Trivia: Perhaps most famous for his dramatic work on TV series like Law & Order: Special Victims Unit, Christopher Meloni has also been praised for his comedic appearances on screens of all sizes. His resumé proves him a versatile actor, indeed, with experience on television, in feature films -- both comedic and dramatic -- and even on-stage. (He acted in the 2001 Williamstown Theatre Festival.)He was born on April 2, 1961, in Washington, D.C., and earned his degree in 1983 at the University of Colorado in Boulder. Having grown interested in acting in college, he next studied at the Neighborhood Playhouse in New York City with Sandford Meisner. First noted for his role that began in 1990 on the hit series The Fanelli Boys on NBC, Meloni's accomplished television background consists of appearances on NYPD Blue (1993), the HBO's prison series Oz (1997), and numerous other series and TV movie roles. His lengthy list of supporting appearances on film includes major features like 12 Monkeys (1995), Bound (1996), and Fear and Loathing in Las Vegas (1998). In 1999, he played one of Julia Roberts' husbands-to-be in Runaway Bride. Building upon his Oz experience, he starred in the PBS feature Shift in 2001, in a dramatic role as a prison inmate lovesick over a woman whom he only knows via telephone, and who doesn't know his whereabouts. Also in that year, he played a crazy 'Nam vet chef -- who provided some of the most accessible laughs of the absurd comedy -- at summer camp in David Wain's Wet Hot American Summer.In the years to come Meloni would appear in films like Nights in Rodanthe, Carriers, and Harold and Kumar Go to White Castle, as well as the series True Blood.

Trivia: The daughter of legendary sex symbol Jayne Mansfield and former Mr. Universe Mickey Hargitay, Mariska Hargitay appears born to play the type of larger-than-life roles that would make her a Hollywood idol. Instead, from her breakthrough performance as a vulnerable single mother on ER to her starring turn as a somber detective on Law & Order: SVU, the talented actress has built her career by portraying real-life characters and keeping out of the spotlight. Raised in Los Angeles, Hargitay was a child of divorce before she celebrated her first birthday. In 1967, her mother died tragically when her car collided with a truck outside of New Orleans. Hargitay, then only three years old, was asleep in the backseat of the vehicle, but escaped uninjured. Days later, she moved in with her father and stepmother, Ellen Siano, a flight attendant. Hargitay participated in scores of activities throughout grade school, including cheerleading, student government, and athletics. She also developed a passion for performing: at 18, after being crowned 1982's Miss Beverly Hills, she enrolled in the University of California at Los Angeles' prestigious undergraduate theater program. Hartigay began her professional acting career while she was still a student with a bit part in Bob Fosse's Dorothy Stratten biopic Star 80 (1983). In 1985, she appeared in the B-movie Ghoulies and agreed to portray a teenage parolee inCBS' short-lived series Downtown. Roles in the teen comedies Welcome to 18 (1986) and Jocks (1987) quickly followed. In 1988, the actress joined her dad in the biopic of his own career, Mr. Universe. That same year, Hargitay earned the recurring role of Carly Fixx on television's Falcon Crest. The next several years found Hargitay acting in B-movies, such as a martial arts film called The Perfect Weapon (1991), and a handful of television films, such as Blind Side (1993) and Gambler V: Playing for Keeps (1994). She earned a small role in Mike Figgis's Leaving Las Vegas (1995) and replaced Gabrielle Fitzpatrick as Dulcea in Mighty Morphin Power Rangers: The Movie (1995), but her scenes were eventually re-shot with Fitzpatrick in the role. Throughout the late '80s and early '90s, Hargitay also appeared in numerous popular television shows -- In the Heat of the Night, Baywatch, Wiseguy, thirtysomething, Booker, Seinfeld, Ellen, The Single Guy -- and in quite a few failed series -- Tequila and Bonetti, Key West, Can't Hurry Love, Prince Street, and Cracker. In subsequent years, producer Dick Wolf tapped the actress for his Law & Order spin-off, Law & Order: Special Victims Unit (1999). As NYPD Detective Olivia Benson, Hargitay became a familiar and a celebrated face: She earned several award nominations for her performance on the show, as she stuck with the popular show for over ten years.In addition to working in film and television, Hargitay found time for the theater -- appearing on the Los Angeles stage in Salad Days, Women's Work, and Porno -- and read Rochelle Majer Krich's crime story Regrets Only on a mystery-themed audiobook. She also established her own charity, Spirit of the Dolphin, which gives abused children the chance to swim with dolphins in Hawaii. In 2007, Hargitay served as the National Ambassador for Lee National Denim Day to raise money and awareness for breast cancer. In terms of off-camera activity, Hargitay's successful pregnancy at the age of 42 (with her husband, SVU co-star Peter Hermann) made headlines as well.

