Trivia: Equally adept at sober drama and over-the-top comedy, Michael Keaton has a knack for giving ordinary guys an unexpected twist. This trait ultimately made him an ideal casting choice for Tim Burton's 1989 Batman, and it has allowed him to play characters ranging from Mr. Mom's discontented stay-at-home dad to Pacific Heights's raging psychopath.The youngest of seven children, Keaton was born Michael Douglas on September 5th, 1951 in Coraopolis, Pennsylvania on September 9, 1951. After two years of studying speech at Kent State University, he dropped out and moved to Pittsburgh. While working a number of odd jobs--including a stint as an ice cream truck driver--Keaton attempted to build a career as a stand-up comedian, which proved less than successful. He ended up working as a cameraman for the Pittsburgh PBS station, a job that led him to realize he wanted to be in front of the camera, rather than behind it. Following this realization, Keaton duly moved out to Los Angeles, where he joined the L.A. Branch of Second City and began auditioning. When he started getting work he changed his last name to avoid being confused with the better-known actor of the same name, taking the name "Keaton" after seeing a newspaper article about Diane Keaton. He began acting on and writing for a number of television series, and he got his first big break co-starring with old friend Jim Belushi on the sitcom Working Stiffs (1979). Three years later, he made an auspicious film debut as the relentlessly cheerful owner of a morgue/brothel in Night Shift. The raves he won for his performance carried over to his work the following year in Mr. Mom, and it appeared as though Keaton was on a winning streak. Unfortunately, a series of such mediocre films as Johnny Dangerously (1984) and Gung Ho (1985) followed, and by the time Tim Burton cast him as the titular Beetlejuice in 1988, Keaton's career seemed to have betrayed its early promise. Beetlejuice proved Keaton's comeback: one of the year's most popular films, it allowed him to do some of his best work in years as the ghoulish, revolting title character. His all-out comic performance contrasted with his work in that same year's Clean and Sober, in which he played a recovering drug addict. The combined impact of these performances put Keaton back in the Hollywood spotlight, a position solidified in 1989 when he starred in Burton's Batman. Initially thought to be a risky casting choice for the title role, Keaton was ultimately embraced by audiences and critics alike, many of whom felt that his slightly skewed everyman appearance and capacity for dark humor made him perfect for the part. He reprised the role with similar success for the film's 1992 sequel, Batman Returns. Despite the acclaim and commercial profit surrounding Keaton's work in the Batman films, many of his subsequent films during the 1990s proved to be disappointments. My Life (1993), Speechless (1994), and The Paper (1994) were relative failures, despite star casting and name directors, while Multiplicity, a 1996 comedy featuring no less than four clones of the actor, further demonstrated that his name alone couldn't sell a movie. Some of Keaton's most successful work of the 1990s could be found in his roles in two Elmore Leonard adaptations, Quentin Tarantino's Jackie Brown (1997) and Steven Soderbergh's Out of Sight (1998). An ATF agent in the former and Jennifer Lopez's morally questionable boyfriend in the latter, he turned in solid performances as part of a strong ensemble cast in both critically acclaimed films. In 1999, Keaton went back to his behind-the-camera roots, serving as the executive producer for Body Shots. Keaton continued to act throughout the early 2000s, and starred in Herbie: Fully Loaded (2005) alongside Lindsay Lohan. the actor took on another vehicle-oriented role when he agreed to voice the character of Chris Hicks in Pixar's Cars (2006). In 2010, Keaton voiced the Ken doll in Toy Story 3. Keaton enjoyed an unexpected career renaissance in 2014 playing the lead in Birdman, an older actor trying to stage a comeback by putting on a Broadway production. His work in the film was widely praised, and he earned his first Academy Award nomination when he was given a nod in the Best Actor category.

Trivia: Born Maggie Quigley in Honolulu, exotic actress Maggie Q first made a name for herself in Hong Kong cinema, starring in such actioners as Gen-X Cops 2 and Naked Weapon. Her first appearance in a state-side film came with a bit part in 2001's Rush Hour 2, but her first large U.S. role wouldn't come until 2006's Mission: Impossible III. With a genuine American blockbuster under her belt, Q soon landed a number of Hollywood films. In 2007 alone, she could be seen in the sports comedy Balls of Fury, the action sequel Live Free or Die Hard, and the suspense thriller The Tourist. Q would also go on to star in the successful 2010 TV reboot Nikita. Nikita ran for four season; when the series ended, she wasted no time picking up a recurring role in the Divergent movie series, playing Tori Wu, and landing another TV series, Stalker.

