Trivia: Between 2013 and 2015, starred as Chloe Gemell in E4 sitcom My Mad Fat Diary. As of 2020, has played Villanelle in the BBC America thriller series Killing Eve since its 2018 debut. Won the 2019 Primetime Emmy Award for Outstanding Lead Actress in a Drama Series, for her performance in Killing Eve. In 2019, won the British Academy Television Award for Best Actress, for her role as Villanelle in Killing Eve. Was named one of Forbes' annual 30 Under 30 in 2019.

Trivia: Began acting on stage at age 6; appeared in Macbeth in 1999 and in Arthur Miller's All My Sons a year later. Made TV debut in 2001 in the BBC/A&E movie Armadillo and was a regular on the six-part BBC teen drama Feather Boy. Made theatrical-film debut in the title roles of the 2002 family drama Tom & Thomas; other major film credits include The Illusionist and the coming-of-age comedy-drama Angus, Thongs and Perfect Snogging. Stars as John Lennon in the 2009 film Nowhere Boy, which focuses on the early life of the rock icon; began a relationship with the film's director, Sam Taylor-Wood, who is 23 years his senior.

Trivia: With his electrifying gaze, elegant comportment, and lips that look as if they could breathe life into concrete, Ralph Fiennes has caused many a jaded filmgoer to reaffirm the existence of British sex appeal. Since 1993, when he first impressed international audiences in the decidedly unglamorous role of Nazi sadist Amon Goeth in Schindler's List, Fiennes has delivered performances marked by dignified passion and relentless intensity.The oldest of six children, Fiennes was born in Suffolk on December 22, 1962. His father was a self-taught photographer and his mother a novelist who wrote under the pen name Jennifer Lash, professions which virtually ensured a unique upbringing. Fiennes' family moved a number of times while he was growing up, and the children were encouraged in their creative pursuits. Thus, it is less than surprising that four out of the six Fiennes siblings went on to work in the entertainment business, with Ralph and his brother Joseph becoming actors, his two sisters a director and a producer, and another brother a musician. Originally wanting to be a painter, Fiennes enrolled at the Chelsea College of Art and Design before transferring to London's Royal Academy of Dramatic Art to study acting. Following graduation, he joined the Royal National Theatre in 1987, and he became part of the Royal Shakespeare Company a year later. While a member of the company, he performed a wide range of the classics, playing everyone from Romeo to King Lear's Edmund. Fiennes first became known to a wider audience in 1991, when he starred as the title character in the acclaimed British television production of A Dangerous Man: Lawrence After Arabia. The next year, he gained additional exposure, making his film debut as Heathcliff in Wuthering Heights. Starring opposite Juliette Binoche, Fiennes glowered his way across the screen with suitable aplomb, something that he would do again to devastating effect the next year in Schindler's List. As the psychotic Nazi commandant Amon Goeth, Fiennes blended quiet yet absolute menace with surprising charisma (even more surprising given that he had gained over 30 pounds for his role) to such great effect that he earned a Best Supporting Actor Oscar nomination and a British Academy Award for his portrayal. Fiennes' work in the film incited a flurry of interest in the actor, whose intensity and odd name (its correct pronunciation is "Rafe Fines") made him the subject of many a magazine article.Interest in Fiennes only increased the following year, when, back to his normal weight and sporting an American accent, he played the more sympathetic (but tragically flawed) Charles Van Doren in Robert Redford's Quiz Show. Critics loved him in the role, and he further consolidated his acclaim two years later in Anthony Minghella's Oscar-winning adaptation of Michael Ondaatje's The English Patient, which won Fiennes Oscar and Golden Globe nominations as Best Actor. Given his newfound heartthrob status, many audience members were surprised to see Fiennes next turn up in the title role of the gawkish, ginger-haired minister with a gambling problem (playing opposite a then-unknown Cate Blanchett) in Oscar and Lucinda (1997). He gave a highly eccentric performance in the film, which received a mixed critical reception. Where Oscar and Lucinda was only vaguely disappointing, Fiennes' next project, a 1998 film version of the popular 1960s TV series The Avengers, was one of the most lambasted films of the year. Fiennes somehow managed to avoid most of the critical wrath directed at the film, and in 1999 he could be seen starring in no less than three disparate projects. In Onegin, directed by his sister, Martha, Fiennes played the title character, a blasé Russian aristocrat; in The End of the Affair, directed by Neil Jordan, he portrayed a novelist embroiled in an adulterous affair with the wife (Julianne Moore) of his best friend (Stephen Rea); while in Sunshine, directed by István Szabó, he played three different roles in a saga tracing 150 years of the affairs and intrigues of a family of Hungarian Jews.If his roles to date had served to showcase Fiennes' talent at about the rate of a solid performance per year, 2002 provided a trio of diverse and demanding roles that would prove just how well he could perform under pressure. In Red Dragon -- the first of those efforts to hit stateside screens that year -- Fiennes' chilling performance as serial killer Francis Dolarhyde shifted between meekness and menace at the drop of a hat. Thankfully eschewing the grandiose theatrics of Hannibal for a tone more in keeping with the original Silence of the Lambs, the film proved a hit at the box office, and Fiennes' performance rivaled that of Ted Levine's in providing the film with a chilling villain straight from the pages of the most lurid true-crime encyclopedia (Fiennes' character was purportedly based on the exploits of an uncaptured Wichita serial killer who went by the name "Bind, Torture, Kill"). A few short months later, audiences were treated to yet another deeply disturbed characterization by Fiennes, that of a schizophrenic man haunted by his childhood in director David Cronenberg's dark psychological drama Spider, based on author Patrick McGrath's bleak novel of the same name. Fiennes' performance substituted the menace of Red Dragon with a more sympathetic protagonist whose memory slowly regresses to reveal a scarring childhood tragedy. No doubt having had his fill of disturbed characters that year, Fiennes once again caught audiences off guard with a disarmingly charming role in the romantic comedy Maid in Manhattan.Fiennes would continue to find substantial and challenging roles in the years to come, most notably in his sister's film Chromophobia, the Merchant-Ivory film The White Countess, The Constant Gardener, the James Bond film Skyfall, and the ever-popular Harry Potter series, in which Fiennes played baddie Lord Voldemort. Fiennes would also earn accolades for directing and starring in a cinematic adaptation of William Shakespeare's war epic Coriolanus.

