Trivia: Winnetka, Illinois native Chris O'Donnell was planning to study for a career in finance when he was spotted by a talent agent, who was so taken by the young man's natural star quality that he advised him not to take acting lessons. After a handful of roles in such films as Men Don't Leave (1989) and Fried Green Tomatoes (1991), O'Donnell made the quantum leap to A-list performer in the 1992 film Scent of a Woman, in which he played the high school-age companion and general factotum to a blind, ornery retired military officer (Al Pacino). "Hunk hearthrob" status came O'Donnell's way with his appearance as D'Artagnan in the 1993 filmization of The Three Musketeers and 1994's Circle of Friends, in which he played an innocent young Irish lad dealing with burgeoning hormones and Catholic values in the 1950s. With 1995's Batman Forever, O'Donnell's star ascended into blockbuster heaven with his high-octane performance as Robin, the Boy Wonder; he reprised the role two years later, this time playing opposite George Clooney in Batman & Robin (1997). Subsequently turning away from action roles, O'Donnell could next be seen as a bumbling, small-town policeman in Robert Altman's Cookie's Fortune (1999). That same year, he starred as the title character in The Bachelor, a commitment-phobe who must find a woman to marry in twenty-four hours so he can inherit a large fortune. Over the next decade O'Donnell gravitated increasingly toward television, essaying recurring roles on Grey's Anatomy, The Practice, and NCIS: Los Angeles and appearing in the Emmy-nominated mini-series The Company while occasionally returning to the big screen in such films as Max Payne and Cats and Dogs: The Revenge of Kitty Galore.

Trivia: Born June 19th, 1972, actress Robin Tunney became known in the 1990s for her work in a number of teen and independent films. A native of Chicago's South Side, where she attended Catholic high school, Tunney studied acting at the Chicago Academy for the Performing Arts. She spent her summers performing in such stage productions as Bus Stop and Agnes of God. At the age of 18, Tunney moved to Los Angeles, where she began finding work on various television shows. The actress made her screen debut in the 1992 Brendan Fraser/Pauly Shore comedy Encino Man. She had her first lead role in the teen ensemble film Empire Records (1995), playing a suicidal record store employee who announces her presence in the film by walking into the store and shaving her head. A year later, Tunney starred as a member of a group of high school misfits who use witchcraft to take revenge on their tormenters in The Craft. Sort of a Sixteen Candles meets Carrie, the film proved to be a cult hit, particularly with teenage girls. Tunney subsequently made her name in independent dramas and mainstream films alike, doing particularly strong work in Niagara Niagara, earning the Venice Film Festival's Volpi Cup for Best Actress, for her portrayal of a young woman with Tourette's Syndrome. In 1999, she entered into the realm of bloated budgets and equally bloated plot premises, starring as Satan's intended bride alongside Arnold Schwarzenegger in End of Days. That same year, she played a 22nd century paramedic in Supernova, a sci-fi thriller that had her racing against time to escape from an exploding star. After braving icy mountains in the adventure nail-biter Vertical Limit (2000) Tunney would turn-up as a fantasy prone animator placed under house arrest after the mysterious hit and run death of a police officer in the comedy thriller Cherish (2002).In the wake of The In-Laws, Tunney would carry an impressive collection of independent thrillers including Paparazzi, Runaway, and The Zodiac, with a continuing role on the popular television drama Prison Break serving well to offer steady employment while letting her chose her film roles as she saw fit. A supporting role in frequent television director Allen Coulter's feature debut Hollywoodland found Tunney joining an impressive cast that included Ben Affleck, Diane Lane, Bob Hoskins, and Adrien Brody to explore the mysterious last days of television Superman George Reevs.Tunney became most recognizable for her starring role on The Mentalist as CBI Senior Special Agent Teresa Lisbon, who leads the Special Crime Unit and works directly with the show's protagonist, Patrick Jane (Simon Baker). The Mentalist first aired in 2008 on CBS and ran through 2015.

