Trivia: Jennifer Aniston makes a good case for proving that acting talent can be absorbed by osmosis. From her father John Aniston's stardom on Days of Our Lives to her godfather Telly Savalas, the actress was surrounded by plenty of inspiration from an early age. As Aniston attended the Rudolph Steiner School as a child, she was interested in many forms of art and proved to be a talented painter, eventually having one of her pieces displayed at the New York Metropolitan Museum of Art. Acting also appealed to her, and became her primary focus after graduating from New York's prestigious High School for the Performing Arts in 1987. She took roles in off-Broadway productions such as For Dear Life and Dancing on Checker's Grave before she began honing her skills in television acting with appearances on shows like Quantum Leap and Herman's Head. Before long, Aniston's film and television résumé had grown into a laundry list of one-time appearances, short-lived series, and B-level movies. By 1994, the handful of bit parts and failed shows on Aniston's résumé had established her as a working actress but created little foreshadowing about her future as a star. Her upcoming audition for the role of Monica Gellar in a pilot for a sitcom at that point titled "Friends Like These," however, would prove to be quite auspicious. The role in question would eventually be filled by Courteney Cox, as Aniston changed her mind and opted to try out for Rachel Green, a young suburbanite living on her own for the first time and working as a coffee-shop waitress in New York City. The rest, as they say, is history -- "Friends Like These" would become Friends, the hugest sitcom in years, quickly making Aniston America's sweetheart. Friends' obsessive following churned up a particular interest in Aniston's signature hairstyle. The shag cut known as "The Rachel" could be seen on heads all over the country. Even as the fad fell out of popularity in the salons, Aniston's star continued to rise. Still adored on one of the most popular television shows in history, she moved to the big screen in romantic comedies like She's the One (1996), Picture Perfect, 'Til There Was You (1997), and The Object of My Affection (1998). In the late '90s, she also began dating actor Brad Pitt. Talk of Pitt's recently ended engagement to actress Gwyneth Paltrow quickly dissipated as "Gwen and Brad" turned to "Jen and Brad." The two young stars became the ultimate Hollywood power couple and celebrated with a star-studded wedding in July of 2000. The new millennium found Aniston at the top of her game. Raking in a million dollars an episode for her role on the still popular Friends and married to one of the hottest men in Hollywood, she seemed to have it all. Secure in her A-List position, she took the opportunity to work on low-profile films and cult hits, such as 1999's Office Space, and 2000's Rock Star. Aniston's talent for dramatic roles was finally given a proper outlet when she played the lead in 2002's The Good Girl, which found critics surprised and impressed with her range. She made no attempt to shy away from comedy, however, starring alongside Jim Carrey in Bruce Almighty, and Ben Stiller in 2004's Along Came Polly. In 2004, as Friends began what would be its final season, Aniston's immediate future was filled with tremendous turmoil and change. Only a week into 2005, she and husband Brad Pitt legally separated, surrounded by rumors that Pitt had sparked a serious romantic connection with his Mr. and Mrs. Smith co-star Angelina Jolie. The media leapt onto the story, desperate to sate the public's curiosity about how such a seemingly perfect union could come to an end. Rumors swilled about the circumstances of their break-up, citing everything from disagreements over children to taste in interior decorating. Aniston's steady poise and willowy figure created a division in the public perception between herself and the more curvaceous and risqué Jolie.Media frenzy buzzed around the breakup long after she and Pitt officially filed for divorce in March. Vendors even started selling T-shirts reading "Team Aniston" and "Team Jolie," though most of the public seemed to side with the slighted Aniston. The actress plowed ahead, however, marking 2005 by starring with Clive Owen in the gritty thriller Derailed and with Shirley MacLaine and Kevin Costner in the comedy Rumor Has It.... 2006 brought the ensemble film Friends With Money, as well as another movie that would help put her divorce in the past...in more ways then one. While Pitt made headlines by becoming legal guardian of Jolie's adopted children and father to a baby Jolie gave birth to in Namibia, Aniston starred alongside comedy and character actor extraordinaire Vince Vaughn in The Break-Up. The comedy cast the two as an ex-couple going to war over which of them should keep their beloved condo, but the real life connection between the actors was quite the opposite. Though reluctant to speak about their relationship publicly, Aniston and Vaughn appeared quite clearly to have become a couple, bolstering the success of The Break-Up, and seeming to put Aniston's fans at ease regarding her personal life, even after she and Vaughan amicably split later that year. By 2007, Aniston's public image had left her divorce in the past, and was ready for new territory.Aniston found her next success in the 2008 tearjerking pet-comedy Marley & Me, opposite Owen Wilson. As the 2000's gave way to the 2010's, Aniston would all but completely cement her position as the number one actress in Hollywood when it comes to broadly appealing comedies, winning over audience after audience with He's Just Not That Into You, Love Happens, The Switch, Just Go With It, Horrible Bosses, and Wanderlust. She won rave reviews for her work in the film Cake in 2015, earning her a Golden Globe nomination.

