Trivia: Since first being introduced to television audiences as the object of Claire Danes' angst-ridden lust in My So-Called Life, Jared Leto has enjoyed a growing popularity that has allowed him to make a name for himself in a steady stream of films. Born December 26, 1971, in Bossier City, LA, Leto led a peripatetic childhood under the care of his mother, who moved her family to places ranging from Haiti to a Colorado commune. Leto, who was interested in becoming a painter, enrolled in Philadelphia's University of the Arts, but then discovered acting and transferred to the School of Visual Arts in New York City. While he was a student there, he wrote and starred in his own film, Crying Joy.Leto moved to Los Angeles in 1992 to pursue his acting career. In 1994, he got his big break playing My So-Called Life's oblivious heartthrob, Jordan Catalano. Although the show didn't have a long run, it accumulated a loyal cult following from being ceaselessly re-run on MTV. Leto soon became daydream fodder for teenage girls, a status furthered by his selection as one of People's "50 Most Beautiful People" in both 1996 and 1997. After starring with a pre-Clueless Alicia Silverstone in the 1994 TV movie The Cool and the Crazy, Leto was cast in his first big screen role in How to Make an American Quilt (1995). More work followed in The Last of the High Kings (1996), in which he co-starred with Christina Ricci, and in Switchback (1997), opposite Danny Glover and Dennis Quaid. Leto then took on an athletic part in the Disney-produced Prefontaine (1997), the story of legendary runner Steve Prefontaine.1998 proved a good year for Leto, who appeared in Terrence Malick's The Thin Red Line as part of a powerhouse cast including Nick Nolte, George Clooney, and Sean Penn. In addition, he had a major role in Urban Legend, one of the more successful exploitations of the teen horror genre. Leto did hit one stumbling block, however, with Basil, a straight-to-video period drama co-starring Christian Slater and Claire Forlani. This misstep didn't seem to hurt the actor, whose name was already attached to a number of high-profile projects that would no doubt further increase his star wattage.Two such projects were the edgy indie films American Psycho and Requiem for a Dream, both released in 2000. Though passed up for the lead in the former film, Leto made an impression in a supporting role as an arrogant yuppie doomed to be the first victim of vapid serial killer Patrick Bateman. Later that year, Leto landed the plum lead role in up-and-coming director Darren Aronofsky's sophomore effort, the addiction drama Requiem for a Dream. Playing a young Brooklyn man struggling with heroin and a severely unhinged mother, Leto had the opportunity to play against the legendary Ellen Burstyn as well as future Oscar winner Jennifer Connelly, and garnered the best reviews of his career.Though two other Leto-starring films -- a would-be Boogie Nights ensemble piece named Sunset Strip (2000) and a grungy, Tarantino-esque road film eventually titled Highway (2001) -- quickly went the way of the video store shelf, the performer would find himself better employed as a supporting actor in two of director David Fincher's more notable films. In the controversial Fight Club (1999), Leto had a small part as a masochistic anarchist wannabe; in 2002's Panic Room, he played the most verbose and bumbling of the three burglars tormenting Jodie Foster's character.In the coming years, Leto would divide his time between an acting career and his rock band, 30 Seconds to Mars. Some of the movies he would appear in over the ensuing decade would include Lord of War, Alexander, Lonely Hearts, and Chapter 27.

Trivia: Born into a show business family -- father Michael Hawkins is a stage actor and mother Mary Jo Slater is a casting director -- Christian Slater made his acting debut at age eight after his mother cast him in the television soap opera One Life to Live on a lark. The following year Slater was on Broadway starring opposite Dick Van Dyke in The Music Man. Slater would remain on Broadway for at least two more productions. As a youth, Slater attended Manhattan's Professional Children's School. He made his television debut in the movie Living Proof: The Hank Williams Junior Story (1983) and his film debut two years later when he was only 16 in The Legend of Billy Jean. Slater earned some of his first favorable notice starring opposite Sean Connery in The Name of the Rose (1986). He next appeared in Tucker, a Man and His Dream (1988), and more films followed after that, but Slater did not become a star until he co-starred opposite Winona Ryder in the darkly satirical Heathers in which he played an anarchic sociopath. His maniacal over-the-top performance led to comparisons with Jack Nicholson. After Heathers, it looked as if Slater was destined to be typecast into playing lunatic villains or seriously troubled youths. In the latter regard, life seemed to mirror his art.In 1989, he was arrested in West Hollywood for leading the police on a drunken car chase that ended when Slater crashed his car into a telephone pole. While trying to escape the car, he kicked a cop with his cowboy boot and then attempted to flee over a fence. In 1994, he was arrested for taking a gun aboard a plane. In 1997, Slater was arrested for attacking his lover and biting a police officer in the belly while drinking heavily; he was sentenced to spend 90 days in a suburban jail in early 1998, all this just one day after his newest film, Hard Rain, premiered. Shortly after sentencing, Slater admitted that he had also been taking cocaine and heroin at the time. As part of his sentence, he had to serve post-jail time in a drug/alcohol rehab program and attend a year-long program on preventing domestic violence. Despite his personal struggles, Slater has maintained a film career starring as a high school geek with a cool secret life in Pump Up the Volume (1990) to the romantic Bed of Roses (1996) to high-voltage actioners like Broken Arrow (1996). In his 1997 production Julian Po, he gained weight, grew a mustache, and appeared as a suicidal bookkeeper who embezzles money from his company so he can fulfill one final wish. Though subsequent roles in such critically-panned films as 3000 Miles to Graceland, Windtalkers, and Alone in the Dark did little to advance Slater's career, recurring roles in such popular television series' as Aaron Sorkin's The West Wing and J.J. Abrams' Alias offered not only more exposure, but a chance to reestablish himself on the small screen as well. Meanwhile, a promising debut as a secret agent with a duel personality on NBC's My Own Worst Enemy proved a bit of a false start when the network never offered the show a chance to find its legs. Ever resiliant, Slater quicky bounced back with ABC's The Forgotten in 2009 and Fox's Breaking In in 2011, though neither series failed to catch on, leaving the veteran actor to take up arms as a vengeful gunslinger in the 2012 western Dawn Rider, and get caught up in one of history's most notorious blood feud's in Fred Olen Ray's Bad Blood: The Hatfiends and McCoys.

