Trivia: Best remembered for his high-profile acting roles on two 1970s television sitcoms -- that of genial news writer Murray Slaughter on CBS's The Mary Tyler Moore Show (1970-1977) and that of sweet-natured Captain Merrill Stubing on ABC's The Love Boat (1977-1986), stage-trained actor Gavin MacLeod in fact began his career typecast as a villain. He landed parts in Hollywood features including The Sand Pebbles (1966), Deathwatch (1966), and The Comic (1969), and enjoyed a tenure as Joseph "Happy" Haines on the sitcom McHale's Navy from 1962 through 1964. After The Love Boat permanently laid anchor in the mid-'80s, MacLeod signed on as a spokesperson and pitchman for Princess Cruises and returned to regional theatrical work. He also tackled guest spots on programs including Touched by an Angel and (in a move that surprised everyone) the HBO prison drama Oz. Off-camera, MacLeod is an outspoken born-again Christian. He hosted a popular talk show on the Trinity Broadcasting Network, along with his wife, Patti (whom he divorced in 1982 and remarried three years later), called Back on Course, and personally funded many of the Greatest Adventure Stories from the Bible animated videos for children.

Trivia: Universally recognized as Ship's Doctor Adam Bricker on the blockbuster prime-time sitcom The Love Boat (1977-1986) -- a part he held for the entire nine-season run of the series -- actor Bernie Kopell entered the doors of show business via a most unlikely route. Born in Brooklyn, Kopell attended Erasmus High and then New York University (with a dramatic art major). After a stint at sea aboard the naval vessel USS Iowa, Kopell signed on to drive a taxicab in Southern California -- and achieved his big break on the day that Oregon Trail (1959) film producer Dick Einfeld hitched a ride in the back of his cab. In a span of minutes, Kopell reportedly managed to convince Einfeld that he was not really a cab driver but an actor in serious need of work. The effort paid off, and Kopell snagged his first part -- a two-line part in Oregon as an aide to president James K. Polk. In the early '60s, Kopell joined the Actors' Ring Theatre in Los Angeles, where he developed a knack for characterizations and voices; this led, in turn, to character-type roles on a myriad of television programs including The Dick Van Dyke Show, The Steve Allen Show, and My Favorite Martian (which often, though not always, cast the wiry Kopell as a Hispanic). By the early '70s, Kopell had landed steady assignments on Get Smart, Bewitched, That Girl, and other series. The Love Boat, however, embodied his breakthrough. He followed it up with an emcee assignment on The Travel Channel (hosting its Railway Adventures Across Europe) and a surge in theatrical work, with portrayals in regional productions of such plays as Rumors, A History of Shadows, and Death of a Salesman.

Trivia: Actor Fred Grandy enjoyed two distinct careers -- an initial career as an actor and a proverbial second wind on the political stage. As a thespian, Grandy signed for guest spots on early-'70s series including Maude and Phyllis, but built his reputation via his nine-season portrayal of Yeoman-Purser Burl "Gopher" Smith, right-hand man to Captain Merrill Stubing (Gavin MacLeod), on the popular television sitcom The Love Boat (1977-1986). He proved popular with audiences, but by the mid-'80s reportedly grew tired of acting and gravitated to the political arena because he found it more challenging. Indeed, in 1986 -- the year of Boat's cancelation -- Grandy was elected as a Republican member of the House of Representatives from Iowa.

Trivia: For millions of Americans, the prime-time situation comedy The Love Boat will be forever inseparable from the image of Ted Lange, an actor cast for nine seasons as the genial Isaac the Bartender on the Pacific Princess luxury liner and trademarked by his iconic "two-finger drop" greeting. Yet Lange's portrayal of Isaac scarcely hinted at the actor's dexterity or dramatic range. In truth, this actor received classical dramatic training at London's Royal Academy of Dramatic Arts, and would go on, after the Princess took its final voyage in September 1986, to establish himself as a revered creative force in regional theater.Lange initially broke into films with many portrayals in Hollywood programmers during the early '70s, including Trick Baby (1972), Blade (1972), and Black Belt Jones (1974), and landed a regular role in the one-season ethnic sitcom That's My Mama (1974), as a streetwise philosopher opposite Clifton Davis (Amen) and Theresa Merritt. The Love Boat, of course, brought Lange his most widespread recognition; nonetheless (as indicated), he hearkened back to his theatrical roots beginning in the late '80s and divided his time between writing, directing, and stage acting roles. His resumé as a scribe sports at least 17 original plays including Lemon Meringue Facade, Behind the Mask -- An Evening with Paul Laurence Dunbar, and Evil Legacy -- The Story of Lucretia Borgia, while he has appeared dramatically in productions including Hair and Taming of the Shrew and has directed plays ranging from Othello to the rock & roll musical Born a Unicorn.