Trivia: Launching his career as a standup comic, American performer Richard Belzer entered the 1970s as a member of an odd New York-based comedy troupe called Channel One. Anticipating the home video explosion by over a decade, Channel One staged satirical, scatological routines lampooning the banalities of television -- and staged them in front of TV cameras, which transmitted the routines to little TV monitors, which in turn were watched by the live audience. Some of the best sketches were assembled into an X-rated comedy feature, The Groove Tube (1970), which featured Belzer, Ken Shapiro, and a brash newcomer named Chevy Chase. For the next decade, Belzer played the comedy-club circuit, popped up as a talkshow guest, and appeared in occasional films like Fame (1982). He joined still another comedy troupe in 1983, which appeared nightly on the syndicated interview program Thicke of the Night. The host was Allan Thicke, and Belzer's comic cohorts included such incipient stars as Charles Fleischer, Chloe Webb and Gilbert Gottfried. Thicke of the Night was one of the more notorious bombs of the 1983-84 season, but it enabled Belzer to secure better guest-star bookings, and ultimately a hosting job on his own program, debuting in 1986 over the Lifetime Cable Service. It was on this series that wrestler Hulk Hogan, demonstrating a stranglehold on Belzer caused the host to lose consciousness -- which prompted a highly publicized lawsuit instigated by Belzer against the Hulkster. In the early 1990s, Richard Belzer could be seen as a non-comic regular on the TV series Homicide. His Homicide character, John Munch, would become one of the longest-running fictional creations on TV appearing in more than a half-dozen other television shows, most notably Law & Order: Special Victims Unit.

Trivia: Often cited as the founding father of gangsta rap, Ice-T has also crafted a successful film career from his hardened street persona. Despite the fact that his early roles stuck closely to his public image as a thuggish West Coast pimp, T has since proved both his versatility and his sense of humor by appearing as everything from a mutant kangaroo (Tank Girl [1995]) to, in a surprisingly effective about-face, a police officer (New Jack City [1991]). Born Tracy Marrow in Newark, NJ, in 1958 and later adapting his better-known persona as a tribute to pimp-turned-author Iceberg Slim, T was sent at age 12 to live in Califorina with an aunt after his father died of a heart attack (his mother had died four year earlier, also of a heart attack). Ice-T soon began to develop an obsession with rap music, and after serving a two-year stint in the Army, he began recording and appeared in the films Breakin' and Breakin' 2: Electric Boogaloo (both 1984). Following a near death auto accident in 1986, T devoted his life to music and released his debut album, Rhyme Pays, the following year. T gained positive accolades for his first major film role in 1991's New Jack City, in which he played a dedicated police officer, and the irony was not lost on fans the following year when he caused a stir with a song entitled "Cop Killer." After sticking close to the streets in Ricochet (1991), Trespass (1992), and Surviving the Game (1994), T took a sci-fi detour with Tank Girl and Johnny Mnemonic (both 1995). Generally appearing in straight-to-video schlock from the mid-'90s on, Ice-T could be seen as a naval pilot in Stealth Fighter (1999) and stealing a magic flute from a vengeful green meanie in Leprechaun in the Hood (2000). Though his appearances in such films grew nearly too frequent to count, T occasionally appeared in such theatrical releases as 3000 Miles to Graceland and Abel Ferrara's 'R Xmas (both 2001). After offering curious insight into the life of a pimp in the documentary Pimps Up, Ho's Down, T continued to expound on the life of a hustler in Pimpin' 101 (2003). He also took on a recurring role on the Law & Order spin-off Law & Order: Special Victims Unit and later joined the cast as a regular in the show's second season, soon becoming a popular fixture on prime time TV. T would also enjoy success on the reality circuit, starring in the candid reality show Ice Loves Coco with his wife, Nicole "Coco" Austin.

