Trivia: While still attending high school in Toronto, Rick Moranis held down a part-time job as a radio engineer. After working as a solo nightclub comic and radio deejay, Moranis joined the Second City comedy troupe, which lead to his television bow in 1980 on the syndicated weekly Second City TV. Like his SCTV colleagues, Moranis' strong suit was his versatility, though his early fame rested on a single characterization. Grudgingly honoring a Canadian regulatory requirement that Second City TV include a sequence of "identifiable Canadian content" in each episode, Moranis and Dave Thomas created the characters of Bob and Doug McKenzie, a pair of beer-guzzling, back-bacon-chewing "hosers" who allegedly represented certain Canadians. The largely improvised McKenzie brothers segments scored an immediate hit, spawning a 1983 feature film Strange Brew, which Moranis and Thomas starred in, co-wrote and co-directed. Since leaving Second City TV, Moranis has pursued a successful film career, usually playing clueless or self-involved nerds. He played reluctant "ghost host" Louis Tully in the two Ghostbusters films, was cast as Seymour Krelboin in the 1986 musical version of Little Shop of Horrors, and was seen as eccentric inventor Wayne Szalinski in Honey I Shrunk the Kids (1989) and its sequel Honey I Blew Up the Kid (1992). Even in his 40s, Moranis convincingly portrayed geekish losers-turned-winners in such films as Little Giants (1994) and Big Bully (1995). He played a convincing live-action version of Barney Rubble in The Flintstones (1994). In 1997, he reprised Wayne Szlalinski in Disney's third installment of their now direct-to-video series Honey We Shrunk Ourselves. Having lost his wife Ann to liver cancer in 1991, the beloved character actor subsequently retreated from the spotlight to raise their two children, emerging only occasionally for vocal work on projects like The Animated Adventures of Bob and Doug McKenzie and Brother Bear (both 2003), or to record his Grammy-nominated country album The Agoraphobic Cowboy.

Trivia: Supercharged American stage and screen actress Ellen Greene was educated at Ryder College. After her leading-lady film debut in Next Stop Greenwich Village (1978), Ellen's career was steady but unspectacular until she was cast as airheaded heroine Audrey in the 1982 Broadway musical hit Little Shop of Horrors. She was among the few cast members to recreate her role for the 1986 screen version; so winning was her performance in this film and the subsequent Talk Radio (1988), that critics and pundits predicted major stardom. So far as Ellen was concerned, she was already a star, and behaved accordingly. Cast as a neurotic rock 'n' roller-turned-evangelist in the 1989 TV movie Glory! Glory!, Ms. Greene became difficult and demanding, throwing her weight around in a manner suggesting that she been on top long enough to be permitted this behavior. Evidently her imperiousness paid off; Glory! Glory! was an excellent effort, thanks in no small part to the towering performance of its leading lady. After Glory! Glory!, Ellen Greene continued to get good roles on stage and in television; in 1992, the actress joined several other musical comedy veterans as a voice artist for the animated cartoon feature Rock a Doodle.

