Trivia: First making an impression on international audiences with her role as the sweet, virginal Hero in Kenneth Branagh's Much Ado About Nothing (1993), pale-skinned, fine-boned British actress Kate Beckinsale has since stepped beyond period pieces to prove that she is anything but a fragile English rose.The daughter of a BBC casting director and famed television actor Richard Beckinsale (known for roles on Porridge and Rising Damp), Beckinsale was born July 26, 1973. After her father's death from a heart attack in 1979, the actress was raised by her mother. By her own account, Beckinsale's childhood and adolescence were fairly troubled, marked by struggles with anorexia. She decided to follow in her father's acting footsteps while still a teenager and in 1991, had her major television debut in Once Against the Wind, a World War II drama in which she played Judy Davis' daughter. The same year, Beckinsale enrolled at Oxford, to study French and Russian Literature, and pursued her education until committing herself full-time to acting. In 1993, while still a student at Oxford, Beckinsale was cast in Branagh's Much Ado About Nothing. Her supporting role was a memorable one, winning the actress a limited amount of recognition amongst American audiences, but it was not until 1995, when she starred in John Schlesinger's adaptation of Stella Gibbons' Cold Comfort Farm, that her wattage began to increase, at least in art houses everywhere. The film, which was initially made for BBC television, proved to be a modest hit, bringing in respectable box office and glowing reviews. Beckinsale followed the film's success with another two years later, starring as an altruistic con artist in the quirky romantic comedy Shooting Fish. The film was an unqualified hit in its native country, becoming the third-highest grossing film in England for 1997. The same year, Beckinsale further increased her visibility with the title role in A&E's Emma.She next graced American movie screens in Whit Stillman's The Last Days of Disco (1998). She received good reviews for her portrayal of a cool and catty WASP college graduate (for which she assumed an American accent), although the movie itself met with a deeply mixed reaction. The following year, Beckinsale, in addition to giving birth to a daughter (fathered by longtime boyfriend Michael Sheen), starred in her first big-budget Hollywood feature. Playing opposite Claire Danes in Brokedown Palace, the actress portrayed an American girl who, while on vacation with best friend Danes in Thailand, gets caught with heroin and is sentenced to 33 years in a Thai prison.That mid-budgeted film, however, was nothing compared to her next major Hollywood production. After essaying roles in a television production of Alice Through the Looking Glass (1999) and the Merchant/Ivory production of Henry James' The Golden Bowl (2000), Beckinsale was plucked from relative obscurity by director Michael Bay for his lavish World War II epic, Pearl Harbor (2001). Boasting a record-setting, nine-digit price tag and one of the most aggressive marketing campaigns ever waged on the American public, the film featured the actress as Evelyn, a plucky nurse torn between the affections of two soldiers. Though a brief foray into Laurel Canyon found Beckinsale essaying the low-key role of a Harvard graduate gone astray after a taste of the wild side of life, she once again shifted into high gear for the big-budget vampire versus werewolf battle royal Underworld in 2003. Sporting the sort of gothic vinyl duds that had fanboys crooning, Beckinsale raised arms against a brutal breed of lycanthropes and few could argue that she didn't look good doing it. So good, in fact, that not only a sequel but a prequel followed.Soon thereafter the starlet was once again doing battle with the undead (opposite X-Men's Hugh Jackman) in the action horror adventure Van Helsing. At the end of 2004, Beckinsale turned in a solid performance as Ava Gardner in Martin Scorsese's multiple Oscar-winning Howard Hughes biopic The Aviator. While she would be out of theaters in 2005, Beckinsale returned in two very different projects the following year. In addition to starring in another Underworld, Beckinsale portrayed Adam Sandler's wife in the comedy Click. She would focus largely on action movies and thrillers for her next several projects, starring in Fragments in 2008, Whiteout in 2009, and Contraband in 2012, and also returned to the Underworld series and appeared in aTotal Recall remake. In 2015, she starred in Absolutely Anything, a British sci-fi comedy directed by Monty Pythoner Terry Jones, before jumping back to the Underworld for the fifth film in the series.

