Trivia: In the first ten years of his life, Raymond Burr moved from town to town with his mother, a single parent who supported her little family by playing the organ in movie houses and churches. An unusually large child, he was able to land odd jobs that would normally go to adults. He worked as a ranch hand, a traveling tinted-photograph salesman, a Forest service fire guard, and a property agent in China, where his mother had briefly resettled. At 19, he made the acquaintance of film director Anatole Litvak, who arranged for Burr to get a job at a Toronto summer-stock theater. This led to a stint with a touring English rep company; one of his co-workers, Annette Sutherland, became his first wife. After a brief stint as a nightclub singer in Paris, Burr studied at the Pasadena Playhouse and took adult education courses at Stanford, Columbia, and the University of Chunking. His first New York theatrical break was in the 1943 play Duke in Darkness. That same year, his wife Sutherland was killed in the same plane crash that took the life of actor Leslie Howard. Distraught after the death of his wife, Burr joined the Navy, served two years, then returned to America in the company of his four-year-old son, Michael Evan Burr (Michael would die of leukemia in 1953). Told by Hollywood agents that he was overweight for movies, the 340-pound Burr spent a torturous six months living on 750 calories per day. Emerging at a trim 210 pounds, he landed his first film role, an unbilled bit as Claudette Colbert's dancing partner in Without Reservations (1946). It was in San Quentin (1946), his next film, that Burr found his true metier, as a brooding villain. He spent the next ten years specializing in heavies, menacing everyone from the Marx Brothers (1949's Love Happy) to Clark Gable (1950's Key to the City) to Montgomery Clift (1951's A Place in the Sun) to Natalie Wood (1954's A Cry in the Night). His most celebrated assignments during this period included the role of melancholy wife murderer Lars Thorwald in Hitchcock's Rear Window (1954) and reporter Steve Martin in the English-language scenes of the Japanese monster rally Godzilla (1956), a characterization he'd repeat three decades later in Godzilla 1985. While he worked steadily on radio and television, Burr seemed a poor prospect for series stardom, especially after being rejected for the role of Matt Dillon on Gunsmoke on the grounds that his voice was too big. In 1957, he was tested for the role of district attorney Hamilton Burger in the upcoming TV series Perry Mason. Tired of playing unpleasant secondary roles, Burr agreed to read for Burger only if he was also given a shot at the leading character. Producer Gail Patrick Jackson, who'd been courting such big names as William Holden, Fred MacMurray, and Efrem Zimbalist Jr., agreed to humor Burr by permitting him to test for both Burger and Perry Mason. Upon viewing Burr's test for the latter role, Perry Mason creator Erle Stanley Gardner jumped up, pointed at the screen, and cried "That's him!" Burr was cast as Mason on the spot, remaining with the role until the series' cancellation in 1966 and winning three Emmies along the way. Though famous for his intense powers of concentration during working hours -- he didn't simply play Perry Mason, he immersed himself in the role -- Burr nonetheless found time to indulge in endless on-set practical jokes, many of these directed at his co-star and beloved friend, actress Barbara Hale. Less than a year after Mason's demise, Burr was back at work as the wheelchair-bound protagonist of the weekly detective series Ironside, which ran from 1967 to 1975. His later projects included the short-lived TVer Kingston Confidential (1976), a sparkling cameo in Airplane 2: The Sequel (1982), and 26 two-hour Perry Mason specials, lensed between 1986 and 1993. Burr was one of the most liked and highly respected men in Hollywood. Fiercely devoted to his friends and co-workers, Burr would threaten to walk off the set whenever one of his associates was treated in a less than chivalrous manner by the producers or the network. Burr also devoted innumerable hours to charitable and humanitarian works, including his personally financed one-man tours of Korean and Vietnamese army bases, his support of two dozen foster children, and his generous financial contributions to the population of the 4,000-acre Fiji island of Naitauba, which he partly owned. Despite his unbounded generosity and genuine love of people, Burr was an intensely private person. After his divorce from his second wife and the death from cancer of his third, Burr remained a bachelor from 1955 until his death. Stricken by kidney cancer late in 1992, he insisted upon maintaining his usual hectic pace, filming one last Mason TV movie and taking an extended trip to Europe. In his last weeks, Burr refused to see anyone but his closest friends, throwing "farewell" parties to keep their spirits up. Forty-eight hours after telling his longtime friend and business partner Robert Benevides, "If I lie down, I'll die," 76-year-old Raymond Burr did just that -- dying as he'd lived, on his own terms.