Trivia: Working as a Disneyland concessionaire in his teens, comedian Steve Martin's first experiences in entertainment were of the party performer variety -- he picked up skills in juggling, tap-dancing, sleight of hand, and balloon sculpting, among other things. He later attended U.C.L.A., where he majored in philosophy and theater before moving on to staff-writer stints for such TV performers as Glen Campbell, the Smothers Brothers, Dick Van Dyke, John Denver, and Sonny & Cher. Occasionally allowed to perform as well as write, Martin didn't go into standup comedy full-time until the late '60s, when he moved to Canada and appeared as a semi-regular on the syndicated TV variety series Half the George Kirby Comedy Hour. As the opening act for rock stars in the early '70s, Martin emulated the fashion of the era with a full beard, shaggy hair, colorful costumes, and drug jokes. Comedians of such ilk were common in this market, however, so Martin carefully developed a brand-new persona: the well-groomed, immaculately dressed young man who goes against his appearance by behaving like a lunatic. By 1975, he was the "Comic of the Hour," convulsing audiences with his feigned enthusiasm over the weakest of jokes and the most obvious of comedy props. His entire act a devastating parody of second-rate comedians who rely on preconditioning to get laughs, Martin became internationally famous for such catch phrases as "Excu-u-use me!," "Happy feet!," and "I am...one wild and crazy guy!" It was fun for a while to hear audiences shout them out even before he'd uttered them, but it wasn't long before Martin was tired of live standup and anxious to get into films. Though Martin had roles in Sgt. Pepper's Lonely Hearts Club Band (1977) and The Muppet Movie, Martin's true screen bow was The Jerk (1979), in which, with the seriousness of Olivier, he portrayed a bumbling, self-described poor black child-turned accidental millionaire. Had he been a lesser performer, Martin could have played variations on The Jerk for the remainder of his life, but he preferred to seek out new challenges. It took nerve to go against the sensibilities of his fans with an on-edge portrayal of a habitual loser in Pennies From Heaven (1981), but Martin was successful, even if the film wasn't. And few other actors could convincingly pull off a project like Dead Men Don't Wear Plaid (1983), wherein, and with utter conviction, he acted opposite film clips of dead movie stars. After a first-rate turn in All of Me (1984), in which he played a man whose body is inhabited by the soul of a woman, Martin's film work began to fluctuate in quality, only to emerge on top again with Roxanne (1987), a potentially silly but ultimately compelling update of Cyrano de Bergerac. Though he participated in a fair amount of misses in the '80s and '90s (Mixed Nuts (1994), Housesitter (1992), Leap of Faith (1992), and Sgt. Bilko (1996), to name a few), Martin was unarguably full of surprises, as witnessed in his unsympathetic portrayal in Planes, Trains and Automobiles (1989), his hilariously evil dentist in Little Shop of Horrors (1986), his angst-ridden father in Parenthood (1989), his smooth-talking Italian in My Blue Heaven, and his callow film producer in Grand Canyon (1991) -- though the public still seemed to prefer his standard comic performances in The Three Amigos (1986), Father of the Bride (1991), and L.A. Story (1991). Martin then went out on yet another artistic limb with A Simple Twist of Fate (1994) -- a film update of that high-school English-class perennial Silas Marner. After starring in a very dark role in David Mamet's The Spanish Prisoner (1997) and an unsuccessful return to comedy in The Out-of-Towners (1999), Martin again won acclaim for Bowfinger, a 1999 comedy-satire that cast him as its titular hero, an unsuccessful movie director trying to make a film without the aid of a real script or real star. Martin -- who also wrote the film's screenplay -- played the straight man against Eddie Murphy, once again impressing critics with his versatility. According to rumor, Martin based Heather Graham's character on former flame Ann Heche.In addition to his Hollywood activities, Martin is well-known for his intellectual pursuits. His play Picasso at the Lapin Agile was produced successfully off-Broadway, and he has contributed numerous humor pieces to The New Yorker magazine, and penned the bestselling novella Shopgirl. Martin was also a featured artist in the PBS documentary series Art 21: Art in the 21st Century and discussed the visual arts as an integral form of self-expression. The 2000's found Martin in a slew of smaller roles, including a cameo as a heckler in Remember the Titans (2000), and a supporting role in director Stanely Tucci's historical comedy drama Joe Gould's Secret (2000). In 2001's Novacaine, Martin found himself playing dentist for the second time in his life, though this dentist would be decidedly less sadistic than the one he had played in camp favorite Little Shop of Horrors (1986). Despite an all-star cast (besides Martin, Novacaine featured Oscar-winner Helena Bonham Carter and Laura Dern) the black comedy was dismally received. Luckily, 2003's odd-couple comedy Bringing Down the House with Queen Latifah, rapper and surprising Oscar nominee for her role in Chicago, fared relatively well in theaters. Martin teamed up with the likes of Brendan Fraser, Jenna Elfman, and Bugs Bunny in Looney Tunes: Back in Action (2003), in which he plays the evil Mr. Chairman, head of the monolithic Acme Corporation. A film version of Shopgirl starring Martin and Claire Danes is currently slated for a 2005 release. Martin would remain a vital comedic actor in the years to come, appearing in films like Baby Mama and It's Complicated.