Trivia: Before he started acting, Mark Wahlberg was best known as Marky Mark, the pants-dropping rapper who attained fame and notoriety with his group the Funky Bunch. In the tradition of Will Smith and Ice Cube, Wahlberg has made a successful transition from music to film, garnering particular early praise for his role in Boogie Nights.Born June 5, 1971, in Dorchester, MA, Wahlberg had a troubled early life. One of nine children, he dropped out of school at 16 (he would later earn his GED) and committed a number of minor felonies. After working various odd jobs, Wahlberg briefly joined brother Donnie and his group New Kids on the Block before forming his own, Marky Mark & the Funky Bunch. The group had widespread popularity for a time, most notably with its 1992 hit single "Good Vibrations." However, it was Wahlberg himself who received the lion's share of attention, whether it was for the homophobia controversy that surrounded him for a time, or for the 1992 Calvin Klein ad campaign featuring him wearing nothing more than his underwear, Kate Moss, and an attitude. In 1993, Wahlberg turned his attentions to acting with a role in The Substitute. The film, co-starring a then-unknown Natasha Gregson Wagner, was a critical and commercial failure, but Wahlberg's next project, 1994's Renaissance Man, with Danny De Vito, gave him the positive notices that would increase with the release of his next film, The Basketball Diaries (1995). Although the film received mixed reviews, many critics praised Wahlberg's performance as Mickey, Leonardo Di Caprio's friend and fellow junkie. Following Diaries, Wahlberg appeared in Fear (1996) in the role of Reese Witherspoon's psychotic boyfriend.It was with the release of Paul Thomas Anderson's Boogie Nights in 1997 that Wahlberg finally received across-the-board respect for his commanding yet unassuming performance as busboy-turned-porn-star Eddie Adams/Dirk Diggler. The film was nominated for three Oscars and a slew of other awards by associations ranging from the British Academy to the New York Film Critics Circle to MTV. The positive attention landed Wahlberg on a wide range of magazine covers and gave him greater Hollywood pulling power. He had, as they say, arrived. Wahlberg's follow-up to Boogie Nights was 1998's The Big Hit, an action comedy that, particularly in the wake of Boogie Night's acclaim, proved to be a disappointment. This disappointment was hardly lessened by the relative critical and commercial shortcomings of Wahlberg's next film, The Corruptor (1999). An action flick that co-starred Chow Yun-Fat, The Corruptor showcased Wahlberg's familiar macho side and indicated that success in Hollywood is a strange and unpredictable thing. Though he gained positive notice for his role in David O. Russell' s unconventional war film Three Kings the same year, the film was only a moderate success, paving the way for an even more dramatic turn in the downbeat true story of the ill-fated Andrea Gail, The Perfect Storm, in 2000.The following year found Wahlberg filling some big shoes -- and receiving some hefty criticism as a result -- with his lead role in Tim Burton's much-anticipated remake of Planet of the Apes. Taking over the role that Charlton Heston made famous, Wahlberg found himself pursued onscreen by sinister simians, as well as offscreen by critics who decried the lack of depth that the actor brought to the role. Late that summer, Wahlberg came back down to Earth -- specifically to the everyday-Joe-rises-to-fame territory of Boogie Nights -- with Rock Star, the story of a tribute-band singer who gets a chance to sing for the band he idolizes. Though his noble attempt to fill the considerable shoes of Hollywood legend Cary Grant in the 2002 Charade remake The Truth About Charlie would be only slightly exceeded by his assumption of the role originally played by Michael Caine in the following year's remake of The Italian Job, Wahlberg would subsequently prove that there's nothing like the fresh breeze of an original script in director David O. Russell's existential 2004 comedy I Heart Huckabees. Of course, Wahlberg was never one to let a crowd down, and after riling audiences alongside Tyrese Gibson and André Benjamin in the Detroit-based revenge flick Four Brothers, the athletic actor would take to the gridiron to tell the inspirational story of one football