Trivia: After spending the 1980s playing a series of drug addict and character parts, Samuel L. Jackson emerged in the 1990s as one of the most prominent and well-respected actors in Hollywood. Work on a number of projects, both high-profile and low-key, has given Jackson ample opportunity to display an ability marked by both remarkable versatility and smooth intelligence.Born December 21, 1948, in Washington, D.C., Jackson was raised by his mother and grandparents in Chattanooga, TN. He attended Atlanta's Morehouse College, where he was co-founder of Atlanta's black-oriented Just Us Theater (the name of the company was taken from a famous Richard Pryor routine). Jackson arrived in New York in 1977, beginning what was to be a prolific career in film, television, and on the stage. After a plethora of character roles of varying sizes, Jackson was discovered by the public in the role of the hero's tempestuous, drug-addict brother in 1991's Jungle Fever, directed by another Morehouse College alumnus, Spike Lee. Jungle Fever won Jackson a special acting prize at the Cannes Film Festival and thereafter his career soared. Confronted with sudden celebrity, Jackson stayed grounded by continuing to live in the Harlem brownstone where he'd resided since his stage days. 1994 was a particularly felicitous year for Jackson; while his appearances in Jurassic Park (1993) and Menace II Society (1993) were still being seen in second-run houses, he co-starred with John Travolta as a mercurial hit man in Quentin Tarantino's Pulp Fiction, a performance that earned him an Oscar nomination. His portrayal of an embittered father in the more low-key Fresh earned him additional acclaim. The following year, Jackson landed third billing in the big-budget Die Hard With a Vengeance and also starred in the adoption drama Losing Isaiah. His versatility was put on further display in 1996 with the release of five very different films: The Long Kiss Goodnight, a thriller in which he co-starred with Geena Davis as a private detective; an adaptation of John Grisham's A Time to Kill, which featured him as an enraged father driven to murder; Steve Buscemi's independent Trees Lounge; The Great White Hype, a boxing satire in which the actor played a flamboyant boxing promoter; and Hard Eight, the directorial debut of Paul Thomas Anderson.After the relative quiet of 1997, which saw Jackson again collaborate with Tarantino in the critically acclaimed Jackie Brown and play a philandering father in the similarly acclaimed Eve's Bayou (which also marked his debut as a producer), the actor lent his talents to a string of big-budget affairs (an exception being the 1998 Canadian film The Red Violin). Aside from an unbilled cameo in Out of Sight (1998), Jackson was featured in leading roles in The Negotiator (1998), Sphere (1998), and Deep Blue Sea (1999). His prominence in these films added confirmation of his complete transition from secondary actor to leading man, something that was further cemented by a coveted role in what was perhaps the most anticipated film of the decade, Star Wars: Episode I - The Phantom Menace (1999), the first prequel to George Lucas' Star Wars trilogy. Jackson followed through on his leading man potential with a popular remake of Gordon Parks' seminal 1971 blaxploitation flick Shaft. Despite highly publicized squabbling between Jackson and director John Singleton, the film was a successful blend of homage, irony, and action; it became one of the rare character-driven hits in the special effects-laden summer of 2000.From hard-case Shaft to fragile as glass, Jackson once again hoodwinked audiences by playing against his usual super-bad persona in director M. Night Shyamalan's eagerly anticipated follow-up to The Sixth Sense, Unbreakable (2000). In his role as Bruce Willis' brittle, frail antithesis, Jackson proved that though he can talk trash and break heads with the best of them, he's always compelling to watch no matter what the role may be. Next taking a rare lead as a formerly successful pianist turned schizophrenic on the trail of a killer in the little-seen The Caveman's Valentine, Jackson turned in yet another compelling and sympathetic performance. Following an instance of road rage opposite Ben Affleck in Changing Lanes (2002), Jackson stirred film geek controversy upon wielding a purple lightsaber in the eagerly anticipated Star Wars II: Attack of the Clones. Despite rumors that the color of the lightsaber may have had some sort of mythical undertone, Jackson laughingly assured fans that it was a simple matter of his suggesting to Lucas that a purple lightsaber would simply "look cool," though he was admittedly surprised to see that Lucas had obliged him Jackson eventually saw the final print. A few short months later filmgoers would find Jackson recruiting a muscle-bound Vin Diesel for a dangerous secret mission in the spy thriller XXX.Jackson reprised his long-standing role as Mace Windu in the last segment of George Lucas's Star Wars franchise to be produced, Star Wars Episode III: Revenge of the Sith (2005). It (unsurprisingly) grossed almost four hundred million dollars, and became that rare box-office blockbuster to also score favorably (if not unanimously) with critics; no less than Roger Ebert proclaimed it "spectacular." Jackson co-headlined 2005's crime comedy The Man alongside Eugene Levy and 2006's Joe Roth mystery Freedomland with Julianne Moore and Edie Falco, but his most hotly-anticipated release at the time of this writing is August 2006's Snakes on a Plane, a by-the-throat thriller about an assassin who unleashes a crate full of vipers onto a aircraft full of innocent (and understandably terrified) civilians. Produced by New Line Cinema on a somewhat low budget, the film continues to draw widespread buzz that anticipates cult status. Black Snake Moan, directed by Craig Brewer (Hustle and Flow) dramatizes the relationship between a small-town girl (Christina Ricci) and a blues player (Jackson). The picture is slated for release in September 2006 with Jackson's Shaft collaborator, John Singleton, producing.Jackson would spend the ensuing years appearing in a number of films, like Home of the Brave, Resurrecting the Champ, Lakeview Terrace, Django Unchained, and the Marvel superhero franchise films like Thor, Iron Man, and The Avengers, playing superhero wrangler Nick Fury.