Trivia: During the '70s and '80s Vincent Gardenia was one of the most familiar character actors in film, television, and on the Broadway stage. Though viewers may not always have remembered his name, his sad eyes, hawk-nosed Italian-American face, short, stocky build, and distinctive often booming Brooklyn-accented voice and exaggerated gestures made him instantly recognizable. Gardenia was born Vincent Scognamiglio in Naples, Italy, but he was raised in New York from the age of two. Once in the Big Apple, his father founded an Italian-language theater troupe and it is with them that Gardenia learned his craft. When he was 14, Gardenia dropped out of school to become a full-time actor with the company. He was in the army during WWII; after his discharge he returned to work in his father's theater and in other Italian-American productions. Though he had played a bit part in the 1945 film The House on 92nd Street, Gardenia did not launch his real film career until he was in his mid-thirties and played his first major role in The Cop Hater (1958). Though most often cast as Italian-Americans or in simple ethnic roles, Gardenia was a versatile actor who could easily switch from comedic to dramatic roles in films of widely varying quality. Some of his best-known roles include that of a bartender in 1961 in The Hustler, and Dutch Schnell in Bang the Drum Slowly (1973) opposite Robert De Niro. The latter garnered Gardenia his first Oscar nomination for Best Supporting Actor. Gardenia's second nomination came in 1987 for his memorable portrayal of Cher's father in Moonstruck. The character actor was 70 when he played his final role in the Joe Pesci vehicle The Super (1991). Gardenia's considerable television work includes the soap opera Edge of Night, a regular role on All in the Family (during the 1973-1974 season), the short-lived series Breaking Away (1980-1981), and a semi-regular role on L.A. Law in 1990. He has also made numerous guest appearances. Gardenia died of heart failure in 1992 at the age of 70.

Trivia: Dedicated film buffs will remember Tichina Arnold as Crystal, one of the three black girls who perform R&B numbers as a Greek chorus, in Frank Oz's imaginative movie musical Little Shop of Horrors (1986). Arnold was only 15 at the time; her career continued steadily after that, with a role or two almost every year. Though the actress' cinematic efforts -- such as How I Got Into College (1989) and the Paul Mazursky/Woody Allen collaboration Scenes from a Mall (1990) -- were typically disappointing, she delighted fans with her neat comic turn as Pam James (opposite Little Shop collaborator Tisha Campbell) in the Martin Lawrence sitcom Martin (1992-1997), and -- on a similar note -- waxed hilarious as housewife and mother Rochelle on the nostalgic Chris Rock sitcom Everybody Hates Chris (premiering in 2005). In 2007, Arnold reunited with Lawrence (as his "straight man" wife) in the big screen road comedy/buddy film Wild Hogs. She next took a decidedly serious turn, playing the lead in the period drama The Lena Baker Story, about the first woman to be executed via the electric chair in Georgia. Arnold continued to make guest appearances on shows like Raising Hope and Hit the Floor, and took a main role on Happily Divorced, beginning in 2011. In 2014, she had a small role in Top Five.