fan whose dreams of playing in the NFL actually came true in the 2006 sports drama Invincible. Also released in the fall of 2006, The Departed allowed Wahlberg to act opposite such heavy hitters as Jack Nicholson, Matt Damon, Alec Baldwin, and his old Basketball Diaries co-star Leonardo Di Caprio under the direction of Martin Scorsese. Not only did Wahlberg hold his own against the cast of critics' darlings, he landed the film's only acting Academy Award nod. In 2007, Wahlberg starred in the suspense actioner The Shooter, as well as in director Peter Jackson's adaptation of The Lovely Bones. Wahlberg starred as the leader of a ragtag group trying to survive amidst murderous plant life in M. Night Shyamalan's so-bad-it's-good The Happening (2008), and played the titular role of Max Payne, which was adapted from a video game of the same name. In 2010 the actor starred in the inspirational docudrama chronicling the life of brothers Micky and Dicky Ecklund as they take on the world of boxing. Wahlberg earned an Academy Award nomination for producing the film; that same year, he began producing a new show for HBO, Boardwalk Empire. Wahlberg had a huge hit in 2012 with Seth MacFarlane's Ted, and joined the Transformer franchise in Transformers: Age of Extinction in 2014. Wahlberg continued his steady work, starring and producing both Deepwater Horizon (which was nominated for two Oscars) and Patriots Day (about the Boston Marathon bombing) in 2016.

Trivia: Born in Boston in October 1980, he began to realize his passion for acting after attending the Interlochen Theater Arts Summer Program. After writing, directing, and starring in his first play at the age of 12, it wasn't long before the venom of the acting bug had successfully worked its way into the budding thespian's blood. Devoting his life to acting, Foster dropped out of high school at 16 and prepared to face the challenges that accompany such a career. In 1999, Foster won his breakthrough role in Liberty Heights. Set in 1950s Baltimore, Foster starred as a Jewish high school student whose socially taboo relationship with an African-American classmate (Rebekah Johnson) finds him facing negative pressure from his family and friends. He would go on to appear in many other films, like The Laramie Project, Big Trouble, 30 Days of Night, Alpha Dog, 3:10 to Yuma, Pandorum, Rampart, and more. Foster would also have a succesful TV run, with a role on the popular HBO series Six Feet Under. He played William Burroughs in 2013's Kill Your Darlings and also appeared in Ain't Them Bodies Saints and Lone Survivor the same year. Foster also focused on his stage work, starring in A Streetcar Named Desire in London in 2014.

Trivia: Born December 17, 1974, in Los Angeles, Giovanni Ribisi began his career in network television, with recurring and guest roles on a number of shows, including The Wonder Years. As a teenager, he was typecast for several years as a dimwitted slacker in films and on television, with a memorable guest spot in an episode of The X-Files and a recurring role as Lisa Kudrow's brother on Friends. Ribisi was eventually able to break the grunge mold, first with a secondary role in Tom Hanks' That Thing You Do! (1996) and then in Richard Linklater's SubUrbia (1997). It was his role in Steven Spielberg's Saving Private Ryan (1998) that caused many critics to dub him one of the leading actors of his generation, a status confirmed by his appearance on the cover of Vanity Fair with a number of fellow up-and-comers. Ribisi was given further opportunities to showcase his sleepy-eyed versatility in such films as 1999's The Mod Squad and The Other Sister. If Ribisi's best roles had been unfairly weighed down by an overabundance of commendable but little seen roles in the previous years, all this would change as the young actor began to focus increasingly on roles that were not only high quality, but high profile as well. His role in the high stakes 2000 drama The Boiler Room may have went largely unseen in theaters, but healthy word of mouth combined with an impressive cast of up and comers found the film an enduring shelf life on cable and DVD. After burning rubber in the fast and furious Nicolas Cage action thriller Gone in Sixty Seconds, Ribisi's memorable performance in director Sam Raimi's southern gothic flavored chiller The Gift preceded a touching turn