Trivia: A soft-spoken, fair-skinned actor with startling blue eyes, a penchant for playing volatile characters, and a reluctance to forsake his critically lauded stage career for a life in film, American audiences may best know Irish actor Cillian Murphy as the bike courier making his way through infected London in director Danny Boyle's apocalyptic thriller 28 Days Later. Though the film may have been Murphy's first to find wide stateside exposure, he has been appearing onscreen in the U.K. and his native Ireland since 1997. Born in Douglas, Cork, Ireland, in 1974, Murphy's father was a school inspector and his mother a French teacher. Attending school at Presentation Brothers College Cork while intending to enter into a career in law, Murphy was an avid rugby player who was turned on to the Concordia Theater's unique stage productions in his fourth year. Murphy soon signed up for a workshop with Concordia's Pat Tiernan and it quickly became apparent that he had a natural flair for the stage. Soon cast as the wildly emotional Pig in Concordia's production of Disco Pigs, Murphy debuted to rave reviews and was soon skipping school to go on tour with the production. Though his acting had initially begun as a hobby and a way to kill time on the weekends, it was quickly taking over his life and a career in law seemed less and less appealing. Though he would attempt to continue his law studies, it was soon obvious to Murphy that his heart just wasn't in it.Subsequently cast in a series of interesting and complex roles, Murphy made his feature debut in the 1998 film Sweety Barrett and quickly followed with the coming-of-age comedy drama Sunburn. Though it was obvious that his stage talents translated well to the silver screen, Murphy still maintained that the rush of theater couldn't be touched by celluloid. The problem in Ireland of suicide and poor mental health among young men prompted Murphy to accept a role in the 2000 drama On the Edge, and his role of a suicidal psychiatric patient proved memorable and affecting. Following How Harry Became a Tree (2001), it was time to adapt Disco Pigs into a feature film, and with director Kirsten Sheridan at the helm, Murphy reprised his role of Pig to enthusiastic results. By the time 28 Days Later rolled around, it seemed that everyone except United States audiences were familiar with the rising star, and with the stateside release of the film in mid 2003, all that was soon to change. Noting that, in his opinion, the best actors alternate frequently between stage and screen, Murphy strived to keep a balance as his growing popularity found his film career taking precedence. Following 2003's Zonad, Murphy began preparation for such features as Intermission and Girl With a Pearl Earring (both 2003).Murphy's resumé amassed higher and higher profile roles. 2005 brought his most popular film to date as he played the villain opposite hero Christian Bale in Batman Begins. Murphy's "boy next door" face seemed to make his performance as the menacing Scarecrow all the more disturbing, and he would go on to play the bad guy again later that same year in Red Eye, though this time he wore makeup to cover his boyish features. Soon he was donning even more makeup, however, as a transsexual in the indie hit Breakfast on Pluto. Playing both a victim and a hero in the U.K. of the 1970s, Murphy's ethereal performance as a boy who leaves his Ireland home to live as a woman in London was praised by critics, and the film was a cult success. He followed it up with another passion project in 2006: Ken Loach's award-winning The Wind That Shakes the Barley, a look at the Irish Republicans of the early 20th century and the anti-British rebellion that would continue to tear families apart for decades to come. He next signed on to star with Lucy Liu in the romantic comedy Watching the Detectives, another independent venture that would find Murphy playing a shy film geek who's pulled out of his movie collection and into the real world when he meets a real-life femme fetal, played by Liu. Also on Murphy's calendar for 2007 was the Danny Boyle psychological sci-fi thriller Sunshine, about a small crew of astronauts sent to reignite Earth's dying sun. Over the next few years, Murphy would apper in a number of other films, like Inception, Retreat, and Broken.