Trivia: Though most commonly associated with her multi-season portrayal of marketing executive Gina Waters-Payne, significant other of Martin Payne (Martin Lawrence) on the Fox sitcom Martin (1992-97), Tisha Campbell began her lengthy Hollywood career with a role that film buffs will have little difficulty remembering. Campbell made her feature debut as Chiffon, a member of the black female doo-wop group that acts as a Greek chorus, in the 1986 Frank Oz musical comedy Little Shop of Horrors (1986). An Oklahoma City native, born to a coat factory employee father and a gospel singer mother, Campbell moved with her family to Newark, New Jersey at the age of three, where the entire clan suffered from abject poverty. At age 6, Campbell won a talent contest, and the following year landed a turn in an ABC Afterschool Special entitled Unicorn Tales, as well as a supporting role in the off-Broadway musical Really Rosie. Campbell attended and graduated from Newark's Arts High School, then made the ambitious trek out to Los Angeles (with her family's encouragement) and spent several years surviving numerous television pilots that failed to take off. Shop, however, rocketed Campbell to national attention and jump-started her film career. She landed additional roles in Spike Lee's School Daze (1988), House Party (1988) (which she also choreographed), and Boomerang (1992). Campbell met future co-star Lawrence on the set of House Party; according to Campbell's later recollections, Lawrence immediately invited her to play his girlfriend should he ever land a sitcom. In 1992, that plan materialized. The program scored sensational ratings and immediately connected with a young, black, urban market; the arc of the series witnessed Gina and Martin transitioning from lovers to intendeds to husband-and-wife. Campbell originally planned to remain with the series through its final season, but actually left Martin several months prematurely, in November of 1996, asserting that Lawrence verbally, physically and sexually abused her on the set of the program - allegations that Lawrence and his representatives aggressively denied, claiming that Campbell was using the actor as a pawn in a contractual dispute with the network despite the fact that the actress left in mid-season.After her stint on Martin, Campbell signed for supporting roles in a number of low-profile features including Linc's (1998), The Sweetest Gift (1998) and Snitch (1999), then returned to network television briefly as one of the stars of the domestically-themed situation comedy My Wife and Kids (2001).Campbell is also occasionally credited by her married name of Tisha Campbell-Martin. She enjoyed a brief tenure as a recording artist with a 1993 r&b release entitled Tisha.

Trivia: It took versatile actor James Belushi several years to slowly come into his own, which wasn't an easy task following in the fiery footsteps of his flamboyant, self-destructive brother, the late comic John Belushi. Despite that obstacle, the easy-going actor with the crooked smile still managed to forge a respectable career playing co-leads in a variety of film genres, including comedy, action, and drama in roles ranging from a sleazeball thief to a cop to a party animal in a gorilla suit. Prior to his first television appearances, the Chicago-born actor earned a degree in Speech and Theater, and worked on-stage in The Pirates of Penzance and True West. Like John, James joined the notorious Second