Trivia: Red-headed, freckle-faced Martin Milner was only 15 when he made his screen debut in Life With Father (1947), and would continue to play wide-eyed high schoolers and college kids well into the next decade. His early film assignments included the teenaged Marine recruit in Lewis Milestone's The Halls of Montezuma (1951) and the obnoxious suitor of Jeanne Crain in Belles on Their Toes (1952). His first regular TV series was The Stu Erwin Show (1950-1955), in which he played the boyfriend (and later husband) of Stu's daughter Joyce. More mature roles came his way in Marjorie Morningstar (1957) as Natalie Wood's playwright sweetheart and in The Sweet Smell of Success (1957) as the jazz musician targeted for persecution by Winchell-esque columnist Burt Lancaster. Beginning in 1960, he enjoyed a four-year run as Corvette-driving Tod Stiles on TV's Route 66 (a statue of Milner and his co-star George Maharis currently stands at the Corvette Museum in Bowling Green, KY). A longtime friend and associate of producer/director/actor Jack Webb, Milner was cast as veteran L.A.P.D. patrolman Pete Malloy on the Webb-produced TV weekly Adam-12, which ran from 1968 to 1975. His later TV work included a short-lived 1970s series based on Johan Wyss' Swiss Family Robinson. Later employed as a California radio personality, Martin Milner continued to make occasional TV guest appearances; one of these was in the 1989 TV movie Nashville Beat, in which he was reunited with his Adam-12 co-star Kent McCord. He made an appearance on the short-lived series The New Adam-12 and had recurring roles on shows like Life Goes On and Murder, She Wrote. Milner died in 2015, at age 83.

Trivia: Supporting actor Kent McCord is best known for co-starring in the long-running series Adam-12 (1968-1975). McCord made his film debut in the made-for-television movie The Outsider (1967). Following the demise of Adam-12, McCord continued appearing in TV films and in low-budget features such as Unsub (1985) and Return of the Living Dead 3 (1993).

Trivia: Phillip Pine was a character actor whose chameleon-like presence graced the entertainment world for more than 50 years as an actor, in addition to work as a screenwriter and director. Pine was born in Hanford, CA, 1920, and made his stage debut in a play written in Portugeuse. He later worked on showboats along the Mississippi and Ohio Rivers, and made the jump to small roles in movies in the mid-'40s, when he was in his twenties. His dark features frequently got him cast as gangsters and thugs in the early part of his career, and he moved in more prominent roles -- usually of a villainous nature -- in the 1950s.In 1954, Pine worked on-stage in See the Jaguar and The Immoralist and crossed paths with James Dean at the outset of the latter's career in New York. He played the title role in the stage version of A Stone for Danny Fisher, in a production that also featured Zero Mostel, Joe de Santis, and Susan Cabot. Brooks Atkinson, reviewing the play in The New York Times, wrote that Pine turned in "a good performance. He makes the character shifty and shallow, but likable, also, like a heel who means well weakly." With very expressive eyes and a minimum of words, Pine could melt into a role and make the most of only a few seconds' screen time. His feature films included William Keighley's crime thriller The Street with No Name (1948), Robert Wise's The Set Up, Mark Robson's My Foolish Heart, and William Wellman's Battleground, all released in 1949. He was also a veteran of hundreds of television shows, from Superman ("The Case of the Talkative Dummy," "The Mystery of the Broken Statues") to The Twilight Zone to Star Trek ("The Savage Curtain"), all of them as villains of a crafty and devious nature. Pine's biggest feature film role was in Irving Lerner's 1958 thriller Murder By Contract, in which he portrayed one of a pair of hoods working with hired assassin Vince Edwards. Pine passed away in 2006 at the age of 86.

Trivia: American actor William Traylor played character roles on stage and screen, but he is best remembered in Hollywood for opening the Loft Studio (established 1973), an acting school where such actors as Sean Penn, Anjelica Huston, and Nicholas Cage honed their craft. Traylor received his training at the Actors' Studio in New York. Upon moving to Los Angeles, he co-founded the Actors Studio/West and the Lee Strasberg Institute.