in the affecting made-for-television drama Shot in the Heart. Ribisi's subsequent role as a conflicted police officer in the 2002 drama Heaven may have been a well-intended commentary on the state of crime and terrorism, but audiences largel dismissed the effort as pretentious tripe and the actor took a brief turn into blockbuster territory with Basic before a turn as an aloof, celebrity obsessed photogapher in director Sophia Coppola's art-house hit Lost in Translation. If his turn as a celebrity who turns convention in its head by stalking a fan in I Love Your Work didn't strike home with viewers, an appearance in the same year's Cold Mountain offered him the chance to flex his dramatic skills alongside an impressive cast that included Jude Law and Nicole Kidman. Of course Ribisi never was one to be predictable with his choice of roles, and following the romantic comedy Love's Brother he essayed a supporting role in the 2004 sci-fi thriller Sky Captain and The World of Tomorrow. A handful of largely forgettable roles followed, and on the heels of recurring television roles in My Name is Earn and Entourage, Ribisi dove back into sci-fi with a role as villainous Chief Administrator Parker Selfridge in James Cameron's phenominally successful Avatar. And if Ribisi's performace in that film failed to make your skin crawl, his turn as a psychotic, heavily-tattooed drug dealer in the fast paced 2012 action thriller Contraband was sure to do the trick. He continued his villainous run as a stalker in the surprise hit film Ted (2012). Ribisi later re-teamed with his Ted director, Seth MacFarlane, in 2014's A Million Ways to Die in the West. He also appeared in the Oscar-nominated film Selma that same year.

Trivia: Born April 16, 1976, to a painter father and singer/screenwriter mother, actor Lukas Haas was discovered at age four in his West Hollywood, CA, elementary school. Haas' kindergarten principal spotted acting potential in the young student and encouraged his parents to set their sights on a movie career for the boy. They did so and Haas got his first film role in 1983's Testament, in which he played the youngest of the doomed children of post-apocalyptic housewife Jane Alexander. In 1985, Haas got his big break in the title role of Witness (1985), playing an Amish boy who witnesses a murder and must accept the protection of cop Harrison Ford. Haas received positive reviews for his performance in the widely lauded film and went on to further raves -- and an Emmy nomination -- four years later for his TV portrayal of AIDS victim Ryan White in The Ryan White Story. In-between came roles in such high-grade, sensitive teen fare as The Lady in White and The Wizard of Loneliness (both 1988).Haas then disappeared for awhile, making occasional appearances in films such as Rambling Rose (1991), which cast him as a sweet, sexually inquisitive adolescent. 1996 marked the beginning of a new stage in his career, when he appeared in four very different films. No longer the cute little Amish boy in Witness, the now tall, gawky actor showcased his talents in Woody Allen's musical comedy Everyone Says I Love You, Tim Burton's Mars Attacks!, the coming-of-age Boys (in which he co-starred with Winona Ryder), and Johns, in which he and David Arquette played down-and-out prostitutes in Los Angeles.In 1998, the indignity of having his scenes deleted from Terrence Malick's The Thin Red Line was partially allayed by the praise Haas received for his lead role in David and Lisa, a made-for-TV movie co-produced by Oprah Winfrey. He went on to star as Bunny Hoover in the screen adaptation of Kurt Vonnegut's Breakfast of Champions, a role which put him in the company of such actors as Albert Finney, Bruce Willis, Nick Nolte, and Barbara Hershey.After a smattering of minor roles -- and a stint in a band with Vincent Gallo -- Haas was very much in demand as an edgy supporting player as he approached his 30th birthday. Festival audiences got a double-dose of the actor in two high-profile 2005 indies: First as the gang kingpin known simply as Pin in the high-school noir Brick, then in a minor but memorable part as a friend to Michael Pitt's doomed rock star in Gus Van Sant's Last Days. Two higher-profile films of wildly different stripes followed: 2006's gritty crime drama Alpha Dog and the Duff sisters' bubblegum flop Material Girls.