City improvisational comedy group. He also began making regular guest appearances on Saturday Night Live, where his brother became famous in the mid-'70s. Making his feature film debut playing James Caan's calm partner in 1981's Thief, James Belushi began acting under John Landis (who also directed his brother) in Trading Places (1983). He continued playing supporting roles and occasional leads -- most notably in Oliver Stone's Salvador with James Woods in 1986 -- but his big break came when he played a bad cop in 1988's Red Heat with Arnold Schwarzenegger. He was equally popular in K-9 the following year. Although his subsequent films were not as successful, Belushi continued to grow as a dramatic actor. In 2001, Belushi began headlining the successful ABC sitcom According to Jim.

Trivia: Canadian comic actor John Candy was geared toward a performing career even while studying for a journalism degree in college. Candy's bulky frame and built-in likability enabled him to secure small roles in Canadian film and TV productions. In the early '70s, Candy joined Canada's Second City Troupe, sharing the spotlight with such potent talent (and subsequent close friends) as Joe Flaherty, Eugene Levy, Dave Thomas, Andrea Martin, and Catherine O'Hara. Second City TV, popularly known as SCTV, entered the Canadian TV airwaves in 1975 and was syndicated to the United States two years later. Candy scored an instant hit with such characters as porcine poseur Johnny LaRue, overly unctuous talk show sidekick William B., and ever-grinning "Lutonian" musician Yosh Shmenge. So popular did Candy become that suddenly many of his obscurer pre-starring Canadian films (It Seemed Like a Good Idea at the Time, The Clown Murders) became hot properties on the video rental circuit. Candy stayed with the various SCTV syndicated and network programs until 1983, earning two Emmys in the process. One of the few genuine nice guys in the realm of comedy, Candy was beloved by both co-workers and fans -- even when this lovability was stretched to the breaking point in substandard films. He scored in supporting roles (Splash [1984], Brewster's Millions [1985]), but such thinnish starring features as Summer Rental (1985) and Who's Harry Crumb (1989) seemed to suggest that Candy couldn't carry a film by himself. Then he starred in Uncle Buck (1989), a disarming comedy about a ne'er-do-well with hidden nobility. Receiving relatively little promotion, Uncle Buck was a surprise hit, and stands today as perhaps Candy's best-ever vehicle after Planes, Trains and Automobiles. Unfortunately, most of his follow-up films were on a par with the disastrous Nothing but Trouble (1990) and Delirious (1992). At the same time, Candy's leading role in Only the Lonely (1991) and his supporting performance in JFK (1992) proved that a major talent was being squandered by the film industry. Candy was as frustrated as his fans, manifesting this frustration in excessive eating, drinking, and smoking. The actor's superlative seriocomic turn as a disgraced Olympic star in Cool Runnings (1993), which Candy also co-produced, seemed to point toward a career upswing. But while filming Wagons East in Mexico, 43-year-old John Candy suffered a heart attack and died in his sleep. Wagons East was released in the summer of 1994, utilizing Candy's existing footage as well as possible; it proved, sadly, an inadequate epitaph for one of film comedy's funniest and most ingratiating stars.