Trivia: Dann Florek was a working actor for 15 years, on stage, in movies, and on television before he became a television star on Law and Order. Born in Flat Rock, MI (near Detroit) in 1950, he was a physics major at Eastern Michigan University until he discovered his affinity for acting and theater. He moved to New York in the early 1970s and became a member of The Acting Company at The Juilliard School. Florek's New York theater credits included work in productions of A Midsummer Night's Dream, Love's Labour's Lost, and Death of a Salesman. He later performed in many productions staged at the La Jolla Playhouse and the Old Globe Theater in San Diego. Florek's film credits include Sweet Liberty, Hard Rain, Angel Heart, and The Flintstones, and he has made appearances on NYPD Blue, Wings, The Pretender, and The Practice. Additionally, he played Abraham Lincoln in the short-lived Fox Network series The Secret Diary of Desmond Pfeiffer. It was as Dave Meyer on L.A. Law that Florek first came to the attention of television viewers, but it was his four seasons on Law and Order that made him a star. He became a familiar and popular actor as Lieutenant (and later Captain) Donald Cragen, the head of the detective squad on whose investigations the series focuses from week to week. Florek also directed several episodes of the series after leaving the cast of the show in 1993, and is an active member of the Directors Guild of America. In 1999, he joined the cast of Law and Order: Special Victims Unit, reprising and greatly expanding his role of Captain Cragen, now head of a detective unit specifically assigned to the investigation of sex crimes. Equally skilled at comedy and drama (although more familiar for his work in the latter), Florek is one of a new generation of triple-threat actor/directors to emerge from television in the 1980s and 1990s. Florek continued to work on Law & Order until 2010.

Trivia: For his role in the Broadway production of M. Butterfly, talented stage and screen actor B.D. Wong (born Bradley Darryl Wong) would enter into history as the only actor ever to be honored with a Tony, a Drama Desk Award, an Outer Critics Circle Award, a Clarence Derwent Award, and a Theater World Award for a single performance. Proving equally adept onscreen, Wong's memorable early roles in The Freshman (1990) and Father of the Bride (1991) found him simultaneously attempting to break out of the Asian-American cinema stereotype while seeking out roles that would expand his dramatic capabilities. A native of San Francisco whose musical experimentation during his childhood eventually lead to the discovery of acting, Wong's parents were consistently supportive in nurturing his creative energy. Wong worked his way into Bay Area community theater while still a student at Lincoln High School, and his association with the San Francisco Unified School District proved an essential component in developing his skills as an actor. Following his subsequent graduation from San Francisco State University Wong moved to New York City, where he performed in dinner theater and off-Broadway productions. After making his professional bow in a New York Town Hall production of Androcles and the Lion, Wong began to essay small television roles on such series as Simon & Simon and Sesame Street about the time of his feature debut in The Karate Kid II (1986). Soon thereafter, Wong received coaching from Donald Hotton to prepare for his role in M. Butterfly, and following much critical acclaim, Wong slowly gained onscreen momentum with roles in Jurassic Park (1993) and the HBO AIDS-drama And the Band Played On (both 1993). In his constant search to portray original and diverse characters, Wong had a recurring role as Father Ray Makuda on the HBO series Oz. Subsequent performances included roles in Seven Years in Tibet (1997), voice work in the animated Disney film Mulan (1998), and the crime thriller The Salton Sea (2002). Television viewers became acquainted with Wong through his role on Law and Order: Special Victim's Unit.