Trivia: One of Hollywood's most prominent strong, silent types, Kevin Costner was for several years the celluloid personification of the baseball industry, given his indelible mark with baseball-themed hits like Bull Durham, Field of Dreams, and For Love of the Game. His epic Western Dances with Wolves marked the first break from this trend and established Costner as a formidable directing talent to boot. Although several flops in the late '90s diminished his bankability, for many, Costner remained one of the industry's most enduring and endearing icons.A native of California, Costner was born January 18, 1955, in Lynnwood. While a marketing student at California State University in Fullerton, he became involved with community theater. Upon graduation in 1978, Costner took a marketing job that lasted all of 30 days before deciding to take a crack at acting. After an inauspicious 1974 film debut in the ultra-cheapie Sizzle Beach USA, Costner decided to take a more serious approach to acting. Venturing down the usual theater-workshop, multiple-audition route, the actor impressed casting directors who weren't really certain of how to use him. That may be one reason why Costner's big-studio debut in Night Shift (1982) consisted of little more than background decoration, and the same year's Frances featured the hapless young actor as an off-stage voice.Director Lawrence Kasdan liked Costner enough to cast him in the important role of the suicide victim who motivated the plot of The Big Chill (1983). Unfortunately, his flashback scenes were edited out of the movie, leaving all that was visible of the actor -- who had turned down Matthew Broderick's role in WarGames to take the part -- to be his dress suit, along with a fleeting glimpse of his hairline and hands as the undertaker prepared him for burial during the opening credits. Two years later, a guilt-ridden Kasdan chose Costner for a major part as a hell-raising gunfighter in the "retro" Western Silverado (1985), this time putting him in front of the camera for virtually the entire film. He also gained notice for the Diner-ish buddy road movie Fandango. The actor's big break came two years later as he burst onto the screen in two major films, No Way Out and The Untouchables; his growing popularity was further amplified with a brace of baseball films, released within months of one another. In Bull Durham (1988), the actor was taciturn minor-league ballplayer Crash Davis, and in the following year's Field of Dreams he was Ray Kinsella, a farmer who constructs a baseball diamond in his Iowa cornfield at the repeated urging of a voice that intones "if you build it, he will come."Riding high on the combined box-office success of these films, Costner was able to make his directing debut. With a small budget of 18 million dollars, he went off to the Black Hills of South Dakota to film the first Western epic that Hollywood had seen in years, a revisionist look at American Indian-white relationships titled Dances With Wolves (1990). The supposedly doomed project, in addition to being one of '90s biggest moneymakers, also took home a slew of Academy Awards, including statues for Best Picture and Best Director (usurping Martin Scorsese's Goodfellas).Costner's luck continued with the 1991 costume epic Robin Hood: Prince of Thieves; this, too, made money, though it seriously strained Costner's longtime friendship with the film's director, Kevin Reynolds. The same year, Costner had another hit -- and critical success -- on his hands with Oliver Stone's JFK. The next year's The Bodyguard, a film which teamed Costner with Whitney Houston, did so well at the box office that it seemed the actor could do no wrong. However, his next film, A Perfect World (1993), directed by Clint Eastwood and casting the actor against type as a half-psycho, half-benign prison escapee, was