Trivia: Canadian character actor Bruce Greenwood spent the 1970s working in regional Vancouver theater, and appeared in many Canadian TV shows during the '80s. His first American film was a walk-on role in Rambo: First Blood. In the U.S., he fared much better with television pilots, miniseries, and made-for-TV movies. His first big role was Dr. Seth Griffin on St. Elsewhere from 1986-1988. Other TV projects included The FBI Murders, The Servants of Twilight, and Summer Dreams: The Story of the Beach Boys. By the '90s, he had found a home for himself on television. Greenwood played Pierce Lawson in 1991 on the evening soap opera Knots Landing, earned a Gemini (the Canadian Emmy) nomination for The Little Kidnappers, and then took home an award for his role in Road to Avonlea. He also starred as Thomas Veil on the UPN dramatic series Nowhere Man and guest starred as Roger Bingham on the HBO comedy series The Larry Sanders Show. He did quite well on NBC, as well, appearing in many TV movies (including Naomi & Wynonna: Love Can Build a Bridge) and starring in the sci-fi mystery show Sleepwalkers as Dr. Nathan Bradford.Greenwood made the leap to the big screen with a fellow Canadian, Egyptian-born filmmaker Atom Egoyan. In Exotica, he played the troubled Francis, a tax collector obsessed with a stripper. The film was a hit at the Cannes Film Festival, and Greenwood re-teamed with the director for his next film, The Sweet Hereafter, which won a special jury prize at Cannes, while Greenwood was nominated for a Genie award for his supporting role of mourning father Billy Ansell. By contrast, he played bad guys in mainstream thrillers in the '90s, with starring roles in Disturbing Behavior, Hide and Seek, Double Jeopardy, and Rules of Engagement He may be most well known, however, for playing President John F. Kennedy during the Cuban Missile Crisis in the political thriller Thirteen Days, for which he won a Golden Satellite Award. With this role under his belt, Greenwood moved into more dramatic territory with the A&E miniseries The Magnificent Ambersons as well as a dual role in Egoyan's Ararat. In 2003, he produced fellow Canadian Deepa Mehta's film The Republic of Love and appeared in the action comedy Hollywood Homicide and the sci-fi thriller The Core. He continued to work steadily in a variety of projects including I, Robot, Racing Stripes, Capote, Déjà vu, and had a small part in Todd Haynes' 2007 idiosyncratic Bob Dylan biopic I'm Not There. That same year he played the president in the hit sequel National Treasure: Book of Secrets. He had a brief but memorable turn as Captain James T. Kirk's father in J.J. Abrams Star Trek, and played a bad guy in the comedy Dinner for Schmucks. He had a major role in the arty western Meek's Cutoff, and reteamed with Abrams when he appeared in the Spielberg homage Super 8.

Trivia: Though she was only 17, by the time Hayden Panettiere gained stardom as one of the leads on NBC's hit superhero drama Heroes, she'd already been acting for more than 16 years. After appearing in television commercials beginning at 11 months old, flaxen-haired Panettiere was cast as a regular on One Life to Live at five. She remained on the show for three years, before leaving for a stint on another soap, Guiding Light. Meanwhile, she appeared in a number of small movie parts as well as one of the lead voices in Pixar's A Bug's Life. After Panettiere showed up in such films as Remember the Titans and Joe Somebody, her next notable role was Maddie Harrington, the long-lost daughter of the quirky title character on Fox's Ally McBeal. Along with supporting parts in Raising Helen and Racing Stripes and the lead in the second straight-to-DVD Bring It On sequel, several more small TV roles followed before 2006, when she was cast on Heroes as the cheerleader with the ability to spontaneously heal herself. A major hit with television viewers, Heroes was nominated for Emmy awards every year from 2006 through 2010 -- ultimately taking home a trophy for Best Visual Effects in 2009. After Heroes went off the air in 2010, Panettiere seemed determined to show her versatility by taking on the role of a convicted murderess in the made-for-TV movie Amanda Knox; Murder on Trial in Italy, returning to vocal work as Little Red Riding Hood in Hoodwinked Too! Hood vs. Evil, and appearing as a successful young pop star in the 2012 ABC drama Nashville.