Trivia: She might not be a household name, but the statuesque character actress Tamara Tunie sports a resumé as distinctive as she is innately glamorous. Tunie landed her first major role as litigator Jessica Griffin McKechnie Harris on the soap opera As the World Turns in 1986 -- a part she played for 11 years. In the mean time, Tunie signed for a small role in the endearing yet sadly overlooked coming-of-age dramedy Sweet Lorraine (1987), an unsung predecessor to the box-office blockbuster Dirty Dancing, starring Maureen Stapleton and Trini Alvarado. Tunie signed for a bit part in the 1989 period murder mystery Bloodhounds of Broadway, but despite the fact that it claimed a pedigree as impressive as Lorraine (with Matt Dillon, Madonna, Jennifer Grey, and others), the movie unfortunately failed to deliver on its noble intentions. Over the course of the next several years, Tunie turned up several times on Steven Bochco's NYPD Blue, and landed the bit part of Leslie Christos in the Al Pacino big-city crime drama City Hall (1996), directed by Harold Becker (Taps). She re-teamed with Pacino for the darkly comic supernatural horror film The Devil's Advocate (1997), then worked with Brian De Palma and Nicolas Cage on the 1998 thriller Snake Eyes. Tunie's most high-profile work, however, was yet to come. In 2002, she delivered a compelling performance as Alberta Green in the first season of the series thriller 24. In 1999, the actress resumed her portrayal of Jessica Harris on As the World Turns and continued to sporatically return to the role through the 2000s. Beginning in 2000, Tunie also portrayed Melinda Warner on the popular series Law & Order: Special Victims Unit.