Trivia: Ex-marine and ex-newspaper reporter Scott Glenn was ideally suited to the action-oriented films that would become his lot in the 1980s and 1990s. After learning the rudiments of his craft at the Actors Studio and appearing off-Broadway, Glenn made his film bow in 1970's The Baby Maker. He was rescued from low-budget cycle flicks by director Robert Altman, who cast Glenn as Pfc. Glenn Kelly in Nashville (1975). As rangy and rugged off-camera as on, Glenn was one of the few film actors of recent years to flourish in western roles: among his more impressive credits within this genre are Cattle Annie and Little Britches (1981), Silverado (1985), My Heroes Have Always Been Cowboys (1993), and, stretching a point a bit, Urban Cowboy (1980). Glenn has been equally laudable in such suit-and-tie roles as Jodie Foster's FBI chief in The Silence of the Lambs (1991), in "military" assignments like astronaut Alan Shepard in The Right Stuff (1981) and the U.S. sub commander in Hunt for Red October (1990). As a tribute to Robert Altman, the director who elevated him to "A" pictures back in 1975, Scott Glenn accepted a drastic cut in salary to portray "Himself" in Altman's The Player (1992). Over the next several years, Glenn remained active on screen, appearing in films like Training Day, The Virgin Suicides, The Bourne Ultimatum, W., and The Paperboy.

Trivia: Possessing a special talent for totally immersing himself in his roles, Bill Paxton did not always get the recognition he deserves. Tall, rangy, and boyishly good looking, Paxton's career was a curiosity that found the character actor-turned-filmmaker succeeding in intermittently pulling the rug from under filmgoers' feet with a constantly expanding sense of maturity and range.Paxton's interest in films emerged during his teens when he began making his own movies with a Super-8 camera. He formally entered the entertainment industry in 1974 as a set dresser for Roger Corman's New World Pictures. Paxton made his acting debut as a bit player in Crazy Mama (1975), and afterward, the young thespian moved to New York to hone his skills. Following performances in a couple of horror quickies, Paxton formally launched his Hollywood career with a tiny part in Ivan Reitman's Stripes (1981) and this led to a steady if not unremarkable career in film and television during the '80s. In addition to acting, Paxton made short independent films such as Fish Heads, (1982) which became a favorite on NBC's Saturday Night Live. Paxton's acting career got a much-needed boost in 1985 when he was cast as Ilan Mitchell-Smith's obnoxious big brother Chet Donolley in John Hughes' Weird Science. Some of Paxton's more memorable subsequent roles include that of a cocky intergalactic soldier in James Cameron's Aliens (1986), a crazed vampire in Kathryn Bigelow's Near Dark, and sickly astronaut Freddie Hayes in Ron Howard's Apollo 13. In 1996, Paxton landed a starring role, opposite Helen Hunt, in the special-effects blockbuster Twister; his career took an upward turn and Paxton got more leads than ever. Though few audiences saw it in its limited release, critics were quick to praise Paxton's turn as con-artist Traveler in the 1997 movie of the same name. Following a doomed voyage on the Titanic the same year, the workhorse actor once again intrigued filmgoers as a small-town dweller struggling with his conscience after stumbling into over a million dollars in usually flamboyant director Sam Raimi's strikingly subdued A Simple Plan. A quiet and intense performance enhanced by a talented cast including Billy Bob Thornton and Bridget Fonda, the psychological crime drama once again provided further proof that Paxton's impressive range of emotion stretched beyond what many filmgoers may have previously suspected. Though subsequent performances in Mighty Joe Young (1998) and U-571 (2000) did little to backup the promise shown in A Simple Plan, Paxton still had a few tricks up his sleeve, as evidenced by his directorial debut Frailty (2002), a surprisingly competent and genuinely frightening tale of religious fervor and questionable sanity. Though cynical filmgoers may have initially viewed the trailer-touting praises of former collaborators Raimi and James Cameron as favors from old friends, the taut tale of a father who claims that God has provided him with a list of "demons" that he and his sons must cast from the earth blind-sided critics and filmgoers with its disturbingly minimalistic yet complex psychological thriller that recalled the thematic elements of previous efforts as Michael Tolkin's The Rapture (1991). His performance as a loving father who reluctantly embarks on God's mission was a vital component of the films emotional impact, and was once again proof that this former supporting player still had a few tricks up his sleeve.Though he hadn't paid much attention to television since his early career, in 2006, Paxton took on the lead role in HBO's Big Love, playing a polygamous husband with three wives. The show was a hit and garnered critical acclaim, including three Golden Globe nominations for Paxton. When the show wrapped up after five seasons, Paxton joined the miniseries Hatfields & McCoys, earning his only Emmy nomination of his career for the role. In 2014, Paxton took on a recurring role in Marvel's Agents of S.H.I.E.L.D., playing the villainous John Garrett. He also played Sam Houston in 2015 miniseries Texas Rising. In 2017, his new network show Training Day (a small-screen version of the film) aired only three episodes before Paxton suddenly died of complications from surgery at age 61.