Trivia: Rarely garnering a lead role, M. Emmet Walsh has become one of the busiest character actors in Hollywood, using his ruddy, seedy appearance to embody countless low-life strangers with unsavory agendas. In his rare sympathetic roles, he's also capable of generating genuine pathos for the put upon plight of struggling small-timers. His effortless portrayals have made him a welcome addition to numerous ensembles, even if many viewers can't match a name to his recognizable mug. In fact, his work is so well thought of that critic Roger Ebert created the Stanton-Walsh Rule, which states that no film featuring either Walsh or Harry Dean Stanton can be altogether bad.Contrary to his frequent casting as a Southerner, Walsh is a native New Yorker, born on March 22, 1935, in Ogdensburg, NY. As a youth he attended the prestigious Tilton School in New Hampshire, and went on to share a college dorm room with actor William Devane. He graduated from the Clarkson University School of Business, but it was not until his thirties that he discovered his true calling: acting. He first popped up in Midnight Cowboy (1969), and has worked steadily ever since, some years appearing in as many as eight motion pictures, other years focusing more on TV movies. Working in relative anonymity through the '70s and early '80s, appearing in films ranging from Serpico (1973) to Slapshot (1977) to Blade Runner (1982), Walsh landed his meatiest and most memorable role in Joel and Ethan Coen's remarkable debut, Blood Simple (1984). Without batting an eye, Walsh exuded more casual menace as the amoral private detective doggedly pursuing his own self-interest than a host of typecast villains could muster in their entire careers. His role was key to creating a stylish noir that would launch the careers of two modern masters. It earned him an Independent Spirit Award.Blood Simple did not markedly alter Walsh's status as a supporting actor, as he went on to appear in this capacity in Fletch (1985), Back to School (1986), and Raising Arizona (1987), his next collaboration with the Coens, in which his bull-slinging machinist scores riotously with less than a minute of screen time. One of the first appearances of the kindly Walsh was in 1988's Clean and Sober, in which he plays a recovering alcoholic helping Michael Keaton through the same struggle.As he crept into his late fifties and early sixties, the stature of Walsh's films diminished a little, if not his actual workload. Continuing to dutifully pursue his craft throughout the early '90s, Walsh again returned to a higher profile with appearances in such films as A Time to Kill (1996), William Shakespeare's Romeo + Juliet (1996), and My Best Friend's Wedding (1997). More as a reaction to the ineptitude of the movie than Walsh's performance, Ebert called into question his own Walsh-Stanton Rule in his review of Wild Wild West, the 1999 Will Smith-Kevin Kline debacle in which Walsh is one of the only tolerable elements. In the years to come, Walsh would remain active on screen, appearing in films like Youth in Revolt and providing the voice of Olaf on the animated series Pound Puppies.

Trivia: While savvy television viewers will no doubt recognize prolific small-screen actress Wendie Malick from such popular series as Baywatch, Just Shoot Me, and HBO's smart and sexy comedy Dream On, the late '90s found her feature career warming up in such independent efforts as Manna From Heaven (2001) and Bathroom Boy (2003). A native of Buffalo, NY, who first found work in front of the cameras as a Wilhelmina model in the 1970s, the Ohio Wesleyan University alum would later work for New York congressman Jack Kemp following her graduation. Subsequently gracing the catwalks of New York, Paris, and Madrid, it was a small role in the 1978 comedy How to Pick up Girls that provided the aspiring actress with her first screen break. Though she would appear in a few theatrical releases such as Scrooged (1988) during the 1980s, most of her work came with made-for-television features and such series as Kate and Allie and Anything But Love. Increasingly visible on the small screen during the 1990s, Malick's role as series protagonist Martin Tupper's (Brian Benben) ex-wife on Dream On utilized her comic abilities to maximum effect and netted the actress four Cable ACE awards. Following the final episode of Dream On in 1996, it was only one short year before Malick began a stint on another popular series that would gain her accolades among sitcom junkies, Just Shoot Me. Her background in the modeling industry provided the ideal foundation for her role as former model Nina Van Horn, and Malick (Emmy-nominated for the role) remained with the show until its final episode in 2003, simultaneously taking occasional parts in both made-for-TV and theatrical features. In 1997 Malick took the lead in the little-seen romantic comedy Just Add Love, and following voice work as the egotistical principal in the Disney series Fillmore!, she appeared alongside Valerie Bertinelli, Jane Leeves, and Betty White the Emmy-winning comedy series Hot in Cleveland. In addition to her screen work, Wendie Malick met husband Richard Erickson while building homes for poor families in Mexico, and she also helps the homeless with her work for the Adopt-A-Family organization.