a major disappointment, even though Costner himself garnered some acclaim. Bad luck followed Perfect World in the form of another cast-against-type failure, the 1994 Western Wyatt Earp, which proved that Lawrence Kasdan could have his off days.Adding insult to injury, Costner's 1995 epic sci-fi adventure Waterworld received a whopping amount of negative publicity prior to opening due to its ballooning budget and bloated schedule; ultimately, its decent box office total in no way offset its cost. The following year, Costner was able to rebound somewhat with the romantic comedy Tin Cup, which was well-received by the critics and the public alike. Unfortunately, he opted to follow up this success with another large-scaled directorial effort, an epic filmization of author David Brin's The Postman. The 1997 film featured Costner as a Shakespeare-spouting drifter in a post-nuclear holocaust America whose efforts to reunite the country give him messianic qualities. Like Waterworld, The Postman received a critical drubbing and did poorly with audiences. Costner's reputation, now at an all-time low, received some resuscitation with the 1998 romantic drama Message in a Bottle, and later the same year he returned to the genre that loved him best with Sam Raimi's baseball drama For Love of the Game. A thoughtful reflection on the Cuban missile crisis provided the groundwork for the mid-level success Thirteen Days (2000), though Costner's next turn -- as a member of a group of Elvis impersonating casino bandits in 3000 Miles to Graceland -- drew harsh criticism, relegating it to a quick death at the box office. Though Costner's next effort was a more sentimental supernatural drama lamenting lost love, Dragonfly (2002) was dismissed by many as a cheap clone of The Sixth Sense and met an almost equally hasty fate.Costner fared better in 2003, and returned to directing, with Open Range, a Western co-starring himself and the iconic Robert Duvall -- while it was no Dances With Wolves in terms of mainstream popularity, it certainly received more positive feedback than The Postman or Waterworld. In 2004, Costner starred alongside Joan Allen in director Mike Binder's drama The Upside of Anger. That picture cast Allen as an unexpectedly single, upper-middle class woman who unexpectedly strikes up a romance with the boozy ex-baseball star who lives next door (Costner). Even if divided on the picture as a whole, critics unanimously praised the lead performances by Costner and Allen.After the thoroughly dispiriting (and critically drubbed) quasi-sequel to The Graduate, Rumor Has It..., Costner teamed up with Fugitive director Andrew Davis for the moderately successful 2006 Coast Guard thriller The Guardian, co-starring Ashton Kutcher and Hollywood ingenue Melissa Sagemiller.Costner then undertook another change-of-pace with one of his first psychological thrillers: 2007's Mr. Brooks, directed by Bruce A. Evans. Playing a psychotic criminal spurred on to macabre acts by his homicidal alter ego (William Hurt), Costner emerged from the critical- and box-office failure fairly unscathed. He came back swinging the following year with a starring role in the comedy Swing Vote, playing a small town slacker whose single vote is about to determine the outcome of a presidential election. Costner's usual everyman charm carried the movie, but soon he was back to his more somber side, starring in the recession-era drama The Company Men in 2010 alongside Chris Cooper and Tommy Lee Jones. As the 2010's rolled on, Costner's name appeared often in conjunction with the Quentin Tarantino film Django Unchained prior to filming, but scheduling conflicts would eventually prevent the actor from participating in the project. He instead signed on for the latest Superman reboot, playing Clark Kent's adoptive dad on Planet Earth in Man of Steel.