Trivia: Screen siren, opinionated diva, and one of the few actresses in Hollywood who can claim to be both a Paul Verhoeven muse and a MENSA member, Sharon Stone is nothing if not a legend in her own right. Beginning with her notorious disinclination to wear underwear during a police interrogation in Basic Instinct, Stone went on to become one of the most talked about actresses of the '90s, earning both admiration and infamy for her on- and off-screen personae.Almost as famous as Stone's glamorous image are her working-class roots. Born in the Northwest Pennsylvania town of Meadville on March 10, 1958, Stone grew up a bookworm in a large family. Highly intelligent in addition to being a local beauty pageant queen, she won a scholarship to Pennsylvania's Edinboro University when she was 15 years old. After studying creative writing and fine arts, she decided to pursue a modeling career, and after moving to New York, she signed on with the Eileen Ford agency. Stone became a successful model by the late '70s, appearing in print and television ads for Clairol, Revlon, and Diet Coke.In 1980, Stone branched out into acting, making her screen debut as the "pretty girl on train" in Woody Allen's Stardust Memories. Following this role, she spent the '80s appearing in one forgettable film after another, often cast as the stereotypical blonde bimbo. She finally got a break in 1990, when she appeared as Arnold Schwarzenegger's kickboxing secret-agent wife in Verhoeven's Total Recall. Any recognition she gained for that role, however, was more than eclipsed by the notoriety she earned for her starring turn in her second Verhoeven feature, Basic Instinct. The 1992 film, in which Stone portrayed a bisexual author/sexual adventurer who may or may not be a serial killer, did her a huge favor by making her a star but also a sizable disservice by further typecasting her in blonde seductress roles. Stone's subsequent effort, the erotic thriller Sliver (1993), was an example of this: the actress attracted notice less for her acting than for her willingness to simulate masturbation. Her role in the following year's The Specialist was also fairly limiting -- an action flick co-starring Sylvester Stallone, it called for Stone to run around in a tight dress in heels when she wasn't seducing various characters.In 1995, Stone managed to break into the "serious actress" arena with her performance in Martin Scorsese's Casino. Cast as an ex-prostitute, she won an Oscar nomination and a Golden Globe for her work, as well as the general opinion that she was capable of dramatic acting. Stone branched out further that same year with The Quick and the Dead, a revisionist Western directed by Sam Raimi in which she starred as a tough-talking, hard-drinking broad bent on revenge. Unfortunately, the film was a relative flop, as were her subsequent 1996 films, Diabolique, a remake of the 1954 French film by Clouzot and Last Dance, a drama that featured Stone as a woman on death row. By this point winning more notice for her off-screen role as an arbiter of fashion and old-school Hollywood glamour than for her onscreen acting work, Stone next lent her voice to the animated Antz in 1998. The film proved to be a success, unlike the actress's other projects that year, the lackluster Barry Levinson sci-fi thriller Sphere and The Mighty. The latter film, which Stone produced as well as starred in, was a heartfelt story about two adolescent misfits; although it did win a number of positive reviews, audiences largely kept their distance. The same couldn't be said of Stone's next film, a 1999 remake of Gloria; not only did audiences stay away from it, critics savaged it with vituperative glee. Never one to let a bad review get her down, Stone soon rebounded, receiving a more positive reception for her performance in The Muse and then starring as Jeff Bridges' long-suffering wife in Simpatico. If her roles in the years that followed weren't as high profile, that's certainly not to say that they were any less challenging. After taking a turn towards the small screen in the lesbian-themed made-for-cable drama If These Walls Could Talk 2, Stone broke for comedy with Alfonso Arau's Picking Up the Pieces and essayed the role of an unpredictable bad girl in Beautiful Joe (all 2000). Having veered increasingly towards family-oriented fare in recent years, the trend continued with vocal work for Harold and the Purple Crayon. Of course, all was not child's play in Stone's career, and with the release of Cold Creek Manor the following year, audiences were indeed in for a frightful chill. A series of continual highs and lows marked Stone's career path in successive years. In 2004, the actress appeared as Laurel Hedare opposite Halle Berry in Catwoman. Though eagerly anticipated, the effects-heavy vehicle opened that July to abysmal reviews and devastating box office returns. Despite Stone's confession that she was toning down her oft cited diva-like ways after suffering a brain aneurysm in 2001, rumors of outrageous behavior on the film's set began to circulate. She fared much better on all fronts when she essayed a role as one of Bill Murray's ex-girlfriends in Jim Jarmusch's Golden Palm winner Broken Flowers (2005) - and walked away with the most memorable and endearing role in the picture - a role that showcases her skills as a disciplined thespian. Stone then contributed a cameo (as did many stars) to that same year's disappointing Martin Short vehicle Jiminy Glick in LaLa Wood Early 2006 gave rise to another embarrassment, as Stone appeared (at the age of 48!) in the sequel Basic Instinct 2: Risk Addiction. Despite a somewhat respectable pedigree (the gifted Michael Caton-Jones helmed the picture) the public and press scoffed. Incredibly, Stonespoke of a possible third entry in the franchise, and even explored the option of assuming the position of director. No such luck: much to the chagrin of viewers who relish Hollywood stars in humi roles, the picture failed to materialize. But soon after, a couple of potential triumphs surfaced, defiantly challenging the tabloids hungry for a 'losing streak' in Stone's career. She joined an exemplary cast in Emilio Estevez's hotly anticipated November 2006 release Bobby, an ensemble piece that intertwines multiple substories in the Ambassador Hotel just prior to RFK's assassination. She also appears in Nick Cassavetes's Alpha Dog (2007), alongside an A-list cast that includes newbie Emile Hirsch and Bruce Willis. The picture dramatizes the true story of a drug dealer in his early twenties who gets in over his head; Stone plays the traumatized mother of the child he kidnaps, a boy who is in hock for a massive drug tab. Universal slated it for release in January 2007. In that same year's drama When a Man Falls in the Forest, directed by Ryan Eslinger, she plays a kleptomaniacal Midwestern housewife. The cast also stars Timothy Hutton, Dylan Baker and Pruitt Taylor Vince. She continued to work steadily in projects such as Streets of Blood, Largo Winch II, and the biopic Lovelace.Wed to MacGyver producer Michael Greenberg from 1984 to 1987, and George Englund, Jr. (Cloris Leachman's son) prior to that, Stone married her third husband, San Francisco Examiner editor Phil Bronstein, in early 1998, with whom she adopted a son. They divorced in early 2004. She runs an LA-based production shingle, Chaos Productions.

Trivia: Born Donald Warren Moffett. Supporting actor, occasional lead, onscreen from the '80s.