Trivia: Born in England, Joe Penny graduated to Hollywood hunkdom in the late 1970s, beginning with an appearance in the 1977 good-ole-boy flick Delta County USA. Other films followed, but Penny's celebrity status was contingent upon his television work. He rose to prominence with good roles in TV movies and miniseries like The Girls in the Office and The Gossip Columnist. In the 1980s, Joe Penny starred on no fewer than three weekly series: he played trigger-happy Bugsy Siegel in The Gangster Chronicles (1981), private eye Nick Ryder in Riptide (1984-86) and undercover investigator Jake Styles in Jake and the Fatman (1987-92).

Trivia: After abandoning plans to be either a minister or a doctor, Canadian-born singer/actor Alan Thicke turned to sports writing, then typed out comedy material for the CBC television network. He moved to Hollywood, where he became a writer and sometime performer on the syndicated Norman Lear series Fernwood 2-Night. He returned to Canada in 1980 to replace talk host Alan Hamel on a popular daytime chatfest. He was successful enough in this endeavor to be invited by onetime network executive Fred Silverman to star in Silverman's first non-network effort, a nighttime variety show titled Thicke of the Night (1983). Despite an enormous publicity buildup, the show was a disaster, for which Thicke adopted a "mea culpa" stance. Also during this period, his marriage to singer/actress Gloria Loring broke up; thus Thicke felt himself a failure on all counts. He has credited his comeback to producer Ilene Berg, who cast Thicke in the 1984 TV movie The Calendar Girl Murders, which proved to skeptics that the man had talent as a straight actor. In 1985, Thicke originated the role of psychiatrist Jason Seaver in Growing Pains, a popular ABC sitcom which ran until 1994. The following year, Thicke showed up as a preening, bombastic talk show host (could this have been an act of attrition for Thicke of the Night?) on the NBC comedy series Hope and Gloria. Additionally, Thicke has hosted the children's series Animal Crack-Ups (1987-1990), and has composed the theme songs for several other TV series, notably The Facts of Life. Although he worked steadily in a variety of less than noteworthy projects, he did score a cameo as himself in the satire Teddy Bears' Picnic, and landed supporting roles in the comedies The Goods: Live Hard, Sell Hard, and the 2012 Adam Sandler laugher That's My Boy.Alan Thicke's son is actor Brennan Thicke, best known for providing the voice of the TV cartoon character Dennis the Menace, and his other son, Robin Thicke, followed his father's musical interests and became a pop star. Thicke died in 2016, at age 69.

Trivia: The product of a tough, impoverished upbringing, African American actor Robert Guillaume fought his way out of the St. Louis slums by virtue of talent, persistence and an unwillingness to bow down to anyone. After military service and college, Guillaume held down short-term jobs ranging from cook to streetcar conductor, all the while training his voice for potential musical comedy work--training that paid off with his first Broadway show, 1961's Kwamina. Among his many stage credits were the musical versions of Golden Boy (with Sammy Davis Jr.) and Purlie Victorious, and the long-running review Jacques Brel is Alive and Well and Living in Paris. When New York stage work was scarce, Guillaume created his own opportunities by giving one-man concerts. After guesting in several of the black-oriented TV sitcoms of the 1970s, Guillaume was cast in 1977 as the imperious, outspoken family retainer Benson in the daytime-drama parody Soap (the actor would be first to admit that many of Benson's more contentious traits sprang from Guillaume's own prickly personality). The role won Guillaume a 1978 Emmy as "Outstanding Supporting Actor." In 1979, Guillaume carried over his Soap role into his own starring series, the now classic sitcom Benson, which ran until 1986 and which won Guillaume another Emmy, this time as "Outstanding Lead Actor." Robert Guillaume also headlined the appropriately titled 1989 series The Robert Guillaume Show, wherein for approximately five months he starred as divorced marriage counselor Edward Sawyer. In the several years to follow, Guillaume would star in shows like Sports night, as well as a number of films like Big Fish and Satin.