Trivia: A dancer, singer, highly regarded actress and metaphysical time traveler, Shirley MacLaine is certainly among Hollywood's most unique stars. Born Shirley MacLane Beaty on April 24, 1934 in Richmond, Virginia, MacLaine was the daughter of drama coach and former actress Kathlyn MacLean Beaty and Ira O. Beaty, a professor of psychology and philosophy. Her younger brother, Warren Beatty, also grew up to be an important Hollywood figure as an actor/director/ producer and screenwriter. MacLaine's mother, who gave up her own dreams of stardom for her young family, greatly motivated her daughter to become an actress and dancer. MacLaine took dance lessons from age two, first performed publicly at age four, and at 16 went to New York, making her Broadway debut as a chorus girl in Me and Juliet (1953). When not scrambling for theatrical work, MacLaine worked as a model. Interestingly, MacLaine's big break was the result of another actress's bad luck. In 1954, MacLaine was understudying Broadway actress Carol Haney The Pajama Game when Haney fractured her ankle. MacLaine replaced her and was spotted and offered a movie contract by producer Hal Wallis. With her auburn hair cut impishly short, the young actress made her film debut in Hitchock's black comedy The Trouble With Harry (1955). Later that year, she co-starred opposite Dean Martin and Jerry Lewis in the comedy Artists and Models. In her next feature, Around the World in 80 Days (1956), she appeared as an Indian princess. MacLaine earned her first Oscar nomination for her portrayal of a pathetic tart who shocks a conservative town by showing up on the arm of young war hero Frank Sinatra in Some Came Running (1959). She then got the opportunity to show off her long legs and dancing talents in Can-Can (1960). Prior to that, she appeared with Rat Packers Frank Sinatra, Dean Martin, Sammy Davis Jr. and Peter Lawford in Oceans Eleven (1960). MacLaine, the only female member of the famed group, would later recount her experiences with them in her seventh book My Lucky Stars. In 1960, she won her second Oscar nomination for Billy Wilder's comedy/drama The Apartment, and a third nomination for Irma La Douce (1963). MacLaine's career was in high gear during the '60s, with her appearing in everything from dramas to madcap comedies to musicals such as What a Way to Go! (1964) and Bob Fosse's Sweet Charity! (1969). In addition to her screen work, she actively participated in Robert Kennedy's 1968 presidential campaign and served as a Democratic Convention delegate. She was similarly involved in George McGovern's 1972 campaign. Bored by sitting around on movie sets all day awaiting her scenes, MacLaine started writing down her thoughts and was thus inspired to add writing to her list of talents. She published her first book, Don't Fall Off the Mountain in 1970. She next tried her hand at series television in 1971, starring in the comedy Shirley's World (1971-72) as a globe-trotting photographer. The role reflected her real-life reputation as a world traveler, and these experiences resulted in her second book Don't Fall Off the Mountain and the documentary The Other Half of the Sky -- A China Memoir (1975) which she scripted, produced and co-directed with Claudia Weill. MacLaine returned to Broadway in 1976 with a spectacular one-woman show A Gypsy in My Soul, and the following year entered a new phase in her career playing a middle-aged former ballerina who regrets leaving dance to live a middle-class life in The Turning Point. MacLaine was memorable starring as a lonely political wife opposite Peter Sellers' simple-minded gardener in Being There (1979), but did not again attract too much attention until she played the over-protective, eccentric widow Aurora Greenway in James L. Brooks' Terms of Endearment (1983), a role that finally won MacLaine an Academy Award. That same year, she published the candid Out on a Limb, bravely risking public ridicule by describing her experiences and theories concerning out-of-body travel and reincarnation. MacLaine's film appearances were sporadic through the mid '80s, although she did appear in a few television specials. In 1988, she came back strong with three great roles in Madame Sousatzka (1988), Steel Magnolias (1989) and particularly Postcards from the Edge (1990), in which she played a fading star clinging to her own career while helping her daughter Meryl Streep, a drug addicted, self-destructive actress. Through the '90s, MacLaine specialized in playing rather crusty and strong-willed eccentrics, such as her title character in the 1994 comedy Guarding Tess. In 1997, MacLaine stole scenes as a wise grande dame who helps pregnant, homeless Ricki Lake in Mrs. Winterbourne, and the same year revived Aurora Greenway in The Evening Star, the critically maligned sequel to Terms of Endearment.MacLaine's onscreen performances were few and far between in the first half of the next decade, but in 2005 she returned in relatively full force, appearing in three features. She took on a pair of grandmother roles in the comedy-dramas In Her Shoes and Rumor Has It..., and was a perfect fit for the part of Endora in the bigscreen take on the classic sitcom Bewitched. In the coming years, McLaine would continue to give critically acclaimed performances in movies like Coco Chanel, Valentine's Day, and Bernie.For a long time, MacLaine did seminars on her books, but in the mid '90s stopped giving talks, claiming she did not want "to be anyone's guru." She does, however, continue writing and remains a popular writer.