Trivia: One of the most enduring and respected actresses in French cinema, Isabelle Huppert is known for her versatile portrayals of characters ranging from the innocent to the sultry to the comic. Born March 16, 1953, in Paris, Huppert graduated from the Paris Conservatoire d'Art Dramatique and made her first film, Faustine et le Bel Été, when she was 16. Her career accelerated rapidly, and she soon found work with such acclaimed directors as Bertrand Blier, with whom she made Les Valseuses (1974), a film also notable for making a star out of Gérard Depardieu; Otto Preminger, for whom she appeared in Rosebud (1975); and Claude Chabrol, with whom she would make a series of films, starting with 1978's Violette Nozière, for which she won a Best Female Performance award at the 1978 Cannes Film Festival. Also in 1978, she won a British Academy Award for Best Newcomer for her role in La Dentellière (The Lacemaker).Huppert's career in the 1980s commenced fairly inauspiciously, with a part in the legendary flop Heaven's Gate (1981), but it soon picked up with starring roles in Bertrand Tavernier's Coup de Torchon (1981), Jean-Luc Godard's Passion (1982), and Diane Kurys' celebrated Entre Nous (1983). Throughout the 1980s and '90s, Huppert made an impressive number of films in her native country, collaborating with Claude Chabrol on 1988's Une Affaire de Femmes (Story of Women), the widely acclaimed Madame Bovary (1991), and La Cérémonie (1995), for which she won a 1996 Best Actress César. Since the Heaven's Gate fiasco, Huppert's work in American film has been minimal, a worthwhile exception being her role as a nun-turned-nymphomaniac writer of pornographic fiction in Hal Hartley's Amateur (1994). In her native France, Huppert has become something of an institution, continuing to work prolifically on such films as Benoît Jacquot's L'École de la Chair (1998) and serving as the 24th president of the César Awards in March 1999.Despite the fact that American audiences remained sadly unaware of Huppert's success overseas, her performances in Jacquot's False Servant and the historical drama Saint-Cyr (both 2000) found her meeting challenging roles head on to captivating effect. The sometimes disturbing films she appeared in may not have been the easiest for audiences to digest, but they certainly cemented her belief that the art of acting is a means of "living out one's insanity," and no matter what the subject matter or quality of the actual film, Huppert remained a consistently compelling screen presence. Huppert's success in Chabrol's Merci Pour le Chocolat (2000) came as no surprise to many given her successful track record with the enduring director, and the following year she would once again come under the international spotlight for her remarkable performance as a sexually repressed and self-destructive piano teacher in director Michael Haneke's confrontational drama The Piano Teacher (2001). Her fearless powerhouse performance shocked audiences worldwide and earned Huppert a Best Actress award at the Cannes Film Festival. The film was soon counterbalanced by director François Ozon's popular international black comedy 8 Women the following year. A campy, freewheeling musical mystery starring some of the biggest female stars in French cinema, the film came as an unexpected but infectious jolt of originality to audiences whose skin had been worn thin by a recent spat of heavy dramas. Huppert's performance as an opinionated hooker who forms an unexpected bond with her illegitimate daughter in 2002's Ghost River benefited the touching drama well, and the following year, she was back with Haneke for the disturbing The Time of the Wolf. As with many of Haneke's films, The Time of the Wolf sharply divided audiences -- some of whom saw the film as celluloid perfection and others who viewed it as unrelentingly downbeat garbage. In 2003, Huppert would appear under the direction of an American director for the first time since 1994's Amateur with a role in Three Kings director David O. Russell's comedy I Heart Huckabees.

Trivia: The comely blonde supporting actress Diane Neal is best known for her ongoing portrayal of District Attorney Casey Novak on the blockbuster series Law & Order: Special Victims Unit. Her resumé also includes appearances in such direct-to-video exploitationers as Dracula II: Ascension and Dracula III: Legacy.