Trivia: Jennifer O'Neill's mother was still pregnant when she and her husband visited Jennifer's future grandfather, a bank president residing in Rio De Janeiro. Thus it was that O'Neill was born in the shadow of Sugar Loaf Mountain. Raised in New England and trained at New York's Professional Children's School, she became a successful cosmetics model in her teens. In films from 1968, O'Neill made her starring bow in 1970's Rio Lobo. Apparently director Howard Hawks intended to "create" O'Neill in the same way that he elevated another model, Lauren Bacall, to stardom in 1944's To Have and Have Not; alas, Hawks and O'Neill didn't see eye to eye, and it would be two years before the actress would achieve any measure of genuine stardom. In 1972, she became every pubescent boy's dream girl when she played Dorothy, the twentyish war widow who turns to teenager Gary Grimes for affection, in Summer of 42. Her career moved in fits and spurts after that triumph. O'Neill also starred on the 1983 series Bare Essence (1983), in which she was well cast as "international beauty" Lady Bobbi Rowan; in addition, she has continued making occasional films into the next century.

Trivia: The son of actors Bill Williams and Barbara Hale, curly-haired leading man William Katt is fond of noting that he made his movie "debut" while residing in his mother's womb during filming of Lorna Doone (1951). After attending Orange Coast College, Katt pursued a career as a musician. He then made his formal acting bow in summer stock and small TV roles. Among Katt's film credits are the role of the high-school jock date of telekinetic wallflower Sissy Spacek in Carrie (1977), and one-half of the title role in Butch and Sundance, The Early Days (1979). From 1981 through 1983, Katt played the reluctant-superhero protagonist (originally named Ralph Hinkley, redubbed Ralph Hanley after the '81 assassination attempt on Ronald Reagan) on TV's Greatest American Hero. Beginning in 1987, Katt played the recurring role of detective Paul Drake Jr. in the periodic Perry Mason TV movies, co-starring with his mother Barbara Hale, who resumed her "Della Street" characterization from the original 1961-66 Mason run. Katt also worked on the scripts of several of these latter-day Masons. More recently, William Katt was a regular on the 1991 Farrah Fawcett-Ryan O'Neal TV sitcom Good Sports.

Trivia: After spending most of the 1980s in television, Wendy Crewson moved to a number of high-profile feature films in the 1990s. Born in Hamilton, Ontario, Crewson attended Canada's Queens University and continued studying acting in London, England, after college. Back in North America, Crewson sharpened her versatile talent in a number of TV productions, including Heartsounds (1984), Murder: By Reason of Insanity (1985), and Robert Altman's acclaimed political satire Tanner '88 (1988), starring Altman regular and Crewson's husband-to-be Michael Murphy. Though Crewson continued to do TV in the 1990s, including The Lives of Girls and Women (1994), From the Earth to the Moon (1998), and At the End of the Day: The Sue Rodriguez Story (1998), she increasingly branched out into features. Making her mark in a small part in The Doctor (1991), Crewson moved on to larger roles as the mother of a psychotic Macauley Culkin in The Good Son (1993), Tim Allen's ex-wife in the comedy hit The Santa Clause (1994), and Peter Gallagher's unfortunate blind date in the tearjerker To Gillian on Her 37th Birthday (1996). After playing a tough lawyer in the crime thriller Gang Related (1997), Crewson further displayed her ability to convey strength as Harrison Ford's undaunted First Lady in Wolfgang Petersen's summer blockbuster Air Force One (1997). Following a substantial role in the independent romantic comedy Better Than Chocolate (1999), Crewson seemed to be on the verge of adding another hit to her resumé as one of Robin Williams' original owners in the fantasy Bicentennial Man (1999), but the film failed to live up to box-office expectations.

Trivia: According to her Rockford, Illinois, high-school yearbook, Barbara Hale hoped to make a career for herself as a commercial artist. Instead, she found herself posing for artists as a professional model. This led to a movie contract at RKO Radio, where she worked her way up from "B"s like The Falcon in Hollywood (1945) to such top-of-the-bill attractions as A Likely Story (1947) and The Boy With Green Hair (1949). She continued to enjoy star billing at Columbia, where among other films she essayed the title role in Lorna Doone (1952). Her popularity dipped a bit in the mid-1950s, but she regained her following in the Emmy-winning role of super-efficient legal secretary Della Street on the Perry Mason TV series. She played Della on a weekly basis from 1957 through 1966, and later appeared in the irregularly scheduled Perry Mason two-hour TV movies of the 1980s and 1990s. The widow of movie leading man Bill Williams, Barbara Hale was the mother of actor/director William Katt. Hale died in 2017, at age 94.

