Trivia: Best remembered for his high-profile acting roles on two 1970s television sitcoms -- that of genial news writer Murray Slaughter on CBS's The Mary Tyler Moore Show (1970-1977) and that of sweet-natured Captain Merrill Stubing on ABC's The Love Boat (1977-1986), stage-trained actor Gavin MacLeod in fact began his career typecast as a villain. He landed parts in Hollywood features including The Sand Pebbles (1966), Deathwatch (1966), and The Comic (1969), and enjoyed a tenure as Joseph "Happy" Haines on the sitcom McHale's Navy from 1962 through 1964. After The Love Boat permanently laid anchor in the mid-'80s, MacLeod signed on as a spokesperson and pitchman for Princess Cruises and returned to regional theatrical work. He also tackled guest spots on programs including Touched by an Angel and (in a move that surprised everyone) the HBO prison drama Oz. Off-camera, MacLeod is an outspoken born-again Christian. He hosted a popular talk show on the Trinity Broadcasting Network, along with his wife, Patti (whom he divorced in 1982 and remarried three years later), called Back on Course, and personally funded many of the Greatest Adventure Stories from the Bible animated videos for children.

Trivia: Universally recognized as Ship's Doctor Adam Bricker on the blockbuster prime-time sitcom The Love Boat (1977-1986) -- a part he held for the entire nine-season run of the series -- actor Bernie Kopell entered the doors of show business via a most unlikely route. Born in Brooklyn, Kopell attended Erasmus High and then New York University (with a dramatic art major). After a stint at sea aboard the naval vessel USS Iowa, Kopell signed on to drive a taxicab in Southern California -- and achieved his big break on the day that Oregon Trail (1959) film producer Dick Einfeld hitched a ride in the back of his cab. In a span of minutes, Kopell reportedly managed to convince Einfeld that he was not really a cab driver but an actor in serious need of work. The effort paid off, and Kopell snagged his first part -- a two-line part in Oregon as an aide to president James K. Polk. In the early '60s, Kopell joined the Actors' Ring Theatre in Los Angeles, where he developed a knack for characterizations and voices; this led, in turn, to character-type roles on a myriad of television programs including The Dick Van Dyke Show, The Steve Allen Show, and My Favorite Martian (which often, though not always, cast the wiry Kopell as a Hispanic). By the early '70s, Kopell had landed steady assignments on Get Smart, Bewitched, That Girl, and other series. The Love Boat, however, embodied his breakthrough. He followed it up with an emcee assignment on The Travel Channel (hosting its Railway Adventures Across Europe) and a surge in theatrical work, with portrayals in regional productions of such plays as Rumors, A History of Shadows, and Death of a Salesman.

Trivia: Actor Fred Grandy enjoyed two distinct careers -- an initial career as an actor and a proverbial second wind on the political stage. As a thespian, Grandy signed for guest spots on early-'70s series including Maude and Phyllis, but built his reputation via his nine-season portrayal of Yeoman-Purser Burl "Gopher" Smith, right-hand man to Captain Merrill Stubing (Gavin MacLeod), on the popular television sitcom The Love Boat (1977-1986). He proved popular with audiences, but by the mid-'80s reportedly grew tired of acting and gravitated to the political arena because he found it more challenging. Indeed, in 1986 -- the year of Boat's cancelation -- Grandy was elected as a Republican member of the House of Representatives from Iowa.

Trivia: For millions of Americans, the prime-time situation comedy The Love Boat will be forever inseparable from the image of Ted Lange, an actor cast for nine seasons as the genial Isaac the Bartender on the Pacific Princess luxury liner and trademarked by his iconic "two-finger drop" greeting. Yet Lange's portrayal of Isaac scarcely hinted at the actor's dexterity or dramatic range. In truth, this actor received classical dramatic training at London's Royal Academy of Dramatic Arts, and would go on, after the Princess took its final voyage in September 1986, to establish himself as a revered creative force in regional theater.Lange initially broke into films with many portrayals in Hollywood programmers during the early '70s, including Trick Baby (1972), Blade (1972), and Black Belt Jones (1974), and landed a regular role in the one-season ethnic sitcom That's My Mama (1974), as a streetwise philosopher opposite Clifton Davis (Amen) and Theresa Merritt. The Love Boat, of course, brought Lange his most widespread recognition; nonetheless (as indicated), he hearkened back to his theatrical roots beginning in the late '80s and divided his time between writing, directing, and stage acting roles. His resumé as a scribe sports at least 17 original plays including Lemon Meringue Facade, Behind the Mask -- An Evening with Paul Laurence Dunbar, and Evil Legacy -- The Story of Lucretia Borgia, while he has appeared dramatically in productions including Hair and Taming of the Shrew and has directed plays ranging from Othello to the rock & roll musical Born a Unicorn.