Trivia: After 12 years as a struggling actor, Mark Ruffalo became the next big thing with his exceptional performance in the Oscar-nominated independent film You Can Count on Me (2000). Born in Wisconsin on November 22nd, 1967, Ruffalo wanted to be an actor as a child, but he ignored his early aspirations until the end of high school. Not sure what else to do, Ruffalo headed to Los Angeles at 18 "out of desperation" to study the craft at the prestigious Stella Adler Conservatory. After taking classes for several years and evading career decisions, Ruffalo began to venture into L.A. theater and independent film. Along with acting in over 30 plays, as well as writing and directing one of his own theater works, Ruffalo spent the 1990s amassing roles in indie movies, beginning with A Gift From Heaven (1994). Working mostly in comedies, Ruffalo appeared in The Last Big Thing (1996) and alongside comic character actor stalwarts Steve Zahn and Paul Giamatti in Safe Men (1998); he also starred as an artist with love problems in the romantic comedy Life/Drawing (1999). Trying his hand at screenwriting, Ruffalo penned Slamdance success The Destiny of Marty Fine (1996). Two potentially higher-profile films, the disco period film 54 (1998) and Ang Lee's Civil War epic Ride With the Devil (1999), failed to make a positive impression on critics and audiences.Ruffalo's luck began to change, however, when he was cast in an off-Broadway production of This Is Our Youth. Not only did he win an acting award, but Ruffalo also got to know the playwright, Kenneth Lonergan. Despite his non-resemblance to future onscreen sister Laura Linney, Ruffalo talked Lonergan into auditioning him for the role of Linney's brother in Lonergan's first film, You Can Count on Me. Well-matched in familial chemistry, Ruffalo's self-destructive, irresponsible, sensitive Terry meshed perfectly with Linney's uptight Sammy and her sheltered son, Rudy (Rory Culkin), creating a deeply felt portrait of troubled yet strong family bonds. Earning raves for its nuanced performances as well as sharp writing, You Can Count on Me garnered Ruffalo the Montreal Film Festival's Best Actor prize and talk of an Oscar nod. Though he didn't get the nomination, Ruffalo swiftly moved up the Hollywood ranks, starring as an imprisoned military pilot caught between Robert Redford and James Gandolfini in The Last Castle (2001), and as a soldier in John Woo's WWII saga Windtalkers (2001).Ruffalo's ascent to stardom was temporarily sidetracked, however, when he was diagnosed with a brain tumor while filming The Last Castle in 2000. Forced to drop out of the Joaquin Phoenix role in M. Night Shyamalan's summer hit Signs (2002), Ruffalo had surgery and spent months rehabilitating from the procedure. Having made a full recovery, Ruffalo returned to work.After Ruffalo appeared as Gwyneth Paltrow's boyfriend in the woeful flop View From the Top (2003), his lead performance as the male axis of a complicated love triangle in the indie film XX/XY (2003) garnered far more enthusiastic critical kudos than the movie itself. Ruffalo also stayed firmly within the independent cinema realm, co-starring as terminally ill Sarah Polley's lover in the drama My Life