Trivia: Harry Connick Jr. is, first and foremost, known for his abilities behind a piano and for his smooth, baritone vocals. Connick is a prodigious performer, having released some 15 albums by the age of 30. He was approached by Rob Reiner to put together some music for the 1989 film When Harry Met Sally. He brought together an orchestra and covered many popular big-band era songs. An album was put together and prompted a whirlwind tour that helped the album sell amazingly well. Because of this success and Connick's Aw Shucks personality, film appearances were inevitable. His first was in 1990's Memphis Belle and he has consistantly worked in film since then, most notably as Will Smith's wisecracking friend in Independence Day, and in an unexpected turn as the mimicking, murdurous psychopath in Copycat (1995). The late '90s found Connick in larger roles that were a testament to his versatility, including Hope Floats (1998) and Wayward Son (1999). In 2000, Connick brought in the new millennium with a role in My Dog Skip. In 1994, Connick married model Jill Goodacre and together they have two daughters.

Trivia: Blessed with a rare combination of beauty, brains, and talent, actress Ashley Judd spent the 1990s gaining critical acclaim, industry respect, and a broad fan base that made her one of the most in-demand actresses of the latter half of the decade.The daughter of country-music superstar Naomi Judd and the younger half-sister of singer Wynonna Judd, Judd was born in Los Angeles, on April 19, 1968. A single parent, her mother supported Judd and her sister by taking odd jobs in California and Kentucky. The actress spent her first 13 years shuttling between the two states and attended 12 different schools, often living in poverty in remote areas of Kentucky. With no external sources of entertainment, Judd read books and amused herself by pretending to be various characters while her sister and mother whiled away the time singing. Their singing paid off; after Naomi and Wynonna Judd became country-music sensations, the family was finally able to leave their financial hardship in the past. Judd went on to attend the University of Kentucky, graduating Phi Beta Kappa in 1990 with a degree in French.At her sister's encouragement, Judd, blessed with an outgoing, forthright nature, was able to secure an agent on her first try and, in 1987, won a part on the television series Star Trek: The Next Generation. She went on to do more TV, landing a recurring role as Swoosie Kurtz's daughter on Sisters in 1991 (she stayed with the show until 1994). The following year, she made her film debut with a small part in Kuffs (1992). She was originally meant to have a larger part, but rejected it when she learned of a nude scene. The actress' first major film role was in the hit independent drama Ruby in Paradise (1993). She garnered considerable acclaim for her subtle, realistic portrayal of a spoiled Tennessee heiress who runs away to sell tourist trinkets in a ramshackle resort, winning Best Actress at the 1994 Independent Spirit Awards. After filming Oliver Stone's Natural Born Killers, only to have her scenes end up on the cutting-room floor, Judd next found acclaim with her turn in the 1995 film Smoke, in which she played the pregnant, drug-addicted daughter of Harvey Keitel and Stockard Channing. The same year, she appeared in the much-lauded Heat, then went on to star with Mira Sorvino in the 1996 made-for-TV Marilyn Monroe biopic Norma Jean and Marilyn.Following a substantial role as Matthew McConaughey's wife in Joel Schumacher's adaptation of John Grisham's A Time to Kill in 1996, and a lead in the crime film A Normal Life (also 1996), Judd starred in the 1997 thriller Kiss the Girls. The film received mixed reviews but did decent business at the box office, further increasing Judd's glowing star wattage. She landed another lead role the following year, in the well-received drama Simon Birch and, in 1999, could be seen starring in Bruce Beresford's Double Jeopardy as an ex-convict planning revenge on those who framed her for a crime she did not commit. The film was a substantial box-office hit, further cementing Judd's arrival as a major Hollywood star. Judd didn't turn up again until 2004's Twisted, a crime thriller about a female homicide detective who finds herself at the center of a series of murders. That same year, she starred alongside Kevin Kline in the critically acclaimed De-Lovely, a musical biography of Cole Porter. She then laid low until a project by a truly legendary filmmaker came her way. William Friedkin, director of The Exorcist, cast her in the leading role in his 2007 psychological horror film Bug. A gritty, pared down thriller with a five person cast, Judd handled the disturbing project like a pro. Ready for something more grounded in reality, the actress next chose a project that dealt with issues ripped straight from the headlines, signing on to appear in Crossing Over, a film about immigrants struggling to obtain legal citizenship in the US.

