Trivia: Red-headed, freckle-faced Martin Milner was only 15 when he made his screen debut in Life With Father (1947), and would continue to play wide-eyed high schoolers and college kids well into the next decade. His early film assignments included the teenaged Marine recruit in Lewis Milestone's The Halls of Montezuma (1951) and the obnoxious suitor of Jeanne Crain in Belles on Their Toes (1952). His first regular TV series was The Stu Erwin Show (1950-1955), in which he played the boyfriend (and later husband) of Stu's daughter Joyce. More mature roles came his way in Marjorie Morningstar (1957) as Natalie Wood's playwright sweetheart and in The Sweet Smell of Success (1957) as the jazz musician targeted for persecution by Winchell-esque columnist Burt Lancaster. Beginning in 1960, he enjoyed a four-year run as Corvette-driving Tod Stiles on TV's Route 66 (a statue of Milner and his co-star George Maharis currently stands at the Corvette Museum in Bowling Green, KY). A longtime friend and associate of producer/director/actor Jack Webb, Milner was cast as veteran L.A.P.D. patrolman Pete Malloy on the Webb-produced TV weekly Adam-12, which ran from 1968 to 1975. His later TV work included a short-lived 1970s series based on Johan Wyss' Swiss Family Robinson. Later employed as a California radio personality, Martin Milner continued to make occasional TV guest appearances; one of these was in the 1989 TV movie Nashville Beat, in which he was reunited with his Adam-12 co-star Kent McCord. He made an appearance on the short-lived series The New Adam-12 and had recurring roles on shows like Life Goes On and Murder, She Wrote. Milner died in 2015, at age 83.

Trivia: The son of a garage mechanic, Glenn Corbett was sent to live with his grandparents at the age of two. He later joined the Seabees and it was during his Navy years that he met his future wife, Judy, a speech major at Occidental College. With Judy's encouragement, Corbett began trying out for campus theatricals. His performance in Occidental's staging of The Caine Mutiny Court Martial led to his being signed by Columbia Pictures. After two year's worth of nondescript roles in films like The Mountain Road (1960) and Homicidal (1961), he landed the lead in the picturesque 1962 TV series It's a Man's World. Though the series lasted only 13 weeks, it gained enough of a cult following to assure Corbett's future stardom. In early 1963, he made a guest appearance as troublesome ex-G.I. Linc Case on the long-running series Route 66; by the fall of that year, he was appearing in that series on a weekly basis, as a replacement for defecting Route 66 star George Maharis. After the series ran its course in 1964, Corbett went on to co-star as Chance Reynolds in the prime-time Western The Road West, which lasted a single season (1966-1967). He kept busy in theatrical features, appearing with John Wayne in Chisum (1969) and Big Jake (1971), and starring in director Sam Fuller's West German-produced Dead Pigeon on Beethoven Street (1972). He went on to play Paul Morgan during the 1983-1984 season of Dallas, returning to the role in 1988. In his last years, he occasionally worked as a dialogue director. Glenn Corbett died of lung cancer in 1993.

Trivia: Hissable movie heavy Dan Duryea was handsome enough as a young man to secure leading roles in the student productions at White Plains High School. He majored in English at Cornell University, but kept active in theatre, succeeding Franchot Tone as president of Cornell's Dramatic Society. Bowing to his parents' wishes, Duryea sought out a more "practical" profession upon graduation, working for the N. W. Ayer advertising agency. After suffering a mild heart attack, Duryea was advised by his doctor to leave advertising and seek out employment in something he enjoyed doing. Thus, Duryea returned to acting in summer stock, then was cast in the 1935 Broadway hit Dead End. The first of his many bad-guy roles was Bob Ford, the "dirty little coward" who shot Jesse James, in the short-lived 1938 stage play Missouri Legend. Impressed by Duryea's slimy but somehow likeable perfidy in this play, Herman Shumlin cast the young actor as the snivelling Leo Hubbard in Lillian Hellman's The Little Foxes. This 1939 Broadway production was converted into a film by Sam Goldwyn in 1941, with many members of the original cast -- including Duryea -- making their Hollywood debuts. Duryea continued playing supporting roles in films until 1945's The Woman in the Window, in which he scored as Joan Bennett's sneering "bodyguard" (that's Hollywoodese for "pimp"). Thereafter, Duryea was given star billing, occasionally in sympathetic roles (White Tie and Tails [1946], Black Angel [1946]), but most often as a heavy. From 1952 through 1955, he starred as a roguish soldier of fortune in the syndicated TV series China Smith, and also topped the cast of a theatrical-movie spin-off of sorts, World for Ransom (1954), directed by Duryea's friend Robert Aldrich. One of the actor's last worthwhile roles in a big-budget picture was as a stuffy accountant who discovers within himself inner reserves of courage in Aldrich's Flight of the Phoenix (1965). In 1968, shortly before his death from a recurring heart ailment, Duryea was cast as Eddie Jacks in 67 episodes of TV's Peyton Place. Dan Duryea was the father of actor Peter Duryea, likewise a specialist in slimy villainy.

Trivia: Born Stefania Federkiewicz, she is a lead actress of routine Hollywood films of the '60s and '70s. Soon after graduating from Hollywood High, she debuted onscreen in 1961; early in her career she was billed as Taffy Paul. She starred in the TV series Girl from U.N.C.L.E. and Hart to Hart. From 1966-74 she was married to actor Gary Lockwood, then she became the constant companion of aging actor William Holden; following his death in 1981, she continued being active with the William Holden Wildlife Foundation, which worked to create a big-game preserve and study center in Kenya.

Trivia: Though he made his first film appearance in 1959's Pork Chop Hill, American character actor Bert Remsen did not achieve prominence until the 1980s. On TV, Remsen was seen as Mario the Chef in It's a Living (1980-81) and as wildcat oil man Harrison "Dandy" Dandridge during the 1987-88 season of Dallas. In films, he was featured in several Robert Altman productions, and also essayed the title character in Daddy's Dyin'...Who's Got the Will? (1990). In addition, he occasionally worked as a Hollywood casting director. Bert Remsen's most recent credit (as of 1996) was as one of the "expert witnesses" during the Bruno Richard Hauptmann trial in the made-for-cable Crime of the Century.