Without Me (2003). Ruffalo subsequently scored roles in two higher-profile, if still offbeat, Hollywood projects. In Jane Campion's long-gestating adaptation of erotic thriller In the Cut (2003), Ruffalo co-starred as a homicide detective who becomes involved with Meg Ryan's lonely New York professor.2004 started off with a bang for Ruffalo when We Don't Live Here Anymore, a film he both starred in and produced, received the top dramatic prize at the Sundance Film Festival. The film saw the actor teamed with Laura Dern, Peter Krause, and Naomi Watts and traced the crumbling of four characters' friendships and marriages when two of them engage in an affair. Ruffalo's next two roles would be increasingly lighter by comparison. In the Charlie Kaufman-scripted brain twister The Eternal Sunshine of the Spotless Mind, he played a goofy scientist who attempts to erase Jim Carrey's memories of Kate Winslet. He then starred opposite Jennifer Garner in the romantic comedy 13 Going on 30.Three for three with the critics in 2004, Ruffalo's next project of the year was not only met with positive reviews but was a box-office winner as well. In Michael Mann's Collateral, Ruffalo played the lawman trying to track down a menacing hitman played by Tom Cruise as the hired gun terrorizes cabdriver Jamie Foxx.Ruffalo attempted to capture a mass audience with a pair of big-budget romantic comedies in 2005. Sadly, both Just Like Heaven and Rumor Has It... failed to garner large box office, even though Ruffalo was fine in both efforts. The next year, he appeared in Kenneth Lonergan's second directorial feature, Margaret, and he was part of the powerhouse cast for Steven Zaillian's remake All the King's Men, which included Sean Penn, Jude Law, Kate Winslet, and Anthony Hopkins. While All the King's Men, too, failed to gain a solid following -- an especially shocking surprise given the powerhouse cast on display in the film -- the verdict on Margaret had yet to be decided when, in early 2007, Ruffalo appeared onscreen opposite Robert Downey Jr. and Jake Gyllenhaal in director David Fincher's Zodiac. Ruffalo was praised for his performance as a South Boston native struggling to end the cycle of poverty and crime in 2008's crime drama What Doesn't Kill You, and delivered a solid supporting performance in the complex romantic comedy The Brothers Bloom.Ruffalo's star would grow exponentially throughout the late 2000s and beyond after he delivered solid performances in a series of critically acclaimed features including a turn as partner to Detective Teddy Daniels (Leonardo DiCaprio) in Martin Scorsese's haunting adaptation of author Dennis Lehane's thriller Shutter Island. The actor then took over the role of the Hulk in The Avengers, a 2012 summer blockbuster from director Joss Whedon.He was part of the ensemble in the box office hit Now You See Me in 2013, and enjoyed stellar reviews in the made-for-HBO drama The Normal Heart in 2014. That same year Ruffalo scored a Best Supporting Actor nomination from the Academy for his role in Foxcatcher, playing the champion wrestler David Schultz. In 2015, he reprised his role in the Avengers sequel, and earned a third Oscar nomination for his work in Spotlight.