Trivia: An alumnus of New York City's High School of Music and Arts and Bard College, actor/writer/director Christopher Guest made his initial Broadway appearance in the 1970 revival of Room Service; two years later, he co-starred in Moonchildren. Guest's early acting accomplishments have tended to become obscured in the light of his extensive work for the National Lampoon folks: he wrote several articles for the Lampoon magazine, and was a writer/performer for the organization's radio programs, record albums, and stage reviews. His extensive comic talents went largely untapped in such "mainstream" acting assignments as the made-for-TV Blind Ambition (1982), in which he portrayed Nixon intimate Jeb Stuart Magruder, and the theatrical feature The Long Riders (1982), in which he was co-starred with his younger brother Nicholas.In 1982, Guest played divorced suburbanite Bucky Frische in Million Dollar Infield (1982), a made-for-TV movie produced and co-written by Rob Reiner. His association with Reiner extended into appearances in the latter's big-screen directorial efforts: In This is Spinal Tap (1983), Guest not only penned the script but also played heavy metal rocker Nigel Tufnel; and in The Princess Bride (1986), cast as the evil Count Rubin, he offered a sly impression of British character actor Henry Daniell. Guest has since parlayed his "Spinal Tap" association into something of a second career, touring as Nigel Tufnel with fellow "Tap" members David St. Hubbins (Michael McKean) and Derek Smalls (Harry Shearer) and composing many of the group's "hits." On TV, Guest was a regular during the 1984-1985 season of Saturday Night Live and shared a scriptwriting Emmy for a 1976 Lily Tomlin special. Making his directorial debut with the Tinseltown satire The Big Picture (1989), Guest has gone on to helm the TV-movie remake of Attack of the 50 Foot Woman (1993), the "Johnny Appleseed" segment of Shelley Duvall's cable-TV anthology American Tall Tales and Legends, and most of the episodes of Rob Reiner's 1992 TV sitcom Morton and Hayes.After once again appearing as Nigel Tufnel in The Return of Spinal Tap (1992), the latter '90s found Guest expanding on his successes in the world of showbiz mockery by taking the directors chair with a few irreverent faux documentaries of his own. Re-teaming with fellow bandmates McKean and Shearer for the musical numbers in Waiting for Guffman (1996), the critically praised comedy proved that Guest's eye for satire was indeed as sharp as his pen. Following with some vocal work in Small Soldiers (1998), Guest returned to the director's chair for what would be comedian Chris Farley's last film, Almost Heroes (1998). Both of these projects proved to be brief diversions, though, and, as old habits die hard, Guest couldn't resist his urges for parody for long.Though not related (in a traditional sense) to show business, Best in Show targeted a subject that some may say was screaming for parody, the world of Championship Dog shows. His skills as a director more focused and refined than ever, Guest lead a talented cast of the usual suspects in creating yet another hilarious and scathing take on a what many considered to be well-deserving subject. After earning a Golden Globe nomination for "Best Comedy" at that year's ceremony, the film went on to live a healthy life on DVD and cable television. Guest's next film set its sights on a target that many may agree was begging for the treatment even more so than that of his last subject, and though A Mighty Wind's spot on folk song parodies would prove almost so effective as to be considered the real deal, the film itself differed from Best in Show in that it sharply divided its supporters and detractors as few of his films had. Guest worked as an actor, screenwriter, songwriter, and director for The Mighty Wind (2003), an award-winning mockuementary chronicling the ups and downs of a career in folk music, and again with For Your Consideration (2006). The actor would co-star with Judi Dench and Bob Hoskins in Mr. Henderson Presents (2005), which followed a wealthy eccentric determined to transform a dingy London theater into a thriving hotspot for entertainment, and take on roles in 2009's The Invention of Lying and Night at the Museum: Battle of the Smithsonian. Guest is married to actress Jamie Lee Curtis.