Trivia: Child actor Nathan Gamble was born on January 12, 1998. By his tenth birthday he had racked up an impressive resumé, earning a nomination for a Young Artist Award for his role in the hit film Babel, and was cast as the son of Commissioner Gordon in the hit 2008 blockbuster The Dark Knight. He also made several television appearances in his rather busy first decade, including roles on Ghost Whisperer and the hit CBS series CSI. For the holiday season of 2008-2009, moviegoers could catch him in Marley & Me. He appeared in the TV series Hank, and the family film Dolphin Tale.

Trivia: Like so many others before him, Kris Kristofferson pursued Hollywood success after first finding fame in the pop music arena. Unlike the vast majority of his contemporaries, however, he could truly act as well as make music, delivering superb, natural performances in films for directors like Martin Scorsese, Sam Peckinpah, and John Sayles. Born June 22, 1936, in Brownsville, TX, Kristofferson was a Phi Beta Kappa at Pomona College, earning a degree in creative writing. At Oxford, he was a Rhodes Scholar, and while in Britain he first performed his music professionally (under the name Kris Carson). A five-year tour in the army followed, as did a stint teaching at West Point. Upon exiting the military, he drifted around the country before settling in Nashville, where he began earning a reputation as a gifted singer and songwriter. After a number of his compositions were covered by Roger Miller, Kristofferson eventually emerged as one of the most sought-after writers in music. In 1970, Johnny Cash scored a Number One hit with Kristofferson's "Sunday Mornin' Comin' Down," and that same year he released his debut LP, Kristofferson. Upon composing two more hits, Janis Joplin's "Me and Bobby McGee" and Sammi Smith's "Help Me Make It Through the Night," Kristofferson was a star in both pop and country music. In 1971, his friend, Dennis Hopper, asked him to write the soundtrack for The Last Movie, and soon Kristofferson was even appearing onscreen as himself. He next starred -- as a pop singer, appropriately enough -- opposite Gene Hackman later that year in Cisco Pike, again composing the film's music as well. Another role as a musician in 1973's Blume in Love threatened to typecast him, but then Kristofferson starred as the titular outlaw in Sam Peckinpah's superb Western Pat Garrett and Billy the Kid. For Peckinpah, Kristofferson also appeared in 1974's Bring Me the Head of Alfredo Garcia, followed by a breakthrough performance opposite Oscar-winner Ellen Burstyn in Martin Scorsese's acclaimed Alice Doesn't Live Here Anymore. After a two-year hiatus to re-focus his attentions on music, he followed with a villainous turn in the little-seen Vigilante Force and the much-hyped The Sailor Who Fell From Grace With the Sea. Amid reports of a serious drinking problem, Kristofferson next starred as an aging, alcoholic rocker opposite Barbra Streisand in the 1976 remake of A Star Is Born, an experience so grueling, and which hit so close to home, that he later claimed the picture forced him to go on the wagon. In 1977, Kristofferson teamed with Burt Reynolds to star in the football comedy Semi-Tough, another hit. He next reunited with Peckinpah for 1978's Convoy. Hanover Street was scheduled to follow, but at the last minute Kristofferson dropped out to mount a concert tour. Instead, he next appeared with Muhammad Ali in the 1979 television miniseries Freedom Road. He then starred in Michael Cimino's legendary 1981 disaster Heaven's Gate, and when the follow-up -- Alan J. Pakula's Rollover -- also failed, Kristofferson's film career was seriously crippled; he received no more offers for three years, appearing only in a TV feature, 1983's The Lost Honor of Kathryn Beck, and performing his music. His comeback vehicle, the 1984 thriller Flashpoint, earned little attention, but Alan Rudolph's Songwriter -- also starring Willie Nelson -- was well received. In 1986, Kristofferson reunited with Rudolph for Trouble in Mind, and starred in three TV movies: The Last Days of Frank and Jesse James, Blood and Orchids, and a remake of John Ford's Stagecoach.Remaining on television, Kristofferson co-starred in the epic 1987 miniseries Amerika. The year following, he appeared in a pair of Westerns, The Tracker and Dead or Alive, and unexpectedly co-starred in the comedy Big-Top Pee-Wee. The 1989 sci-fi disappointment Millennium was his last major theatrical appearance for some years. In the early '90s, the majority of his work was either in television (the Pair of Aces films, Christmas in Connecticut) or direct-to-video fare (Night of the Cyclone, Original Intent). In many quarters, Kristofferson was largely a memory by the middle of the decade, but in 1995 he enjoyed a major renaissance; first, he released A Moment of Forever, his first album of new material in many years, then co-starred in Pharoah's Army, an acclaimed art-house offering set during the Civil War. The following year, Kristofferson delivered his most impressive performance as a murderous Texas sheriff in John Sayles' Lone Star. He turned in another stellar performance two years later in James Ivory's A Soldier's Daughter Never Cries. After a turn in the Mel Gibson vehicle Payback and Father Damien, Kristofferson again collaborated with Sayles, playing a pilot of dubious reputation in 1999's Limbo. In the decades to come, Kristofferson would remain active on screen, appearing in movies like He's Just Not That Into You, Fastfood Nation, and Dolphin Tale.