Trivia: Pennsylvania-born actress Lauren Tewes achieved broadest recognition for her stint as Cruise Director Julie McCoy on the long-running ABC situation comedy The Love Boat. Unfortunately, Tewes (unlike many of her fellow cast members) left the program prior to the final voyage of the Pacific Princess -- reportedly spiraling into a much-publicized bout of severe cocaine addiction from which she eventually fully recovered, but which cost her the role on the series. Tewes nevertheless demonstrated admirable resilience by returning for at least two Love Boat telemovies and remained active in television and film. Subsequent projects included guest appearances on the small-screen series dramas Hunter and Murder, She Wrote, and roles in features such as The Doom Generation (1995) and It Came From Outer Space 2 (1996).

Trivia: A beloved comedic actress whose breakthrough performance in the Mary Tyler Moore Show helped convince a disgruntled Ted Knight to stick with the series despite disappointment with his character, Georgia Engel's golden comic talents are only matched by her unmistakable blonde locks and remarkable zeal for her craft. A native of Washington, D.C., who studied her craft at The University of Hawaii, Engel appeared in Milos Forman's Taking Off and Jacques Deray's The Outside Man before joining the cast of The Mary Tyler Moore Show in a one-time role that was quickly expanded when producers made note of her comic abilities. Engel remained with the series until the end of its run in 1977, during which time she was nominated for two Emmy awards for her winning performances. If subsequent appearances on such short-lived sitcoms as The Betty White Show and Goodtime Girls found Engel's career floundering somewhat in the late-'70s/early-'80s, post-Mary Tyler Moore era, a six-year stint in the popular television series Coach in the early '90s found her back in top form. Of course that was only the beginning to Engel's comeback period, and following the cancellation of Coach in 1997, her success carried over into the new millennium with a recurring role on Everybody Loves Raymond. Minor voice work in Dr. Dolittle 2 preceded a return to the big screen in the 2002 comedy The Sweetest Thing, after which she made an appearance in theater opposite I Dream of Jeannie's Barbara Eden in The Odd Couple: The Female Version.

Trivia: Ever since the '50s, each generation has had its definitive sitcom mom, the one woman who symbolizes the attitudes and ideals of the American household (at least according to the major networks). In the late '50s, it was Barbara Billingsley; Donna Reed ruled the '60s; Roseanne repped the '80s; and Florence Henderson was queen of the '70s. As Carol Brady, she was the polyester-clad personification of the "have a nice day" mentality on the Brady Bunch (1969-1974). Prior to becoming Mrs. Brady, Henderson had worked on television during the '50s, getting her start as the "Today Girl" on Today (1952) and as a regular on Sing Along (1958). She also made frequent appearances on the Tonight Show through the early '60s. Henderson was a successful star of Broadway musicals and in 1970, she starred in the musical feature-film biography of Scandinavian composer Edvard Grieg, Song of Norway (1970). Since the end of the Brady Bunch series, Henderson has basically made her living portraying and sometimes spoofing Carol Brady. There was a blessedly short-lived variety show sequel to the program, The Brady Bunch Hour (1977), and Brady Bunch reunion TV movies, such as The Brady Girls Get Married (1981) and A Very Brady Christmas (1988). The show that wouldn't die also spawned two more sequel series, The Brady Brides (1981) and the downbeat drama The Bradys (1990). In 1995, Henderson played a feisty grandmother, the antithesis of Carol, in the feature-film spoof The Brady Bunch Movie. She continued to appear on TV and in movies such as Dickie Roberts: Former Child Star, and the documentary Get Bruce!. In 2006 she was cast in season 6 of The Surreal Life, and in 2010 she returned to the small screen yet again to compete in the eleventh season of Dancing With the Stars. Henderson died in 2016, at age 82.