Trivia: A balding supporting actor with a grin that suggests he knows something you don't, Richard Jenkins has become one of the most in-demand character actors in Hollywood. Though he has worked steadily since the early '80s, Jenkins may have made his most memorable impression, at least to HBO subscribers, as the patriarch of the family of undertakers on the hit 2001 drama Six Feet Under. His character was killed off in the first episode, but Jenkins continued to appear as a spirit lingering in the family's memory -- a good metaphor for the actor's lingering impact on viewers, even when he appears in small roles.Jenkins, who shares the birth name of Richard Burton and sometimes appears as Richard E. Jenkins, was born and raised in Dekalb, IL, before studying theater at Illinois Wesleyan University. The actor developed a long and distinguished regional theater career, most notably a 15-year stint at Rhode Island's Trinity Repertory Theater, where he served as artistic director for four years. He snagged his first role as early as 1975, in the TV movie Brother to Dragons, but did not begin working regularly until a small role in the Lawrence Kasdan film Silverado (1985). Supporting work in such films as Hannah and Her Sisters (1986), The Witches of Eastwick (1987), and Sea of Love (1989) followed, and Jenkins spent the early '90s specializing in made-for-TV movies, including the adaptation of Randy Shilts' AIDS opus And the Band Played On (1993).It was not until the late '90s that Jenkins started gaining wider appreciation, especially as he indulged in his talent for comedy. His appearance as an uptight gay FBI agent who gets accidentally drugged was one of the highlights of David O. Russell's Flirting With Disaster (1996), allowing him to convincingly (and riotously) act out an acid trip. Working again with Ben Stiller, Jenkins appeared as a psychiatrist in There's Something About Mary (1998), which launched a relationship with directors Peter and Bobby Farrelly, who hail from the state (Rhode Island) where Jenkins did much of his stage work. Jenkins appeared in the Farrelly-produced Outside Providence (1999) and Say It Isn't So (2001), as well as in the Farrelly-directed Me, Myself & Irene (2000). The actor then shifted over to another set of brother directors to portray the father of Scarlet Johansson's character in Joel and Ethan Coen's noir The Man Who Wasn't There (2001). In 2001, Jenkins also appeared in the first season of HBO's Six Feet Under as Nathaniel Fisher Sr., the sardonic funeral home director whom the characters remember as an impenetrable mystery, frugal with his praise and emotions.Jenkins continued working steadily, carrying on his role on Six Feet Under, while turning in supporting work in varied projects like Changing Lanes, Shall We Dance, and Fun With Dick & Jane. With 2005's North Country he earned strong reviews as the father of a sexually harassed woman. After decades in the business, he won his first starring role in Tom McCarthy's The Visitor. For his work as the repressed professor who learns to engage in life again thanks to an unexpected friendship with a Syrian immigrant, Jenkins earned an Oscar nomination for Best Actor, as well as a SAG nomination. That film was the highlight of his 2008, a very busy year for the actor that also saw him reunite for a third time with the Coen Brothers in Burn After Reading, and play opposite Will Ferrell and John C. Riley in Step Brothers. The coming years would continue to earn the actor both a wider audience and more accolades, in projects like Burn After Reading, Let Me In, The Rum Diary, and The Cabin in the Woods.

Trivia: Hollywood character actor Christopher McDonald at first specialized in playing uptight and slightly vexing young urban professionals. When the material demanded it, McDonald occasionally heightened these qualities to the obnoxious level for persuasive villainous portrayals, appearing as philandering husbands, condescending jocks, and manipulative powermongers to tremendous effect.The Manhattan native grew up in Romulus, NY. A Renaissance man and overachiever in high school, McDonald studied dentistry at Hobart College in the upstate New York town of Geneva but soon discovered an enduring passion for drama, studying after his 1977 graduation at London's Royal Academy of Dramatic Art. When plum adolescent roles in the musical clunkers Grease 2 (1982) and Breakin' (1984) did little to further McDonald's career, he moved to Manhattan and sought tutelage from the legendary acting coach Stella Adler -- with such aggressive determination that he actually convinced the 83-year-old Adler to offer her services in exchange for domestic chores.The actor landed one of his most visible parts circa 1986, in the Bette Midler-Shelley Long female buddy comedy Outrageous Fortune (1987). He also essayed a memorable nice-guy turn opposite Cybill Shepherd and Ryan O'Neal in the first act of the wonderful reincarnation comedy Chances Are (1989). But McDonald's watershed moment came with his portrayal of Geena Davis' browbeating husband, Darryl Dickinson, in Ridley Scott's blockbuster feminist road movie Thelma & Louise (1991). Thanks to the success of that picture, McDonald's screen time escalated, and he began tackling an average of four to six roles per year. He ushered in an outstanding portrayal of Jack Barry, the natty host of Twenty-One, in the Robert Redford-directed Quiz Show (1994); played an abusive golf pro in the Adam Sandler comedy Happy Gilmore (1996); and was suitably annoying as an ignorant dad in John Duigan's suburban drama Lawn Dogs (1997). That same year, McDonald also portrayed Ward Cleaver in the big-screen version of Leave It to Beaver.McDonald resumé during the first several years of the millennium includes such Hollywood blockbusters as 61* (2001) and Spy Kids 2 (2002) and such arthouse hits as Requiem for a Dream (2000) and Broken Flowers (2005). In 2007, McDonald played Boss Hogg in the big-budget sequel The Dukes of Hazzard: The Beginning and Marty Schumacher in the Jamie Kennedy vehicle Kickin' It Old Skool. Four years later he essayed a recurring role on the hit HBO drama Boardwalk Empire.