Trivia: For many fans, the image of fair-haired actress Stephanie March includes a pair of black horn-rimmed glasses, which she wore for the role of Assistant District Attorney Alexandra Cabot on the series Law & Order: SVU. The role was one of the Texas native's first TV gigs, and she remained with the series from 2000 to 2004, then rejoined the series in 2009. March made her Broadway debut opposite Brian Dennehy in Death of a Salesman, and later appeared in a filmed version of the show. She also appeared in a number of other projects, like the Angelina Jolie spy movie Mr. and Mrs. Smith, before reprising the role of Alexandra Cabot for the Law & Order spinoff Conviction. March continued to make memorable guest appearances in shows like Grey's Anatomy, 30 Rock and Happy Endings. She had a supporting role in the film Innocence in 2014.

Trivia: Wrote an essay that was published in the book Struggle for Ethnic Identity: Narratives by Asian American Professionals. In 2001, played the role of Florizel in Winter's Tale at the Williamstown Theatre Festival. Was the Artistic Associate of the National Asian American Theatre Company (NAATCO) in 2005 and has appeared in five NAATCO productions. Played Ariel in the Shakespeare Theatre of New Jersey's stage production of The Tempest in 2009. In 2013, received a Drama Desk nomination for Best Solo Performance for his role as Gordon Hirabayashi in Jeanne Sakata's one-person play Hold These Truths.

Trivia: Began acting in community theater productions at age 6. Played on her high-school softball team. Appeared in the short-lived Broadway-bound play Bobbi Boland opposite Farrah Fawcett after arriving in New York in 2002. Costarred in the Web sitcom The Burg. Made television debut on the ABC soap opera All My Children in 2005. Filmed Past Life in Atlanta, Georgia, located about 45 minutes from her hometown of Cumming. Spent a week with real U.S. Marshals to prepare for her starring role in NBC's Chase.

Trivia: Is the son of Cuban immigrants. In his youth, aspired to become a baseball player or a lawyer, or join the Coast Guard. Was a lifeguard in Miami as a teen. Met his future wife, Lilly, during a middle-school theater class when they were just 13. They continued their education together through junior high, high school, college and graduate school. Off-camera pursuits include writing; received writing credits on the Cold Case episodes "Stealing Home" (2009) and "Metamorphosis" (2010).

Trivia: UCLA grad Joanna Merlin made her first film appearance in 1956, as one of Jethro's daughters in the Cecil B. DeMille superspectacular The Ten Commandments. Five years later she first stepped on a Broadway stage in Jean Anouilh's Becket. Her subsequent theatrical credits include the role of Tzeitel in the original 1964 production of Fiddler on the Roof. In films, she has specialized in such ethnically oriented character roles as the landlady in Hester Street (1975). From bag ladies to judges, Merlin has played 'em all. More recently, Joanna Merlin has functioned as a Hollywood casting director.

Trivia: Met her husband onstage during a theater production, which is the same way her parents met. Considers her parents the most influential people in her career. Appeared on Broadway in Getting Away With Murder in 1996. Won a Robby Award (a California theater award) for her performance in The Violet Hour with South Coast Repertory in 2002.

Trivia: A burly, heavyset character player whose presence suggested both paternal warmth and authority, Cliff Bemis originally grew up on a family owned dairy farm in Elyria, OH, then (later) Lorain, OH, after his father's ailing health prevented him from continuing on as a farm laborer and prompted him to move into the floral business. Following high school graduation, Cliff attended Baldwin-Wallace College in Berea, Ohio, where he discovered an intense love of drama and began to pursue professional acting work alongside his studies. He subsequently became involved in Cleveland-area theater and film on multiple levels (including numerous musical theater roles and opera roles, voiceover and jingle-singing assignments, and industrial film appearances), but for many years limited himself to Cleveland-area work. That all changed in 1987 when Bemis' path happened to criss-cross with that of husband and wife actors Robby Benson and Karla de Vito (Modern Love); the pair encouraged Bemis to relocate to Los Angeles, secure an agent, and begin signing for film and television roles. Some of the features in which Bemis appeared include Pink Cadillac (1989), Jack the Bear (1993), Nancy Drew (2007), and Billy: The Early Years (directed by Benson) as a charismatic religious leader. Over the years, Bemis also signed for innumerable television guest roles on series including Quantum Leap, Cheers, Married... With Children, and Dallas. He is also known as one of the chief television spokespeople for the International House of Pancakes (IHOP) restaurants.