Trivia: Morgan Freeman has enjoyed an impressive and varied career on stage, television, and screen. It is a career that began in the mid-'60s, when Freeman appeared in an off-Broadway production of The Niggerlovers and with Pearl Bailey in an all-African-American Broadway production of Hello, Dolly! in 1968. He went on to have a successful career both on and off-Broadway, showcasing his talents in everything from musicals to contemporary drama to Shakespeare. Before studying acting, the Memphis-born Freeman attended Los Angeles Community College and served a five-year stint with the Air Force from 1955 to 1959. After getting his start on the stage, he worked in television, playing Easy Reader on the PBS children's educational series The Electric Company from 1971 through 1976. During that period, Freeman also made his movie debut in the lighthearted children's movie Who Says I Can't Ride a Rainbow? (1971). Save for his work on the PBS show, Freeman's television and feature film appearances through the '70s were sporadic, but in 1980, he earned critical acclaim for his work in the prison drama Brubaker. He gained additional recognition for his work on the small screen with a regular role on the daytime drama Days of Our Lives from 1982 to 1984. Following Brubaker, Freeman's subsequent '80s film work was generally undistinguished until he played the dangerously emotional pimp in Street Smart (1987) and earned his first Oscar nomination. With the success of Street Smart, Freeman's film career duly took off and he appeared in a string of excellent films that began with the powerful Clean and Sober (1988) and continued with Driving Miss Daisy (1989), in which Freeman reprised his Obie-winning role of a dignified, patient Southern chauffeur and earned his second Oscar nomination for his efforts. In 1989, he also played a tough and cynical gravedigger who joins a newly formed regiment of black Union soldiers helmed by Matthew Broderick in Glory. The acclaim he won for that role was replicated with his portrayal of a high school principal in that same year's Lean on Me.Freeman constitutes one of the few African-American actors to play roles not specifically written for African-Americans, as evidenced by his work in such films as Kevin Costner's Robin Hood: Prince of Thieves (1991), in which he played Robin's sidekick, and Clint Eastwood's revisionist Western Unforgiven (1992). In 1993, Freeman demonstrated his skills on the other side of the camera, making his directorial debut with Bopha!, the story of a South African cop alienated from his son by apartheid. The following year, the actor received a third Oscar nomination as an aged lifer in the prison drama The Shawshank Redemption. He went on to do steady work throughout the rest of the decade, turning in memorable performances in films like Seven (1995), in which he played a world-weary detective; Amistad (1997), which featured him as a former slave; Kiss the Girls (1997), a thriller in which he played a police detective; and Deep Impact, a 1998 blockbuster that cast Freeman as the President of the United States. Following an appearance opposite Renee Zellweger in director Neil LaBute's Nurse Betty, Freeman would return to the role of detective Alex Cross in the Kiss the Girls sequel Along Came a Spider (2001). Freeman continued to keep a high profile moving into the new millennium with roles in such thrillers as The Sum of All Fears (2002) and Stephen King's Dreamcatcher, and the popular actor would average at least two films per year through 2004. 2003's Jim Carrey vehicle Bruce Almighty cast Freeman as God (a tall role indeed, and one he inherited from both George Burns and Gene Hackman). The story finds the Supreme Being appearing on Earth and giving Carrey temporary control over the universe - to outrageous comic effect. By the time Freeman appeared opposite Hilary Swank and Clint Eastwood in Eastwood's acclaimed 2004 boxing drama Million Dollar Baby, his reputation as one of Hollywood's hardest-working, most-respected actors was cemented in place. When Freeman took home the Best Supporting Actor Oscar at the 77th Annual Academy Awards for his performance as the former boxer turned trainer who convinces his old friend to take a scrappy female fighter (Hilary Swank) under his wing, the award was considered overdue given Freeman's impressive body of work.The Oscar reception lifted Freeman to further heights. In summer 2005, Freeman was involved in three of the biggest blockbusters of the year, including War of the Worlds, Batman Begins and March of the Penguins. He joined the cast of the first picture as the foreboding narrator who tells of the destruction wrought by aliens upon the Earth. The Batman Begins role represented the first in a renewed franchise (the second being 2008's The Dark Knight), with the actor playing Lucius Fox, a technology expert who equips Bruce Wayne (Christian Bale) with his vast assemblage of gadgetry. Freeman also provided narration for the most unpredictable smash of the year, the nature documentary March of the Penguins.That fall, Miramax's drama An Unfinished Life cast Freeman in a difficult role as Mitch, a bear attack victim reduced to near-paraplegia, living on a derelict western ranch. The picture was shelved for two years; it arrived in cinemas practically stillborn, and many critics turned their noses up at it. After a brutal turn as a sociopathic mob boss in Paul McGuigan's Lucky Number Slevin (2006), Freeman reprised his turn as God in the 2007 Bruce Almighty sequel Evan Almighty; the high-budgeted picture flopped, but Freeman emerged unscathed. Versatile as ever, he then opted for a much different genre and tone with a key role in the same year's detective thriller Gone, Baby, Gone. As written and directed by Ben Affleck (and adapted from the novel by Dennis Lehane) the film wove the tale of two detectives searching for a missing four-year-old in Boston's underbelly. He returned to the Batman franchise in The Dark Knight, a film that broke box-office records, in 2008, and he would stick with the franchise for its final installment, The Dark Knight Rises, in 2012. Freeman would remain a top tier actor in years to come, appearing in such films as Red, Invictus (which saw him playing Nelson Mandela), Conan the Barbarian, and The Magic of Belle Isle.