Trivia: Blonde, blue-eyed, and looking for all the world like Heather Graham's little sister, Mena Suvari made her film debut with a small role in Gregg Araki's 1997 Nowhere. The same year, Suvari, who was born in Newport, RI, on February 9, 1979, appeared in two other films, Snide & Prejudice and Kiss the Girls. After another small role, in The Slums of Beverly Hills (which starred her future American Pie co-star Natasha Lyonne), Suvari landed her breakthrough role playing the forthright, virginal Heather in the 1999 sex comedy smash American Pie. The same year, the actress (who had also done television work on shows such as E.R. and Chicago Hope) won further recognition with a lead role as the teenaged object of Kevin Spacey's middle-aged affections in the hugely acclaimed American Beauty. With yet another lead role that year, this time in the made-for-TV disaster film Atomic Train, Suvari seemed perfectly poised on the well-trod brink of stardom. Her profile received another boost in 2000, thanks to starring roles in Sugar & Spice and Loser, the latter of which saw her starring as the apple of American Pie co-star Jason Biggs' eye. That same year, the then 21-year-old actress made headlines of a different sort with her marriage to Richard Brinkman, a cinematographer 17 years her senior. The marriage would only last until 2005, but that wouldn't stop Suvari from a series of projects during that time, ranging from a quirky role in the comedy Beauty Shop to an arc on the popular TV series Six Feet Under. Gravitating more and more toward challenging, left of center roles, the actress would go on to choose parts like the supporting role of Richie Berlin in the 2007 Andy Warhol/Edie Sedgwick biopic Factory Girl, and corn-rowed hardened criminal Brandi Boski in 2008's Stuck. As the first decade of the new millennium drew to a close, it became clear that Suvari was finally free of the somewhat limiting image of the pretty, blonde starlet that her breakthrough roles in American Pie and American Beauty had pigeon-holed her into. She would enjoy memorable roles in everything from the zombie flick Day of the Dead to the WWII period drama The Garden of Eden, based on the Hemingway novel. Suvari would also make appearances on TV series like Sex and the City, Psych, The Cape, and American Horror Story - on which she played the infamous "Black Dahlia" murder victim Elizabeth Short. By 2012, Suvari was gearing up to remember her roots, with an all-star installment in the American Pie fanchise, American Reunion.

Trivia: An actor with a clean-cut, all-American look that has been used to great advantage in a broad array of genres, Mike Vogel grew up well outside the realm of show business, in Bucks County, PA. Vogel entered the film industry via a most unlikely path, when -- as an avid skater -- he shot an audition tape of himself and sent it to various skating companies, requesting their sponsorship of him. In time, this bid led to a lead role in a skateboarding movie, Casey La Scala's 2003 drama Grind. Though the film itself received a harsh critical drubbing (and reportedly grossed a little over five million dollars), Vogel's onscreen charisma proved infectious and yielded a long string of additional assignments including the 2003 telefilm Wuthering Heights (in a romantic lead opposite Erika Christensen) and the theatrical releases Supercross: The Movie (2005) and Poseidon (2006). Vogel subsequently starred in two horror outings: the occult horror film Open Graves (2009) and the monster-themed thriller Cloverfield (2008). He was in the marital drama Blue Valentine in 2010 as well as the comedy She's Out of My League. The next year he played Johnny Foote in the Oscar nominated The Help, and played opposite Anna Farris in the comedy What's Your Number?