Trivia: In contrast to the insufferably intellectual characters he has played so often and so well, David Ogden Stiers wasn't much of a student while growing up in Eugene, Oregon. Like many another "underachiever," Stiers excelled at the things he was truly interested in, such as music (he played piano and french horn) and acting. After flunking out of the University of Oregon, Stiers stepped up his amateur-theatrical activities, and at age 20 was hired by the California Shakespeare Festival at Santa Clara, where he spent the next seven years performing the Classics. After briefly working with the famous San Francisco improv group The Committee, Stiers attended Juilliard, in hopes of improving his vocal delivery. Evidently his training paid off: in 1974, Stiers co-starred with Zero Mostel in the Broadway production Ulysses in Nighttown, then went on to appear opposite Doug Henning in the long-running musical The Magic Show. Despite his success, Stiers detested New York, and at the first opportunity he "ran screaming" back to the West Coast. He was cast in the short-lived sitcom Doc in 1975, and the following year played an important role in the 90-minute pilot for Charlie's Angels, though he passed when offered a regular assignment in the Angels series proper. Stiers' performance as a stuttering TV executive in a 1976 Mary Tyler Moore Show episode led to his being cast as the overbearing Major Charles Emerson Winchester on the ever-popular M*A*S*H; at first signed to a two-year contract, Stiers remained with the series until its final episode in February of 1983. Before, during and after his tenure on M*A*S*H, Stiers kept busy in made-for-TV films, lending his patented authoritativeness to such real-life characters as Dr. Charles Mayo (in 1977's A Love Affair: The Eleanor and Lou Gehrig Story), critic and social arbiter Cleveland Amory (1984's Anatomy of an Illness) and President Franklin D. Roosevelt (1987's J. Edgar Hoover). He was also seen as pontificating DA Michael Reston in several of the Perry Mason TV-movies of the late 1980s. Disney animation devotees will remember Stiers for his voiceover work as Cogsworth in Beauty and the Beast (1988) and Lord Ratcliffe in Pocahontas (1995). Stiers continued his work in film, voiceover work and television, appearing in projects like Woody Allen's The Curse of the Jade Scorpion (2001), voicing Jumba in Lilo & Stitch (2002) and playing the recurring role of Oberoth on Stargate Atlantis in 2007. Parlaying his lifelong love of classical music into a second career, David Ogden Stiers has served as guest conductor for over 70 major U.S. symphony orchestras.

Trivia: Forceful African American leading man Ivan Dixon first commanded notice from theatergoers for his performance in the 1957 Broadway play The Cave Dwellers. He entered films as Sidney Poiter's double and stand-in with Something of Value (1957) and The Defiant Ones (1958), ultimately sharing scenes with Poitier in Porgy and Bess (1959) and Raisin in the Sun (1961). In 1964's Nothing But a Man, Dixon starred as Duff Anderson, an irresponsible Alabama railroad worker whose late-blooming maturity forms the nucleus of the film. Dixon's TV work includes the role of Kinchloe on the POW sitcom Hogan's Heroes and his Emmy-nominated starring role on the 1967 dramatic special The Private War of Olly Winter. In his later years, Ivan Dixon remained active as a director and a performer: he helmed the theatrical features Trouble Man (1972) and The Spook Who Sat By the Door (1992), such TV movies as Love is Not Enough and Percy and Thunder, and several episodes of the TV adventure series Hawaiian Heat (1984). Dixon died at age 76 in March 2008.

Trivia: Supporting actor Lee Wilkof has spent his career alternating among stage, screen, and television. He made his feature film debut in The Serial (1980). His television appearances include guest-starring roles on shows ranging from Law & Order to Newhart.

Trivia: Cec Linder was born in Poland, began his acting career in his adopted country of Canada, then established himself by playing American characters in British films. The actor's most famous movie role was James Bond's CIA counterpart Felix Leiter in 1965's Goldfinger. From 1960 through 1964, Linder portrayed Peter Ames on the CBS TV soap opera The Secret Storm, and later replaced William Prince in the role of Ben Travis on The Edge of Night. Shortly before his death at the age of 61, Cec Linder essaying the recurring part of a district attorney in several of the American made-for-TV Perry Mason feature films.