Trivia: Actor Caleb Landry Jones made his film debut as a boy on a bicycle in the 2007 Cohen Brothers thriller No Country for Old Men. He soon moved on to more prominent roles, however, with appearances in 2010's The Last Exorcism and Friday Night Lights. Growing into steadily more mature characters throughout the coming years, Jones soon found himself acting alongside cinematic heavyweights, such as Mark Wahlberg in 2012's Contraband.

Trivia: By the time director Alfonso Cuarón's Y Tu Mamá También took stateside arthouse theaters by storm in the early months of 2002, actor Diego Luna had been a fixture of Mexican film and television for nearly a decade. Though his breakout success could only be hinted at when he appeared in director Julian Schnabel's critically acclaimed drama Before Night Falls the previous year, it was his turn as a naïve, sex-starved teen in Cuarón's coming-of-age comedy drama that catapulted him to international stardom. A native of Mexico City whose mother died in a car accident when he was a mere two years old, Diego Luna was left to be raised by his father, Alejandro -- widely renowned as one of Mexico's most talented set designers. The draw of the entertainment industry, to which his father's work exposed him, proved too irresistible for the talented aspiring actor, and before long, Luna was refining his skills on both stage and screen. Following his debut in the 1991 short film El Último Fin de Año (The Last New Year), Luna appeared opposite childhood pal Gael García Bernal in the popular television soap opera El Abuelo y Yo (1992). His star quickly rising, Luna was soon noticed by casting directors, and in 1996, he took the lead for the musical drama El Cometa and the thriller Un Dulce Olor a Muerte (both 1999). To those who saw the films, it was obvious that the young star had leading-man talent, though it was a partnership with longtime friend Bernal that truly sparked both actors' careers. Y Tu Mamá También was released in Mexico in June of 2001 to huge box-office success, and it didn't take the rest of the world long to wonder what all of the fuss was about. Alternately funny, moving, sad, and affecting, the story of two hormone-fueled friends (Luna and Bernal) who hit the road with a sexy free spirit (Maribel Verdú) drew controversy for its overt sexuality. But those willing to look past that aspect were treated to a touching tale of friendship, loss, and the importance of living every moment of life to its fullest. With international offers subsequently flooding his doorstep, Luna remained in Mexico for a trio of films before accepting supporting roles in Frida and Vampires: Los Muertos in 2002. His status as an international star was confirmed when director Kevin Costner cast Luna in the 2003 Western Open Range. Following high-profile roles in Dirty Dancing: Havana Nights and Criminal (both 2004) the young star stepped before the camera for none other than Steven Spielberg for the 2004 drama The Terminal, which was inspired by the true-life tale of Iranian refugee Merhan Karimi Nasseri. He worked steadily, reteaming with Bernal in 2008 for the soccer drama Rudo y Cursi. That same year he was a producer on the well-reviewed Sin Nombre, and appeared as one of Harvey Milk's lovers in the award-winning biopic by director Gus Van Sant. In 2012 he had a small part in the thriller Contraband, and had a major part, again alongside Bernal, in the Will Ferrell Spanish-language comedy Casa de mi Padre.