Trivia: Born to an English mother and Sudanese father. Uncle Sadiq Al Mahdi was a two-time Prime Minister of Sudan (in the 1960s and '80s). Was bitten by the acting bug as a teenager, when he played Puck in a high-school production of Shakespeare's A Midsummer Night's Dream. Initially aspired to be a director, and has directed plays as well as two episodes of Star Trek: Deep Space Nine. Interests include wine collecting, role-playing games, gardening and home projects.

Trivia: Worked on offshore oil rigs in the Indian Ocean before getting into acting. Decided to attend drama school while in the hospital recovering from injuries sustained in a shipwreck. First gained international fame by playing the role of Agent Jones in The Matrix.

Trivia: Boasting brooding good looks which have allowed him to play both edgy heroes and fearsome villains, Temuera Morrison is one of New Zealand's best-recognized actors, and perhaps the most visible Maori performer in the world. Morrison was born in the tourist community of Rotorua; his instincts as a performer came naturally, given his father's career as a musician and the fact his uncle, Sir Howard Morrison, was one of the nation's best-loved entertainers. After completing high school, Morrison briefly worked with his uncle, but before long he decided to go into acting, and studied drama through New Zealand's Special Performing Arts Training Scheme. Morrison's SPATS training led to his first film role, in the drama Other Halves, and in 1988 he got to show some comic flair in the James Bond parody Never Say Die. In 1993, Morrison was hired as the Maori dialogue advisor on the international hit The Piano, but his big break came a year later, when Morrisonwas cast as Jake Heke, an alcoholic and abusive Maori husband and father, in the acclaimed drama Once Were Warriors. Morrison's vivid performance won him the Best Actor trophy at the 1994 New Zealand Film and TV Awards, and the attention brought Morrison to Hollywood. However, Morrison's initial American roles were in a handful of would-be blockbusters which died on the vine commercially speaking, including Barb Wire, The Island of Dr. Moreau, and Speed 2: Cruise Control. However, Morrison fared better at the box office with 2000's Vertical Limit, and the year before he made a triumphant return to New Zealand to star in the sequel to Once Were Warriors, What Becomes of the Broken Hearted? The film did not receive the same degree of international attention as the original, but it was popular and well-reviewed in New Zealand, and Morrison's second turn as Jake won him another Best Actor prize from the New Zealand Film and TV Awards. Morrison landed his biggest hit in 2002, when he was cast as Jango Fett in the eagerly anticipated Star Wars: Episode Two -- Attack of the Clones. ~ Mark Deming

Trivia: Lead actor, onscreen from the '70s.

Trivia: Lead actor, onscreen from the '80s.

Trivia: A native of New Delhi, India, British character actor of theater and film Roshan Seth honed the skills he learned at London's Academy of Music and Dramatic Arts in British repertory theater. His first break came in Peter Brook's production of A Midsummer Night's Dream, which toured in 1972. Seth entered feature films in Richard Lester's Juggernaut (1974), but because subsequent filmmakers only wanted Seth for ethnic roles, his career abruptly stalled. Discouraged, he abandoned acting and returned to India, where he worked as an editor and journalist until the early '80s, when Richard Attenborough asked Seth to play Pandit Nehru in Gandhi (1982). Shortly thereafter, Seth essayed Indian author Victor Mehta and toured the globe in playwright David Hare's biography A Map of the World. After the play's Broadway run, Seth's movie career took off, with roles in Steven Spielberg's Indiana Jones and the Temple of Doom (1984) and David Lean's A Passage to India (1984). Seth's subsequent film credits include Mississippi Masala (1992), Street Fighter (1994), and The Journey (1997).

Trivia: British supporting actor, onscreen from the '80s.