Trivia: The youngest of three brothers.As a kid, used to take trips with his father to watch the New York Yankees play.Played baseball and football in high school, but an injury during his junior year ended his athletic career.Discovered his love of acting after his friends encouraged him to audition for the school's production of You Can't Take It with You.Started his acting career performing with the Connecticut Repertory Theatre.

Trivia: Frances Sternhagen was still in her teens when she made her first professional stage appearance as the thirtyish Laura in a 1948 summer-stock production of The Glass Menagerie. After graduating from Vassar with a BA degree in drama, Frances attended the Perry-Mansfield School of the Theatre and New York's Neighborhood Playhouse. She briefly worked as a teacher at Massachussett's Milton Academy before her off-Broadway debut as Juliette in Girardoux' Thieves' Carnival--one of the last times that this dynamic character actress would ever portray a flighty ingenue. She went on to spend several seasons at the Arena Stage in Washington, D.C. Back in New York, Sternhagen won two Obie Awards for her performances in Admirable Bashville and The New Pinter Plays, and in 1973 received the Tony Award for her multiple characterizations in Neil Simon's Good Doctor 1973. She followed this personal triumph by creating two of her all-time favorite stage roles: Dora in Equus (1974) and Ethel Thayer in On Golden Pond (1979). Launching her film career in 1967, Sternhagen has been seen in an exhausting variety of movie roles; among the best of these was no-nonsense Dr. Marion Lazarus in Outland (1982), matching wits and witticisms with outer-space peacekeeper Sean Connery. On television, Frances Sternhagen enjoyed sizable roles on such daytime dramas as Love of Life, One Life to Live, Secret Storm, and was seen on a regular basis in the prime-time series Spencer (1985, as Millie Sprague), Stephen King's the Golden Years (1991, as Gina Williams) and The Road Home (1994, as Charlotte Babineaux).

