Trivia: Red-headed, freckle-faced Martin Milner was only 15 when he made his screen debut in Life With Father (1947), and would continue to play wide-eyed high schoolers and college kids well into the next decade. His early film assignments included the teenaged Marine recruit in Lewis Milestone's The Halls of Montezuma (1951) and the obnoxious suitor of Jeanne Crain in Belles on Their Toes (1952). His first regular TV series was The Stu Erwin Show (1950-1955), in which he played the boyfriend (and later husband) of Stu's daughter Joyce. More mature roles came his way in Marjorie Morningstar (1957) as Natalie Wood's playwright sweetheart and in The Sweet Smell of Success (1957) as the jazz musician targeted for persecution by Winchell-esque columnist Burt Lancaster. Beginning in 1960, he enjoyed a four-year run as Corvette-driving Tod Stiles on TV's Route 66 (a statue of Milner and his co-star George Maharis currently stands at the Corvette Museum in Bowling Green, KY). A longtime friend and associate of producer/director/actor Jack Webb, Milner was cast as veteran L.A.P.D. patrolman Pete Malloy on the Webb-produced TV weekly Adam-12, which ran from 1968 to 1975. His later TV work included a short-lived 1970s series based on Johan Wyss' Swiss Family Robinson. Later employed as a California radio personality, Martin Milner continued to make occasional TV guest appearances; one of these was in the 1989 TV movie Nashville Beat, in which he was reunited with his Adam-12 co-star Kent McCord. He made an appearance on the short-lived series The New Adam-12 and had recurring roles on shows like Life Goes On and Murder, She Wrote. Milner died in 2015, at age 83.

Trivia: The son of a garage mechanic, Glenn Corbett was sent to live with his grandparents at the age of two. He later joined the Seabees and it was during his Navy years that he met his future wife, Judy, a speech major at Occidental College. With Judy's encouragement, Corbett began trying out for campus theatricals. His performance in Occidental's staging of The Caine Mutiny Court Martial led to his being signed by Columbia Pictures. After two year's worth of nondescript roles in films like The Mountain Road (1960) and Homicidal (1961), he landed the lead in the picturesque 1962 TV series It's a Man's World. Though the series lasted only 13 weeks, it gained enough of a cult following to assure Corbett's future stardom. In early 1963, he made a guest appearance as troublesome ex-G.I. Linc Case on the long-running series Route 66; by the fall of that year, he was appearing in that series on a weekly basis, as a replacement for defecting Route 66 star George Maharis. After the series ran its course in 1964, Corbett went on to co-star as Chance Reynolds in the prime-time Western The Road West, which lasted a single season (1966-1967). He kept busy in theatrical features, appearing with John Wayne in Chisum (1969) and Big Jake (1971), and starring in director Sam Fuller's West German-produced Dead Pigeon on Beethoven Street (1972). He went on to play Paul Morgan during the 1983-1984 season of Dallas, returning to the role in 1988. In his last years, he occasionally worked as a dialogue director. Glenn Corbett died of lung cancer in 1993.

Trivia: Forceful leading actor Robert Loggia left plans for a journalistic career behind when he began his studies at New York's Actors Studio. His first important Broadway assignment was 1955's The Man with the Golden Arm; one year later, he made his first film, Somebody Up There Likes Me. In 1958 he enjoyed a brief flurry of TV popularity as the title character in "The Nine Lives of Elfego Baca," a multipart western originally telecast on Walt Disney Presents. His next weekly TV assignment was as a good-guy burglar in 1967's T.H.E. Cat. A fitfully successful movie leading man, Loggia truly came into his own when he cast off his toupee and became a character actor, often in roles requiring quiet menace. As Richard Gere's bullying father, Loggia dominated the precredits scenes of An Officer and a Gentleman (1981), and was equally effective as the villain in Curse of the Pink Panther (1982) and as mafia functionaries in Scarface (1983) and Prizzi's Honor (1985). He was nominated for an Oscar for his portrayal of a two-bit detective in The Jagged Edge (1985). The most likeable Robert Loggia screen character thus far is his toy manufacturer in Big (1988), the film in which Loggia and Tom Hanks exuberantly dance to the tune of "Heart and Soul" on a gigantic keyboard. Loggia would remain an active force on screen for decades to come, appearing in movies like Opportunity Knocks, Independence Day, and Return to Me, as well as TV shows like Mancuso, FBI, Wild Palms, and Queens Supreme. Loggia passed away in 2015, at age 85.