Trivia: Pennsylvania-born actress Lauren Tewes achieved broadest recognition for her stint as Cruise Director Julie McCoy on the long-running ABC situation comedy The Love Boat. Unfortunately, Tewes (unlike many of her fellow cast members) left the program prior to the final voyage of the Pacific Princess -- reportedly spiraling into a much-publicized bout of severe cocaine addiction from which she eventually fully recovered, but which cost her the role on the series. Tewes nevertheless demonstrated admirable resilience by returning for at least two Love Boat telemovies and remained active in television and film. Subsequent projects included guest appearances on the small-screen series dramas Hunter and Murder, She Wrote, and roles in features such as The Doom Generation (1995) and It Came From Outer Space 2 (1996).

Trivia: The son of a court reporter, actor Lew Ayres began his performing career upon high school graduation when he attempted to make a living as a banjo player. Ayres' college-boy good looks led to extra work in the movies, and before he was 21 the young actor was starring opposite Greta Garbo in The Kiss (1929).Director Lewis Milestone, recognizing Ayres' natural talent and precocious self-confidence, cast him in the demanding role of disillusioned German soldier Paul Baumer in All Quiet on the Western Front (1930), an intensely powerful antiwar film which went on to win an Academy Award. Ayres was superb, but his gentle demeanor and callow handsomeness resulted in his being stereotyped in film roles as a spoiled rich boy (though one of these roles, as Katharine Hepburn's perennially drunken younger brother in Holiday (1938), was among the actor's best work).Ayres' star status was boosted in 1938 when he was hired to play Dr. Kildare in MGM's long-running series of Kildare B-pictures. After appearing in nine Kildare films, he declared himself a conscientious objector and refused to bear weapons when called upon to serve in World War II; the actor was publicly perceived to be a coward, and MGM dropped his contract. After the war, the public learned of Ayres' bravery under fire as a non-combatant medical corpsman, and he was permitted to resume his career. He continued to work in character roles throughout the 1950s, 1960s, 1970s, and 1980s; he even portrayed one of Mary Richards' dates on a 1976 episode of The Mary Tyler Moore Show. As active socially as he was professionally, Ayres was married three times; his second wife was Ginger Rogers. Two days after celebrating his 88th birthday, Ayres died in his sleep in his Los Angeles home.

Trivia: American actress Janet Gaynor, born Laura Gainor, was a star of the late silent era and early talkies who was able to project vulnerability and naiveté in any role. She attended high school in San Francisco; hoping to find work in films, she moved to L.A. shortly after graduation, supporting herself through odd jobs while appearing as an extra. This led her to some bit roles in Hal Roach comedy shorts and a lead in a two-reel western. Signed to a contract by Fox, Gaynor had her first significant role in The Johnstown Flood (1926). She soon went on to appear in two successful films, Murnau's masterpiece Sunrise and Borzage's hit Seventh Heaven (both 1927); as a result, within a year she was Fox's biggest star. At the very first Academy Awards ceremony Gaynor won the "Best Actress" Oscar for her work in several films in 1927-28 (the early Oscars were often given for cumulative work). Her charming, gentle voice was ideally suited to talkies, and she made the transition to the sound era with great success. Often co-starring with romantic idol Charles Farrell, their popularity as a team was at its peak in the early '30s when they were known as "America's favorite lovebirds." Gaynor was Hollywood's top box-office attraction in 1934. She retired from the screen in 1939, around the time of her marriage to Hollywood's most renowned costume designer, Gilbert Adrian, and much of her later years were spent on a Brazilian ranch. In the '50s she came back occasionally to work on radio and TV and had a role in one more film, Bernardine (1957). Widowed in 1959, she married producer Paul Gregory in 1964. She also took up painting, and in 1976 her still-lifes were exhibited in a New York gallery. In the early '80s she appeared in the Broadway show Harold and Maude.