Trivia: Saturnine, generously bearded character actor Richard Libertini cut his comic teeth with Chicago's Second City Troupe. With MacIntyre Dixon, Libertini appeared in the nightclub comedy act "Stewed Prunes;" he then began toting up such New York stage credits as The Mad Show. From 1968's The Night They Raided Minsky's onward, Libertini has brightened many a film with his vast repertoire of chucklesome characterizations. Favorites include the looney General Garcia in The In-Laws (1979), who confers with a hand puppet before making crucial political decisions, and plot-galvanizing spiritualist Brahka Lasa in All of Me (1984). Richard Libertini's television contributions include a comedy-ensemble gig on The Melba Moore-Clifton Davis Show (1972), the recurring role of the Godfather on Soap (1977-78 season), supporting character Father Angelo in The Fanelli Boys (1990) and full-fledged leads in the sitcoms Family Man (1988) and Pacific Station (1991).

Trivia: Began acting in Atlanta in the early 1980s. Made film debut (as a state trooper) in 1989's Driving Miss Daisy; other film credits include Apollo 13, O Brother, Where Art Thou? and The Blind Side. Shared the 2001 live-action short Oscar for The Accountant with his late wife, Lisa Blount, the comedy's executive producer; and his costar and producing partner, Walton Goggins. McKinnon also wrote and directed. Was a regular on the first season of HBO's Deadwood (2004). His 2004 indie drama Chrystal (starring Blount and Billy Bob Thornton) was nominated for a Sundance Film Festival Grand Jury Prize. Was nominated for a 2009 Independent Spirit supporting-actor award for That Evening Sun. (He also produced the drama, along with Goggins.)

Trivia: Marc Macaulay is an actor who's just got one of those faces -- you know you've seen it somewhere before but you just can't seem to put your finger on it. Of course, one glance at the screen veteran's credit list and movie fanatics will instantly realize that they have indeed seen Macaulay numerous times on screens both large and small, it's just that he has a way of immersing himself in the role so effectively that it's difficult to distinguish which performance stood out the most. It was during his junior year of college that the aspiring commercial illustrator accepted a dare to audition for an upcoming play, yet while the friend who issued that challenge was well on his way to becoming a professional actor, Macaulay himself had never even considered a career in the performing arts. When the cast list was posted and Macaulay discovered that he had landed one of the lead roles, however, the course of his entire life would suddenly be altered by the decision of one single casting director. After receiving a scholarship for acting and graduating with a BFA in theater, Macaulay relocated to Jupiter, FL, in order to attend the Burt Reynolds Institute of Theatre Training. While a move to New York seemed only natural for Macaulay upon finishing his training in Florida, acting gigs in the Big Apple were few and far between. After racking up a few film credits and continuing his studies at H.B. Studios, Macaulay eventually returned to the Sunshine State to audition for a new series called Miami Vice (1984). Over the course of the following decade, Macaulay was swept up in a whirlwind of supporting roles. From short-lived series like B.L. Stryker and Wiseguy to major motion pictures such as Edward Scissorhands, Passenger 57, Contact, and The Truman Show, the workman-like actor could always be counted on to deliver a convincing, well-mannered performance. While frequent roles in such shows as Matlock, Walker, Texas Ranger, and Nash Bridges provided a bit of stability in a notoriously volatile industry, the increasingly busy actor largely earned his keep by continually leaping from the big screen to the small -- all the while displaying impressive footing on both. By the year 2000, casting directors were finally wising up to the true talent at their disposal, and Macaulay was landing consistent work in feature films. Never tied to just one genre, Macaulay turned in impressive performances in films as diverse as From Justin to Kelly, Monster, Transporter 2, and The Hawk Is Dying (opposite Academy Award-nominee Paul Giamatti). A minor role in the 2006 feature film Miami Vice served well to bring Macaulay's career full circle. In 2006, Macaulay could be seen in a recurring role on the popular Fox drama Prison Break, with subsequent parts in the feature films Premonition and Walking Tall 2 preceding yet another small-screen recurring role in the weekly USA Network thriller Burn Notice in 2007.