Trivia: "Titian-haired" is the manner in which actress Tina Louise is usually described. Despite her numerous comic performances, she prefers to be regarded as a serious actress; according to some of her co-workers, her preference in this manner often takes the form of an ultimatum. Louise was born near Brooklyn, where her father ran a candy store. She studied drama at Miami University, the Neighborhood Playhouse, and the Actors' Studio. A nightclub singer in the mid-1950s, Louise came to Broadway as Appasionatta von Climax in the original 1956 production of the musical Li'l Abner. Two years later she made her first film, the then-torrid God's Little Acre. By the early 1960s, Louise was shuttling between Hollywood and Europe, often appearing in productions of the shoestring variety. Louise is fondly remembered for her three-year (1964 through 1967) stint as Marilynesque movie star Ginger Grant on Gilligan's Island, though she despised the role and made no secret of it on the set. Nor did she wish to have anything to do with the Gilligan cartoon and TV movie follow-ups of the 1970s and 1980s, choosing instead to carve a reputation as a versatile, no-nonsense actress, though she eventually capitulated and appeared in The Castaways on Gilligan's Island. Though she would go on to make other film and TV appearances in the decades to come, even penning a children's book and earning her helicopter pilot's license, Louise would forever remain the most well known for the role of Ginger.

Trivia: Upon receiving a master's degree in teaching at New York University, American actor Arnold Moss decided that the life of a teacher wasn't for him and set to find theatre work. Moss was engaged by the LeGallienne Civic Repertory Theatre, where he played his first villainous role in Peter Pan. Radio provided a great deal of work for Moss, whose deep, mellifluous voice was perfect for narration and commercial assignments; additionally, he produced and wrote for various radio series. The actor's first film was Temptation; with his Satanic eyebrows and raven-like features Moss was generally cast as high-born villains or sinister foreigners. Moss made two memorable appearances in Bob Hope films, first as Hope's Casablanca contact in the espionage spoof My Favorite Spy and then as a conniving Venetian doge in Casanova's Big Night. Arnold Moss was also shown to good advantage as the usurping Antonio in the 1960 Hallmark Hall of Fame production of Shakespeare's The Tempest, which starred Maurice Evans and Richard Burton.

Trivia: Actor Frank Campanella's physical form almost single-handedly defined his Hollywood typecasting. A 6' 5" barrel-chested Italian with a great, hulking presence and memorably stark facial features, Campanella excelled as a character player, almost invariably appearing as toughs and heavies. Born to a piano builder father who played in the orchestras of Eddie Cantor, Jimmy Durante, and Al Jolson, Campanella studied music exhaustively as a young man, and trained as a concert pianist, but discovered a rivaling passion for drama and entered Manhattan College as an acting major. Campanella's career as an actor began somewhat uncharacteristically, on a light and jovial note, by playing Mook the Moon Man during the first season of the Dumont network's infamous and much-loved kiddie show Captain Video and his Video Rangers (1949-1954). One- and two-episode stints on many American television programs followed for Campanella, most on themes of crime and law enforcement, including Inside Detective (1952), The Man Behind the Badge (1954), Danger (1954), and episodes of the anthology series Playwrights '56 (1956), Studio One (1956), and Suspicion (1957) that called for gritty, thuggish, urban types. During the 1960s, Campanella sought out the same kinds roles in feature films -- a path he pursued for several decades. Turns included John Frankenheimer's 1966 Seconds (as the Man in the Station); Mel Brooks' 1968 The Producers (as a bartender); 1970's The Movie Murderer (as an arson lieutenant); the Steve Carver-directed, Roger Corman-produced gangster film Capone (1975, as Big Jim Colosimo); Ed Forsyth's 1976 Chesty Anderson -- U.S. Navy (as the Baron); Conway in Warren Beatty's 1978 Heaven Can Wait; and Judge Neal A. Lake in Michael Winner's 1982 Death Wish 2. Campanella teamed with director Garry Marshall seven times: as Col. Cal Eastland in The Flamingo Kid (1984), Remo in Nothing in Common (1986), Captain Karl in Overboard (1987), Frank the Doorman in Beaches (1988), Pops in Pretty Woman (1990), a retired customer in Frankie and Johnny (1991), and a Wheelchair Walker in Exit to Eden (1994). Campanella re-teamed with Warren Beatty for the first time since 1978 as Judge Harper in Dick Tracy (1990) and again as the Elevator Operator in Love Affair (1994). Additional series in which Campanella appeared during the 1970s and '80s included Maude, Hardcastle & McCormick, Quincy, M.E., The Love Boat, Barnaby Jones, The Rockford Files, The Fall Guy, St. Elsewhere, and many others. In middle age, Campanella parlayed his early musical training into two career choices that blended music and drama: a part on a commercial that required him to play the piano and a job as co-host of a musical program on KCSN Radio called "Offbeat Notes on Music." He also appeared on Broadway in such musicals as Guys and Dolls and Nobody Loves an Albatross. After many years of inactivity, Frank Campanella ultimately died at his home in the San Fernando Valley, of unspecified causes. He was 87. Survivors included his brother, actor Joseph Campanella, his sister-in-law, and 13 nephews and nieces.