Trivia: The only child of a London policeman, Roger Moore started out working as a film extra to support his first love, painting, but soon found he preferred acting, and so enrolled in the Royal Academy of Dramatic Art. He began his film, radio and stage career just after World War II (his early credits are often confused with American actor Roger Moore, a minor Columbia contractee of the 1940s), and also performed with a military entertainment unit. Though in childhood Moore had been mercilessly teased by friends and family alike for being fat, by the time he was ready to start his career, he had become an exceptionally handsome man with a toned, well-muscled body. Signed on the basis of his good looks to an MGM contract in 1954, Moore began making appearances in American films, none of which amounted to much dramatically; his biggest success of the 1950s was as star of the British-filmed TV series Ivanhoe. Signed by Warner Bros. Television for the 1959 adventure weekly The Alaskans, Moore became the latest of a long line of James Garner surrogates on Maverick, appearing during the 1960-1961 season as cousin Beau. After a few years making European films, Moore was chosen to play Simon Templar in the TV-series version of Leslie Charteris' The Saint (an earlier attempt at a Saint series with David Niven had fallen through). Moore remained with the series from 1963-1967, occasionally directing a few episodes (he was never completely comfortable as simply an actor, forever claiming that he was merely getting by on his face and physique). After another British TV series, 1971's The Persuaders, Moore was selected to replace Sean Connery in the James Bond films. His initial Bond effort was 1973's Live and Let Die, but the consensus (in which the actor heartily concurred) was that Moore didn't truly "grow" into the character until 1977's The Spy Who Loved Me. Few of Moore's non-Bond movie appearances of the 1970s and 1980s were notably successful, save for an amusing part as a Jewish mama's boy who thinks he's Bond in Burt Reynolds' Cannonball Run (1981). Moore's last 007 film was 1985's A View to a Kill. In 1991, he was made a special representative of UNICEF, an organization with which he'd been active since the 1960s. Relegated mainly to a series of flops through the 1990s, Moore appeared in such efforts as The Quest (1996) and Spice World (1997) and gained most of his exposure that decade as a television talk show and documentary host. In early May of 2003, fans were dismayed to hear that Moore collapsed onstage during a Broadway performance of The Play That I Wrote. Rushed to a nearby hospital afer insisting on finishing his performance in the small role, reports noted that Moore's subsequent recovery seemed to be coming along smoothly. He lent his distinctive voice to family films such as Here Comes Peter Cottontail and Cats & Dogs, The Revenge of Kitty Galore. Moore died in 2017, at age 89.

Trivia: Stylish British comic actor Tony Britton made the transition from stage to screen in 1952. Most of his film appearances were confined to brief, albeit memorable, supporting roles. Where Britton truly thrived was in the world of television, beginning with his six-year (1968-1973) stint on the popular BBC sitcom Father Dear Father. Tony Britton's other series-TV work has included Robin's Nest (the precursor to America's Three's Company), And Mother Makes Five, Don't Wait Up, and Don't Tell Father.

Trivia: British character actor Bird has been onscreen from 1954.

Trivia: The brother of actor/director Basil Dignam, Mark Dignam studied journalism before making his 1930 stage bow in Lonely House. After a few seasons with the Ben Greet repertory troupe, he made his London debut in 1932 and thereafter worked with such organizations as the Royal Shakespeare Company and the National Theatre. In films from 1949, Dignam specialized in roles calling for gray-maned authority, notably the Laird in The Maggie (1954), the prosecuting attorney in Carrington, V.C. (1955), and Merlin in Cornel Wilde's Sword of Lancelot (1962). Mark Dignam reluctantly earned a bit of notoriety in 1969 when he appeared as Polonius in Nicol Williamson's controversial film version of Hamlet.