Trivia: First acting role was at the age of seven in a nativity play; he had stage fright and refused to go on. Competed in the BMX pro circuit and X Games and is currently the first amputee to do a back flip on a bike. Pursued a Masters degree in hydrogeology. Lost his left leg below the knee in a 2006 motorcycle crash where he hit a pole and flipped over a 40-foot embankment. He spent three and a half months in the hospital and endured 28 surgeries. According to him, has broken every bone in his body at some point except the clavicle and has sustained 11 concussions. Advocates for disability rights and raises awareness of monetary incentives and tax breaks for productions hiring disabled actors. Posed for the satirical photo book XXX Porn for Women as a man doing laundry.

Trivia: First acting gig was in his senior year of high school in a production of Fiddler on the Roof, in which he was cast as the lead, Tevye. Studied sports medicine before changing his focus to acting. Won the Natalie Wood Acting Award at UCLA. Nearly left the acting profession when he was offered a lucrative job in financial services. Served as Georgia's representative on the National Board of the Screen Actors Guild from January 2002 to September 2004. Advocated for the merger of SAG (Screen Actors Guild) and AFTRA (American Federation of Television and Radio Artists) prior to their 2012 merger as SAG-AFTRA. Has also served as the Atlanta Local First Vice-President of SAG-AFTRA. Has used acting principles and experience to launch a successful business as a career coach.

Trivia: Fuzzy-faced actor Charles Martin Smith took time off from his studies at Cal State to make his cinema debut in The Culpepper Cattle Company (1972). Specializing in nerdish, owl-eyed teenagers during the early stages of his career, Smith scored a hit as Terry "The Toad" Field in the two American Graffiti movies of the mid-1970s. He was afforded a rare star part as real-life Canadian author Farley Mowat in Never Cry Wolf (1983), delivering what amounted to a one-man show as he braved the treacherous Arctic to study the so-called predatory behavior of wolves. Other Smith performances worth noting include ill-fated FBI accountant Oscar Wallace in The Untouchables (1987) and AIDS researcher Henry Jaffe in the made-for-TV And the Band Played On. Turning director with the sloppy but endearing "horror musical" Trick or Treat (1986), Charles Martin Smith has gone on to man the megaphone on the love-'em-or-hate-'em comedies Boris and Natasha (1992) and Fifty/Fifty (1993).

Trivia: Versatile musician Mark Isham is both a Grammy award-winning recording artist and one of the most noteworthy film composers of the 1980s and beyond. Born in New York to a violinist and a music teacher, Isham studied trumpet, violin, and piano as a child, and began his professional career as a classical and jazz trumpeter in California. Adding synthesizers to his repertoire, he worked as a jazz, rock, and New Age musician throughout the 1980s and 1990s, winning a Grammy award for his 1990 CD Mark Isham.Isham began his parallel career as a film composer in the 1980s, providing the scores for the Arctic adventure Never Cry Wolf (1983) and the Mel Gibson-Diane Keaton period romance Mrs. Soffel (1984). Forging a fruitful collaboration with iconoclastic director Alan Rudolph, Isham scored Trouble in Mind (1985), Mortal Thoughts (1991), Mrs. Parker and the Vicious Circle (1994), Afterglow (1997), and won the Los Angeles Film Critics prize for The Moderns (1988). Named one of the top composers of the 1980s by the AFI, the composer's film career continued to surge in the 1990s. Drawing on his varied background for an eclectic range of films, Isham scored such critical hits as Reversal of Fortune (1990), Robert Altman's Raymond Carver interpretation Short Cuts (1993), and Robert Redford's Quiz Show (1994), as well as more mainstream box-office fare, including Timecop (1994), Kiss the Girls (1997), Blade (1998), and Varsity Blues (1999). Isham received an Oscar nomination for Redford's A River Runs Through It (1992) and a Golden Globe nod for Nell (1994). Adding TV to his résumé, he provided the music for CBS' hospital drama Chicago Hope and won an Emmy in 1997 for his theme to E Z Streets.