Trivia: An actress whose fragile, fine-boned beauty has often gotten her cast as emotionally vulnerable, put-upon girlfriends, Claire Forlani has done strong work in this capacity in such films as Basquiat and Meet Joe Black. The daughter of an Italian father and a British mother, she was born in London on July 1, 1972. At the age of 11, she began studying dance and drama at London's Arts Educational School, where she trained for the next six years. She began her professional acting career in 1991, when she appeared in a number of productions for British television.After relocating with her family to San Francisco in 1993, Forlani made her American acting debut with a small but memorable role in the TV miniseries JFK: Reckless Youth (1993) as a young woman who dances her way into the heart and hormones of the young president. She subsequently had a minor part in Police Academy - Mission to Moscow (1994), and then landed more substantial work in Mallrats (1995) after impressing director Kevin Smith with her flawless impression of an immature young American. Forlani's work in Mallrats gave her enough exposure to garner the attention of various casting agents, as evidenced by her central role as the all-too accommodating waitress girlfriend of Basquiat's (1996) eponymous artist (Jeffrey Wright).The actress remained in troubled girlfriend mode for The Last Time I Committed Suicide (1997), in which she played Beat icon Neal Cassady's suicidal paramour, and then literally flirted with death in Meet Joe Black (1998). The film cast Forlani in her biggest role to date, that of a young doctor who falls in love with Death, as personified with blond highlights by Brad Pitt; although the film itself was the object of much critical ire, Forlani escaped relatively unscathed. After playing yet another imperiled girlfriend in Mystery Men (1999), Forlani switched gears to play a neurotic college student who ends up in bed with her best friend (Freddie Prinze, Jr.) in the romantic comedy Boys and Girls (2000). Forliani stayed busy throughout the 2000s, winning praise for her work in the critically acclaimed fantasy drama Northfolk (2003), which also starred James Woods and Nick Nolte. She appeared in director Christopher Guest's playful send-up of Hollywood during awards season, For Your Consideration, in 2006, though she is better known for her portrayal of medical examiner Peyton Driscoll in CSI: NY (2006-2007). In 2008 she joined the cast of the supernatural thriller Not Forgotten to play a supporting role, and returned to the small screen in 2011 to play the part of Igraine in Camelot, a short-lived television series from STARZ.