Trivia: Jonathan Kimble Simmons was originally a singer, with a degree in music from the University of Montana. He turned to theater in the late 1970s and appeared in many regional productions in the Pacific Northwest before moving to New York in 1983. He appeared in Broadway and off-Broadway shows and also did some television -- his early roles included the portrayal of a white supremacist responsible for multiple murders in an episode of Homicide: Life on the Street. In that same vein, Simmons first gained wide exposure as Vern Schillinger, the leader of an Aryan Brotherhood-type organization in prison in the HBO series Oz. Parlaying his small-screen notoriety into feature film opportunities, Simmons had a small part in the 1997 thriller The Jackal and played a leading role in Frank Todaro's low-budget comedy Above Freezing, a runner-up for the most popular film at the 1998 Seattle Film Festival. Also in 1997, Simmons increased his television prolificacy by taking on the role of Dr. Emil Skoda, the consulting psychiatrist to the Manhattan district attorney's office in the series Law and Order. By 1999, Simmons was showing up in such prominent films as The Cider House Rules and the baseball drama For Love of the Game, directed by Sam Raimi. The director again enlisted Simmons for his next film, 2000's The Gift. After a supporting turn in the disappointing comedy The Mexican, Simmons teamed with Raimi for the third time, bringing cigar-chomping comic-book newspaperman J. Jonah Jameson screaming to life in the 2002 summer blockbuster Spider-Man. In 2004, he would reprise the role in the highly anticipated sequel, Spider-Man 2. That same year, along with appearing alongside Tom Hanks in the Coen Brothers' The Ladykillers, Simmons continued to be a presence on the tube, costarring on ABC's midseason-replacement ensemble drama The D.A.His career subsequently kicking into overdrive, the popular character actor was in increasingly high demand in the next few years, enjoying a productive run as a voice performer in such animated television series' as Justice League, Kim Possible, The Legend of Korra, and Ultimate Spider-Man (the latter of which found him reprising his role as J. Jonah Jameson), as well as turning in memorable performances in Jason Reitman's Juno, Mike Judge's Extract, and as a hard-nosed captain in the 2012 crime thriller Contraband. Meanwhile, in 2005, he joined the cast of TNT's popular crime drama The Closer as Assistant Chief Will Pope -- a role which no doublt played a part in the cast earning five Screen Actors Guild Award nominations for Best Ensemble Cast. Simmons continued to work steadily in movies, returning to the Spider-Man franchise in 2007. That same year he co-starred as the father of a pregnant teen in Juno, which led to him being cast regularly by that film's director Jason Reitman in many of his future projects including Up In the Air and Labor Day. It was Reitman who got Simmons the script for Whiplash, Damien Chazelle's directorial debut. The actor took the part of an abusive, but respected music teacher and the ensuing performance garnered Simmons multiple year-end awards including a Best Supporting Actor nomination from the Academy.

Trivia: Grew up following his mother around the world as an Army brat. Took a variety of odd jobs including cook, electrician, oyster shucker and drug dealer to help his family recoup their losses after Hurricane Katrina. Started studying acting in 2010, under the tutelage of Jaqueline Fleming at Jaq's Acting Studio in New Orleans. Five weeks after enrolling, he had an agent. Almost didn't get the role of Eazy-E in Straight Outta Compton because he didn't have $1800 for an overnight plane ticket to LA for a second audition. Director F. Gary Gray compromised on a Skype audition that clinched the role.

Trivia: Dependable American character actor Bill Lucking has seldom had any professional "down time" since his 1969 film debut. In 1980 alone, Lucking showed up in four movies, not to mention any number of TV programs. One of his more rewarding film assignments was in Doc Savage (1975) as the doc's trusted cohort Renny. In addition to his many TV-movie appearances (e.g. Brother Matthias in 1991's Babe Ruth) and guest spots, Bill Lucking has had regular weekly roles on Big Hawaii (1977, as ranch foreman Oscar Kalahani), Shannon (1981, as NYPD detective Norm White), The A-Team (1983-84, as the team's nemesis Col. Lynch), Jessie (1984, as Sgt. McClellan) and Outlaws (1986, as bank robber Harland Pike).

Trivia: Character actor Lance E. Nichols spent the first two decades of his career (from the late '80s through the early 2000s) appearing as a number of standard urban professional types, including cops, taxi drivers, and physicians, with small guest appearances in such series programs as Cheers, Murder, She Wrote, Matlock, and NYPD Blue. Nichols took on a rare lead role in 2008, in Leslie Small's drama A Good Man Is Hard to Find, as Deacon Smith; as adapted from the popular gospel-themed stage production, the work dramatizes the stories of three African-American women battling personal and professional crises.