Trivia: The son of a stage acrobat, American actor/dancer/singer Donald O'Connor was hoofing away as a child in his family's vaudeville act. He was discovered for films in 1938's Sing, You Sinners, spending the next few years in movies usually playing "the star as a child" -- that is, cast as the younger version of the film's leading man for prologue and flashback sequences. A 1941 Universal contract led to a string of peppy medium-budget musicals with such pure-forties titles as Get Hep to Love (1941) and Are You With It? (1949); O'Connor's most frequent costar was another teenage vaudeville vet, Peggy Ryan. In 1950, O'Connor was cast in the non-dancing role of a hapless army private who can't convince anyone that a mule can talk in Francis (1950). The film was a major moneymaker, leading Universal to inaugurate a Francis series starring O'Connor, Francis the Mule, and Francis' voice, Chill Wills. O'Connor bailed out before the final film in the series, Francis in the Haunted House (1956), complaining that the mule was getting more fan mail than he was. During the Francis epics, O'Connor was loaned to MGM for what is regarded as his finest film role, happy-go-lucky Cosmo Brown in Singin' in the Rain (1952). If he'd never made another film, O'Connor would be a musical-comedy immortal solely on the basis of his Rain setpiece, the athleticly uproarious Make 'Em Laugh (1952). When the sort of musicals in which he specialized went into a Hollywood eclipse, O'Connor concentrated on TV and nightclubs, save for a few less than satisfying cinematic assignments such as The Buster Keaton Story (1957) and the Italian-made curiosity The Wonders of Alladin (1961). When O'Connor returned to films for 1965's That Funny Feeling it was in support of the musical flavor-of-the-decade Bobby Darin. In 1967, O'Connor tried his hand at a syndicated talk-variety program, where he proved excellent as usual at performing but ill at ease as an interviewer. The 1970s were a maelstrom of summer theatre appearances, club dates and an on-and-off liquor problem for O'Connor; when he resurfaced briefly in 1981's Ragtime, movie audiences breathed a sigh of satisfaction that an old friend was back and seemingly as fit as ever. One of Donald O'Connor's most high profile later day film appearance was a cameo at the beginning of Barry Levinson's Toys (1992), wherein the verteran actor supplied a much-needed chunk of solid entertainment value to an otherwise ponderous project. A year after appearing as menacing witch Baba Yaga in the 1996 family fantasy Father Frost, O'Connor made his final film appearance in the Jack Lemmon/Walter Matthau ocean cruise comedy Out to Sea.In late September of 2003, legendary actor Donald O'Connor died of heart failure in Calabasas, CA. He was 78.

