directed Westerns The Sons of Katie Elder (1965) and True Grit (1969) provided the actor with slightly more substantial roles. Meanwhile, Slate guest starred on an estimated 100 television programs, from Bewitched to Gunsmoke to Police Story to Mission: Impossible.Slate maintained a higher profile as a writer and star of the motorcycle cult film Hell's Angels '69 (1969), directed by Lee Madden. This fell in the middle of a spate of grade-Z motorcycle flicks with Slate in the cast, from 1968's The Mini-Skirt Mob to 1967's Born Losers (the first of the Billy Jack cycle) to 1969's Hell's Belles. The "tough guy" role in these films was not anomalous for Slate, for as the '60s rolled on (and the actor entered his forties), his onscreen type shifted from that of a lusty Southern Californian sex symbol to a wizened street tough. The films in which he sustained this image varied somewhat in quality, but Slate scraped bottom (and then some) in William Grefe's nasty exploitationer The Hooked Generation (1969) as the head of a gang of drug pushers.In 1979, Slate hit a second wind of his career as Chuck Wilson on the ABC daytime soap One Life to Live. The role lasted eight years. During the '80s and '90s, he also appeared as a character actor in such low-profile cinematic features as Deadlock (1988), Maddalena Z (1989), and The Lawnmower Man (1992, playing Father McKeen).Jeremy Slate died at age 80, of complications following surgery for esophageal cancer, on November 19, 2006. His last film, Terry Leonard's Buttermilk Sky (2007), was released posthumously.

Trivia: Born on her family's cattle ranch in Texas, American actress Phyllis Coates left home to attend UCLA. Shortly afterward she secured a dancing job with Ken Murray's Blackouts, a long-running LA-based stage review. She later danced for producer Earl Carroll and in a USO tour of Anything Goes. Through the auspices of her first husband, director Richard Bare, Phyllis entered films in 1948 as leading lady of Warner Bros.' Behind the Eight-Ball short subjects series, playing Mrs. Joe McDoakes (George O'Hanlon). Coates stayed with the Eight-Ball series even after her marriage to Bare ended, and also appeared in supporting parts in such Warners features as Look for the Silver Lining (1949). In 1951, Coates was cast as reporter Lois Lane in Lippert Productions' "B"-feature Superman and the Mole Men, wherein George Reeves played the dual role of Superman and Clark Kent for the first time. This week-long assignment led to both Reeves and Phyllis being cast in the subsequent Superman TV series. While Phyllis thrived on the rigors of the hectic production schedule and was a good friend of Reeves', she was compelled to leave Superman after its first season when a possible starring role in another TV weekly came her way. That project died, but Phyllis remained in films until the early 1960s, mostly in westerns (Marshall of Cedar Creek [1953] and Blood Arrow [1958]) and also as the lead in one of the last Republic serials, Panther Girl of the Kongo (1953). She appeared in quite a few sci-fi and horror films as well; in Invasion USA (1952) one of her fellow cast members was Noel Neill, the actress who'd replaced her as Lois Lane on Superman. Phyllis remained active in television throughout her career, co-starring on the short-lived 1958 sitcom This is Alice and playing good guest roles in a multitude of series like Perry Mason, The Untouchables and The Patty Duke Show. Long in retirement, Phyllis Coates returned to films and TV in the early 1990s; one of her best latter-day roles was on the newest Superman TV incarnation, Lois and Clark where she plays Lois Lane's mother!