Trivia: American comedian Bud Abbott was the tall, bullying member of the popular comedy team Abbott and Costello. The son of circus employees, Abbott entered show business as a burlesque show producer, then took to the stage himself as straight man for a number of comedians, finally teaming with fledgling comic Lou Costello in 1936. After working in burlesque, in radio, and on Broadway, Abbott and Costello made their movie debut in One Night in the Tropics (1940). Their first starring picture was Buck Privates (1941), a box-office bonanza which catapulted the team to "top moneymaker" status for the next 15 years; in all, Abbott and Costello made 36 feature films. In 1951, they made their TV debut on Colgate Comedy Hour, and later that year starred in a widely distributed 52-week, half-hour situation comedy series, The Abbott and Costello Show. After the team broke up in 1957, Abbott retired, but was compelled to revive his career due to income tax problems. He appeared solo in a supporting role on a 1961 G.E. Theatre TV drama, then made an unsuccessful comeback attempt as straight man for comedian Candy Candido. Abbott's last performing job was providing the voice of "himself" in a series of 156 Abbott and Costello animated cartoons produced for television by Hanna-Barbera in 1966.

Trivia: American comedian Lou Costello wasn't the most scholarly of lads growing up in Paterson, New Jersey, although he excelled in baseball and basketball. He won an athletic scholarship to Cornwall-on-Hudson Military School, but left before graduation to try a performing career. Reasoning that there'd be a lot of work for a top athlete in Hollywood, Lou travelled westward, but was only able to secure stunt-man work, specializing in the sort of spectacular falls that he'd still be staging during his later starring career. Tired of working anonymously in Hollywood, Costello decided to give stage work a try, and by the mid '30s he'd achieved minor prominence as a burlesque comedian. What he needed was the right straight man, and that man was Bud Abbott, with whom Lou teamed in 1936. Abbott was satisfied in burlesque, but Costello had bigger ambitions; it was he who actively promoted the team into radio and Broadway. In 1940, Lou finally realized his life's ambition to be a movie star when he and Abbott were signed by Universal Pictures. The team's second feature, Buck Privates, launched an amazingly durable film career; for the next ten years, Abbott and Costello were Hollywood's biggest moneymaking team. Though no pushover in real life, Lou became world famous for his portrayal of the hapless, trodden-upon patsy of the conniving, bullying Abbott; his plaintive "I'm a ba-a-ad boy" became a national catchphrase. A serious 1942 bout with rheumatic fever kept Lou out of radio and films for a full year. On the day of his professional return in 1943, an appalling tragedy struck Costello; his infant son drowned in the family's backyard swimming pool. Waving off mourners, Lou performed his comeback radio show that evening on schedule, as funny as ever, and broke down the minute the show signed off, while a visibly shaken Bud Abbott explained the situation to the studio audience. Lou was never quite the same after that, though his career flourished, surviving the occasional falling out with Bud Abbott and unprofitable attempts to change his screen image in such films as Little Giant and The Time of Their Lives (1946). Seldom making a professional misstep -- he moved from films to TV and back again with enormous success. Costello broke up permanently with Bud Abbott in 1956. His solo dates in nightclubs and television were satisfactory, and a starring appearance as a single in The Thirty Foot Bride of Candy Rock (1959) wasn't the disaster it might have been, but Lou Costello was basically unhappy going it alone. Still, he was thriving in show business and seemingly had a rosy future ahead of him in early 1959; sadly, in March of that year Lou Costello lost his lifelong battle with his rheumatic heart and died three days before his 53rd birthday.

Trivia: Her cultured Mayfair accent notwithstanding, frosty blonde actress Hillary Brooke was born on Long Island. After attending Columbia University, Hillary launched a modelling career, which led to film work in 1937. Though a handful of her screen portrayals were sympathetic, Hillary's talents were best utilized in roles calling for sophisticated truculence: "other women," murderesses, wealthy divorcees and the like. She is also known for her extensive work with the comedy team of Abbott and Costello. First appearing with the team in 1949's Africa Screams, she was briefly nonplused by their ad-libs and prankishness, but soon learned to relax and enjoy their unorthodox working habits. Retiring in 1960 upon her marriage to MGM general manager Ray Klune, Hillary Brooke has devoted much of her time since to religious and charitable work.