Trivia: Of the many performers to leap into films from the springboard of the television sketch comedy series Saturday Night Live, Bill Murray has been among the most successful and unpredictable, forging an idiosyncratic career allowing him to stretch from low-brow slapstick farce to intelligent adult drama. Born in Wilmette, IL, on September 21, 1950, Murray was an incorrigible child, kicked out of both the Boy Scouts and Little League. At the age of 20, he was also arrested for attempting to smuggle close to nine pounds of marijuana through nearby O'Hare Airport. In an attempt to find direction in his life, he joined his older brother, Brian Doyle-Murray, in the cast of Chicago's Second City improvisational comedy troupe. He later relocated to New York City, joining radio's National Lampoon Hour. Both Murray siblings were also in a 1975 off-Broadway spin-off, also dubbed The National Lampoon Hour; there Murray was spotted by sportscaster Howard Cosell, who recruited him for the cast of his ABC variety program, titled Saturday Night Live With Howard Cosell. On the NBC network, a program also named Saturday Night Live was creating a much bigger sensation; when, after one season, the show's breakout star Chevy Chase exited to pursue a film career, producer Lorne Michaels tapped Murray as his replacement. Murray too became a celebrity, developing a fabulously insincere and sleazy comic persona which was put to good use in his first major film, the 1979 hit Meatballs. He next starred as the famed gonzo journalist Hunter S. Thompson in the film biography Where the Buffalo Roam, a major disaster. However, 1980's Caddyshack was a masterpiece of slob comedy, with Murray memorable as a maniacal rangeboy hunting the gopher that is slowly destroying his golf course. The film launched him to the ranks of major stardom; the follow-up, the armed services farce Stripes, was an even bigger blockbuster, earning over 40 million dollars at the box office. Murray next appeared, unbilled, in 1982's Tootsie before starring with Dan Aykroyd and Harold Ramis in 1984's Ghostbusters. The supernatural comedy was one of the decade's biggest hits, earning over 130 million dollars and spawning a cartoon series, action figures, and even a chart-topping theme song (performed by Ray Parker Jr.). Murray now ranked among the world's most popular actors, and he next fulfilled a long-standing dream by starring in and co-writing an adaptation of the W. Somerset Maugham novel The Razor's Edge. Few fans knew what to make of his abrupt turn from broad farce to literary drama, however, and as a result the film flopped. Murray spent the next several years in self-imposed exile, making only a cameo appearance in the 1986 musical comedy Little Shop of Horrors. After much deliberation, he finally selected his comeback vehicle -- 1988's Scrooged, a black comic retelling of Dickens' A Christmas Carol. While it performed moderately well, it was not the smash many predicted. Nor was 1989's Ghostbusters II, which grossed less than half of the first picture. The 1990 crime comedy Quick Change, which Murray co-directed with Howard Franklin, was also a disappointment, but 1991's What About Bob? was an unqualified hit. In 1993, Murray earned his strongest notices to date for Groundhog Day, a sublime comedy directed by longtime conspirator Ramis. Beginning with 1994's acclaimed Ed Wood, in which he appeared as a transsexual, Murray's career choices grew increasingly eccentric; in 1996 alone, he starred in the little-seen Larger Than Life as a motivational speaker, co-starred as a bowling champion in Kingpin, and appeared as himself in the family film Space Jam. In 1998, Murray took on a similarly eccentric role in Wes Anderson's Rushmore. Playing a business tycoon competing with an equally eccentric 15-year-old (Jason Schwartzman) for the affections of a first grade teacher (Olivia Williams), Murray did some of his best work in years and won the Best Supporting Actor award from the New York Film Critics Circle. The film's success helped to put the actor back in the forefront, and he drew further exposure that year from his appearance as a sleazy lawyer in the relentlessly trashy Wild Things. The following year, he could be seen in Cradle Will Rock, Tim Robbins' look at the often contentious relationship between art and politics in 1930s America.Though the mere thought of Murray as Polonius in a film adaptation of William Shakespeare's Hamlet may have elicited dumbounded looks and confused laughter early in his career, that was precisely how the versatile thespian ushered in the new millennium in director Micheal Almereyda's modern updating of the classic drama. Subsequently landing laughs as the superspy point person Bosley in the big screen adaptation of the classic 1970's television hit Charlie's Angels, Murray's interpretation of the character would be taken over by popular comic Bernie Mac in the film's 2003 sequel. After taking a brief voyage into gross-out territory with the Farrelly brother's Osmosis Jones in 2001, a re-teaming with Rushmore director Anderson resulted in a small but memorable supporting performance in the same year's The Royal Tenenbaums. In 2003 Murray essayed the role that would offer what was perhaps his most heartfelt combination of personal drama and touching comedy to date in director Sofia Coppola's acclaimed indie film Lost in Translation. Cast as a washed up American actor who strikes up a tentative friendship with the young wife of a superstar photographer while on a stay in Japan to endorse a popular brand of whiskey, Murray's low-key charm proved the perfect balance to co-star Scarlett Johansson's youthful malaise. Virtually across the board, critics were bowled over by the subtle depth of Murray's performance, leading to Best Actor honors from The New York Film Critics Circle, The Boston Society of Film Critics, The Los Angeles Film Critics Association, The San Francisco Film Critics Circle, The National Society of Film Critics, The Golden Globes, and The Independent Spirit Awards. But the one award that remained elusive to Murray was Oscar. Though nominated, the prize ultimately went to Sean Penn for Mystic River.In 2004, along with providing the voice for a CGI version of Garfield the cat, Murray once again teamed up with director Wes Anderson, starring as as a world-renowned oceanographer in The Life Aquatic with Steve Zissou. While The Life Aquatic was met with mixed reviews, Murray's performance in the 2005 Jim Jarmusch film Broken Flowers netted virtually unanimous acclaim. Over the next several years, Murray would maintain his selective film career, appearing in acclaimed films like Get Low, Passion Play, and Moonrise Kingdom.