Trivia: Thanks to actors like David Rintoul, the television miniseries has become a formidable art form. Unencumbered by the time limitations of the typical film, television movie, or stage play, the TV miniseries can take four, eight, or even 12 hours to develop themes, characters, and plots -- often based on classic literary works. Characters have time to grow, learn, make mistakes, and recite lines from Shakespeare, Jane Austen, or Victor Hugo. Consequently, miniseries attract good actors, good scripts, and, of course, big audiences. David Rintoul has made a career out of performing roles in miniseries, some of them among the best ever made. In 2001, he played the ship's surgeon, Dr. Clive, in the celebrated Horatio Hornblower series, appearing in Hornblower: Retribution and Hornblower: Mutiny. Rintoul began appearing in miniseries in 1975, when he played Jock Graham in Lord Peter Wimsey: Five Red Herrings. Three years later, he took on roles in two more miniseries, Prince Regent and the acclaimed Lillie, a biodrama about British actress and socialite Lillie Langtry. In 1979, Rintoul became Fitzwilliam Darcy in Pride and Prejudice, a miniseries that helped whet the appetite for the Jane Austen films and miniseries of the 1990s. In 1985, Rintoul went back in time to play Linus in the ten-hour miniseries A.D. (also know as A.D.: Anno Domini), which chronicled the lives of Christ's apostles as they spread the gospel in the Roman Empire of Tiberius, Caligula, and Nero. Rintoul also performed in many continuing TV series, as well as plays performed throughout England. For example, he starred as Macbeth in a touring Old Vic production and as Prince Hal in Henry IV, Pt. I and Henry IV, Pt. II in Royal Shakespeare Company productions. Rintoul received his training at Edinburgh University and the Royal Academy of Dramatic Art, then worked in repertory productions. After his acting had developed "bite," he portrayed a werewolf in a 1975 film, Legend of the Werewolf, working with Christopher Lee and Hugh Griffith.

Trivia: Born Patrick G. Duggan on March 24, 1945, Patrick Malahide grew up in the Thames Valley west of London in the village of Pangbourne, where Kenneth Grahame wrote about Mole, Toad, and Rat in the 1908 children's classic The Wind in the Willows. Malahide's Irish immigrant parents each held down two jobs to send Patrick and their other two children to the best schools. Patrick attended St. Anne's Primary and then the Douai School of the Benedictine Abbey at Upper Woolhampton, Berkshire. At both schools, Patrick received an excellent education and learned to mix with upper-class children and mimic the articulation and cadence of their speech. Thus, he was unwittingly preparing himself for film roles requiring an understanding of class-conscious societies and a mastery of accents. Such roles included his portrayal of Sir John Conroy in the 2001 TV miniseries Victoria and Albert, Captain Claude Howlett in the 1999 TV miniseries All the King's Men, and the Rev. Casaubon in the 1994 TV miniseries Middlemarch. After attending Edinburgh University, where he studied literature and psychology and performed with a dramatic society, he taught English at a boys' school in Wokingham. Soon, however, he abandoned the classroom for the stage, managing and directing at a small theater and acting in the plays of Henrik Ibsen, Noel Coward, Anton Chekhov, and Arthur Miller. After performing in London, he signed on with the Royal Lyceum Theatre in Edinburgh, playing roles in the dramas of Shakespeare and other classic authors, accepted television roles, and earned critical acclaim in 1981 in a tour de force one-man show, Judgement [writer's note: the British spelling of the word "judgment" is correct here], in which he tells the audience why he resorted to cannibalism to survive as a Russian officer in a Nazi prison. Then came worldwide recognition from productions such as The Killing Fields (1984), the TV miniseries The Singing Detective (1985), A Month in the Country (1987), the TV docudrama Investigation: Inside a Terrorist Bombing (1990), A Man of No Importance (1994), U.S. Marshals (1998), and Billy Elliot (2000).