Trivia: British cinematographer David Tattersall has made his imprint on films ranging from Radioland Murders (1994) to Star Wars: Episode I -The Phantom Menace (1999) to The Green Mile (1999). Educated at London's Goldsmith College, where he got a first class BA Fine Arts degree, he went on to specialize in camera work while doing further studies at Britain's National Film and Television School. While a student there, he made a series of highly regarded short films, including King's Christmas, which received a 1987 BAFTA nomination for Best Short, Caprice, which was selected for the Edinburgh and Milan film festivals, and Metropolis Apocalypse, which was shown at the 1988 Cannes festival. Since embarking on his professional career, Tattersall has worked on a number of disparate productions for television and film on both sides of the ocean. His work for television includes The Young Indiana Jones Chronicles, for which he earned a Best Cinematography nomination from the American Society of Cinematographers. Tattersall made his major feature film debut as the cinematographer for the 1994 comedy Radioland Murders and went on to do particularly notable work on George Lucas' The Phantom Menace and Frank Darabont's The Green Mile. In 2000 he lensed The Vertical Limit, an adventure thriller set on K2, one of the Himalayas' highest peaks.

Trivia: New Zealand-born film director Martin Campbell started his career in the mid-'70s churning out a handful of adult-minded films, with titles like The Sex Thief and Eskimo Nell. His sense of style caught the eye of Hollywood, and eventually Campbell found himself helming thrillers like Criminal Law and Defenseless. In the mid-'90s, his career skyrocketed after being assigned the director's chair for GoldenEye, the first Bond film to star Pierce Brosnan as the beloved super-spy. The film was a box-office success, and received the strongest reviews of any Bond film in quite some time, leading directly to the job of directing the big-budget summer spectacle The Mask of Zorro, an assignment he enjoyed enough to return for the sequel a few years later. Campbell once again introduced the world to a new James Bond in 2006 as the director of Daniel Craig's first film in the series, Casino Royale. Again, the film was lavished with huge international box-office success, and strong reviews from many critics who had grown tired of the series.

Trivia: Throughout his prolific career, composer/musician/songwriter James Newton Howard has scored films of all scales and genres, earning multiple award nominations for his work. Los Angeles-born Howard began studying music as a small child and went on to attend the Santa Barbara Music Academy and then majored in piano performance at the University of Southern California. After Howard left college, he toured with Elton John as a keyboardist during the late 1970s and early 1980s before moving into film music in the mid-1980s. By the 1990s, Howard truly hit his career stride, scoring the surprise blockbuster romantic comedy Pretty Woman (1990) and receiving his first Oscar nomination for Barbra Streisand's drama The Prince of Tides (1991). Setting the musical mood for numerous films throughout the decade, Howard's skills encompassed a plethora of genres, including the Oscar-nominated actioner The Fugitive (1993), the Western epic Wyatt Earp (1994), the legal drama Primal Fear (1996), the blockbuster suspense thriller The Sixth Sense (1999), and two more Julia Roberts romantic comedy hits, My Best Friend's Wedding (1997) and Runaway Bride (1999). My Best Friend's Wedding earned Howard his third Oscar nomination for Best Score (his collaborations on tunes for One Fine Day (1996) and Junior (1994) garnered Best Song nods). Along with scoring such smaller, character-driven films as Five Corners (1988), Glengarry Glen Ross (1992), and American Heart (1993), Howard proved equally skilled at composing for big-budget Hollywood spectacles, including Space Jam (1996), Dante's Peak (1997), and Dinosaur (2000). Though he concentrated primarily on films, Howard also contributed music for TV shows, earning an Emmy nomination in 1995 for his theme to NBC's ratings smash ER.

Trivia: Born in Shanghai, China, and raised in Chile, studio executive Mike Medavoy started out working in the mailroom at Universal Pictures. From there he became a casting director and then worked as one of Hollywood's biggest talent agents, managing the careers of such figures as Steven Spielberg, Jane Fonda, Michelangelo Antonioni, and Robert Aldrich. At that time, Medavoy also was the vice president in charge of the IFA motion picture department and was responsible for helping to promote such '70s blockbusters as The Sting and Jaws. In 1978, Medavoy and others created Orion Pictures after becoming frustrated with the policies of United Artists where Medavoy had been serving as the senior vice president of West Coast productions since 1974. He became the chairman of Tri-Star Pictures in 1990, resigning in 1994.