Trivia: Esteemed British supporting actress and voice artist Miriam Margolyes has worked on radio, television, stage, and in many prestigious feature films. She launched her career in her native England but came to the U.S. after winning the Los Angeles Film Critics Circle Award for Best Supporting Actress for playing Flora Finching in Little Dorrit (1988). After settling in L.A., Margolyes starred in the short-lived CBS television series Frannie's Turn. As a voice artist, Margolyes provided the characterization for Babe's mother in the Oscar-nominated Babe (1996), as well as voicing the role of the glowworm in James and the Giant Peach (1996), in which she also played one of the wicked aunties.

Trivia: Canada-born actor Peter Whitman was best known in his adopted country of Great Britain for his work in stage musicals. He moved to England and started out on BBC radio in 1968. Whitman made his screen debut in the mid-'70s and went on to play supporting roles in several films, including Superman II (1980), Superman III (1983), and Scandalous (1984).

Trivia: Served for two years in the Army after his graduation.Met his wife Vickery Turner in 1973 while working on The Day After The Fair.In 1981, actor Kevin Bacon starred in the first play he wrote, Deros On the Funny Farm.The figure of the American president is a recurring feature in his career, including potraying John F. Kennedy in Red Dwarf and writing and starring in JFK on JFK.Skilled at American football, ice skating, golf and swimming.Best known for his work in Future Cop and We'll Meet Again.

Trivia: British character actor Alan Tilvern began his long career in small film roles with the appropriately titled The Small Voice (1948) (it's a hostage drama, but you wouldn't know it from the title). In placid anonymity, Tilvern appeared in such internationally financed films as The Black Rose (1950), Captain Horatio Hornblower (1951) and Bhowani Junction (1956). Sometimes he received screen credit (as "A Sergeant" in Woody Allen's Love and Death [1975]); often he did not (as goodness knows what role in Superman: The Movie [1978]). Alan Tilvern's contribution to 1988's Who Framed Roger Rabbit was far from obscure; as cartoon producer R. K. Maroon, it was Tilvern who put the entire plot into motion--and wound up murdered as a result.

Trivia: Paul Dooley is fondly remembered by fans of '80s cinema as the forgetful but well-intending father of a disgruntled Molly Ringwald in the John Hughes teen classic Sixteen Candles (1984). The longtime character actor's droopy, distinctive features and endearing onscreen warmth have kept him a familiar figure in both film and television. A Parkersurg, WV, native who originally aspired to become a cartoonist, Dooley drew comic strips for a local newspaper before entering the navy. Upon discharge, the future actor entered college, where he discovered his passion for the stage. A move to New York found the aspiring actor landing frequent stage work, and after discovering a previously untapped ability for comedy, Dooley tried his hand at standup for about five years. Always looking to expand his skills, he made his film debut in the 1970 comedy The Out-of-Towners. From 1971 to 1972, Dooley was also head writer for the popular children's television series The Electric Company. After showing promise in such late-'70s efforts as Slap Shot (1977) and A Wedding (1978), Dooley made a big impression with his supporting role as the lead character's worrisome father in Breaking Away (1979). Though he was overlooked at Oscar time, he was nominated for a New York Film Critics Circle award and won the National Board of Review award for Best Supporting Actor. He kicked off the most successful decade of his film career with a performance as Wimpy in the much-maligned Robert Altman musical comedy Popeye (1980). Besides his memorable turn in Sixteen Candles, Dooley also delivered hilarious performances in the 1980s films Strange Brew (1983) and John Cassavetes' Big Trouble (1985). Fans of the extraterrestrial comedy series ALF will also remember him as the curiously named Whizzer Deaver.Though his feature roles through the 1990s largely consisted of such B-grade fare as My Boyfriend's Back (1993) and Error in Judgment (1998), Dooley managed to stay on top thanks to parts in such popular television series as Mad About You, Dream On, Grace Under Fire, and The Practice. He also took on occasional roles in more notable films, including Waiting for Guffman (1996), Clockwatchers (1997), Happy, Texas (1999), and Runaway Bride (also 1999), which served to remind movie buffs just how funny the talented comic actor could be when given the opportunity. Dooley's performances in such later efforts as Insomnia (2002) hinted at a darker side rarely explored by the usually jovial actor. In 2003, after re-teaming with Waiting for Guffman cohort Christopher Guest to blow A Mighty Wind, he took a supporting role in former MTV beauty queen Jenny McCarthy's comedy Dirty Love.

Trivia: For a brief period between the late '40s and early '50s, actress Christine Norden was Great Britain's reigning sex goddess. Allegedly discovered in 1947 by filmmaker Sir Alexander Korda while she stood in a theater ticket queue and was signed to a seven-year contract, the ex-dancer and singer was typically cast as a brazen seductress. She won a British National Film Award in 1949 for her performance in Saints and Sinners. In 1952, Norden went to New York to begin working on Broadway. She remained until the 1970s when she returned to London to work on stage, screen, and television. Norden may be the world's only former screen sex goddess to have a mathematical formula named in her honor -- her fifth husband devised the formula.