Trivia: Boxing champ Max Baer made his film acting bow in The Prizefighter and the Lady (1933). This MGM "special" co-starred Baer with Walter Huston and Myrna Loy--not to mention his fellow pugilists Jack Dempsey, Primo Carnera, Jesse Willard, Jim Jeffries and Stranger Lewis. Though he evinced movie-star potential, Baer would never again have so worthwhile a film role. Nor was he as busy in Hollywood as his boxer brother Buddy Baer, with whom Max appeared in the 1949 Abbott and Costello comedy Africa Screams. In 1951, Baer was teamed with another boxer-turned-thespian Maxie Rosenbloom in a quartet of inexpensive Columbia 2-reelers. Max Baer was the father of Max Baer Jr., famed for his portrayal of Jethro on TV's The Beverly Hillbillies and for his second career as a film producer/director.

Trivia: Clyde Beatty was a renowned circus owner and animal trainer known for his daring stunts involving wild beasts. He appeared in several adventure serials and feature films during the '30s, '40s and '50s.

Trivia: Notorious big-game hunter and explorer Frank Buck acted in and produced a series of jungle adventure films during the '30s and '40s.

Trivia: Brooklyn-born comedian Shemp Howard was the oldest of five sons of a Lithuanian immigrant couple. Shemp was a prankish kid who used humor to obscure the fact that he lived in mortal fear of practically everything, from automobiles to oceans. It is fortunate that he chose show business as profession, since he proved time and again to be utterly incapable of succeeding in any other line of work. Following the lead of his younger brother Moe, Shemp went into vaudeville with a blackface act. In 1922, Shemp and Moe were hired as stooges for comedian Ted Healy; three years later, Larry Fine joined the act, which graduated from vaudeville to Broadway. Since Healy liked his stooges to look as ridiculous as possible, he insisted that they each adopt an eccentric hairstyle. Shemp chose to part his hair down the middle and slick it into place with vaseline, a style he'd retain for the rest of his career. Shemp struck out on his own in 1932. Throughout the '30s, he was starred or featured in dozens of Vitaphone 2-reel comedies, where his growly delivery of lines, his incessant adlibbing and his homely "kisser" never failed to elicit loud laughter. In 1940, he signed a contract with Universal pictures, appearing in such films as Hellzapoppin' (1941), Pittsburgh (1942) and Arabian Nights (1942). Shemp was invariably hilarious in these films -- too hilarious for the tastes of such comedians as W.C. Fields and Lou Costello, who insisted that many of Shemp's best bits be consigned to the cutting room floor. While headlining his own series of Columbia 2-reelers in 1946, Shemp was asked by his brother Moe and Larry Fine to rejoin their old act, which by now had gained fame as The Three Stooges. Shemp's replacement in the act, his kid brother Curly, had suffered a stroke, and a new "patsy" was required to act as the target of Moe's physical assaults. Shemp remained with the Three Stooges from 1946 thorugh 1955, appearing in two-reelers, stage presentations, TV guest spots, and one feature film (Gold Raiders [1951]). Shemp Howard died of a sudden heart attack at the age of 60; even after his death, Shemp "starred" in four Three Stooges comedies, courtesy of stock footage from earlier films and a stand-in by the name of Joe Palma.

Trivia: After a stint as a delivery boy, roly-poly Joe Besser worked his way up the show business ladder as a song plugger and magician's assistant. A vaudeville headliner in his mid-twenties, the bilious, balding Besser usually appeared as a member of a team. On his own, he contributed to the general merriment of Olsen and Johnson's Sons O' Fun, playing his patented stage character as a whining, overweight sissy. Besser's trademarked "I'll HAAAARM you" and "Oh, you NAAAASTY, you!" could be heard throughout the 1940s in such radio shows as The Jack Benny Program and such Columbia feature films as Hey, Rookie! A close friend of comedian Lou Costello, Besser was amusingly cast as an effete gunman in Abbott & Costello's Africa Screams (1949) and as the bratty little boy (!) Stinky in TV's The Abbott and Costello Show (1951-1952). He also starred in his own series of Columbia two-reelers, usually playing a misfit G.I., and from 1956 to 1958 he was a member of the Three Stooges. Flourishing into the 1960s and 1970s, Besser was a regular on The Joey Bishop Show (1962-1965), played supporting roles (sometimes surprisingly dramatic in nature) in films and on TV, and provided voice-overs for such cartoon series as Jeannie (1972) and Yogi's Space Race (1977). One of Joe Besser's last public appearances came about when the Three Stooges at long last received their star on the Hollywood Walk of Fame.