Trivia: "The First Lady of the Silent Screen," Lillian Gish was the movie industry's first true actress. A pioneer of fundamental film performing techniques, she was the first star to recognize the many crucial differences between acting for the stage and acting for the screen, and while her contemporaries painted their performances in broad, dramatic strokes, Gish delivered finely etched, nuanced turns carrying a stunning emotional impact. While by no means the biggest or most popular actress of the silent era, she was the most gifted, her seeming waiflike frailty masking unparalleled reserves of physical and spiritual strength. More than any other early star, she fought to earn film recognition as a true art form, and her achievements remain the standard against which those of all other actors are measured. Born Lillian de Guiche October 14, 1893, in Springfield, OH, Gish, her younger sister, Dorothy, and their mother, actress Mary Gish, soon relocated to New York. Beginning their acting careers not long after, the girls were in short time the family breadwinners. Among their colleagues was another child actress, Mary Pickford, who in 1909 traveled west to Hollywood to pursue a career in the movies. She found work with the famed director D.W. Griffith, and soon persuaded him to recruit the Gish sisters for his Biograph Studios' repertory company of actors. Lillian and Dorothy debuted together in 1912's An Unseen Enemy and over the next several years appeared both together and independently in dozens of the director's one- and two-reelers. While overshadowed by Pickford's fame, Lillian was the Griffith stable's most skilled actress, and she starred in many of his greatest works, including 1915's The Birth of a Nation, 1916's Intolerance, 1920's Way Down East, and 1922's Orphans of the Storm.With her delicate, luminous beauty, Gish was perfect for Griffith's Victorian-styled melodramas; wide-eyed and restrained, her face a marvel of innocence and nuance, she was nothing less than ideal for Griffith's landmark use of close-up photography. Together, they worked from opposite sides of the camera to push the new medium from lowbrow entertainment into the realm of serious art. In 1920, under Griffith's tutelage, Gish even directed her own film, Remodeling Her Husband, a vehicle for her sister. She left Griffith in 1923, landing at MGM to star in such literary projects as 1926's La Boheme and The Scarlet Letter. In 1930, she made her first sound film, One Romantic Night. Longing to return to Broadway -- and considered a fading star around Hollywood -- she made only one film over the course of the next 13 years, 1933's His Double Life. Instead, she became a fixture of the stage in productions, including 1930's Uncle Vanya, 1936's The Old Maid, and 1937's The Star Wagon. She also played Ophelia opposite John Gielgud's titular Hamlet, and in 1932 published the book Life and Lillian Gish. A supporting role in 1943's The Commandos Strike at Dawn signalled Gish's return to film. Four years later, she received her first Oscar nomination for her work in the acclaimed Duel in the Sun. However, after 1948's Portrait of Jennie, Gish again exited Hollywood for the stage, and did not return to movies prior to 1955's The Cobweb. Later that same year, she also co-starred in Charles Laughton's classic The Night of the Hunter and infrequently appeared on television. After 1967's The Comedians, Gish largely retired from acting, penning a second memoir, The Movies, Mr. Griffith and Me, two years later. In 1971, she won a special Academy Award for her "superlative artistry" and in 1977 co-starred in Robert Altman's A Wedding. After being honored in 1984 by the American Film Institute, in 1987, she accepted her final starring role, opposite Bette Davis, in The Whales of August. Lillian Gish died in New York City on February 27, 1993.

Trivia: Born July 8th, 1944, character actor Jeffrey Tambor has built his career in comedies playing the role of the uptight boss, or more generally, the stuffy guy. After graduate school, teaching, and a prolific stage career, Tambor started making television guest-starring appearances in the early '70s. He showed up on Three's Company enough that he eventually got a spot on the spin-off series The Ropers as the disapproving next-door neighbor Jeffrey. After the show's two-season run, he did a few TV movies before landing a reoccurring roles on the television version of 9 to 5, naturally playing the Dabney Coleman boss character. Throughout the '80s and early '90s, he continued to play the role of the stuffy guy on television (The Golden Girls, L.A. Law, Max Headroom) and movies (Mr. Mom, City Slickers, Life Stinks). His big break came in 1992, when he was cast as Garry Shandling's smiling sidekick, Hank Kingsley, on HBO's The Larry Sanders Show, his most recognizable role. For the rest of the '90s, he frequently returned to playing snide characters for movies (Teaching Mrs. Tingle, How the Grinch Stole Christmas, Muppets From Space), although he would be more well-known for his work on television. In 1999, he appeared on the AMC series The Lot for its two-season run and provided voice talent for the MTV cartoon show 3 South. He played another boss type in the heist film Scorched in 2002.In 2003, Tambor joined the cast of Arrested Development for the role of George Bluth, an imprisoned millionaire and patriarch to a seriously dysfunctional family. The role would earn two Emmy nominations. Tambor tried his luck at television success once again in Welcome to the Captain, a short-lived sitcom in 2006, and returned to the big screen for the buddy comedy Twenty Good Years. He played a supporting role in 2009's critically acclaimed comedy the Invention of Lying, and played father of the bride in the megahit The Hangover. In 2011, Tambor took another supporting role for the comedy drama Win Win, and reprised his role in The Hangover for The Hangover Part 2.

Trivia: Lead Reb Brown appeared onscreen from the early '70s.