Trivia: Learning the ropes at the Bucks County Playhouse and New York's Neighborhood Playhouse, Jessica Walter, born January 31st, 1949, made her Broadway debut in 1961's Advise and Consent. The raven-haired leading lady was then seen on a regular basis in several Manhattan-based TV programs, including the daytimer Love of Life and the 1965 nighttime series For the People. In films from 1964, Jessica was one of eight young female "newcomers" (Candice Bergen, Elizabeth Hartman, Joanna Pettet et. al.) who went on to greater things after appearing en masse in Sidney Lumet's The Group (1966). Her flashiest screen role was as the dangerously possessive "number one fan" Evelyn Draper in Clint Eastwood's Play Misty for Me (1971). Of her many weekly-TV assignments, Walter's title role in the mid-'70s cop series Amy Prentiss garnered her the most attention; that is, until recently, when Walter found late-career acclaim on the award-winning sitcom Arrested Development. As the insensitive, materialistic matriarch of the Bluth family, Walter garnered a plum comedic role, and Emmy attention to boot. Walter continued to remain active in television appearances following the cancellation of Arrested Development, and joined the cast of the Broadway revival of Anything Goes in 2011.

Trivia: Attended NYU's Tisch School of the Arts with Olympia Dukakis. Provided one of the voices on the public-address system in the TV series M*A*S*H, and also appeared in three episodes as other characters. Made his film debut in The Taking of Pelham One Two Three (1974). The show Childrens Hospital has a character named after him, who is the unseen hospital announcer.

Trivia: Actress/singer/comedienne Misty Rowe's career peaked in the 1970s and 1980s and placed its strongest emphasis on television and stage. Born in 1952, Rowe studied under preeminent acting coach Stella Adler, and achieved her most enduring fame as one of the longest-reigning contributors (outstripped only by a handful of regulars including Roy Clark and Minnie Pearl) to the country music-themed comedy variety program Hee Haw; Rowe signed on with the program in 1972 and remained with the cast until 1991, or two years before its first-run syndication ended. In the interim, she joined the cast of Happy Days for the first season only, won the part of Maid Marian in Mel Brooks' short-lived sitcom farce When Things Were Rotten (1975), and -- very briefly -- starred opposite Kathie Lee Johnson (soon to become Kathie Lee Gifford), Lulu Roman, and others in the comedy variety spinoff of Hee Haw, Hee Haw Honeys (1978). Meanwhile, Rowe also eked out a presence on-stage in such productions as the musical comedy Lil' Abner opposite Joe Namath. Following Rowe's stint on Hee Haw, she endured a bout of personal tragedy, but overcame the related emotional difficulties and scored a triumph by headlining the touring stage production Always...Patsy Cline as the famous, tragic country crooner. Rowe then embarked on a stand-up act, headlining clubs including Caroline's, Stand-Up New York, and Don't Tell Mama. Rowe's feature film career witnessed her landing supporting roles in projects including Loose Shoes (1980), National Lampoon's Class Reunion (1982), and Meatballs Part II (1984).

Trivia: To overcome a childhood bout with infantile paralysis, Alex Cord put himself on a rigorous athletic regimen. By the time he reached his late teens, Cord was an accomplished rodeo performer. After preparing for a theatrical career in New York and London, he made his film debut with a small part in 1962's The Chapman Report. Among his American starring features was the 1966 remake of Stagecoach and the 1978 Western Grayeagle, in which he essayed the title role. Most of his biggest and best screen opportunities came his way when he plunged into the European film scene of the 1970s. On television, Alex Cord has played ruthless network programming chief Jack Kiley on W.E.B. (1978), D.A. Mike Holland on the Angie Dickinson starrer Cassie and Company (1982), and the enigmatic, eye-patched Michael Archangel on Airwolf (1984-1986).