Trivia: Like so many other prominent actors of the 1970s, the versatile James Caan rose to success on the strength of his riveting performance in The Godfather. Born March 26, 1939, in the Bronx, NY, Caan decided to pursue a career in acting while attending college and in 1960 was accepted by Sanford Meisner into the Neighborhood Playhouse. After making his debut off-Broadway in I Roam, he landed in the Broadway production of Mandingo but exited after just four performances because of artistic difficulties with star Franchot Tone. Caan then landed in television, where he became a busy character actor; he made his film debut in an unbilled performance in 1963's Irma La Douce, followed by a meatier role in Lady in a Cage the following year. The 1965 Howard Hawks auto-racing drama Red Line 7000 was his first starring role, followed two years later by the Hawks Western El Dorado, which cast him opposite John Wayne and Robert Mitchum; in 1968, Caan starred in Robert Altman's Countdown, and in 1969, he appeared in Francis Ford Coppola's The Rain People. Caan shot to fame thanks to a poignant performance in the 1970 television movie Brian's Song, in which he played the ill-fated Chicago Bears star Brian Piccolo; his turn as the similarly ill-fated Sonny Corleone in Coppola's 1972 masterpiece The Godfather solidified his stardom and earned him an Academy Award nomination, but his subsequent films, including 1973's Slither and the next year's Freebie and the Bean, failed to live up to expectations. After earning a Golden Globe bid for his work in 1974's The Gambler, Caan briefly appeared in 1974's The Godfather Pt. 2 before co-starring with Barbra Streisand in the hit Funny Lady, followed by Norman Jewison's futuristic parable Rollerball. When both 1975's Sam Peckinpah thriller The Killer Elite and 1976's Harry and Walter Go to New York met with failure, Caan's career took a downward turn, and apart from cameo appearances in both Mel Brooks' Silent Movie and the star-studded A Bridge Too Far, he was largely absent from screens for a time. He also made any number of ill-considered decisions; he and Coppola were unable to come to terms for Apocalypse Now, and he also rejected roles in hits including One Flew Over the Cuckoo's Nest, Superman, and Kramer vs. Kramer.By the end of the decade, Caan's career had hit the skids, as projects including the 1978 Western Comes a Horseman (co-starring Jane Fonda) and the following year's Neil Simon drama Chapter Two all failed to live up to expectations. His directorial debut in 1980's Hide in Plain Sight fared no better, although Michael Mann's thriller Thief garnered a cult following; when 1982's Kiss Me Goodbye bombed, Caan disappeared from sight for the next five years. Finally, in 1987, Caan resurfaced, starring in Coppola's war drama Gardens of Stone; the next year's science fiction picture Alien Nation was a hit, as was his next major project, Rob Reiner's 1990 feature Misery. After 1991's For the Boys failed to connect with audiences, Caan spent much of the decade in prominent supporting roles which showcased his smart, edgy persona; among the more high-profile were 1992's Honeymoon in Vegas, 1996's Eraser, and the wonderful indie hit Bottle Rocket.Caan would prove over the coming decades that he liked to work, appearing in projects that ran the gamut from big to small. He'd appear in comedies like Mickey Blue Eyes and Elf, thrillers like City of Ghosts and In the Shadows, indie films like Lars Von Trier's Dogville and Tony Kaye's Detachment. Caan would also delight audiences on the small screen with a starring role on the TV series Las Vegas from 2003 to 2007,

Trivia: Actor Walter Koenig is best known as Ensign Chekhov on the evergreen TV series Star Trek. Before his tenure on Star Trek he'd done some acting, both in his native Chicago and in New York. Absent from Star Trek's first season, Koenig was signed on in 1967 as Russian-born Pavel Chekhov when the NBC "suits" decided that a new, young regular was needed to woo the female teenaged viewers. The role turned out to be Koenig's life's work: he has portrayed Chekhov in every Star Trek feature film since. Oddly, he did not appear in the 1975 Saturday morning Star Trek cartoon spin-off, though he did contribute one of that series' scripts. Firmly entrenched in the science-fiction mode into the 1990s, Walter Koenig has appeared as Mr. Bester in the syndicated series Babylon 5.

Trivia: Though he appeared to be the archetypal tense, tightly wound street punk, Tony Musante was in fact a reasonably well-behaved kid while growing up in Connecticut. After attending Oberlin College, Musante worked as a schoolteacher before making his off-Broadway acting bow in 1960. Three years later, producer David Susskind chose Musante to play a switchblade-wielding juvenile delinquent in the hour-long TV drama Ride With Terror; this developed into the 1967 film The Incident, with Musante repeating his role and winning several festival awards as a result. Following a healthy leading-man career in Italian pictures and in such Hollywood productions as The Last Run (1971), Musante returned to TV to star as chameleonlike New Jersey cop Dave Toma in the 1973 series Toma. When he left the series over creative differences after a single season, the program was retooled as Baretta, with Robert Blake in the title role. Tony Musante went on to earn an Emmy nomination for his performance in the 1975 TV movie A Quality of Mercy, and that same year made his long-overdue Broadway debut in PS Your Cat is Dead. He played Mafia boss Nino Schibetta on the first season of the HBO series Oz and continued working steadily up until his death in 2013 at age 77, as a result of complications from surgery.

Trivia: A former deep-sea diver, Zalman King made his first public impression as an actor. In the "relevant" 1970 TV series The Young Lawyers, King won as many detractors as fans for his abrasive portrayal of idealistic law student Aaron Silverman. King's first starring feature film, The Ski Bum (1971), was a mistake from the word "go," and before long he was playing standard psycho villains. In 1976, he was cast as Jesus in The Passover Plot, another project that looked better on paper than it did on screen. From 1980 onward, King devoted his time to behind-the-camera activities, beginning with the inexpensive "sleeper" Roadie, which he produced and co-wrote. King made his biggest cinematic impact in the realm of soft-core erotica, first as co-producer and co-scripter of 9 1/2 Weeks (1982), then as writer/director of such heavy-breathers as Two Moon Junction (1988) and Wild Orchid (1990). He often wrote in collaboration with his wife, Patricia Knop. For cable television, Zalman King produced, directed and occasionally wrote for the softcore anthology Red Shoe Diaries.

Trivia: The son of a wardrobe woman at Columbia Pictures, handsome blond Chuck Courtney (born Charles T. Courtney Jr.) is perhaps best known for playing the recurring role of Dan Reid in 14 episodes of the popular The Lone Ranger television series. Courtney was also something of a favorite with veteran low-budget director William Beaudine, who starred him in such fare as Born to the Saddle (1953), an independently produced action melodrama that defied the era's insidious blacklist by also employing Karen Morley, and the terrible Billy the Kid Vs. Dracula (1966). Courtney and John Carradine played the title roles and both were horrendously wasted. Switching from acting to stunt supervising, Courtney later received the coveted Golden Boot Award. Despondent over a lingering and debilitating illness, Chuck Courtney committed suicide in his North Hollywood home. Sons Dustin Courtney and Lincoln Simonds both became stunt men.

Trivia: Versatile American entertainer Johnny Silver has played character roles on stage, screen, television, and radio. He also performed in nightclubs, vaudeville, and even grand opera. His daughter, Stephanie Silver, became an actress. His other daughter, Jennifer, became a singer/songwriter.