Trivia: One of Britain's most distinguished stage performers, Derek Jacobi is one of two actors (the other being Laurence Olivier) to hold both Danish and English knighthoods. Primarily known for his work on the stage, he has also made a number of films and remains best-known to television audiences for his stunning portrayal of the titular Roman emperor in I, Claudius.Born in Leytonstone, East London, on October 22, 1938, Jacobi was raised with a love of film, and he began performing on the stage while attending an all-boys school. Thanks to the school's single sex population, his first roles with the drama club -- until his voice broke -- were all female. It was with one of his first male roles that Jacobi earned his first measure of acclaim: playing Hamlet in a school production staged at the 1957 Edinburgh Festival, he made enough of an impression that he was approached by an agent from Twentieth Century Fox. Ultimately deemed too young to be signed to the studio, Jacobi instead went to Cambridge University, where he studied history and continued acting. His stage work at Cambridge was prolific and allowed him to work with classmates Ian McKellen and Trevor Nunn, and, thanks to his performance as Edward II, landed him his first job after graduation. Jacobi acted with the Birmingham Repertory Theatre until his portrayal of Henry VIII attracted the attention of Laurence Olivier. Olivier was so impressed with Jacobi's work that he invited him to London to become one of the eight founding members of the prestigious National Theatre.Jacobi went on to become one of his country's most steadily employed and respected actors, performing in numerous plays over the years on both sides of the Atlantic (in 1985, he won a Tony Award for his work in Much Ado About Nothing). He also branched out into film and television, making his film debut with a secondary role in Douglas Sirk's Interlude (1957). He acted in numerous film adaptations of classic plays, including Othello (1965) and The Three Sisters (1970). However, it was through his collaborations with Kenneth Branagh on various screen adaptations of Shakespeare that he became most visible to an international film audience, appearing as the Chorus in Branagh's acclaimed 1989 Henry V and as Claudius in the director's 1996 full-length adaptation of Hamlet. Jacobi made one of his most memorable (to say nothing of terrifying) screen impressions in Branagh's Hitchcock-inspired Dead Again (1991), portraying a hypnotist with a very shady background. In 1998, Jacobi earned more recognition with his portrayal of famed painter Francis Bacon in John Maybury's controversial Love Is the Devil: Study for a Portrait of Francis Bacon.On television, in addition to his celebrated work in I, Claudius, Jacobi has also earned praise for his roles in a number of other productions. In 1989, he won an Emmy for his performance in the 1988 adaptation of Graham Greene's The Tenth Man.In 1994 he began a successful run as a mystery-solving monk in the TV series Cadfael, a program that ran for three years. He had a Shakespeare heavy 1996 playing Claudius opposite Branagh's Hamlet, and appearing in Al Pacino's documentary Looking for Richard. He lent his voice to the animated version of Beowulf. He began the new century appearing in the Best Picture winner Gladiator, and was part of the rich ensemble compiled by Robert Altman for Gosford Park. In 2005 he was in the cast of the hit children's film Nanny McPhee, and two years later he was in The Golden Compass. In 2010 he appeared in another Oscar winning best picture when he was in The King's Speech. The next year he appeared in Anonymous as well as My Week With Marilyn.

Trivia: British actor David Ross is a veteran of stage, screen, and television. Although he has been performing since the 1960s, he achieved only limited notice from TV and film audiences until he began acting in widely distributed productions in the 1990s. For example, he played to worldwide audiences as Mr. Bumble in the 1999 TV miniseries Oliver Twist, Mr. Sedley in the 1998 TV miniseries Vanity Fair, and the doctor in the 1996 Julia Roberts/John Malkovich film Mary Reilly. In 1962, when he was just 17, Ross decided to act for a living. After learning the rudiments of drama with the Harrogate Rep. Company, he underwent further training at Manchester Polytechnic and later performed for the Manchester Contact Theatre. Then he slowly worked his way up through the ranks, appearing in little-known productions such as Yanks Go Home (TV, 1976), Sherlock Holmes (film, 1984), and Aria (film, 1987). However, he gained a modicum of renown among British audiences between 1988 and 1995 for his guest roles in the Red Dwarf TV series. His film work in the late 20th century included roles in Little Odessa (1994), Eskimo Day (1996), and Basil (1998). Ross has appeared frequently on the stages of U.K. theaters. In the spring of 2002, he began a run at the London Palladium as a "Vulgarian spy" in the Adrian Noble musical adaptation of Chitty Chitty Bang Bang. One London newspaper praised his performance as "pantomimically funny."

Trivia: Began acting as part of an amateur dramatics troupe called Scamps as a teenager. In 1994, made her television debut as Elsie in A Dark-Adapted Eye. Made her film debut in the 1998 historical drama Basil. Is perhaps best known for playing Stevie in the BBC sitcom Miranda between 2009 and 2015. As of 2020, has voiced Daisy in the animated preschool series since 2017.

Trivia: British actor Jack Wild enjoyed a unique career in film and television, but -- like many child stars who peak at an early age -- found it resolutely difficult to extend his success beyond his initial decade and traveled a hard road thereafter. A native of Roynton, England (near Oldham), Wild debuted on television at age 13 and landed a series of roles on British television, including Danny the Dragon (a recurring part as Gavin), One of the Unknown, and Z Cars. His breakthrough arrived at the hands of famed director Carol Reed (The Third Man), who tapped the diminutive performer (with a highly unique, elfin look) to portray The Artful Dodger opposite Mark Lester and Ron Moody in the blockbuster musical Oliver!, which won the Best Picture Oscar in 1968. Unsurprisingly, the popularity of that role turned into a triumph for Wild, and in fact prompted another, equally successful turn in the trippy children's series H.R. Pufnstuf as Jimmy, a flutist who lives on a psychedelic island. Sadly, Wild spent the following decades struggling to find steady work, and his roles grew less frequent and substantial. His problems were exacerbated by constant cigarette smoking and heavy drinking. Though the actor managed to completely sober up by the early '90s and landed a supporting turn as Morin in the Kevin Reynolds-directed Kevin Costner vehicle Robin Hood: Prince of Thieves (1991), the smoking continued unabated, and contributed to Wild's contraction of oral cancer in 2000. As a result of complications from this, he had his voice box and tongue completely removed, and thus spent the end of his life mute. Following extensive chemotherapy, surgery, and radiotherapy, Wild died from the cancer at age 53 in 2006.