Trivia: The oldest son of singer Bing Crosby, American actor Gary Crosby was named for Bing's good friend Gary Cooper. Crosby, along with his three brothers, began his show-biz career as a child on his father's radio program. In 1942 he appeared in the movie musical Star Spangled Rhythm, where he was kissed by Betty Grable. For the next few years he was only seen in film sporadically. In 1962, with the encouragement of his wife, Gary began pursuing a performing career in earnest, first as part of a nightclub act with his brothers, then as a solo singer. In 1963 Crosby was signed for a two-year continuing role on the TV sitcom The Bill Dana Show. After its 1965 cancellation his career went on hold until director Hollingsworth Morse persuaded TV actor/producer Jack Webb to take a chance with Gary and give him a few supporting roles on the 1960s version of Dragnet.Webb liked Crosby and retained him in the role of Officer Ed Wells on Adam-12, which debuted in 1968. With three years of Adam-12 under his belt, Crosby took on the role of Officer Ed Rice on the short-lived cop show Chase (1974). While his father was still alive, Crosby was usually guarded in his comments about his relationship with his father, but after his father died in 1977, Gary found himself an object of much media scrutiny and in 1983, six years after his father's death, he published a scathing account of his troubled upbringing in Going My Own Way. The book not only generated public controversy, it also created turmoil amongst his brothers and his step family.

Trivia: American actor Bruce Kirby made his Broadway bow at age 40 in the 1965 production Diamond Orchid. More stage work followed, and then movie assignments, commencing with the all-star Catch 22 (1970), and continuing into the 1980s with such productions as Sweet Dreams (1985) and Throw Momma from the Train (1987). Kirby's TV career has embraced both series successes (1989's Anything But Love, as Jamie Lee Curtis' father), ignoble failures (1976's Holmes and Yoyo, as Henry Sedford), and a few projects which never sold (Kirby was in two busted pilots for something called McNamara's Band). In 1984, Kirbyreturned to Broadway to understudy Dustin Hoffman as Willy Loman in the revival of Death of a Salesman. Bruce Kirby, sometimes billed as Bruce Kirby Sr., was the father of actor Bruno Kirby, who formerly billed himself as B. Kirby Jr.

Trivia: American actor Claude Johnson has played supporting roles on stage, screen and especially television during the '60s and '70s.

Trivia: The original leader of the original "Dead End Kids," American actor Billy Halop came from a theatrical family; his mother was a dancer and his sister Florence was a busy radio actress. After several years as a well-paid radio juvenile, Billy was cast as Tommy Gordon in the Broadway production of Sidney Kingsley's Dead End (1935), where thanks to his previous credentials he was accorded star status. Travelling to Hollywood with the rest of the Dead End Kids when Samuel Goldwyn produced a film version of the play in 1937, Billy had no trouble lining up important roles, specializing in tough kids, bullies and reform school inmates in such major pictures as Dust be My Destiny (1939) and Tom Brown's School Days (1940). A long-standing rivalry between Halop and fellow Dead-Ender Leo Gorcey (both actors wanted to be the leader of the gang) led to Billy's breakaway from the Dead End Kids and its offspring groups, the East Side Kids and the Bowery Boys, though Halop briefly starred in Universal's "Little Tough Guys" films. After serving in World War II, Halop found that he'd grown too old to be effective in the roles that had brought him fame; at one point he was reduced to starring in a cheap "East Side Kids" imitation at PRC studios, Gas House Kids (1946). Diminishing film work, marital difficulties and a drinking problem eventually ate away at Halop's show business career. In 1960, he married a multiple sclerosis victim, and the nursing skills he learned while taking care of his wife led him to steady work as a registered nurse at St. John's Hospital in Malibu. For the rest of his life, Billy Halop supplemented his nursing income with small TV and movie roles, gaining a measure of latter-day prominence as Archie Bunker's cab-driving pal Bert Munson on the '70s TV series All in the Family.